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The unprecedented turnout in Mumbai from various parts of the state to back Maratha leader Manoj Jarange Patil has generated extreme political heat. His opponents have made allegations that the agitation triggered by the proponent of Maratha caste’s demand for reservations is actually aimed at destabilising the government of chief minister Devendra Fadnavis. The name of deputy CM Ajit Pawar has been dragged into this attack, which was launched by OBC leader Lakshman Hake. From the beginning Hake has been leading the opposition to Jarange’s agitation. The presence of a handful MLAs belonging to Pawar’s NCP at Jarange’s demonstration in south Mumbai on Friday has unsettled the OBC community. In a retort, OBC leaders have warned the government that they, too, will bring hordes of their supporters to Mumbai to rebut the stir started by Jarange. Reiterating his stand, Fadnavis said the agitations against his government were taking place since ‘resources’ were provided to them. He did not spell out any names but said, “We are committed to providing social justice and have already granted 10% reservation to the Maratha caste.” The gravity of Hake’s charge has increased since it concerns a Mahayuti partner, the NCP of Ajit Pawar. Although Hake has not elaborated on his statement, there is a caste undertone to it as the NCP is seen, by and large, a party of the Marathas. Incidentally, both deputy CMs of Maharashtra – Eknath Shinde and Ajit Pawar – are Marathas.
Over the past week, the electronic media coverage of Maharashtra has been hovering around just two topics. Firstly, the agitation launched by Manoj Jarange Patil to press the demand for granting reservations to his caste is the hottest issue. Secondly, a meeting between two Thackerays – Uddhav and Raj – has dominated the TV bulletins. The impact of the Trump Tariff, the footage of devastating floods, the destruction caused by incessant rains to the crops and all such subjects have been pushed to the backburner. Jarange monopolised the TV time in connection with his agitation, which is recurring many times over. Last year, too, he had come to Mumbai and went back after getting assurances from the government. Over the three years, he has done eight fasts unto death. As far as the Thackeray cousins are concerned, their second meet, which took place at Raj’s Shivaji Park residence, was constantly in the news, before, during and after. Pressing issues like the pitiable condition of roads, internal and highways, received scant coverage. Those active on Social Media have lambasted the TV Marathi channels for this situation. They have expressed chagrin since the matters concerning the nation have been ignored by the electronic media houses. The honchos administering the media have pleaded that it is their duty to reflect what is going on in the state so that public education is done. However, this defence has few takers.
As Bengal gears up for the 2026 Assembly elections, Nandigram has once again returned to the political spotlight. The constituency, which staged the dramatic face-off between Mamata Banerjee and Suvendu Adhikari in the last polls, is already buzzing with speculation and strategy. The controversy from the previous election still lingers. Trinamool Congress (TMC) had accused the BJP of manipulating votes through orchestrated power cuts, and the case continues in court. Yet, long before a verdict, the battlefield is being readied for the next round. The central question remains whether Mamata Banerjee would contest from Nandigram in 2026 or not. The BJP seems convinced. Pralay Pal, Tamluk district vice-president, declared on social media that “confidential sources” and a “secret report” by TMC’s National General Secretary and Mamata’s nephew Abhishek Banerjee, confirm the West Bengal chief minister’s candidature from Nandigram in 2026. He went further, asserting that the BJP would repeat its victory. The TMC camp, however, is striking back with confidence. However, Bappaditya Garg, president of Nandigram Block 1 TMC, dismissed the BJP’s claims and stressed that the party’s candidate would be revealed in due course. Yet, he was emphatic on one point: Suvendu Adhikari will not fight from Nandigram again. Garg buttressed his claim with electoral data—TMC’s win in Adhikari’s own booth at Nandanayekbari during the cooperative polls, a 412-vote lead in his locality in the Lok Sabha election, and a 2,500-vote lead from Panchayat Samiti voters in the same.
Sunil Gavaskar was known as a man of “centuries” — with the willow in hands and dispersing the most fearsome fast bowlers of his time. There are a number of centuries to his credit; but a day after his statue was unveiled outside the Mumbai Cricket Association’s brand new Sharad Pawar Cricket Museum that’s located in between the Cricket Centre where the BCCI is a tenant and the Garware Club House, India’s all-time best batting maestro, must have created another century of sorts at his party, humbly shaking hands with over hundred people, all teammates of his school, college, Dadar Union Club, Mumbai and India teams, other teams and of course his dear friends from different walks of life. It’s a much-awaited SMG annual get-together, nay a convivial party with a strict “no no” to speeches, with the little giant of a man playing a perfect host. This time around he remembered teammates and friends who were full of beans in the previous year dos, but had sadly made their departure to the Elysian Fields. Milind Rege, Padmakar Shivalkar, Dileep Doshi, Vijay ‘Papa’ Karkhanis , Anshuman Gaekwad, Ehsan Hakim and Abdul Ismail’s names were displayed on miniature bat at the Boundary Hall of the MCA Recreation Centre. Only recently the Gavaskars had celebrated the centenary birth anniversary of their mother and soon after, the MCA inaugurated his life size statue that prompted Amul to announce to the world that “Sunny dais are here again.” A famous name in the sporting world, Gavaskar has been part of the cricketing canvas and folklore for around six decades!
At an interactive session marking Rashtriya Swayamsevak Sangh’s centenary celebrations in Delhi, RSS chief Mohan Bhagwat made it clear that there weren’t any differences between the Sangh and BJP. Responding to a bunch of pre-submitted questions at Vigyan Bhawan, he made it clear that while there may be “struggle” between the two organisations, “there is no quarrel”. “There can be matbhed (difference of opinion) here, but no manbhed (heart-to-heart disagreement). We need to move forward in one direction, and not different ones,” he asserted. He added that the goals of the two organisations are the same. A big takeaway from Bhagwat’s interaction was that he clarified on his idea of retiring at 75 years of age, which was widely seen as a reference to PM Modi. Even as the event coordinator read out a question that said, in as many words, that his statement “was seen as a reference to PM Modi — he will turn 75 next month. Bhagwat, who is a week older than Modi, clarified that “I never said I will or someone else should retire. At the Sangh function in Nagpur, I was merely quoting a witticism by Moropant ji (senior Sangh leader Moreshwar Nilkanth Pingle aka ‘Moropant’) about how when someone gives you a ceremonial shawl at 75, you should think of retirement.” So, this is not for the retirement of anybody or myself he said. Another highlight was Bhagwat making it clear that Sangh doesn’t get to choose who will be next BJP president…if the RSS indeed had a say it would probably not have taken so long. In the same breath Bhagwat added that political leaders must have space to act independently.
Tamil Nadu chief minister MK Stalin is currently the man for all reasons of political strategy …dumping an invitation for an Ayyappa event in Kerala, he winged his way to Bihar on August 27, to participate in Rahul Gandhi led Voter Rights Yatra to protest against the sudden deletion of 65 lakh “fake” voters from Bihar electorate. Stalin’s party heavyweights wondered about this trip, even as Stalin was scheduled to visit London and Germany on August 30. Meanwhile, despite his huge show of power, actor Vijay knows that a nascent party like TVK at best can divert votes, what he really needs is a sinewy party to really break the incumbent. And his Chanakyas, Aadav Arjun and John Arogyasami have marketed a Congress alliance like the Holy Grail. Vijay has already sought an appointment with Rahul Gandhi, a play that Rahul is said to have nimbly avoided being lured by the sound and fury of a cinematic organisation. Surely, Rahul and his party are well aware of the 360-degree strategic strength of the DMK. Why rock the boat when this Opposition alliance has gained respectable traction? But the Judas in every party will try their to open trap doors or pull up drawbridges . Established leaders like Thirunavukkarasu, Manikam Tagore, Selvakumar are enticing the party with claims that aligning with Vijay will fetch them 60 to 70 seats, and TVK will share power with Congress.
Naveen Patnaik headed Biju Janata Dal (BJD) is in a sticky situation. Being the principal opposition party in Odisha, all eyes are on BJD’s position vis a vis Vice-President election on September 9. The Congress is rooting for INDIA Bloc candidate B Sudershan Reddy. The question is who will BJD Supremo Patnaik support? NDA or INDIA Bloc… Once upon a time it would have been NDA because of his close proximity and respect for PM Modi. It was mutual. But post 2024 polls where BJP turfed out BJD, the scenario has changed. Political observers say BJD’s decision has consequences over V-P poll. Should he go with the INDIA Bloc then he is openly challenging PM Modi. That does not augur well for a party whose future is hanging in balance because of succession issue. His man Friday VK Pandian who went under the radar for more than a year is now openly seen with Patnaik. He was holding his mentor’s hand and leading him out of the hospital. An speculations are rife that Pandian could well take over the reins of the party. What goes against him, he is an outsider –Tamilian from Tamil Nadu. If Naveen goes by Pandian’s advise chances are BJD will back NDA candidate. In the end the options before Patnaik is: One, abstain from voting , two, side with Congress instead, three, go for conscience voting like last time which divided BJD party members, four , support NDA’s choice.
