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Maharashtra’s deputy chief minister Ajit Pawar has raised apprehensions about his future moves, once again. Over the past few days, Ajit has betrayed his ambivalence about the way campaigning is proceeding in Maharashtra. While this is being commented upon, his absence at the final rally of Prime Minister Narendra Modi at Shivaji Park in Mumbai on November 14 has been noted with concern within the ruling Mahayuti. Neither Ajit nor any of his NCP’s candidates turned up for the PM’s rally organised by chief minister Eknath Shinde’s Shiv Sena and the BJP. As Ajit failed to appear on the dais, the media attention has focussed on his possible calculations after the assembly poll results are out on 23 November. Already, he has rubbed Shinde and deputy CM Devendra Fadnavis the wrong way by objecting to UP CM Yogi Adityanath’s slogan batenge toh katenge. Ajit had observed that such slogans will not work in Maharashtra, whose culture was different from that of UP. Ajit’s insistence on fielding former minister Nawab Malik from Mankhurd-Shivaji Nagar constituency in Mumbai despite the BJP’s open objections had created some strain within the Mahayuti. Now, Malik has told the saffron formation that Ajit’s NCP will not be a part of the next government if Yuti’s campaign strategy is not changed. Ajit’s another confidant, Dilip Walse Patil had said a few days ago that some fresh combination can occur after the election. Ajit has not refuted neither statement. Hence, he is under close observation by the other two partners of Mahayuti.
The kerfuffle following Ricky Ponting’s straight–from–the–shoulder observation of Virat Kohli’s form was unnecessary. In the course of an International Cricket Council (ICC) conducted interview before the five-Test series between India and Australia in Australia for the Border-Gavaskar Trophy, the former Australian captain said that Kohli has scored only two Test centuries in the last five years (186 against Australia in Ahmedabad in March 2023 and 121 against the West Indies in Port of Spain in July 2023). In these circumstances, he wondered if any other player would have been picked for the national side. While Kohli — described by Ponting as one of the greats in the same interview — himself did not respond to Ponting’s appraisal of his form, a seemingly annoyed India head coach Gautam Gambhir virtually questioned Ponting saying: “What does Ricky Ponting have to do with Indian cricket? He should be talking about Australia.’’ Gambhir’s retort was churlish. The media seeks the opinions of former greats as a build-up to events and in this case Ponting was interviewed by none other than the ICC because of the importance of the Border-Gavaskar Trophy. Ponting has gone to the extent of saying that the series between India and Australia — from the backend of his career – has always been a high-stakes affair, not far from the relevance of the Ashes. Ponting has played 560 matches for Australia across formats, scored 27483 runs with 71 x 100s and 146 x 50s and led Australia in 77 Tests. He is also a World Cup-winning captain. To question his credentials is downright absurd.
Uttar Pradesh CM Yogi Adityanath packed a lot of wit and humour while taking potshots at Congress President Mallikarjun Kharge who had mocked Hindu sadhus straying into politics and occupying high offices “in saffron robes”. Yogi reminded Kharge that he may have forgotten some crucial parts while recollecting his family’s sacrifices “for votes”. Yogi alleged Kharge purposely glossed over the tragic death of “his mother and sister” in an attack by Razakars as he feared losing Muslim votes. Addressing a rally in Achalpur in Vidarbha, the UP leader said, “I am a Yogi, and for me, the nation comes first, while for Mallikarjun Kharge, appeasement politics comes first.” He was responding to Kharge’s comments on the “batenge toh katenge” remark. He recounted Kharge’s childhood tragedy during the political unrest in Hyderabad during India’s independence. Kharge was born in the Bidar region of erstwhile Hyderabad state, ruled by the Nizams. The Razakars were a paramilitary force that operated in the princely state with a primary objective to maintain the rule of the Muslim Nizams of Hyderabad and prevent the accession of Hyderabad to India. Incidentally, at the very rally where Kharge was pouring scorn on Yogi’s saffron attire, the Congress chief was trying to generate some sympathy for himself by talking about how he had narrowly escaped the wrath of razakars. He didn’t name the razakars; he merely said how his father was relieved that his only son had been “saved”. “Even our house was burnt. I don’t want to talk about those who attacked us.”
India’s Test team – thrashed 3-0 by New Zealand – will look upon the five-Test Border-Gavaskar Trophy series against Australia with trepidation rather than hope. After the 2-0 win against Bangladesh, the Rohit Sharma-led team seemed to have reached the doorstep of the ICC World Test Championship final. But in a matter of 10 playing days from October 16 to November 3, all the hype around a third consecutive WTC final turned into slough of despond because drawing a blank from the available 36 points from three Tests against New Zealand meant winning four of the five Tests in Australia to qualify for the WTC final. India could be disappointed when the fourth Test begins in Melbourne on Boxing Day (December 26). Of course, putting it across the Pat Cummins-led Australian side will drive the Indian team that competed hard to bring down the home side in the two previous series of 2018-19 and 2020-21. Preparing “designer turners’’ in Pune and Mumbai did not help the home team in any way as New Zealand’s two left-arm spinners, Mitchell Santner and Ajaz Patel, sent the home team packing, capturing 13 wickets in Pune and 11 wickets in Mumbai. The five pitches in Australia will not afford copious turns to the slow men, but Cummins will deploy the smart off-spinner Nathan Lyon – he has taken 60 of his 259 wickets at home in 15 Tests against India — to the full. India has to muster all its wits, hour by hour, session by session, and day by day, deliver with the bat, ball, and field well in each Test match to make the series riveting.
It was a public-private partnership to provide water services on commercial terms. It was touted as one of the largest private investments in urban infrastructure in India. New Tirupur Area Development Corporation Ltd. (NTADCL) was incorporated in 1995 as a special purpose vehicle to improve potable water and sewerage infrastructure in Tiruppur through an integrated water supply and sewerage project. In 2000, Tamil Nadu Water Investment Company Ltd (TWIC) was formed as a promoter company to route all investments into NTADCL. The Tamil Nadu government owns a 46% stake in TWIC and IL&FS 54%. TWIC holds a 28.72% stake in NTADCL. Overall, the Tamil Nadu government owns 38.32% stake in NTADCL and IL&FS 25.88%. In 2003, Aidqua Holdings (Mauritius), Inc invested ₹90 crore in NTADCL for a shareholding of 27%. Post a corporate debt restructuring (CDR) in 2012, its stake came down to 15%. Aidqua has challenged the CDR before the Supreme Court and the case has been pending since then. In the meanwhile, NTADCL wanted Aidquo to disclose the details of significant beneficial owners (SBO), who exercise control in Aidqua. This was objected to by Aidqua. The National Company Law Tribunal (NCLT), Chennai, has now directed Aidqua to disclose details of beneficial owners. The concept of SBO was introduced in India with the objective to curb illegitimate activities and identify the natural persons controlling a corporate entity. An amended Companies Act provides for the disclosure of beneficial owners in a corporate entity. Well, the NCLT ruling could prove significant in the context of changing dynamics in the corporate world.
He looks very much like the boy next door. When he walks on the street, he doesn’t seem to get noticed. This lanky lad, however, is now sort of emerging as a star bowling member of the Indian test cricket squad. He became the first off-spinner in very many summers to pocket seven wickets in the first innings of the second test against the Kiwis at Pune recently. He went on to bag its maiden 10-wicket haul in the match. Not surprisingly, Chennai boy Washington Sundar finds berth in the Indian team that is set for a test series in Australia for the Border-Gavaskar Trophy. Australians are a tough nut to crack in their home pitches. The Indians require more than a bit of luck to bell the Australians in their home turf. Washington Sundar is acutely aware of this. Recently, the off-spinner made a beeline for Lord Parthasarathy at Triplicane, one of the oldest Divya Desam temples in Chennai, to seek HIS blessings for the ensuing test series in Australia. Washington Sundar was escorted by a temple volunteer for a quiet darshan of deities in this historical temple. Accompanied by his family members, Washigton Sundar had an archana darshan of all deities at the temple. Sundar needs a chariot of good luck. Who could give him that? Lord Parthasarathy, of course!
Looks like Himachal Pradesh chief minister Sukhwinder Sukhu is battling a needless controversy over a CID probe into missing samosas linked to his visit to CID headquarters last month. He has been at pains to clarify that the probe, as reported by media, was not linked to the savoury ordered from a 5-star hotel but into “misbehaviour” of officials. He also feels that the BJP’s attack against him regarding the issue was “childish”, and that the party was running a smear campaign against him ever since the Congress won the assembly election. Sukhu felt the BJP was focussing on missing samosas since ‘Operation Lotus’ to dislodge his government failed. Samosas and cakes, which were ordered for CM Sukhu, were reportedly served to his security staff instead, and the entire situation snowballed into a controversy. Eventually, a CID probe was launched as the incident was termed as an anti-government act. Those responsible acted according to their own agenda, a highly placed official in the CID said in his note on the October 21 incident when the CM visited the CID headquarters. An enquiry report by a deputy SP rank officer found that samosas from three boxes of refreshments meant for the CM were rather served to his security staff. Recovering from an infection, it must be said the CM was keeping off samosas. While on samosas it must be noted the savoury featured in the farewell proceedings in Court No 1 in the Supreme Court when CJI designate Justice Sanjiv Khanna — also referred to samosas as outgoing CJI DY Chandrachud’s favorite snack!
Vidya Balan struck Bollywood like a tornado in Parineeta having debuted in 2003 with a Bengali film Bhale Thaco …this South Indian star raved by audiences for her acting and beauty struck a chord. Another Hema, Rekha, Padmini, Vyjayantimala? Vidya has her unique magnetism and left behind her signature in every role. Then it happened …actually it had been building up kilo by kilo …her weight gain overshadowed all else. Though she faced body shaming with determination, even as she claimed that she had overwhelming hormonal issues. But in a super charged fashion and style world where the Manish Malhotras and Tarun Tahilianis who designed for super trim beauties, Vidya had to regain her trim figure. And you know how she lost weight, leading to OMG gasps and wonderment? As stylishly as she handled an on stage fall, oops moment while performing a dance number with Madhuri Dixit for the promo of Bhool Bhulaiya 3. Even as Vidya performed intricate Bharata Natyam steps, she just fell…and raised herself stylishly and carried on, almost as if it was a dance move. Vidya now basks in admiration for her weight loss which was through the diet change that she credits — Anura, a health center that helped her to identify her particular “inflammation” prone body response to sluggish metabolism. The born again Vidya is chirpy and cheerful and fans are going to see a lot more of the new Vidya.
Maharashtra has locked-in six political parties fighting the mother of all poll battles. Upbeat NDA (BJP-Shiv Sena-NCP) — despite initial assessments indicating alliance bagging below 130 seats — hopes orchestrated triangular fights will register 140 wins. BJP wants 105 like 2019, and expects a two-digit final outcome like Gujarat (99 MLAs won). Deputy chief minister Devendra Fadnavis, BJP’s CM face, discerned his party’s 148 candidates as also for Shiv Sena/NCP led by CM Eknath Shinde/Ajit Pawar respectively, even supplanted BJP candidates on alliance party tickets (Shiv Sena:9, NCP:5). Congress leads MVA bloc fighting over 100 seats, UBT Sena fights 90 plus (below 126 in 2019). Sharad Pawar’s NCP shortlisted 35 candidates, then handled a problem of plenty after 85 bounty, finding 50 more candidates post haste. Uddhav Thackeray discerned winning candidates to rectify Lok Sabha debacle (nine MPs from 21 contested seats). Independents, (over 25) from MVA ranks while BJP mostly quelled rebellion, expected to play king makers in Maharashtra government formation post November 23. BJP’s Borivali MLA Sunil Rane rues double bad luck being dumped in favour of Sandeep Upadhyay even as CM Shinde fielded reluctant MP Milind Deora from Worli constituency. Samajwadi Party’s Mankhurd MLA Abu Azmi worries over minority reports swaying towards NCP’s Nawab Malik while BJP’s ‘Bullet’ Patil hopes to gain from “Chanakya Niti” by Fadnavis. Navi Mumbai strongman Ganesh Naik’s son Sandeep quit BJP after senior leader Manda Mhatre got the party ticket making independents unofficial third front in polls.
The CPI(M) in West Bengal is grappling with a challenging phase as several of its prominent leaders continue to quit the party and join rival parties like the Trinamool Congress (TMC) and the Bharatiya Janata Party (BJP). Surprisingly, notable figures who previously held influential roles within the Left Front government have quit. Some like Abdus Sattar and Abul Rezzak Mollah stand out as former Left Front ministers who have now ascended to notable positions within the TMC. The BJP, too, has benefited from CPI(M) defections. Shankar Ghosh, a young leader from Siliguri, left the CPI(M) to join the BJP ahead of the 2021 polls, defeating his mentor and veteran CPI(M) leader Ashok Bhattacharya. Ghosh has since risen to become the chief whip of the BJP Legislative Assembly Committee. Former CPI(M) MLA Tapasi Mondal is now a BJP legislator from Haldia, her former constituency. CPI(M) State Secretary Mohammad Salim has attributed the trend to a “bankrupted political culture” fostered by the TMC-BJP nexus, emphasizing that true ideological commitment would prevent leaders from joining parties with opposing values. However, within the CPI(M), there is a growing realization that even efforts to rejuvenate the party with youth faces are not stemming the outflow of talent. Amidst these concerns, CPI(M)’s Bengal unit is re-evaluating its alliance with Congress for upcoming state elections. Although the two parties are long-time allies in West Bengal, their ideological differences remain stark, especially given their rivalry in states like Kerala. Clearly, CPI(M) leadership has a tough job on hand – to stop the exits and ensure that the party regains its pristine glory in West Bengal.
Vidya Balan struck Bollywood like a tornado in Parineeta having debuted in 2003 with a Bengali film Bhale Thaco …this South Indian star raved by audiences for her acting and beauty struck a chord. Another Hema, Rekha, Padmini, Vyjayantimala? Vidya has her unique magnetism and left behind her signature in every role. Then it happened …actually it had been building up kilo by kilo …her weight gain overshadowed all else. Though she faced body shaming with determination, even as she claimed that she had overwhelming hormonal issues. But in a super charged fashion and style world where the Manish Malhotras and Tarun Tahilianis who designed for super trim beauties, Vidya had to regain her trim figure. And you know how she lost weight, leading to OMG gasps and wonderment? As stylishly as she handled an on stage fall, oops moment while performing a dance number with Madhuri Dixit for the promo of Bhool Bhulaiya 3. Even as Vidya performed intricate Bharata Natyam steps, she just fell…and raised herself stylishly and carried on, almost as if it was a dance move. Vidya now basks in admiration for her weight loss which was through the diet change that she credits — Anura, a health center that helped her to identify her particular “inflammation” prone body response to sluggish metabolism. The born again Vidya is chirpy and cheerful and fans are going to see a lot more of the new Vidya.
Tamil Nadu political parties put up a brave face after watching the response to Vijay’s entry into their charmed circle. While some minor players were dismissive of the actor, the ruling DMK tried to convey the message that it was business as usual. Except that they too are worried not even about the zeitgeist of young people seemingly attracted to the fresh player on the scene. What bothers the DMK the most is its rival AIADMK would be able to tie up with Vijay, in which case they sense a more formidable rival may be at hand to threaten the future of the mostly family concern that the DMK is. The AIADMK, sensing an opportunity, has asked its leaders and cadre not to attack Vijay in the media as they sense a soulmate in the greenhorn who mostly toed the AIADMK line when Vijay spelt out some of his political ideologies and plans. In boldly putting forth his views on the corruption in the DMK, he has become most attractive to the AIADMK. They sense that Vijay, a Christian, may not fit the BJP plans and hence believe they are in a better position to woo him into an alliance for the 2026 Assembly polls. The DMK is, however, happy at the arrival of a new player who can further split the public vote if his Tamilaga Vettri Kazhagam is to contest the polls alone and not in any alliance. The 2026 Assembly polls of Tamil Nadu are going to be fun and games.