Karnataka government’s decision to invite Booker Prize winner Banu Mushtaq to inaugurate Mysuru Dussehra festivities was censured after a video went viral in which she was seen criticising the worship of the Kannada language in the form of Goddess Bhuvaneshwari. At the 2023 Jana Sahitya Sammelana, Banu Mushtaq had said the appropriation of Kannada as Goddess Bhuvaneshwari draped in yellow and red, the colours of turmeric and vermilion, was “exclusionary” to people like her (minorities). BJP state president BY Vijayendra asked Banu Mushtaq to inaugurate the Mysuru Dussehra only after accepting the Sanatana culture and rituals. “The Sanatana Dharma includes idol worship and offering prayers to the deity. Do you agree with that?” He also took exception to Siddaramaiah’s decision to invite only Banu Mushtaq and ignore translator Deepa Basthi. Hindutva proponents asked how Banu Mushtaq agreed to “bow down before Chamundeshwari’s grandeur when “she cannot tolerate Kannada Bhuvaneshwari”. BJP MP Tejasvi Surya claimed that there was a bigger “game plan” behind having Banu Mushtaq. He felt these were not isolated moves… “The so-called Anti-Communal Task Force, the Hate Speech Bill, the Rohith Vemula Bill pushed at Rahul Gandhi’s insistence on the dubious Dharmasthala SIT, and now the Congress government’s decision to invite Banu Mushtaq…are part of a single, well-orchestrated game plan scripted by urban naxals and Marxists, executed with the full enthusiasm of Siddaramaiah government.” On her part, Banu Mushtaq made course corrections. She termed Dussehra a state festival and said referring to Mother Chamundeshwari with love and affection is a part of our culture. “That’s why it is dear to me as well. People call her Mother Chamundeshwari. I respect the people’s sentiment.”
Tamil Nadu chief minister MK Stalin has decided to skip the ‘Global Ayyappa Sangamam’ being organised by the Travancore Devaswom Board at Pampa in Kerala as part of its 75th anniversary on September 20. Oddly, he has cited “prior commitments” in his letter to his Kerala counterpart Pinarayi Vijayan, and has deputed two state ministers to participate. The political buzz is that Stalin most likely excused himself from the event because of the pressure exerted by the BJP. The invitation from Kerala CM had kicked up a political row with the BJP criticising the invitation extended to Stalin. TN BJP president Nainar Nagenthran, in his post on X, wrote that deputy CM Udhayanidhi Stalin, minister TRB Rajaa, former Minister K Ponmudy and DMK treasurer TR Baalu had made “disgraceful remarks” against Hindus. Nagenthran had said if Stalin intends to attend the event, as a first step, he should make the above DMK leaders apologise for their remarks. Besides, Kerala BJP president Rajeev Chandrasekhar strongly objected to Stalin’s participation. He demanded that both chief ministers apologise to Hindus “Pinarayi, Stalin and his Deputy Chief Minister son Udhayanidhi Stalin have hurt the sentiments of the Hindus and are trying to sabotage Hindu beliefs. Pinarayi government jailed many Ayyappa devotees and unleashed brutal police attacks against devotees who tried to protect the belief on restriction on women’s entry to Sabarima Ayyappa temple,” Chandrasekhar said in a statement. It is most likely in this backdrop that Stalin has chosen to skip visiting Kerala.
Can Opposition leaders like Trinamool Congress Supremo Mamata Banerjee or Congress CM Siddaramaiah or AAP CM Bhagwant Mann shun a high-level panel being set up by the Centre to prepare for the centennial birth anniversary of former PM Atal Bihari Vajpayee? Just because they are politically opposed to PM Modi. Of course, not. The Ministry of Culture has notified three high-level committees for the commemoration of 150th birth anniversaries of Sardar Vallabhbhai Patel and Birsa Munda, and the centennial birth anniversary of Vajpayee. PM Modi will chair each committee which as members have several CMs as well as union ministers. The committee for Sardar Patel will have 124 members is top heavy panel and includes former Presidents Pratibha Patil, Ramnath Kovind, Rajya Sabha deputy chairman Harivansh Singh, Lok Sabha Speaker Om Birla, Defence Minister Rajnath Singh, Home Minister Amit Shah, Finance Minister Nirmala Sitharaman, and has 21 CMs, including Opposition CMs Siddaramaiah, Omar Abdullah, Sikhvinder Singh Sukkhu, MK Stalin and Revanth Reddy. The committee also has Patel’s family members Nandini and Diribhai Patel. The committee on Birsa Munda has 118 members, including President Patil and President Kovind, Lok Sabha Speaker Om Birla, several cabinet ministers and 20 Governors and L-Gs. The committee also has over 20 CMs, including Opposition CMs Hemant Soren, Pinarayi Vijayan and Revanth Reddy, besides Naidu and Advani. The Committee on Vajpayee has 124 members, and in addition to the former Presidents and Cabinet ministers, Advani and Naidu, 19 Governors and L-Gs and 17 CMs including Mamata Banerjee and Bhagwant Mann, besides Soren and Siddaramaiah. This committee also has as members Ranjan Gogoi, spiritual guru Ravi Shankar, Vinay Sahasrabuddhe, Ram Madhav, Suresh Prabhu, Kapil Dev, Azim Premji as well as Advani’s daughter Pratibha Advani.
A proliferation of the newfound Covid virus or the Omicron Effect is rippling through the Bollywood taking in A listers into its embrace. It began with Kareena Kapoor Khan and friends – Amrita Arora and Seema Khan – admitting to their positive status with Covid after attending a party that was high on the celebrities’ quotient. Then came news of the other Kapoors. While Anil Kapoor was negative, daughter Rhea and her husband Karan and cousins Anshula and Arjun Kapoor tested positive. Curiously, none of these celebrities took to social media to apprise their daily contacts and connections about their Covid status, ignoring commonly followed protocol. Why these stars failed to warn people they came in contact with is perplexing. Others like Ekta Kapoor, who also tested positive, immediately posted their Corona status on social media. John Abraham and wife Priya also tested positive, while Pooja Bedi’s daughter Alaya F who was covid positive finally tested negative. Some crew members of the film Geheriyaanhave also tested positive. Despite infections reported rampantly, shooting for films and TV serials continues unabated just as before. However, two big films RRR and Jersey releases have been postponed as cinema halls are being shut in some states or occupancy reduced to 50% levels. Looks like Bollywood has thrown caution to the wind.
From a rank outsider, Jacqueline Fernandez’s rise and rise in Bollywood was meteoric. The 36-year old Sri Lankan model-turned actor, who entered Bollywood in 2006, has acted in over 25 films already. In 15 years she has starred opposite top heroes including Salman Khan and Akshay Khanna. Even as her northbound career graph scaled new heights came news of her involvement with conman Sukesh Chandrasekhar, who was arrested for extortion and money laundering. She claims Sukesh lured her with Bollywood offers even as he showered her with costly gifts, even a high end car. Though Jacqueline tries hard to distance herself from Sukesh, the Enforcement Directorate is yet to give her a clean chit. Does this mean curtains for her Bollywood career? Not really, say Bollywood producers. “Film makers are not judgemental. We are a very forgiving industry and, have given second chances to Sanjay Dutt, Armaan Kohli, Shiney Ahuja.” On the ground, Jacqueline’s Dabangg live tour could not begin as the ED prevented her leaving the country but she is shooting for films within the country. As of now, she has Ram Setu, Circkus, Vikrant Rana, Bachchan Pandey and Attack on hand. The ED case may slow her down for a while but, there is little doubt she is among the most liked stars of Bollywood.
It was just waiting to happen: The decoupling of the Indian couple who vowed to stay together for life! Netflix’s original show Decoupled, themed on global Indian marriages, has hit pure gold. Women finding their voices even as a couple’s marriages hurtles through marital discord and yet, both working hard at co-parenting while aspiring for their career fulfilment. Marriages are (rarely) made in heaven, but remain permanently earthed. R Madhavan at 51 plays an over-the-hill writer, Arya Iyer and, is a Maddy to scream and root for. He is sensitive yet, sexy if such a combination exists, with whacky comic timing too. Arya refuses to shake hands with young boys. “Boys are busy with their hands…they don’t wash later” his firm tongue-in-cheek refrain. Two Jharkandis brought fame and GPS to Ranchi –one, a cricket legend and the other, “ice cream won’t melt in my mouth” the wholesome Tambram, code jock clone Surveen Sacred Games Chawla, the Punjabi ultra slick kudi. A huge plus that Decoupled is in English…Coupertino to Cochin, most couples will identify with the everyday nuke edge moments that are thrown up in a high wattage marriage. Maddy fans have much to drool about and rejoice to see their footloose heartthrob take his OTT steps towards global stardom.
When Shah Rukh Khan’s son Aryan was arrested in the drugs-on-cruise liner case the whole of tinseltown came out in support for him. The same spontaneity was missing when actor Armaan Kohli was arrested by the Narcotics Control Bureau in August 2021. Bollywood’s silence is peculiar, given its penchant to make stars of controversial actors in the past and, may be due to multiple earlier police cases against Kohli. With Bombay High Court rejecting his bail plea, Armaan’s only option is the Supreme Court now. The 49-year old actor, son of renowned film maker Rajkumar Kohli and actress Nishi, was always a maverick since his foray into Bollywood in 1992 with Virodhi. Since then, many interesting offers that came his way were turned down by him. For instance, Shah Rukh Khan became his replacement in Deewana and an overnight star. Though 15 films old, success has eluded Kohli so far, despite his filmy family, by his own doing, says an industrywallah. Still, Salman Khan featured him in Prem Ratan Dhan Paayo and even Bigg Boss. At the Bigg Boss house Kohli befriended Tanisha Mukerji and many felt they would settle down. That was not to be. What does the future hold for Armaan considered a very good looking actor before Hrithik Roshan had arrived? Only time will tell!
December 12: Superstar Rajini’s 71st birthday Stargazers, fans and critics stood lost right outside his Poes Garden home in Chennai. Media persons held vigil since 7 am, even as gathered fans raised slogans:‘Iraiva, Thanga Thalaivaa, Yesuvee’!…a crowd that could not be fathomed as friendly or angry. For years, Rajini or Thalaiva always met fans, handed out Rs 100 each as a birthday take away but the dole stopped by mid-2000. Still restive crowds waited, hours on end before the brief appearance, almost a Hitchcockian glimpse lapping it up. More change followed. Rajini left for known/unknown destinations. Rumours of a Himalayan sojourn sometimes or, his farmhouse and, even in Bengaluru at times. When his imminent political foray was known, carefully scripted and crafted, crowds went ballistic. But an anti-climax followed. A December 2020 announcement – “No (more) politics, my health is fragile. Sorry if I led you on, fans.” Rajini’s popularity as an entertainer is unabated. But, some equations are mutating. Wife Lata is emerging as the driving force, a shadow alter ego with strong political aspirations. A superstar’s wife has limits but a superstar’s political heir has endless possibilities. The birthday crowd’s clamor now turns into a crescendo, demands for her appearance. Analysts are trying to decode as to why fans were cheering for Mrs Thalaiva. Hopefully, the cat will be out of the bag soon.
An all males association in Andra Pradesh has petitioned a court to ban an item song-and-dance in the just released trilingual movie, Pushpa. This is a first in India’s male dominated misogynistic society. Samantha, who recently divorced, openly flaunts her assets, and dances to a raunchy rap song crooned by Andrea with lyrics by Vivekh. The gist of the in-your-face song: “When the lights are off, who cares if the catch is skinny, winny, winsome, wholesome or just plain?” The song has turned on a macho challenge (read bristled some male egos). Samantha is rumoured to have earned Rs 1.5 crore for the item song and returned good value for money, her attire and gyrating causing temperatures to sky rocket. Yes, Samantha ki jawani will jingle cash registers for the movie at the box office. Sentimental Rajesh Khanna said it right famously, “Pushpa I hate tears!” Producers of Pushpa are laughing all the way to the bank. An estimated million people saw the gyrating dance and have already drooled. What is the sought ban set to achieve? Surely more clicks of the mouse.
His surname is Khan yet this 51-year old actor has never been bracketed with the other three Bollywood Khans – SRK, Salman and Aamir. But, today this fourth Khan, Saif Ali Khan, is proving to be the most relevant Khan; he has reinvented himself and adapted to the changing times. He’s the first one to experiment with the OTT platform with Sacred Games. Now, other big stars have followed him. Is there a strategy in what he is doing? Yes. This came to the fore after 2000. Playing character Sameer in Dil Chahta Hai and Langda Tyagi in Omkara won him accolades. Since then he has decided not to insist on playing the lead role but to pick up interesting and challenging roles. Son of actress Sharmila Tagore and cricketer Mansoor Ali Khan Pataudi, Saif entered the film industry in 1993 with Parampara, followed by Yeh Dillagi and Main Khiladi Tu Anari. Post that, nobody touched him in the nineties. In fact, industry insiders were derogatorily commenting about his looks. His patience paid off when romantic comedy Hum Tum proved to be a game-changer. Today, Saif is being offered roles that are meaty. But his latest movie Bunty Aur Babli 2 bombed at the box office. But, nobody seems to mind. Saif has arrived and he has created his own space.
Akshay Kumar as the patriotic, patronising, platitudes spewing cop carries Sooryavanshi on his six pack, muscle bulging shoulders with so much sincerity that one feels almost guilty for panning this mixed up, pro-establishment homily ridden film. This “terrorist” film heavy on back to back guns, helicopters, chases, RDX, serial blasts , innocents falling like nine pins and Hindu Muslim platitudes spouted with absolute seriousness is so predictable. Mass action entertainer Rohit Shetty has even bunged in the theme song from Hum Hindustani. And the heroine Katrina Kaif would get the same summing up from Khalid Mohammed when he reviewed Darwaza years ago. “Anil Dhawan in and as Darwaza.” Ranveer Singh in a comedy cameo as the pomaded sculpted body Simmba and Ajay Devgun as Singham the serious pose with Akshay, victorious. The movie has racked over Rs 120 crore within a month of its theatre release, when the makers were debating OTT or theatres in 2020. And the icing on the cake, Netflix signed up Rs 100 crore for its December 4 release. Good optics for the BJP trying to change gears and lanes for its ensuing elections narrative. Two straight years of locked down, misery filled rainy days and assorted catastrophes, people of India want some fantasy spectacle. Who knows even such filmy efforts may stitch the great divide or drive the wedge even more deeply.
Ever since Abhishek Bachchan entered Bollywood in 2000, critics and viewers have been uncharitably comparing him with his iconic father Amitabh Bachchan. The surname did weigh heavily on him. But, he did not lose heart. He soldiered on and was recognized for his talent in movies like Refugee, Yuva, Zameen and Sarkar. Impressed by his performance, acclaimed director Mani Ratnam cast him in Guru to play the character of Dhirubhai Ambani which won him accolades. But the very next film Raavan bombed big time at the box office and apparently Big B was slightly upset with Mani Ratnam. With not many films offers on hand Abhishek looked at an alternative career; he focused on sports which is doing reasonably well. Then came another opportunity with a movie on stock market scamster Harshad Mehta. Abhishek was banking heavily on Big Bull to boost his sagging acting career. But Pratik Gandhi starrer 10-part OTT series Scam 1992 on a similar subject pre-empted his movie which did not do well. Now, once again Abhishek is hoping that the crime thriller Bob Biswas will boost his filmy career. He was certainly missed in Bunty Aur Babli 2 as Saif Ali Khan had replaced him. Reason insiders say is because of his past relationship with Rani Mukherji and both preferred not to work together. Incidentally, his web series Breathe seems to have done well, it is now into Season 2.
How many recollect Hema Malini was rejected by Kollywood at the very beginning of her career. After Raj Kapoor’s Discovery of the Dream Girl, Bollywood top heroes Amitabh Bachchan, Dharmendra, Shashi Kapoor and others vied to be paired with her. Garam Dharam went on to claim permanent ownership rights. But somewhere this Iyengar beauty who spoke Shudh Tam Bram Tamizh (as Shudh as the Shudh Kent Paani she promotes), must have craved for that mass adulation from her own tribe. The dream is now taking shape in the hands of genius director Bala, he of Tamil hits Nanda and Pitha Magan, too many classy hits with Suriya, in which they are collaborating. Jai Bhim, the gripping chronicle of caste exploitation that has kicked awake the collective conscience of our Teflon nation, Suriya is now a pan Indian name. Bala’s cinematic magic instinct is to work on a casting coup …Surya and Hema as the elderly couple in an under-production movie. Dream Girls are distinct divas too…Bala surely worked on the script to make her role strong and stunning, though Suriya followers were a bit sceptical by this odd pairing. But wait…73-year-old classic, temple sculpture beauties don’t have to be in cold storage mode… given the custom-made script, casting and an icon who breaks barriers in film direction, this movie is bound to be riveting.
Ulaga Nayakan (global hero) recently celebrated his 67th birthday. This year, Kamal Haasan on the cusp, strode two worlds — cinema and politics. His cinematic popularity has not waned. Kamal’s meteoric rise to the pinnacle of Tamil cinema is entirely on his awe inspiring talent. Unfortunately, he too was smitten by the political bug but only to find his party Makkal Needhi Maiam totally rejected. But Kamal being Kamaal has spread his talented tentacles in several directions. Samuel Becket’s Waiting for Godot could be Kamal’s too. His Bigg Boss reality show is on its Fifth Season, saucy and spicy. The much talked about come back film, Vikram has set his fans agog. It was Indian 2 — muhurat in 2017 — that had set off an avalanche of expectations. But this movie in the making faced one too many calamities. Three members of the crew died at the shooting as a set caved in, production powerhouse and major financier Lyca and mega budget Director Shankar went on a collision course, the lockdown put paid to any further shooting, comedian Vivek died of Covid complications, and the final straw was heroine Kajal Aggarwal backing out citing pregnancy. And now Kamal is hospitalized for testing Covid positive. Is this a jinx or hex? Just wait…this iconic powerhouse is merely pausing, to return as the unchallenged Master of all skills.
Vaccine hesitancy mindset seems to be the biggest challenge for both the Central and State governments. And, this hesitancy is more pronounced in Muslim-dominated areas, says Maharashtra’s Public Health Minister Rajesh Tope. With a view to address this issue, the Maharashtra government sought Salman Khan’s help to convince people to take jab. On his part, Salman very quickly put out a short video and appealed to people to take vaccines. Salman’s mass appeal should certainly help. On Twitter alone he has 43.2 million followers. It is quite well known that both he and his father, the well-known script writer Salim Khan are close to Prime Minister Narendra Modi from his days as the Chief Minister of Gujarat. During the Uttarayan Festival both Salman and Modi were seen flying kites. Yet, Salman surprised everybody visiting Shah Rukh Khan’s house when his son Aryan was arrested by the Narcotics Control Bureau in connection with the drugs-on-cruise case. Many stars did not show their solidarity openly for the fear of incurring wrath of the Central government but not Salman. Surprisingly, nobody trolled him for that. He is the only Khan who is known to be non-political and that has worked to his advantage. Yes, he has strong views but he does not hesitate to pick up the phone and talk to any politicians if he can help somebody.