It’s a tricky tightrope walk when a true life event and sacrifice is transferred on to the medium of cinema … .the creation has to more than match the extraordinary bravery of an army Major, his supreme sacrifice and the family’s sorrow filled pride in him. Kamal Haasan and his Raaj Kamal Films International production house has hit the high emotional spot with Sivakarthikeyan as Amaran. The film, applauded by both audience and critics, raked in Rs 42.3 crore worldwide on Day One. And deservingly. Amaran is the rendition of late Major Mukund Varadarajan leading the Rajasthan Rifles in Shopian, who fell to terrorist bullets while defending his team and the country –he was just 31. Even as people exited the cinemas, many were shedding tears and paying heartfelt emotional salaams to this brave son of India. Rajkumar Periasamy, trained in the creative environs of Kamal’s cinema, has done faithful research on the life of Major Mukund, and created his character for compelling screen performances. Sivakarthikeyan, according to Kamal has raised himself to a new cinematic level that is bound to leapfrog his status as an actor. But it is Sai Pallavi, as the hero’s wife Indu Rebecca who has garnered equal admiration as the “iron” army wife who does not shed tears of weakness but carries her head high, saluting her husband’s bravery. Good cinema is still appreciated amidst the cacophony and glitz of mindless offerings aimed at padding up jaded stars.
Kollywood has set the trend for many traditions, especially festivals. Diwali tops the list for the Tamilian film buff — crack of dawn oil baths, new clothes finery, gorging on sweets and savoury, crackers, and of course a must see “film”. Producers too play by this unstoppable sentiment and release their movies on Diwali Day with great expectations about audience storming cinemas and opening their wallets. This year’s line up — Amaran, Brother, Bloody Beggar and Lucky Baskhar are all set to sashay sassily on the ramp and raise hopes for which film gains the most …money wise. Starring Sivakarthikeyan and Sai Pallavi Amaran produced by Kamal Haasan and Sony Pictures International, directed by Rajkumar Periasamy has raised the expectations bar. Jeyam Ravi has not had much cinematic popularity to talk about after Ponniyin Selvan. His movie Brother directed by M Rajesh is touted as an all-round entertainer with comedy heading the mix…Harris Jeyaraj has scored the hit number Makkamishi. In the case of Bloody Beggar, an entertainer that hinges on a poor man as an impersonator in a rich man’s mansion. It is backed by Nelson the director of Jailer who has trusted his assistant M Sivabalan to bring the best of acting talent from Kavin seen as the millennial favourite. Perhaps all three films are at best seen as counterfoils to Dulquer Salmaan’s Lucky Baskhar, a Telugu film that has quickly turned out pan India in Tamil, Malayalam and Hindi. Vaathi fame director Venkat Atluri has directed this film as a period piece.
Will the ego clash destroy the fate of the two Big Diwali releases this year? So it seems. Singham Again, directed by Rohit Shetty, a multi-starrer starring Ajay Devgn, Ranveer Singh, Akshay Kumar has been dragged to the Competition Commission of India (CCI) for unfair business practice by the producers of Bhool Bhulaiyaa 3 alleging that they are not being allowed to take single screen as Singham Again producers have booked all screens. Bhool Bhulaiyaa 3 directed by Aneez Bazmee has also got a good star cast comprising Kartik Aaryan,Vidya Balan, Madhuri Dixit and Triptii Dimri. It may be recalled that Ajay Devgn had dragged Shah Rukh Khan to CCI for unfair business practices during the release of his movie Son of Sardar which coincided with SRK’s Jab Tak Hain Jaan. Even then it was a Diwali clash. Here one can’t help but talk about Om Shanti Om which was released on Diwali along with Sanjay Leela Bhansali’s Saawariya. The clash between two titans almost sacrificed the careers of two newcomers Ranbir Kapoor and Sonam Kapoor; it had Salman Khan who wasn’t on good terms with SRK. Similarly, SRK and Rakesh Roshan were locked in a release battle during the release of Kaabil and Raees and both films suffered. Both Shah Rukh and Hrithik Roshan have a history as when the latter became a superstar with Kaho Na Pyar Hai and SRK’s Phir Bhi Dil Hai Hindustani flopped. Critics were talking about Hrithik replacing SRK. At that point in time SRK cleverly used a Pepsi Ad to mock Hrithik’s super star status.
This year’s biggest grosser Stree 2 has found its place in the numbers book as pure entertainment riding a spooky plot. This film’s highlight is Tamannaah Bhatia enticing fans with her Aaj ki Raat item number, bringing in repeat audiences just to see her dance. Her earlier film Jailor item number Noovu kaavalaa is still rocking the audience. Tamannaah has her place as a saleable star who raises no controversies, does her work and moves on. But she may not have realised the deep trouble she was getting into by signing on as Brand ambassador for the Mahadev HPZ Token App, which has now become a legal nightmare for its owner Saurabh Chandrakar. His App and role in the alleged illegal broadcast of the IPL competition has turned into a Rs 5000 crore lawsuit, with Viacom claiming Rs 100 crore loss. Tamannaah is alleged to be part of the promos and events and now the ED is determined to question all those connected with the scam. Travelling to Guwahati with her parents, the ravishing film star was subjected to 5 hours of questioning. It is not known how this captivating lady withstood the ED grilling (or how the ED faced her voltage). But her visit to the famous Mahashakti’s Tantric power temple of Kamakhya, dressed in a white kurta accompanied by her parents, made more news.
Sixty-year old popular star Jayaram Subramaniam has created a soft and stylish spot for himself in Kerala films despite Mammootty and Mohanlal’s reigning supreme as evergreens. His performance in the hit period drama Ponniyin Selvan (as Alwar Kadian Nambi, the articulate comic Brahmin) was as much the highlight of this epic drama as the pivotal characters of Ponni and Karikala Chozhan. His 26-year old son Kalidas Jayaram has created a niche for himself in the film industry. Recently he was cast in the Dhanush film Raayan, and showed his mettle in the Tamil OTT anthology Pava Kadaigal in which he played a transgender. Kalidas is all set to marry Tarini Kalingarayan, a former Miss Tamil Nadu 2019, well known model and alumnus of MOP Vaishnav College. Jayaram and wife Parvathy had just celebrated daughter Malavika’s wedding in grand style , and it came as no surprise that they announced Kalidas ‘ wedding too in quick succession. The only surprise was that Jayaram, Parvathy and Kalidas honoured MK Stalin, TN CM with the first invite. Not surprising it created a buzz as why had he not given the first invitation to the Kerala CM Pinarayi Vijayan? In the world of politics and cinema events occur not according to the logic of mundane society. Celebrities have their own exalted status or political predilections. Superstar Mammootty’s son Dulquer Salmaan’s was an arranged marriage in 2011 to Amal Sufiya whose family is from North India. Mohan Lal’s son, Pranav Mohanlal’ marriage with Kalyani Priyadarshan has remained an enigmatic topic.
The Hema Committee Report, revealing tales of sexual exploitation and inhuman working conditions in the Malayalam film industry, has raked up the #MeToo movement in Mollywood leading to many prominent actors, directors named by their co-stars. In Hyderabad it has taken its first toll; choreographer Shaik Jani Basha, popularly known as Jani Master who works in Telugu, Tamil, Kannada and Hindi films saw the I&B ministry withdrawing its invitation to 70th National Film Awards in New Delhi but also suspending his National Award amid sexual assault allegations. Jani who is out on bail. And the person who complained against him is worried if she would lose both work and face in the film industry. Close on the heels of Hollywood, in India the MeTooMovement gathered steam in late 2018 when actress Tanushree Dutta accused actor Nana Patekar of sexual harassment. Then many more female stars and professionals from Bollywood came forward. Music director Anu Malik, director Sajid Khan paid the price; they were dropped from reality shows initially. But it seemed a temporary halt almost like lip-service. One could see singers Alisha Chinai and Sonal Mahapatra raising howls of protests via social media every time they saw Anu Malik judging reality shows. In the case of director Sajid Khan, he kept out of public glare initially and was almost out of work as several actresses accused him of exploitation. When things cooled down he was given an opportunity to participate in Bigg Boss reality show to clear his image. Some of the actresses seeing there is no harsh punishment for people in Bollywood who have exploited female stars, technical assistants, choreographers, makeup artists are wondering the cost of being outspoken.
Ace Tamil film director Lokesh Kanakaraj currently directing Rajinikanth’s 171st movie Coolie, is a hunted man trying his utmost to convince the crazed Super star fans that he was in no way responsible for Thalaiva’s sudden illness. Rajini had just completed a 40-day stint for Coolie at Vizag. He was taken ill with belly pain and unease, immediately rushed to the Apollo Hospital, Chennai where a team of top cardiologists and other consultants took charge. Rajini came home after a stent was put and advised rest for three weeks. The Tamil media spelt the stent as “stunt” in their news bulletins. In any other 73-year old, it would just pass off as an age related issue and not unusual. (Rajini has a transplanted kidney and was on immune suppressants). Here we are talking of a phenomenon who reigns over a huge legion of fans who go crazy just for a glimpse. So the overwhelming vigil outside the hospital was expected, happening every time a political VIP/celebrity gets into Apollo. Not just the media but the hundreds of me too YouTubers floated opinions, prayers, surmises and misplaced criticism of the director Kanakaraj. Various theories floated around and blame was pinned on the director. With Vettaiyan set to release on October 10 and mega marketing promos needed, Rajini had much to deal with. The talk was that he was paid Rs 100 crore while Big B paid Rs 7 crore ( for guest appearance ). Vettaiyan could benefit from the huge publicity generated by Thalaiva.
Thirty-seven year old Samantha Ruth Prabhu was married to Nag Chaitanya, Telugu film’s enduring star Nagarajuna’s son for just 4 years before the couple filed for divorce in 2021. Already Nag Chaitanya’s closeness to fast rising Shobhita Dhulipalia is buzzing around. But it is Samantha who has been hit the hardest in the past few years, despite her rise to stardom in both Tamil and Telugu films. The OTT series Family Man brought her much acclaim. But her personal life was hit in a serious way when she was diagnosed with myositis, a medical condition that has punched her psyche hard, understandably. But Samantha was not prepared for the latest turbulence in her life…Telangana Minister for Environment and Forestry, Konda Surekha recently made downright derogatory remarks about the cause of Samantha’s divorce ….alleging that BRS leader KT Rama Rao is the cause for the rift and divorce. Surekha further insinuated that this BRS leader has a knack of intervening and interfering in the lives of celebrities. Telugu cineworld has erupted in anger at this kind of malicious loose talk, and superstars Chiranjeevi, Allu Arjun, Jr.NTR, Nagarajuna have condemned the Congress leader for this unsavoury talk. KTR of course has warned this minister to apologise immediately and retract her slanderous allegation or face a defamation case. The Minister has tended an instant apology on X, especially to Samantha that she had no intention of dragging her into the muck…she just wanted to vent her venom on politicians for their derogatory attitude to women. Samantha may be rueing her bad times…stars too have to cope with Star struck times.
As Durga Puja, the most anticipated festive season in West Bengal, approaches, the Bengali music industry finds itself in a precarious position, haunted by memories of the Covid-19 pandemic. The recent RG Kar Medical College incident has sparked a wave of concern, resulting in the widespread cancellation of events and programmes. Several prominent singers, music bands, and musicians have voiced their worries as the festive period, usually a time of high earnings, now faces a grim scenario. One of the key voices from the industry, renowned singer Jojo, expressed her anguish over the unfolding situation. According to her, people often think that musical events are merely entertainment, not realizing that these shows provide income to a wide array of people—from backstage crew members to sound engineers and support staff. Echoing her sentiment, celebrated singer Lopamudra Mitra highlighted the impact on young musicians who often accompany established artists during live performances. She further mentioned that many budding talents rely on the festive season to showcase their skills and gain exposure. Veteran singer Rupankar Bagchi raised concerns about the inconsistency in policies, where television productions are continuing uninterrupted, with channels banking on new content for the festive period, but music and cultural shows are being singled out. It’s not just the music industry that’s bearing the brunt. The local theatre industry, popularly known as “Jatra,” is also witnessing a steep decline in sponsorship and participation. The Bengali music and cultural community is now grappling with the fallout of these developments, fearing long-term repercussions.
The oft debated question, can meaningful cinema entertain? Or intended pure entertainment be meaningful? Suriya and Jyotika’s home production 2 D Entertainment‘s just released Meiyazhagan is sure to raise this debate all over again till the next Mega extravagant film comes along to zap film buffs with the scale of spend. Director Premkumar has taken 6 long years after the super success of 96, a Trisha and Vijay Sethupathi led, literally one night stand when they meet and relive their now ended love story. Meiyazhagan is the one night story of Arulmozhi( Arvind Swami in a riveting, unforgettable performance ) who travels home in the Needamangalam bus, to his native village from where he was unexpectedly hounded out when his ancestral home was willed to his sisters. The trip is made memorable by meeting Karthi the hail fellow well met, cheer and bonhomie maker. Malayalam cinema’s “almost there” super star Tovino Thomas feels Meiyazhagan is the leitmotif of meaningful cinema that touches viewers and lingers as emotional super glue. Arvind Swami and Karthi share the powerful impact of a common story that appeals in uncommon ways. Incidentally, Karthi, still under the spell of his role as influencer was an inch away from trouble. At a press meet for movie’s promotion, he was asked about the Tirupati Laddu issue. In his usual way he tried humour. Pawan Kalyan came down heavily on his flippant attitude and soon Karthi had to apologise. Sensible otherwise, the Telugu version of Meiyazhagan would have suffered.
After a noteworthy career as a Tamil Film heroine from 1995 to 2005, Simran Bagga is happily settled in Gurgaon with her husband and children. When she is offered a role she accepts but in her own words “I don’t hanker after roles as co-star to top heroes,” insisting she is content with her achievements in South films having worked with all leading heroes — Vijay, Suriya, Ajit and others. She was referred to as “Slimran” a compliment given by her directors and media for her slim figure and pleasant looks. There were the usual stories that were cooked up to add Masala to her film promotions. But the recent media stories linking her to Vijay especially that she asked Vijay if he would agree to work in her production have lit much anger in her. Vijay is supposed to have turned down her offer, claiming “my movies always roll with controversy…I can’t say from where the problems come.” Simran is aghast that such a claim is making the rounds. “STOP this kind of loose talk, linking me to top actors. I value my self-esteem and self-respect.” From her first Tamil film Nerukku Ner, through many a hit with Ajit and Vijay, Simran has traversed a steady career. And would like to be left out of controversy, not of her making.
Thirty-eight year old actor-director-politician Kangana Ranaut has been courting controversy on both political and professional front ever since she was elected BJP MP from Mandi in Himachal Pradesh. Her directorial venture Emergency where she plays the role of Indira Gandhi faces flak from both the Sikh community over depiction of Operation Blue Star and the Congress party over her portrayal of Indira Gandhi. The film, where she has a producer sunk a lot of money, is yet to get clearance from the Central Board of Film Certification as CBFC has received too many legal notices over the movie’s release. This delay is taking a toll on her finances. Apparently, she had mortgaged her properties to produce this film, and release delay has resulted in her selling one of her bungalows in the upscale Bandra suburb. The actress who does not have support from the fraternity needs a hit which has been eluding her for some time. Her last nine films have done well at the box office. People who have seen rushes of Emergency say the movie will do well. Meanwhile, politician Kangana seems to have irked her party leaders by speaking against the farmers twice in the last four months. So much so, BJP spokesperson Gaurav Bhatia commented, “Kangana Ranaut is not authorised to make such a statement on behalf of BJP and it doesn’t depict BJP’s view on the farm bills. We disapprove of this statement.” And falling in line, she too tweeted, “My views on farmer’s laws are personal and they don’t represent the party’s stand on those Bills.”
Sai Pallavi, the actor who has a big fan following for her films, is a doctor by profession. She is also known as one of the best dancers, her hit number with Dhanush “Rowdy Baby” still remembered for its sizzle and sass. For the engagement ceremony of sister Pooja Kannan to Vineet held in January, Sai and Pooja danced to the hit Marathi song “Apsara Ali”, a riot of energy and fun. But Sai Pallavi turned serious at Pooja Kannan’s wedding, held in true Badaga style in the cool environs of Ooty. The Badagas have unique traditions and culture and weddings too are celebrated in true Badaga style. The bride’s party reaches the grooms place early in the morning for the ceremony, which starts with the “Thali” (mangalsutra) tying at the Hethai Amman temple, then wend their way to the groom’s place for the sumptuous feast, Madhuve Hittu. Sai officiated as the sister bridesmaid at every turn, looking ethereal in a monochrome outfit that matched her sister’s. Sai is soon to be seen as Sita in epic Ramayana with Ranbir Kapoor as Ram …the divine chemistry to unfold the oft told epic story …Sunny Deol, Bobby Deol, Yash and Vijay Sethupathi are to provide plot movers. Sai also has Amaran with Sivakarthikeyan in the lead.