South Indian star couple Suriya and Jyotika have bagged unheard of recognition and accolades for their home production, Jai Bhim. It is rumoured that they had to pledge jewellery for completing this film, which has overtaken classics like The Shawshank Redemption and The Godfather in IMDb ratings since its release on November 2. It has no kickass glamour, song and dance titillation, near naked costumes and all the B town masala elements to salivate over. Just a stark, gut wrenching and conscience hitting real life incident of 1993 about the socially marginalised, oppressed and downtrodden Irular caste of TN. The protagonist, retired Justice Chandru played by Suriya is not only surprised at all the encomiums flooding his mailbox but also shocked by political reactions. The most telling objection and angry angst came from PMK party head and former Union Health Minister Anbumani Ramdoss. Some remote areas where Jai Bhim was screened erupted in violence. PMK leader A Palanisamy offered a bounty of Rs 1 lakh for kicking Suriya! And there was a death threat too. A calendar depicting a PMK symbol was hastily deleted from the film. Iconic film director Bharathi Raja, President of South India Film Chamber and scores of directors have taken strong objection to Anbumani saying, “At this rate, it looks like we creative guys have to go to every two-bit political outfit to get our scripts okayed.”
For long, India grudged and griped about political dynasties and how big boss politician heirs moved seamlessly into powerful gaddis. The Gandhi clan, the DMK dynasty, Telangana’s TRS and Son, YS Jagan Mohan Reddy of Andhra Pradesh, the Scindias ,Pilots, Abdullas, and the UP Yadav clan. The list goes on like Hanumanji’s tail. Bollywood is not far behind with several star progeny aiming for stardom, name, fame and mega bucks. So it is a natural progression! If you are one such, the happy news …three star kids have been launched, all in the same film to be directed by Zoya Akhtar. A casting coup that can make the BO (Box Office not body odour) jingle with music as stompy as Bhappi Lahiris Disco Dancer. So folks, wait and watch out for Suhana Khan, King Khan’s Bitiya, Khushi Kapoor, late Sridevi’s younger daughter, and yes, the best catch for last mention, Agastya Nanda, Big B’s grandson and Shweta Bachan’s son. We hope he comes fitted with that signature baritone, and the same disarming charm, apart from the bells and whistles that are embedded in the Bollywood DNA. Can Kollywood, Tollywood and Mollywood lag behind with Udhayanidhi Stalin, Dulquer Salman (Mammootty’s son), Naga Chaitanya (Nagarjuna’s son) and the likes?
The poster of Nawazuddin Siddiqui’s new film Tiku Weds Sheru reiterates that this ordinary-looking man is an extraordinary actor. He is one of the few actors who has acted with Salman Khan and Shah Rukh Khan and enjoys good equations with them. But he did not see eye to eye with the late Irrfan Khan with whom he acted in The Lunch Box. This 47-year old alumunus of National School Of Drama made his debut in 1999 with a small role in the Aamir Khan starrer Sarfarosh. Since then he has acted in scores of films like The Lunchbox, Manto and Raman Raghav. Perhaps, he is the only actor in the world to have eight films officially selected and screened at the Cannes Film Festival. Of course, no one can forget his pioneering role in the OTT platform with Sacred Games. Be it in Kick or Munna Michael he has done justice to the roles offered to him. Industry For now, he has quite a few films on hand — Heropanti 2 with Tiger Shroff starrer; Sejal Shah’s film and there is a buzz that he may be part of Hrithik Roshan starrer Krrish 4. Well, his journey in the reel world has been quite satisfying but one cannot say that about the real world. His marriage with Aaliya was on the verge of divorce but they have now reconciled.
It was an occult October for superstar Rajinikant. He was chosen for the Dadasaheb Phalke Award for outstanding contribution to Indian cinema: stellar recognition for the bus conductor from Bengaluru who made it big in films. Driven by his passion and undiluted dedication, he is still in the superstar bracket at 70, paid Rs 100 crore per film, with a phenomenal fan following. This year’s Diwali release, the much touted and promoted Annathe, by Sun Films whipped up a crescendo of expectation. Rajini viewed his magnum opus with family on October 28. If one were to believe in déjà vu, his falling ill hours later with a carotid stenosis, hospitalisation and angioplasty set tongues wagging. Did Annathe disappoint? We cannot guess what his reaction was. But the film with all the marketing blitz, opened to tepid response — with a diehard fan mourning, “What a fall Thalaiva.” The film received negative reviews from critics and audiences but reportedly performed well at the box office. Legendary Hollywood actor Morgan Freeman said: “The best way to guarantee a loss is to quit.” Rajini, you have achieved far more than many privileged stars; wish you had ridden into the sunset, stylishly with a white Stetson on like the Marlboro Man. Films and casinos are alike; quit when you are up.
There are any number of behind-the-scenes stories when the great historical epic Mughal-e-Azam was being shot in the late fifties. The film, starring greats like Prithviraj Kapoor, Madhubala, Durga Khote and Dilip Kumar, broke all box office records in 1960 and is considered a milestone in Indian cinema. Well known director K Asif was shooting a scene for the movie somewhere in the deserts of Jaisalmer, Rajasthan. The scene required hundreds of horses and scores of elephants. Hearing this requirement, a local animal supplier (for films) approached Asif and said he could supply any number of horses and elephants for the shoot. It would cost around Rs 20,000 but he needed an advance of Rs 10,000. The advance money was a big amount in the fifties. But, without batting an eyelid, Asif turned to his production manager and said, “Give him 10,000 rupees.” When the man left, a worried production manager said, “Asif sab, suppose this man is a cheat and he does not come back, your money is gone!” Asif laughed and said, “Arrey…woh dus hazaar rupaiah ley gaya hai, kismat to nahi le gaya!” He told him, don’t worry he will come; and the man did turn dutifully as promised with horses and elephants.
Tamil Nadu’s powerful political family which has stranglehold on the film business is going all out to promote Rajini starrer Annathe this Diwali. Marans are leaving no cinema seat vacant to promote Annathe. Timing could not have been better. Superstar has just won the Dadasaheb Phalke Award. Besides, the overdrive is largely because one of the distributors is Udhayanidhi Stalin, Chief Minister’s son and promoter of Red Giant Movies — production and distribution house. Marans and Stalin call shots in all things entertainment in the State. Stalin Junior, according to Kollywood sources, is bargaining for a higher take from cinemas with a target of 700 screens all over TN. But is Annathe the one and only release this Diwali? No! A number of producers who have completed their films are praying anxiously for theatres to open but are scared to release their films as they do not want to take on the might of Rajini-SUN combo. But there are exceptions. Vishal and Arya starrer Enemy is planning to take on the behemoth as a me-too Diwali release. Flashback to 2019, when Rajini starrer Petta and Ajit’s Viswasam collided at the box office. Petta earned Rs 50 crore less than factored. Viswasam hit the finish line with critical acclaim and money.
Twenty-three year old Ananya Panday is probably one of the most promising millennial actors who won accolades from the audience right from the first film Student of the Year 2. Ananya who played a lead role in Pati Patni Aur Woh has already won two awards for ‘Best Female Debut’. The actress, daughter of the popular actor, Chunky Panday, has been quite vocal about social issues which is rarely a case with today’s younger actors in Bollywood. Ananya’s initiative – So Positive – seeks to create awareness about social media bullying, prevent negativity and build a positive community. This initiative has touched a chord with Bollywood. Ananya has over 20 million social media followers with almost all top youth brands in her kitty. She is also the first female brand ambassador for Skechers India. Currently, she is in the dock over a drug case and was summoned by Narcotics Control Bureau (NCB) post the arrest of Aryan Khan and others. But, people who are close to her say that the young actor was not nervous when summoned by the NCB. She not only appeared before NCB officials but post that she went about meeting her professional commitments — shooting for her forthcoming films and promoting brands. Clearly, Ananya knows how to balance the two worlds.
It is a wager within Bollywood that once Shah Rukh Khan’s son Aryan comes out of the jail there will be any number of producers willing to sign him as a hero. “He is bound to become a big star,” predicts an industry insider. Really? Twenty-three-year-old Aryan had already made his intent clear that he wants to be behind the camera. So, one has to wait-and-watch whether he succumbs to producers’ pressure and becomes a reel life hero. How do the public at large react to those stars serving jail terms? Salman Khan has two cases against him: a fatal hit-and-run case in Mumbai; and a blackbuck poaching case in Rajasthan. Salman’s brush with the law is in sharp contrast to his softer image supported via the Being Human foundation’s charity work. Also, reality show Bigg Boss helped him build a positive image. Likewise, Sanjay Dutt who served a jail term under the Arms Act continues to be Munnabhai for the people. Rhea Chakraborty – out on bail in a narcotics case – is also getting offers. So too Sooraj Pancholi post Jiah Khan’s suicide. But some careers were damaged: like Shiney Ahuja (out on bail in a rape case); and Monica Bedi, girl friend of gangster Abu Salem (who is serving life sentence) didn’t get any offers after a Big Boss show. Is it fear, one wonders!