Even as film fans across the country are wildly speculating about divorce in the Bachchan’s family comes the news from Kollywood that Jayam Ravi, one of the most dependable performers (the standout star of Ponniyin Selvan) dropped a bombshell on his 44th birthday (Sept 9) that he is seeking divorce from wife Aarti after 15 years of marriage. The couple have two children. A shell shocked Aarti, a successful entrepreneur in her own right, said “Ravi did not consult me, nor was I aware that he is about to drop this bombshell on me and the kids. This unilateral announcement never gave me a chance …much as I tried to talk to him.” Coincidentally, Ravi’s first hit, M.Kumaran S/O Mahalakshmi was a film that touched the hearts of many. It is about a single mother who brings up her son with no help from a husband who walked out on the marriage. Ironically, Ravi asking for divorce will see Aarti face a similar predicament. Aarti is the daughter of successful TV serial producer Sujatha Vijayakumar. Has Ravi come to the end of his tether because of perceived interference of his in-law? Inspite of his busy schedule, Ravi has always given quality time for his family says sources. No one is aware of the real reason for Ravi’s ultimate break decision. But the way he has done it made Aarti lament, “My grace and individuality have been knocked out by the media speculations.” She still hopes for a rapprochement. Marriages are made in heaven, but hit the rocks in this fantasy world of tinsel make believe.
Netflix India’s content head Monika Shergill met Union I&B Ministry officials answering summons over controversy surrounding Anubhav Sinha’s IC814 -– The Kandahar Hijack web series aired worldwide. The inadequate disclaimer tagged alongside the series was promptly rectified with additions reflecting, “During the hijacking of IC814 (Indian Airlines plane) terrorists used aliases, code names. The names of terrorists were: Ibrahim Athar (alias Chief), Shahid Akhtar Sayed (alias Doctor), Sunny Ahmed Qazi (alias Burger), Mistri Zahoor Ibrahim (alias Bhola), Shakir (alias Shankar).” While expected to bring closure to issue, BJP is livid at the selective advisory being aired limitedly on Netflix India while global feeds (aired through U.S.-based servers) continue depicting the old disclaimer. I&B Minister Ashwini Vaishnaw faces flak from within BJP for the limited clarification. “The Indian Hindu diaspora is a global phenomenon in every corner of the world. Why is disclaimer restricted to resident Indian audiences? I&B Minister must take issue with Netflix,” senior BJP leader Mahendra Jain says. Another leader states, “Vaishnaw knows the old disclaimer was amended to include fresh advisory to be put out globally to set the record straight. This is now akin to hijacking the clarification itself to suit Netflix’s convenience. When newspapers issue rejoinders over inaccurate facts, it’s not limited to one segment alone but carried across editions so all readers are well informed.” He added BJP’s former I&B minister Ravi Shankar Prasad lost his ministry over a smaller faux pas after being tasked by PM Narendra Modi for tackling X over pejorative content regularly tweeted. “Back then, Prasad’s own twitter account was suspended which did not go down well with the BJP higher ups and he lost his job. Vaishnaw must pull up his socks or else face a similar fate.”
The rape-murder of RG Kar hospital doctor has led to a wave of revelations in the Bengali film industry. Women across all levels have come forward with allegations of sexual harassment against influential figures, including directors and producers. In response to these allegations, the Federation of Cine Technicians and Workers of Eastern India (FCTWEI) recently announced the formation of a special 15-member committee, named ‘Suraksha Bandhu,’ aimed at safeguarding women in the industry. However, the formation of the committee has sparked controversy, with the Directors Association of Eastern India (DAEI) questioning the legitimacy of the new body. Director Sudeshna Roy representing DAEI criticized the FCTWEI for not adhering to a proper process when selecting committee members. She also challenged the Federation’s statement that claimed 60% of directors and 40% of producers were implicated in the complaints. Roy pointed out that the technician’s association is led by Swaroop Biswas, brother of state minister Aroop Biswas, and alleged that Swaroop made the sole decision to constitute the women’s protection committee without consulting other key stakeholders. She argued that the Federation is not the industry’s sole regulatory body and questioned its authority to unilaterally form such a committee. In contrast, DAEI has proposed the creation of a new committee, ‘Women’s Forum of Screen Workers Plus,’ which would be tasked with addressing complaints of sexual harassment. It may be recalled that celebrated director Arindam Sil was banned by the Directors Guild following multiple complaints of sexual harassment. The ban will remain in effect until Sil is proven innocent, signalling that the industry is taking the allegations seriously.
You say what’s in a name, it is what you make of yourself that finds your name in history. There is at least one mega star who would differ aggressively…actually the very name he shunned turned into the mega brand, loved and idolised. Many have wondered what the name Mammootty meant. For the past 50 odd years, it has shot into global popularity and respect. Mammootty who turned 73 on September 7 was born into a conservative family. His parents Ismail and Fathima ran a modest trade business in clothing and rice in Kerala. Mohammad Kutti, the eldest of their six children, dreamt of getting into films but family pressure saw him graduate from Ernakulam’s Maharaja College and forced him to study law so as to add the prefix Advocate to his name. Wanting to be known as Omar Sharif, the Egyptian killer star, Kutti hated his nickname Mammootty, the abbreviated choice of his friends and family. Now comes the filmy twist. One day the postman knocked on the Advocate’s door, asking “Who is Mammootty…I have a letter from MT Vasudevan Nair of Janasakti Films, addressed to Mammootty”. The rest is magical cinematic history. Mammootty , christened and chosen by the genius Vasudevan Nair went on to become the tallest Malayalam film star, with 420 films in his bag…a mix of good, bad and passable. In 2000, Mammootty hit the mother lode of four scorching hits —Narasimhan, Valletta, Dada Saheb and Kandukondein Kandukondein. With four National Awards and countless State Awards, at this age Mammootty still causes heart flutters in women. A nickname turned into a legend, and a guaranteed audience draw. Mammootty, destiny’s child is acclaimed by his son Dulquer Salman as a hard act to follow.
The pre-release hype and hoopla for top star high budget films are hard to ignore. But Archana Kalpathi, Creative Head of Kalpathi Films has more than swivelled 360 degrees to hit the target for Great Of All Time (GOAT) – superstar Vijay’s penultimate film. The usual suspense about extra shows ended when TN cinemas announced a special 9 am show. Kerala went a step further and had a 4 am show as crazed fans from Coimbatore and state border towns pole-vaulted to Kerala cinemas. The (unofficial) ticket cost of Rs 1000 shot up to 2k. Such is the hold of superstars and the besotted fans…a launch pad for politics that TN stars transit from formula films to politics with ease. Tamil news had snippets of who watched GOAT where …top heroine Trisha watched the movie with Archana, Director Venkat Prabhu preferred Kamala cinema. If the delirium surrounding Vijay was not already palpable, another snippet conveyed that Thala Ajit was one of the first to call, and wished Vijay all the best for his mega hit. The buzz about the AI and De-ageing technology used in the film to differentiate between father Vijay and his son is sure to kindle curiosity. The last few years had a rush of filmi gossip about Vijay’s estranged parents and wife Sangeeta, even son Sanjay’s rebellion. Suddenly, photos of the entire family bonding watching the film at this time were flashed in the media.Vijay’s newly minted party TVK is now planning the mother of all public gatherings to present Vijay as the new messiah of TN. Interestingly, throughout the film, Vijay drives a car with the number plate TN07 CM 2026! Talk about subtlety!
Controversy seems to be the middle name of this 38-year old Queen of Bollywood. Once again actor-director-politician Kangana Ranaut is making headlines over soon-to-be released movie, Emergency where she plays the role of Indira Gandhi. Even as she hops from news channel to news channel promoting her movie and giving her version of the story, the political parties like Congress, Shiromani Akali Dal (SAD) have sought a ban on the movie. Looks like she is a proxy for hitting the BJP. SAD, which has sent her a legal notice wants Kangana to delete a scene which shows Indira Gandhi being assassinated by Sikh security guard.. Surprisingly, even though her party BJP is backing her, the movie is yet to receive the go ahead from the Central Board of Film Certification. Most of her movies in the last few years have not done well. Nearly six of her movies like Katti Batti, Simran Panga and Tejas have not got big numbers at the box office. According to Trade Analyst, Girish Wankhede Emergency does not look strong enough to resurrect her career. Reportedly, she has decided to quit films after being elected from the Mandi Lok Sabha constituency. It is learnt that more than Rs 80-90 crore is riding on Emergency. A hardcore nationalist, Kangana who speaks her mind and not bothered of consequences has been told by her party to not to give comments on any issues.