In popular TV serials the on-screen characters played by actors seem so real that it becomes difficult to separate the two. Audience not only falls in love with these screen characters but start empathizing, sympathizing and identifying with them. So be it Tulsi (Smriti Irani) in Kyonki Saas Bhi Kabhi Bahu Thi; Manav (Sushant Singh Rajput) in Pavitra Rishta or Dayaben (Disha Vakani) in Tarak Mehta Ka Ulta Chasma they all became synonymous with the characters. So, this brings us to the larger question, can these stars be replaced? When Shaheer Shaikh was announced as a replacement for Manav in the popular TV serial Pavitra Rishta 2 played by Sushant Singh Rajput (SSR) the producers, pressurized by SSR’s fan club, had to clarify that Shaheer was replacing Hiten Tejwani, the second Manav as he was not accepted by the audience. Likewise Smriti Irani had to come back as the audience refused to accept Gautami as Tulsi in Kyonki Saas Bhi Kabhi Bahu. The makers of Tarak Mehta Ka Olthah Chashma have been waiting for over three years for Dayaben (Disha Vakani) to return to the show instead of replacing her. In Ballika Vadhu Shashank Vyas as Jagya was a huge hit. So, when he decided to move out of the serial, the makers showed him going to the US so that the audience continues to wait for him to return to the show.
Sitting next to SK on the metro, you could easily take him for just another middle-class commuter. His simple, boy next door, no airs looks hide a volcano of talent and dedication to cinema. Currently, he commands Rs 35 crore per movie, overtaking his finder and mentor Dhanush at Rs 28 crore. Thirty-six-year-old Sivakarthikeyan made his debut in Tamil cinema in 2012. With over 22 movies, this stand-up comedian and TV show host has seamlessly transformed himself into a saleable star, singer, lyricist and film producer. Yet, he has not lost his simplicity and humility, and wins over his audience with his tongue-in-cheek portrayals of the accidental hero. His just released Doctor in cinemas after a gap of nearly two years of lockdown is already wowing his fans. As its producer, SK had a few serious financial hiccups prior to release, he was bailed out by a well-known production house. Doctor is drawing appreciation as just the right prognosis for a good cinema house run, post Corona blues. The black comedy is all set to rake in the Dhan, though audiences are a bit baffled by a new look SK — all stern and serious throughout the movie. Oh, well, the director must have wanted him to play a serious comedian.
A few years back, when Shah Rukh Khan was targeted by the Shiv Sena for speaking in favor of Pakistan’s inclusion in the IPL, his film My Name Is Khan was almost banned by the Sena in Mumbai. Then, he had to fight his own battle; the film fraternity did not come out in the open to support him for the fear of incurring the wrath of Sena. SRK too never spoke why he was targeted but in one of his interviews he obliquely hinted at the religion factor. Likewise, when Aamir Khan in an interaction with the Indian Express said that his wife had told him that she wanted to leave the country over an ‘intolerant’ issue, he faced a lot of flak. The actor had to do a lot of firefighting via social media till the issue simmered down. Filmmaker Sanjay Leela Bhansali was attacked by the conservatives during the making of Padmavat. Bhansali did not speak a word about it; he quietly made changes and released the film. It was Sushant Singh Rajput’s death that brought to fore that Bollywood is not united and that they don’t speak in one voice to fight the injustices done to them. Most of them admit, they fear being singled out by politicians or government agencies and this is why they don’t openly show their solidarity or express their views.
Two leading stars from the south – Nag Chaitanya and Samantha – have realised that they are not made for each other after all… Nearly a decade of courtship and four years of marriage later. Samantha’s OTT series, The Family Man brought her worldwide fame, and infamy when Tamils resented her playing the role of a Sri Lankan terrorist. Badnaam tho hua, magar naam tho kamaya! Critics acclaimed her stellar performance, and her stock went up. Coincidentally, Chaitanya hadn’t had a hit for some time, and the chasm only widened! Fate has a way of even-stevening things! On September 24, Nag Chaitanya and the adorable Sai Pallavi’s Telugu movie, Love Story released to rave reviews. A simple story of inter-caste marriage and child abuse were woven into a gripping movie by director Sekhar Kammula. Audience identified closely with the hero and heroine, some openly shedding tears. This reel love story has put Nag on top of bankable heroes, but the real life love story between the couple, went bust. Divorce is nothing new in film families. Nagarjuna, Telugu film Superstar Akkineni Nageswara Rao’s son, had divorced his first wife Lakshmi Daggubatti, and married Amala. Tinsel town marriages may be made in heaven, often break down on ground once the stardust wears off.
In Bollywood most marriages between co-stars have worked even though ‘other woman’ and ‘doosra aadmi’ in some cases have created rift – which could be seen for a brief period before the status return to ‘happily married.’ It happened with Bollywood’s legendary couple Dilip Kumar and Saira Banu. Their marriage survived and thrived except for the entry of the other woman Asma that fortunately didn’t last long. So was the case with Rishi Kapoor and Neetu Singh. Rishi’s link to another star almost derailed the marriage. Same can be said of Big B-Jaya — and here the other woman was Rekha. In the case of Randhir Kapoor-Babita and Rajesh Khanna-Dimple Kapadia they separated but were not divorced. But stars like Mithun Chakraborty-Yogita Bali, Shatrughan Sinha-Poonam Sinha did not allow anybody to come into their married lives. Before marriage Akshay Kumar had several affairs but after marriage with Twinkle Khanna, he is said to have turned into an ideal husband. In the last few years, a handful of stars and marriages between the co-stars have gone sour but maintain they are ‘friends’. Some of them are: Hrithik Roshan-Suzanne Khan, Aamir Khan-Kiran Rao, Arbaaz Khan-Malaika Arora and Saif Ali Khan-Amrita Singh. Unlike the olden days when star couples did everything to save their marriages, today’s stars prefer to separate and find new partners. Long Live Bollywood.
The buzz again is all about James Bond, a character born in a book in 1952 and who came to films 10 years later. Delayed by 18 months because of the pandemic, the spy caper is about to take the world for a billion dollars at the box office, with a premiere in the UK on September 28 and worldwide release September 30. Daniel Craig, the latest to play the Bond character with great success, prepares to take his bow even as the talk is about his successor who could be a woman going by the plot of the film in which a black female character inherits the 007 designation. As the world grapples with the rise of women power, there is a demand for a female Bond but Craig and the film’s executive producer, Barbara Broccoli, inheritor of the family franchise from granddad Albert, are convinced that the central role should remain male. This despite a debate on Bond triggered by the film’s director Cary Fukunaga expressing the opinion that the early Bonds were rapists as portrayed on screen. Sean Connery was seen thrusting himself on a nurse in the 1965 Thunderball and virtually blackmailing her into sleeping with him while in Goldfinger, the heroine was named Pussy Galore and the subject of Bond’s sex drive. The age of Bond’s endless libido may be over.
When 46-year-old Vijay Antony announced his movie Kodiyil Oruvan, eyebrows shot up! Was he on par with the legendary MGR and his Aayirathil Oruvan which swashbuckled its way to commercial success? No, Antony is too introverted and underplayed. Rightly so. He is a singer, music composer, lyricist, sound engineer, actor and producer-director. His take, I am a Jack of All trades, but master of none. His trademark ….Masala formulas that tell the story as not obvious masala, but with an inherent empathetic twist, that audience relate to, anchored in strong Indian sentiments. Take his runaway hit Pichaikaran (The Beggar), a simple story of a seriously ill mother. Her son vows to beg on the streets for a year, incognito to make her live. The twists and turns made for a very authentic story. Audience cried at Antony’s fall from rich man to beggar. Movie a hit, including multiple TV runs. It is not surprising that among the four movies released in September (including Thalaivi), Kodiyil Oruvan has already fetched 4.5 crore in a short span. The producers who preferred to release without the distributor link, are already bean counting. Antony has not hankered after that razzmatazz Star title…but he is soon to add that title to his quiver.
Salman Khan’s popularity on the small screen continues to soar with every passing year. Reportedly, the actor will be paid around Rs 350 crore for the new season of Bigg Boss 15 that premieres on October 1 and will run for 14 weeks. Well, eyebrows were raised over this number but Bollywood analysts say that Salman Khan who has over 42 million Twitter followers, plus other social media assets, knows how to connect with his audiences via movies, small screen and social media. And his valuation is based on those plus the intangibles he brings to the table. Well, it is the small screen that has played a big role in making him hugely popular with the masses. That was probably the reason the actor took the risk of releasing Radhe although the theatres shut just before the release of his film. The actor kept his promise he made to his loyal fans and released the film on OTT and later in cinema halls. The actor is back on set completing the third instalment of his film Tiger which is one of the most successful franchises and Salman is surely looking forward to a huge hit at the box office. But for now, the audience wants the actor returning on Bigg Boss 15 with Rekha playing a proxy for Bigg Boss voice.
Tamil film’s enfant terrible, 38-year-old Trisha Krishnan had media build-up as a gamin imp, couldn’t-care-less brat for conservative chin wags. All the more striking as she is from a TamBrahm (Tamil Brahmin) family. But she built up a loyal fan base for her sophistication and strong roles, topping her career with a memorable performance in the film, 96, pitted against the formidable Vijay Sethupathi whose huge physique starkly contrasted with Trisha’s elfin looks. Trisha has also held media attention for her mercurial love interests: she had STR Simbu wrapped around her after the commercial success of Gautam Menon’s Vinnai Thandi Varuvaya. For a long time after, she and Rana Daggubati were an item, as the slow and steady twosome. She almost got engaged to Varun Manian but walked out, and much talked about! She is a free spirit, and her escapades with close friends and spirits is the stuff midnight masala is made of on Besant Nagar beach. But recently she has not signed any new movies. Have the offers fallen? The Kollywood world sprouts new and sexy females like mushrooms in the monsoon. It is rumoured… finally Trisha has found her love and will soon sashay into marital bliss. What goes up, has to come down. Beached film careers lead to the altar.
BR Chopra’s younger brother Dharam Chopra (elder to Yash Chopra) was learning cinematography. So as to give him a chance to become a full-fledged cameraman (now called director of photography), BR launched Dhool Ka Phool in 1960. Since it was Dharam’s first film as a cameraman, no star readily agreed to sign on for the film. Even Rajendra Kumar, popularly known as Jubilee Kumar, did not respond when approached. Those days Dharam used to stay in a building called Parchhaiyan in Juhu, which was built by lyricist Sahir Ludhiyanvi. One night around 11 pm, Dharam heard somebody shouting out his name. When he looked out, the person was none other than Rajendra Kumar. He shouted “Dharam me kar riyan teri picture! Don’t worry!” And that one yes from Rajendra Kumar changed Dharam’s life forever. Dhool Ka Phool was a runaway hit and thereafter Dharam was on a roll. It was Dharamputra (1961), T Prakash Rao’s College Girl (1962), PL Santoshi’s Dil Hi to Hai (1964), BR Chopra’s Waqt (1965) and many more. For Waqt he bagged Filmfare’s best cinematographer award. Dharam, who was ranked among top five cinematographers in the country, predominantly worked for his brother BR Chopra. He passed away in 2002.
For the past two years, versatile actor Govinda who has given any number of hits in the past has been playing the waiting game to stage a big comeback. But alas! Luck seems to elude this talented actor who in the recent past worked in Rangeela Raja and FryDay. Surprisingly, the actor who is in popular demand for reality shows does not have the same pull today when it comes to the box office. Both the movies failed miserably. Actually, times have changed, cinema has changed and so too has audiences’ tastes. There is a place in Bollywood only for those who can reinvent themselves. Big B smartly staged a comeback via the small screen by hosting KBC. This sense of rejection has made him bitter and philosophical. He feels there is a conspiracy to keep him out. But many industry insiders say there is no merit in this argument. Well, there are plenty of guesses and theories peddled to explain what’s coming in the way for any producer wanting to sign him up. But what has added to his cup of sorrow is the public spat between his family and nephew Krushna Abhishek’s family. Producers feel Govinda who has the potential should rather focus on his career. Recognizing his talent, Salman Khan offered him a film but Govinda turned it down for reasons best known to him.
A biopic, Thalaivi, of the avowed stormy petrel of Indian politics, late J Jayalalithaa (former CM of Tamil Nadu, reigning Queen of Kollywood of the 80’s) was one of the most awaited releases. Kangana Ranaut, who plays the lead is also a firebrand in her own right. The budget for Thalaivi was Rs 90 crore. But, OTT signing, music rights and cinema advances have already netted Rs 110 crore, and whatever overflows now is money for jam. Meanwhile, there is a fight royal between the top cinemas — PVR, Inox and Cinepolis and Netflix. The Hindi version rights have been awarded to these entities, and cinemas are adamant that they need at least four weeks between their shows and OTT. Netflix is bent on immediate release. What about the original Tamil and Telugu prints? Thankfully, Amazon Prime is more yielding and agreed to wait for the cooling period. Any surprise that Kangana made a whirlwind promo trip to Chennai, to cool all tempers on the political front. She visited the memorials of JJ, MGR and Kalaignar to ensure all round peace! Thalaivi shows that ignoble public display of crass behaviour in the Tamil Nadu Assembly, some 35 years ago, when Kalaignar was the CM and a DMK MLA pulled her saree. Is DMK ready to squirm when Thalaivi hits the Tamil audience?
Kiara Advani, with that girl-next-door look, innocent face and endearing smile, is one of the most sought after Bolllywood actresses. Kiara who made her debut in 2014 has acted in over 14 films that includes Hindi, Telugu and Netflix. She is currently working on four films with top stars like Kartik Aaryan, Vicky Kaushal and Ranveer Singh. This 29-year-old glam doll who has a high visibility on small screen, thanks to her brand endorsements for Colgate, Myntra, among others, is considered a lucky mascot by many producers. Critics hold that what goes in her favour is that she gets her fellow actors perform to the fullest — be it in Kabir Singh or Shershaah which eventually wins audiences too. Her performance as Dimple Cheema, girlfriend of Param Vir Chakra-awardee Captain Vikram Batra (martyred in the Kargil war) in Shershaah won her accolades. Not many know that Kiara has a Bollywood connection. Legendary actor Dada Muni and Saeed Jaffrey are step-great grandfather and great-uncle. Her debut wasn’t great with films like Fugly and Machine although many liked her role as Sakshi Rawat in MS Dhoni: The Untold Story. In most movies till date, Kiara has not bagged lengthy roles nor has had the opportunities to experiment like Alia Bhatt who has been doing it right from her second film. But, for now Kiara has arrived.
According to cine raconteur and news caster Bayilvan Ranganathan, the iconic Tamil film superstar-turned-chief minister MG Ramachandran was a teetotaller whereas the legendary actor Sivaji Ganesan had to amp up his spirits after the day’s shooting. The late SS Rajendran, a DMK pillar, had a peculiar drinking ritual; he would have a glass full of egg whites, and sip alternately from both glasses. Villain MR Radha was just as rambunctious in his alcohol intake but could stand rock steady and perform. These are the yesteryear’s cine brigade. Superstar Rajinikanth is known not to chomp into any side dish or fritters; he just pays full attention to the elixir of life. At a press conference, where the media was served drinks, the gathered had to demand short eats! Suave Ajith Kumar socialises with his Martini’s and exotic cocktails while the emerging superstar Vijay never drinks in social gatherings. The women brigade are not far behind. The late Savitri was a known alcoholic, many a time she could outrank the romantic hero Gemini Ganesan (Rekha’s father) in a contest. Among the younger stars, Trisha is a rebel. She is a free spirit reveller on the Bessy beach congregating with her feline female friends to have a blast. For these easy spirits, it is Dil Mange More. Live life king size with a Patiala peg.
While the male actors of Bollywood are reluctant to experiment with their roles, it is the women brigade that has taken the lead in attempting different roles and even shouldering the risk of spearheading them too. Hrithik Roshan who was offered an adaptation of Night Manager reportedly opted out because of his comfort with conventional films versus the web series that requires long working hours. Experimental endeavours like Tubelight and Zero have forced Salman Khan and Shah Rukh Khan to go back to doing commercial cinema, their strongholds. Whereas Aamir Khan continues to script new hits with experimental creativity as his USP. Other names that feature prominently in the experimental genre are Saif Ali Khan, who today is one of those who play characters rather than conventional heroes in the film; and Shahid Kapoor, who has taken risks with a whole-hearted plunge into the webspace. Still, the most sought-after actors are concerned about the image and worried about losing their audiences if they drifted away from formula films. At the same time more and more actresses are coming forward to experiment; striving to “be the change” in the cinema, just like what Vidya Balan once promised to her fans. Today, a Kangana Ranaut, Taapsee, Deepika Padukone, and Alia don’t really need a hero as they prefer to play the heroes in their respective films
Mughal-e-Azam is considered a masterpiece in Indian cinema. This all-time hit epic historical drama directed by the renowned K Asif starring Prithviraj Kapoor, Madhubala, Durga Khote and Dilip Kumar was released in 1960. The character of Prince Salim played by Dilip Kumar has been immortalized. But not many know this great masterpiece was made in fits and starts. It took 10 years to complete it. And there were several reasons for it. One was director Asif fell in love with Dilip Kumar’s sister Akhtar and this incensed Dilip Kumar who refused to shoot till the matter was finally resolved. Besides, Dilip Kumar and Madhubala had an affair that ended around the making of this film and this took a toll on the shoots as their on-screen chemistry went awry. Finally, the pearls that were used in the shoot would break every time it fell on the floor, and the shooting had to be cancelled. It was then decided to import unbreakable pearls from Belgium and getting those in the sixties took months. It was finally released with all the fanfare at Maratha Mandir. By evening it was declared flop. This news depressed the cast which met at Asif’s house near Opera House after the premiere. Looking at all of them Asif said, “Kyon, Chehre Latak Gaye! Dekhna Ye Film Zabardast Hit Hogi.“ And it did.