Thrust the Malayalam film makers to rework things amidst the OTT boom, especially yesteryear producers/directors who are missing the present day boom. Malayalee film goers are queuing up to watch some of the yesteryear classics like Manichitrathazhu, Devadoothan, Spadikam etc first released 20 to 30 years back. The re-release boom is fast catching up with at least 15 to 20 old Malayalam classics being lined up for re-release. Film maker Sibi Malayil, who is behind the re-release of Devadoothan, says that “one thing we need to ensure is that the quality of the visuals and sound improves on re-releasing a movie. Better quality raw materials help in giving audiences a better theatre experience, he added. It costs about Rs 1 crore to rework an old movie to give a 4K experience. Devadoothan, a Mohanlal starrer was a colossal flop when it was released first, 24 years back. Today, after restoring the film, re-editing and removal of unnecessary scenes and even adding spice to some of the fight scenes, the film has grossed Rs 4 crore in two weeks at the theatres. The movie is still running full house in the third week. Movies being lined for re-release include Mohanlal’s Devasuram (1993), Araam Thampuran (1997), Mammoothy’s Oru Vadakkan Veeragatha (1989) and Palery Maanikyam Oru Pathira Kolapaathakathinte Katha (2009). But, theatre owner Liberty Basheer sounds a word of caution. “We cannot predict the audience. Most of these films are available on YouTube or have been telecast on TV. Not everyone would want to experience the 4K version. “Kerala of late has been witnessing huge footfalls at theatres following successful launches of new generation films like Manjummel Boys, Avesham, Premalu etc which have grossed theatre collections over Rs 100 crore.
Something very laudable is happening in Kollywood. Acclaimed film director Bala was all praise and laurels for a just released film Vaazhai, directed by Mari Selvaraj which would have easily passed into oblivion, as it has no glitzy stars nor high amp pre- promos. Just a cute story that unfolds and tugs at your heartstrings, the kind of film that the audience relegates as Festival types. A teary-eyed, highly talented director Bala hugged Mari Selvaraj and said, “We are surely and supremely on the road to global acclaim for Tamil cinema and artists”. Ace director Mani Rathnam too praised the film. Result: 60% of the theatre audience have watched this movie due to endorsements by these well-known directors. There is a big sea change happening, and a very essential change in the themes, treatment, cast and most telling in the budget. Sensible producers like Sivakarthikeyan and directors like Vinothraj have touched audience sensibilities that over the top budget and cast do not make a film watchable. Actor Sivakarthikeyan is glowing with pride that his just released Kottukkaali (fresh from its showing at the 74th Berlin Festival) has garnered rave reviews from peers and patrons. Soori, the film’s main protagonist/antagonist has risen like a colossus from his earlier avatar as a comedian, sidekick. Bollywood and its bean counters are sure to be wondering if it is not big money, then what is the secret sauce of such small budget films. Simple themes but powerful storytelling.
This 37–year old Bollywood actress quietly made a big splash. Shraddha Kapoor’s latest film Stree 2 has drowned both John Abraham’s Vedaa (Rs 10.5 crore) and Akshay Kumar’s Khel Khel Mein (Rs 9.95 crore) in the box office. In three days Stree 2’s collection was Rs 100 crore… Rs 150 crore on the fourth day. Movie critic and trade analyst Taran Adarsh tweets “Indeed, #Stree2 is rewriting the rules of the game”. Bollywood watchers say she can well be called the franchise queen. Shraddha, daughter of Shakti Kapoor, who has acted in over 38 films entered Bollywood in 2010 with Teen Patti followed it with her first leading role in the teen drama Luv Ka The End (2011). She is considered Alia Bhatt’s rival in a way. She has acted with all the big heroes. She was in Aashiqui 2 produced by Mahesh Bhatt, Street Dancer with her childhood crush Varun Dhawan and Baaghi with Tiger Shroff. In the last three–four years Shradda –– the second most–followed Indian actor on Instagram –– has made a big impression with her fans. It started with Stree (2018), Chhichhore (2019) and Tu Jhoothi Main Makkaar (2023) and the action thriller Saaho (2019). Besides acting, she, like Alia Bhatt has hummed quite a few numbers. One of India’s highest–paid actresses, she has been featured in Forbes India’s Celebrity 100 list since 2014. She endorses several brands and has her own line of clothing. Trade Analyst Girish Wankhede says Shraddha is at the top of the game with the stupendous success of Stree2. The franchise has rejuvenated her stardom after series of average hit films.
Tamil film superstar Vijay’s hunt for a venue for his party Tamil Vetri Katchi’s inauguration has been a tale of frustration that betrays the fear people have of being seen promoting a new player on the political scene. The hunt had led Vijay’s party members to several cities and towns in the state looking for a venue like an open ground that can accommodate around 10 lakh people who are expected to attend. Having looked at suitable venues in Trichy and Salem, the party had to cancel with the parties owning or controlling the venues pulling out for fear of getting into trouble with the powers. The party had then approached a private college management to lend their campus and ground in Vikravandi, a town about 120 kms south of Chennai. The venue may not be big enough if a million people get there for the inaugural slated for September 22. The party is said to be still trying for a more suitable venue even as preparations are on for releasing the party’s flag on August 23 so that supporters and fans can carry the flags to the venue on the inaugural day. The party is determined to get the party off the ground in a spectacular way in September. Vijay’s final film – The Greatest of All Time or GOAT –– before his political plunge will hit screens on September 5.
Ever since this film was announced, Thangalaan, with iconic actor Vikram in the lead, it has garnered media news by the ton. With good reason too…audience still recall KGF and its thrilling story, our very own Mackenna’s Gold. Who wouldn’t be hooked by the thrill of prospecting for gold? Thangalaan is now anticipated as another KGF. Directed by Pa Ranjith, the man who creates stunning visuals even as the hard hitting screenplay unfolds. But suddenly, a scary twist hit the film’s much-awaited release. A Division Bench of the Madras High Court decreed that the producer, KE Gnanavel Raja and Easwaran, stakeholders of Studio Green deposit Rs 1 crore by August 15 in the account of the official assignee representing the late creditor Arjunlal Sundardas who had pleaded insolvency before he died. Thangalaan faced the oft-repeated speed breaker in films, creditors who are as keen to get the money back as the producer to release his film made with blood, debt and tears.
There has always been a love-hate relationship between the Bollywood stars and scribes. Not to forget the paparazzi. A seasoned journalist covering the industry for over three decades was shocked and surprised to see the way stars are snapping at journos and their menacing tone these days. This seems more pronounced in the past few months. At the press conference of John Abraham-Sharvari starrer Vedaa, John was visibly annoyed when a reporter asked him whether he was playing safe by doing the same kind of roles. In the case of Akshay Kumar, he is avoiding giving interviews …and he is very selective to which journalist he will speak to. Before journos ask for consecutive failure of his films, Akshay preempts them and says “only five films” have flopped. But, he forgets the crores of rupees producers have lost. One producer had to put his office on the block to pay his entire crew. And the new trend is all stars are asking reporters to give questions in advance. Inspite of that Sanjay Dutt at a press conference over UK denying him visa made a boo-boo in one of the answers to a question, why he was signing for villain’s role these days? And it seems Ajay Devgn avoids promoting films and his latest movie with Tabu Auron Mein Kahan Dum saw a meagre collection of Rs 10 crore in the first eight days. Most of the Bollywood stars need to understand that they need to connect with the media to connect with their ‘audiences’. It is clear banning or shunning the media does not work for stars or scribes. In the eighties Big B had banned media for nearly a decade but finally smoked a peace pipe.
They are no longer behind the scene players. The spotlight is on them too. A case in point is Shah Rukh Khan’s manager Pooja Dadlani, besides film dos she was seen with SRK in most IPL matches. In Bollywood, the role of secretary has metamorphosed into manager. The whole dynamics has changed with manager/professional agency handling stars. Film historian Dilip Thakur says, “Back then, the secretaries knew how the film industry functioned and worked in such a way that the entire industry benefited.” Today it seems a mercenary approach, the agencies are interested in seeing that stars fees are 40% of the budget of a film. This is one of the reasons many films are bombing. A few decades back, the star’s secretary played a different role. They ensured that their star bosses are projected well. They did not think of money. When Big B returned after quitting politics, his secretary Sheetal Jain managed to organise three muhurats in a day at Mehboob Studios. And the films were Hum, Agnipath and Luv Kush. For creating buzz around Amitabh all the credit goes to Sheetal. Rajesh Khanna’s secretary Gurnaam made sure he picked the right script; she had a role to play in his super stardom. After her death, Kaka’s career plunged. Rikku Rakesh Nath who made careers of Madhuri Dixit, Shilpa Shirodkar and Anil Kapoor also ensured that some of his star clients who had no films (read jobless) got one or two films. That speaks of his clout, commitment and dedication. Sridevi’s secretary Hari Singh went that extra mile to ensure she was presented well, bagged meaty roles, and managed to get her to the No 1 position at a time when Madhuri Dixit was ruling the roost. Today, many secretaries/managers have evolved further –turned producers albeit with the backing of the stars.