Tamil film Master with Vijay as a hero and Vijay Sethupathi as the villain directed by Lokesh Kanakaraj turned out to be the 2021 blockbuster despite the lockdown. A very restricted cinema release and the earliest to mount the OTT platform (Amazon Prime), Master grossed, according to industry sources, Rs 300 crore with its fast and furious story and screenplay that Kanakaraj penned. A tad lengthy, critics wished it could have been trimmed to match Vijay’s fit persona! This South Indian director is no flash in the pan, as his earlier movie Managaram (now shaping up in Hindi as Mumbaikar) and Kaithee’s success proved. Salman Khan was approached for the Hindi remake of Master. Even as the pre-production details were sewn up, Salman Khan opted out. Apparently, Salman Khan was not quite happy with the story and screenplay, and suggested some changes. But, director Kanakaraj, sources say, did not agree to be involved with the project after those changes. He has taken up another assignment to direct a film featuring Vijay, Kamal Haasan and Fahadh Faasil. The producer who has the Hindi remake rights will have to wait for now. Post the release of Master, it is rumoured, Vijay’s earnings have skyrocketed to the Rs 120 crore fee bracket. Opportunity and luck do not knock often at the doors of supplicants.
Finally, the controversy-hit Rhea Chakraborty will see the release of her film Chehre this month. It was during the making of this film, the idea to act in a film opposite Sushant Singh Rajput (SSR) was mooted. Unfortunately, that didn’t happen with the mysterious death of SSR. Rhea, one of the main accused, faced trial by the media for more than a year. But the young star managed to weather it all and get her life back. Rhea is now confidently socializing, focusing on fitness and talking to producers. She seems to get her PR right as the personal attacks vis a vis SSR coverage have reduced except on Twitter where SSR continues to trend. Although the industry is not spelling it out, but it seems they have accepted her and some announcements may be made soon. Director of Chhere Rumi Jaffery may sign her for his next film. Speaking to a cross-section of people, the general thinking is: Rhea deserves a second chance – just like actor Sanjay Dutt, who spent five years in prison under Arms Act after the TADA Court acquitted him in the 1993 Mumbai serial bomb blast case. The audience has accepted him, and he continues to be the most sought-after actor in Bollywood. Well, Amitabh Bachchan and Emraan Hashmi-starrer Chehre looks like a ‘thodi si lift kara de’ moment for Rhea, which may open up new possibilities for the budding star.
Post Chennai Express Superstar Shah Rukh Khan’s other movies like Fan, Raees, Jab Harry Met Sejal and Zero did not do well. So what does he do? Turn South and rope in one of the most successful young directors of Tamil movies, Atlee (Arun Kumar) for that magic touch, a fail-safe formula film designed to make stakeholders laugh all the way to the bank. And for added kick, two winsome and talented leading ladies have also been signed on. Tamil films’ top paid heroine Nayantara and the young bubbly Sanya Malhotra to provide the glamour quotient. Who is this Atlee? What is his track record as a hot and hip director to call the shots especially when SRK is decidedly wanting an encore of the Chennai Express? Thirty-five-year-old Atlee first worked as S Shankar’s assistant in Enthiran and Nanban, sculpted himself as a box office brand. Soon, he went solo and directed his debut film, Raja Rani with Nayantara in the lead, and secured his place as one of the most promising debut directors of 2016. For those who may be sceptical about a Tamil director’s dexterity, he made three successive films, Theri, Mercel and Bigil, all starring Vijay that rocked the box office, making Vijay the Number 2 after Rajnikant. Don’t underestimate these quiet non-flamboyant South Indian types. They know their cinema inside out.
Top star Deepika Padukone lost a role in Sanjay Leela Bansali’s Baiju Bawra as she demanded more remuneration than Ranveer Singh. And Deepika is not the first heroine to do so. Kareena Kapoor Khan demanded Rs 12 crore to play the lead role in Alaukik Desai’s film Sita. Earlier, her close friend Karan Johar replaced her with Preity Zinta in Kal Ho Naa Ho for demanding more remuneration. A few years back Aishwarya Rai Bachchan lost an important role opposite Aamir Khan in Mangal Pandey because she demanded Rs 1 crore. Effectively, both Kareena and Deepika have lost opportunity to play iconic roles for asking what they deserve. This brings us back to the burning question of pay disparity in Bollywood. The general thinking in Bollywood is heroes (read men) have box office draw and female stars don’t have that kind of pull. A top producer clarifies, “Pay cheques are decided on the basis of how much business he or she rakes in. It is not based on the gender.” Sridevi and Madhuri Dixit got higher remuneration because audience went to the theatre to watch their performances. And of course, one heroine who has managed to single-handedly become a big hit is Kangana Ranaut. With Queen she proved it. She has made it clear that she prefers not to work with the Khans because “she would get over shadowed”.
Barely had the dust settled down on the cringe worthy indictment meted out to top Tamil star Vijay for evading tax on the import of his Rolls Royce Ghost, when the same Bench of Justice SM Subramaniam had to come down hard on actor K Dhanush for a similar tax evasion. Both these highly bankable stars had coveted the ultra-luxury Rolls Royce Ghost as their preferred wheels to match their status and style, paid Rs 5 crore plus for the car. This raises several questions amongst us, the common, run of the mill Aam Aadmi. Is tax payment selective and evasion even more selective? Why put a burden on with such preposterous pleas when the law of the land clearly states what tax is to be paid? Do film celebrities think that they are extraordinary people with extraordinary status? To add insult to injury, the highly bankable hero, Vijay (rumoured to earn the second highest of Rs 70 crore per film, next only to Rajinikant topping the spreadsheet at Rs 100 crore) baffled the judge some more. Under the question, occupation, Vijay did not think it needed a response! These are the filmy heroes whose every stunt, song and dance movement and thunderous dialogues are greeted with whistles and approval by a swarming, swooning audience. Hope they don’t emulate their heroes and evade tax!
Mani Ratnam’s cinematic genius and the late Amarar Kalki’s literary genius merge in the soon to be released magnum opus, Ponniyin Selvan (The son of Ponni). But which screen? Cinema lovers wait with bated breath for a Mani Ratnam movie; his every script and film have riveted audience to an amazing creative spark, unparalleled in Tamil cinema, and in the Hindi adaptations. So, we are justified in speculating, will Ponniyin Selvan stride the premium screens, like the cult Spartacus? Or OTT, if the pandemic plays foul? Such challenges are sleight of hand for Ratnam. Cine buffs are goggle eyed about the omnibus ensemble cast. The joke doing the rounds, except Rajini and Kamal, most Kollywood top stars are in the film: Vikram, Karthi, Jayam Ravi, Sarath Kumar, Prakash Raj, Trisha, Keerthi Suresh, Nayantara, Aishwarya Lekshmi and more top rung names. Aishwarya Rai Bachchan is in the lead. With AR Rahman‘s mesmerising music, palace intrigues, conquests and empire building, awe inspiring temples that still stand as testament to the Chola era artistic genius, beautiful women and intricate costumes, audience expectation is sky high. Ponniyin Selvan, we expect, will match the grandeur and scale of the Tanjore Big Temple, built by Rajaraja Chola, an architectural feat unmatched so far
A few months back, when the 30-year old Kartik Aaryan lost three films in a row there were murmurs in the film trade especially the big production houses that the actor’s career is over and he may not get work as he was ousted from both Shah Rukh Khan and Karan Johar productions. On the contrary, the opposite has happened. A few well-known production houses who were chasing him have quickly signed him on. Among them is well known producer Sajid Nadiadwala. Likewise Ekta Kapoor who is supposedly to be a close friend of Karan has taken over the project that was once to be produced by SRK’s Red Chillies Entertainment. Interestingly, Kartik seems to have carved a niche within Bollywood. He has support from award winning filmmakers like Hansal Mehta who is also directing him. Besides, producer-director-writer Anubhav Sinha has been praising Kartik on social media. The proof of the pudding is in eating and it is learnt that the actor’s remuneration too has gone up. This proves that he is a bankable star and his box office track record proves he is a big draw as a solo hero. Kartik who started his journey in Bollywood with multi-starrers It is his track record with Lukka Chhupi and Pati Patni Aur Who that won him the confidence of producers like Sinha, Mehta and Nadiadwala.
Everybody deserves a second chance. In Bollywood, yesteryear’s stars are padding up for a second innings. Mandakini of Ram Teri Ganga Maili fame, Kalpana Iyer who predominantly played a vamp role, and Farheen Prabhakar, a Madhuri Dixit look alike who married cricketer Manoj Prabhakar, are keen to return to acting, and don’t mind playing their age. Big B was lucky. Kaun Banega Crorepati launched him into the stratosphere and there was no looking back. But, not everybody is lucky. Superstar Rajesh Khanna tried very hard to make a comeback but alas. Ditto: Popular star Mumtaz. Versatile star Govinda who is making guest appearances on reality shows, is yet to get the big break on the silver screen. Fardeen Khan is also knocking at producers’ doors and may sign up for a web series. For Madhuri Dixit-Nene the return was not a cakewalk. She has now come to terms, and settled down to judging a dance reality show, acting in a web series for Dharma Productions and occasionally cutting an album. Effectively, she is in the limelight. Shilpa Shetty had a high visibility thanks to a reality show Super Dancer, and her Yoga album, but got a break in the big screen after a gap of 11 years. Bhagyashree of Maine Pyar Kiya fame will be seen in Thalavi, a biopic on J Jayalalithaa played by Kangana Ranaut.
Sashadhar Mukerji became a legend in his own lifetime. Popularly known as S Mukherji, his contribution to the Indian film industry remains unparalleled. Mukerji, who initially joined Bombay Talkies and went on to create Filmistan and Filmalaya Studios was known as the man with Midas touch. Everything was a hit – his movies, stars, songs. In fact, people who worked closely with Mukerji say that he had an ear for music. They say he had the knack of picking the right ones when a music director gave him a choice of 10 tunes for a song. Naturally this success created a lot of enemies within the industry, and they would spread rumours about his movie. A similar thing happened in 1954 when he released Nagin, famous for its song Man Dole Mera, Tan Dole Mera sung by Lata Mangeshkar to the accompaniment of Been music. His rivals said snakes were entering the cinema halls the moment Been music played. This rumour kept the audience away from the theatres for a few days. But, not for long. Not only was the movie a super hit but the Been music became synonymous with snakes and snake charmers. And of course, the movie established Vyjayanthimala’s career as a star.
The #MeToo movement seems to have resurfaced in Bollywood but in a new avatar with the arrest of Raj Kundra, husband of film star Shilpa Shetty, for allegedly exploiting young girls and actresses to make adult content for his mobile app. Not many cases of #MeToo were reported during the Lockdown but a couple of high-profile cases of sexual assault and exploitation were filed. FIRs were filed against Bhushan Kumar of T Series fame; and Ajit Thakur, former head of content, Reliance Industries. But, no action was taken as both have stated they were ‘victims’ of extortion. Tanushree Datta, who led the #MeToo movement against veteran actor Nana Patekar (the charge failed in the court); and Payal Ghosh against filmmaker Anurag Kashyap are trying to keep the issue alive via media. In the past names of Alok Nath, Vikas Bahl, Sajid Khan, Kailash Kher, Rajat Kapoor, Subhash Ghai and Anu Malik surfaced. Recently, actress Prachi Desai talked about her #MeToo experience. And so did Priyanka Chopra in her book Unfinished though without dropping any names. An actress confides that most people who had spoken out against big names have settled the issue for “consideration”. This is the reason the entire movement within Bollywood has gone kaput. So, will the adult stars like Poonam Pandey, Gehna Vashishth and Sherlyn Chopra revive the #MeToo movement
The raging pandemic has triggered in its wake a social distancing of an unusual kind. That has reconfigured the relationships. While relatives staying afar have become digital friends, immediate neighbours have become close relatives. Indeed, the world has changed so much since the outbreak of the virus early last year. Well, that has brought connectivity issues for many religious institutions. The Kanchi Kamakoti Peetam in Kancheepuram, Tamil Nadu has now sought to overcome this by embracing the digital platform. It is all set to launch a web TV in the name and style of Kamakoti TV. Coming up with the blessings of the current Shankaracharya, it will go live on the auspicious Vyasa Puja Day – July 24. The ostensible objective of launching a TV is to reach the programmes and events of the Mutt to devotees across the globe. Also, the devotees are assured of an ad-free experience of watching the Mutt programmes. Mutt followers – young and old alike – can now hope for a round-the-clock spiritual delight with the advent of Kamakoti TV. Shri Kanchi Kamakoti Peetham was established by Sri Adi Sankara in the year 482 BC and has the distinction of an unbroken line of 70 Acharyas.
Popular Tamil star Suriya’s Soorarai Pottru boldly released on Amazon Prime in November 2020 brought him and his home production house, a number of accolades. While most were left trying to understand the esoteric Tamil title (Hail The Brave), the film’s treatment of the subject Simply Fly and its impact on the audience was terrific. Suriya played the role of Capt GR Gopinath, who introduced the concept of low-cost flying experience to the not so well-heeled, his struggles for raising the money, get the needed approvals to get Air Deccan on flight mode. Suriya struggled just as much with his ambitious movie which Sudha Kongara Prasad directed so brilliantly. Apart from Paresh Rawal and Urvashi, the other actors were not so well known. Suriya has just announced a pan Indian Hindi version, with Kongara to direct this intense subject that has transited to cinema with telling impact. So far, the cast and other components have not been finalised. May be he wants to keep it a suspense and reveal all once the project is buttoned up. Sudha Kongara had a fully ready script before shooting started for the Tamil version. The Hindi version of Simply Fly, Capt Gopinath’s dream airline will take off before long with Suriya’s determination and passion for perfection. Any takers for a campaign to guess the cast from Bollywood?
For star kids getting entry into Bollywood is easy. But, how many make it big – like Hrithik, Aamir, Kajol and Ranbir in past three decades? The cine fans are pinning hopes on a new crop of star kids. Shah Rukh Khan’s daughter Suhana who has performed in plays will soon face the camera; while son Aaryan who has done a voice over for The Lion King is keen to stay behind the camera, for now. Suniel Shetty’s son Ahan who debuts in Tadap may be signed for Aashiqui3. Producer Sajid Nadiadwala’s son Subhan is all set to debut. Shashi Kapoor’s grandson Zahan (Kunal’s son) has just started shooting for Hansal Mehta’s film. Meezan Jaffrey, son of actor Javed Jaffrey, made his debut in Sanjay Leela Bhansali’s Malal, and is already into his second film Hungama2.. Abhimanyu Dassani, son of Bhagyashree of Maine Pyar Kiya fame, who made his debut in Mard Ko Dard Nahi Hota, eagerly awaits the release of Nikamma with Shirley Setia as heroine. Sanjay Kapoor’s daughter Shanaya gets a lead role in a Karan Johar film. Salman Khan’s niece Alizeh and nephew Nirvaan are all set to dab the grease paint. Waiting in the wings are Sridevi’s daughter Khushi and Saif Ali Khan’s son Ibrahim. So, who will survive the star race? Only talent will tell!
Sai Pallavi, all of 29 years, is on a high. Why not? Her chartbuster 2019 Rowdy Baby from Tamil film Maari2 with Dhanush as her lead garnered 5 million likes (and over a billion views), an unheard of popularity for a Tamil film song and dance. This racy, raunchy and rambunctious number has amazingly inane lyrics…For Sai, Dhanush is her Goli Soda (the flying fizz), and she, his Kari Kuzhambe (spicy hot curry)! Who cares for such over the top lyrics? Sai has danced her way in frame to frame, all the way to fame. Dhanush who has sung the song and played the lead, comes off as a timid foil to the high voltage Sai Pallavi. From a Badaga family of Nilgiris with an MBBS from Georgia University, this youthful charmer has already tucked away two Filmfare and several other film awards, for her electrifying performances in Malayalam, Tamil and Telugu films. Premam, Fidaa, Athiran, Kali, and Maari2 have zoomed her to the top. She comes across as innocent and sparkling as a mountain stream, hardly needs any makeup as her envious skin is inner lit. Watch out for this bubbly.
Dilip Kumar was not just a legendary actor but was also a writer and producer who made the blockbuster movie Ganga Jamuna in 1961 and played the title role of Ganga in that film. The heroine was Vyayanthimala. It was a tale of two brothers one — an uneducated, simple human being who is forced by the circumstances to take the law in his own hands and the other Jamuna who is educated, urbanized and who tilts on the side of the law of the land. The movie Ganga Jamuna was inspiration for the famous duo Salim-Javed while scripting for Deewar. So too it was for Amitabh Bachchan. Well, when Ganga Jamuna was to be released it went to the Censor Board for clearance. They recommended a cut of the scene where Ganga is shot and utters Hey Ram! When asked why should it be cut? The Sarkari Babu said it was Gandhi who uttered Hey Ram…so how can you utter the same words? Dilip Kumar was shocked by his logic and said every Hindu when he dies might utter Hey Ram! Come to think of it one must admire the creative guys from Bollywood who have had to put up with idiosyncrasies of babus and politicians for decades now.
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Editor’s Note: Short Post Noticed By People Who Matter
Four years have zipped by and we are crossing another milestone on 31st January 2025 – it’s our 4th Anniversary. It feels good.
Looking back at the 1460 days, I must say Short Post has made its mark with people who matter via 4000 stories published in the areas of politics, business, entertainment and sports. All made possible by the unflinching commitment and dedication of our senior editors, most of whom have been part of this journey from Day One.
Small pack, big impact is in essence the story of Short Post which was launched at the height of the Covid-19 pandemic in 2021. It shows our conviction. In all humility, I can say, we have created a new niche in the news segment space like Hindustan Unilever which created a new segment, when it launched CloseUp Gel.
Yes, we have created a brand (in a limited sense), created demand (readers) and created supply (senior journalists). But we are facing teething problems like all start-ups. What makes us happy and confident is the recognition of our efforts. For instance, we have an arrangement with the OPEN Magazine, part of the $4.5 billion Kolkata-based Sanjiv Goenka-RPG Group. This arrangement sees around 10 Short Post stories posted on OPEN Magazine website every week. This arrangement is testimony that our content has been well received! Also, I may add that the Maharashtra government has recognised Short Post and has allowed our senior editor to cover the Assembly sessions. Ditto: Odisha.
Our goal is to ensure that Short Post becomes a habit. I would like people to keep checking their smartphones to know the latest Authentic Gossip. As regards AI and the fear of it disrupting all businesses including media. On that, personally, I have no such fear as I am confident AI cannot smell news particularly Authentic Gossip. That’s the place we are well entrenched.