Tamil film popular star Vishal’s Sandakozhi (Fighter Cock) hit the headlines in 2005, swaying its audience for 210 straight days in cinemas. The pugnacious Vishal gained popularity as a saleable star and was signed up for more films. Soon he started Vishal Film Factory. And parallel to this he also turned bellicose and aggressive for both right and wrong causes. He became the Sandakozhi in his professional life, and has been in the news for many a contentious issue. Vishal also took on Udhayanidhi Stalin’s Red Giant Distribution house though indirectly as he feared his film Rathnam could be stymied by alleged monopoly and manipulative practices. Sometimes back, he talked about corrupt practices in the Central Board of Film Certification to get his film Mark Antony certified. But now things have hit a churning point. His venture, Vishal Film Factory had borrowed Rs 23 crore from financier GN Anbu Chezhiyan. But then Vishal had a cash flow problem. To bail him out Lyca Productions stepped in and took over his debt with a deal that all future releases would go through Lyca. Vishal allegedly reneged on the deal and Lyca took him to court. Vishal had to appear in the Madras High Court of Her Honour P T Asha on July 29. During the court proceedings, when he declined that he had signed a contract but had signed a blank paper. The Judge shot back, “You were supposed to settle all dues before Sandakozhi2 release. You think it is smart to deny your own signature”? Vishal interrupted the Judge and addressed her… “Boss”. The Judge, already irritated, countered “You can’t use Boss. Just say yes or no”.
It almost seemed like a sisterly act of reaching out to each other. Both FM Nirmala Sitharaman and West Bengal CM Mamata Banerjee are continuously engaging each other in social media. After FM Sitharaman praised Mamata for attending the NITI Aayog meeting and later openly lauded her in the Lok Sabha, the TMC, in its official handle, reposted her praise on X. ‘A good Chief Minister and a fighter who has been leading the state for so many years!’ “FM@nsitharaman in a moment of honesty praises our Chairperson in Parliament. TRUTH CANNOT BE SUPPRESSED FOR LONG”! In her reply to the debate on Union Budget in the Lok Sabha on July 30, FM was particularly irked by TMC MP Prof Saugata Roy, who had remarked that he did not expect the “FM to be like Dr Manmohan Singh” as she was not a PhD from Oxford like Dr Singh not even like Chidambaram, who had got a management degree from Harvard. “She is from our own JNU. But the problem is, she is bereft of new ideas.” A somewhat peeved FM said “A lady who I respect a lot, who sits equally in the GST Council with me, who is the FM of West Bengal, studied in the University of Kolkata. She is not a Member of this House. She is the FM of West Bengal (Chandrima Bhattacharya) and studied in the University of Kolkata. Is she also bereft of new ideas? She makes wonderful contributions to the GST Council.” The CM of West Bengal is also from the colleges affiliated to the University of Kolkata. Does this mean that if you study in the Indian universities, you are bereft of ideas? In what way are we less than the Harvards of the world or the Oxfords of the world?
At 41, Dulquer Salmaan has an envious track record of big achievements –MBA from Purdue University, a Dubai stint in IT major, and then quitting this comfort zone to plunge into films to prove that just being legend Mammootty’s son would not put him in the orbit of pan India success. In 2012, when Dulquer wanted to act in films, the easiest thing for him would have been to latch on to the fame, name and star adulation of his father who at 73 continues to rock Malayalam cine world. But Mammootty made it clear that he would not call in any favours. Dulquer proved that he could build his own niche. He instinctively chose pan India films and themes in Telugu, Hindi, Tamil and Malayalam acutely aware that Dad was a hard act to follow in just Kerala cinema. A brilliant strategy that has won him a Filmfare Award and other trophies. Sita Ramam turned out to be both a creative and commercial hit, after his O Kadhal Kanmani (Mani Ratnam directed ) Kannum Kannum Kollai Adithal, King of Kotha, Karwaan and a host of projects that have built his star status, frame by frame. Dulquer runs profitable enterprises, and is brand ambassador too. His passion for bespoke cars is a luxury his star status brings. Recently when someone compared his rise to the likes of Shah Rukh Khan, an embarrassed Dulquer shot back and said please don’t insult Shah Rukh Khan. Not many star progeny have built the kind of sustained following Dulquer has carved out for himself.
One remembers Rishabh Shetty reacting to a question, if Kantara should be remade in Hindi. “Why should it be made in Hindi when I have already made it,” came the pat reply. Today, the success record of remakes in Hindi is only going down. Sarfira, Selfiee and Shehzada have flopped miserably. Why does Bollywood opt for remakes when there is so much original content waiting to be made? Once upon a time dubbing was not entertained with the theatre flocking audiences. Then, audiences accepted remakes and it became a hit. For example, Vinod Khanna-Shatrughan Sinha starrer Mera Apne was a remake of Bengali hit Apanjan. Rajesh Khanna-Hema Malini starrer Prem Nagar was a remake of Telugu movie Prema Nagar. Cut to the digital era, all movies are dubbed globally…and audiences have no reservations watching Bhojpuri or Telugu or Korean movies. According to Trade Analyst Girish Wankhede, there are four reasons why remakes of regional films do not work today. First, the OTT platform comprises the original content which is pushed on in all languages and its reach is mind-boggling. There is no novelty left when remakes are made. Tamil film Soorarai Pottru starring Suriya was a big hit and popular on OTT platforms too. When Bollywood made Sarfira’ majority of people had already watched it on OTT. Second, dubbed versions of South Indian blockbusters are shown on TV whose reach is astronomical. Audiences in the North are aware of the popularity of Jr NTR, Suriya, Prithviraj, Vikram and others. Third, no marketing of remakes. Fourth, sometimes the essence is lost in remakes. Marathi hit Sairat was remade in Hindi but the Hindi movie Dhadak dropped certain crucial parts as a result it flopped.
The Bengali film industry is seeing a faceoff between the Directors’ Guild and the Federation of Cinema Technician Workers of Eastern India (FCTWEA) leading to political interventions to resolve the issue. The trigger was a 3-month shooting ban on Tollywood director Rahool Mukherjee for commencing shoot without requisite permissions from Directors’ Guild and FCTWEA. Notably, FCTWEA is led by Swaroop Biswas, the brother of Trinamool Congress minister Aroop Biswas. The situation has intensified with several high-profile Tollywood figures speaking out against the ban. Directors Parambrata Chattopadhyay, Kamaleshwar Mukhopadhyay, and Kaushik Ganguly, along with TMC MLA and director Raj Chakraborty, and actor-turned-MP Dev, have condemned the restriction. On July 26, the Directors’ Guild gave green signal to Mukherjee to start shooting of his film starring Prosenjit Chatterjee and Anirban Bhattacharya. However, FCTWEA refused to lift the ban and permitted Mukherjee only to serve as a creative director. This decision led to a fiasco on July 27 when several technicians failed to show up for the scheduled shoot. Prosenjit pointed out that such a situation is detrimental for the Bengali film industry. Dev expressed strong disapproval of the Federation’s stance, while Parambrata Chattopadhyay accused Federation officials of leveraging their position to impose their own crew members, despite having sufficient staff already in place. The issue has stirred concerns about the influence of political figures on the film industry, with allegations of muscle-flexing by the Federation at the behest of Minister Aroop Biswas’s family. Director Rahool Mukherjee is keen that the whole situation is resolved amicably in the interest of Tollywood. Will the West Bengal chief minister Mamata Banerjee who enjoys a cordial relationship with Tollywood personalities intervene and resolve the conflict?
Just before the release of his own Rs 100-crore budget directorial film Raayan, Tamil film popular star Dhanush went through pre-release agony of doubt and fear… he needn’t have. The crowds exiting cinemas were full of praise and admiration…for not just his direction, but the gracious way of projecting every actor in his or her true worth, not casting himself in every frame, using the ultraviolent action theme to effectively convey the blood and gore story….all in his favour as director. On X, a fan tweeted “A Badshah for Dhanush” (putting him on par with Rajinikanth hit Badshah). With the release of Raayan the debate in Kollywood has now graduated to Dhanush’s directorial skill? Will he plunge full-fledged into direction or manage both acting and direction? His confidence in directing actors like Prakashraj, Kalidas Jayaram, SJ Surya and Sandeep is now evident that he is capable of 50 shades of Grey. Starting off as an average looker and hesitant actor in 2002 in Thulluvadho Ilamai, taking on a variety of films and roles in 23 years, Dhanush has pitched his talent tent, in the right spot, capably. Of course he has gathered much moss and unsavoury baggage in his rise…as star, superstars damaad, family discord, competitive strife with Sivakarthikeyan, media overdrive on so-called dalliance with co-stars. Dhanush who acted in the Hollywood The Grey Man is no longer the Grey Man…He is Atrangi Re.
Looks like the 56-year old Bollywood superstar Akshay Kumar is losing his Midas touch going by total collections of Rs 17 crore for his latest movie Sarfira. The film, a remake of Tamil movie Soraru Puttru, was based on the life of Captain Gopinath of Air Deccan fame. In fact, its budget was much less than Akshay Kumar’s film. Post Covid-19 pandemic the first Hindi film to be released was Akshay Kumar’s Sooryavanshi directed by Rohit Shetty with Ranveer Singh, Ajay Devgn in the star cast. It did well at the box office opening with Rs 25 crore. But after that Bachchan Pandey spelt disaster at the box office and opened with just Rs 13crore. From then on films like Samrat Prithviraj, Raksha Bandhan failed miserably. He bounced back with Ram Setu and OMG 2 which did decent business at the box office. OMG 2 which was a hit had Pankaj Tripathi in the main lead but the actor was appreciated for his role as Shiva. As a producer he had to battle with CBFC for release of the film as it had given it A certification.There were Selfie, Mission Raniganj which opened at Rs 2.80cr which was better than Sarfira. Mission Raniganj earned Rs 33 crore while Bade Miyan Chote Miyan’s failure almost shut Vashu Bhagnani’s office. Sources say Akshay has not signed any new films and has reduced his price by 50%. But, the actor has quite a few films in production. Khel Khel Mein is with Taapsee Pannu and Vani Kapoor and directed by Mudassar Aziz who does not have a great track record. The only hope for Akshay is Housefull 5. Maybe his South sojourn could salvage his career.
Tamil film fans are on a high …just salivating in anticipation of a star cine line-up. Keenly awaited is Lyca Productions’ thriller Vidaamuyarchi with Ajit and Trisha swinging to Anirudh’s merry music under Magizh Thirumeni’s direction. The news about Trisha taking on the director for some obscure issue and other roadblocks put the fear about Vidaamuyarchi becoming Vitta Muyarchi or effort abandoned. But all is well and Diwali is to be lit up by this film. Thangalan, the much talked about Kolar Gold Mines is a film that may take veteran Vikram to new heights in acting. This film, directed by PA Ranjit with music by GV Prakashkumar will be released on August 15. The very first song Minikki Minikki is already a hit for its rural beat, rustic voice and lyrics. Thangalan to be released worldwide in Tamil, Telugu, Kannada, Malayalam and Hindi is predicted to be a creative and cash hit on the lines of KGF and RRR. Dhanush and his 50th film Rayan with a promising story and solid acting line up — Selvaraghavan, SJ Surya, Kalidas and Aparna Balamurali. AR Rahman has tuned the lyrics written by Dhanush with SUN Pictures gearing up for July 26 show time. Suriya’s Ganguva in 3D tech, directed by Siruthai Siva with Disha Patani, Bobby Deol and others is an epic historical film that has been long delayed. No wonder Suriya announced its Fire Song to be out on his 49th birthday on July 23 to keep interest alive in Ganguva. There are several small budget modest films too. Who can predict which of these films will grab audience attention?
The name of the game is marketing. The cinema business is all about hard-selling. The Indian II, a Kamal Haasan-starrer, is reportedly raking good collections at the Box Office despite a mixed review. That’s good news, no doubt, for the tinsel world. Is there a way to discover the exact collection? That could give a clue or two to the real appetite for a good movie. Well, the way forward is to go digital completely. Why not ticket sales be done only through online? For one, that could avoid the serpentine queue in front of the theatres to buy tickets. For another, it could provide visibility to stakeholders across the canvass on the revenue flow. That will go a long way in helping to devise a proper policy prescription to the cinema industry. An influential part of the cinema business is still not fully on-boarded into the formal system. Oftentimes, one is not sure if there is meaningful correlation between attendance at theatres and box office collections. Are we seeing the old style of accounting in the tinsel world? If the Railways could successfully run an online catering service to train travellers, why can’t a similar system be encouraged for sale of snacks and beverages at cinema theatres? The cinema industry has traversed quite long from a totally unorganised existence in the past. If the tinsel world is integrated into the formal system in every way, it will do a world of good to the industry, in general, and the national economy, in particular, if. That is easier said than done,however.
Even in an almost cameo role of Kamal Haasan in Kalki 2898 AD, it raked in the money and the laurels. But his full length sequel epic Indian 2 has turned into an embarrassment for all concerned – director S Shankar, Lyca Productions, Red Giant and cast. Hit in the solar plexus by a super long film that begs to be ignored. Especially brilliant director Shankar who has had many hits in his quiver and a reputation for big scale entertainment. In the high jinx, big money world of cinema many hits are quickly memory erased with one super flop. That’s exactly what has happened to wizard Shankar. But the long gestation period of Indian 2 brought an opportunity for him to sign up Ram Charan (fresh from the laurels of RRR and its near Oscar status) for directing Game Changer. Even as Telugu distributors, financiers and producers are shell shocked by the Indian 2 debacle, they have to scan the sky, hopefully for that rainbow. And appropriately enough it could be Game Changer with the suave Ram Charan. The political thriller written by Kartik Subburaj, features Kiara Advani, SJ Surya, Anjali and others. Ram Charan shared a collage of a helicopter that said, “The Game is about to Change … .Game Changer is all wrapped up. See you at the cinemas.” Cinema is mega money …it needs back to back game changers to survive.
It was the wedding of the century. And as usual the entire Bollywood made sure they marked their attendance at the Ambani wedding. All were there with their families and they really let their hair down. There are a few observations that one saw at the wedding. For starters, the paparazzi, who are often not treated well by the top stars, were pleasantly surprised by the respect accorded to them by Bollywood folks. It looked as though the Ambanis had told them to cooperate with the paparazzi. Shah Rukh Khan who was again seen with his green umbrella covering his face to avoid being papped the next day after the wedding had posed not once but twice at the wedding with the proper salaam to the members of the media. Amitabh Bachchan was spotted waiting for his turn to pose in front of the media while cricketer MS Dhoni posed. Someone like Madhuri Dixit danced to Choli Ke Peeche Kya Hai number. In fact, Salman who is very fond of Anant Ambani made sure even Shah Rukh Khan danced instead of standing and watching others dance. A photograph of Salman Khan and Arjun Kapoor together has gone viral as generally Sallu bhai prefers to stay away from Arjun. All said and done, almost all the top actors and actresses from the film industry participated in Ambani’s wedding whole-heartedly. In fact, all of them had blocked dates for the three Ambani events that took place in the last few months.
Sequels seem to be the current flavour of Tamil films. Even as Indian 2 is chugging along to mixed reactions, Ishari Ganesh and his production House Vel’s, announced the sequel to their 2020 fantasy mythology/ comedy ( new genres are creatively spun ) Mookkuthi Amman. Lady Superstar Nayanthara plays the Goddess. How did a fantasy theme steeped in Divine overtones inspire a sequel? The ways of films and the preferences of audiences are as elusive as The Scarlet Pimpernel. The first film Mookkuthi Amman could not get a cinema release due to Covid-19 pandemic. But the makers were not daunted …they managed a direct OTT release on Disney Hotstar, almost convinced it was due to the divine blessings of Goddess Amman. A beautiful Nayanthara got iconic welcome as the Nose Pin Goddess. RJ Balaji, the main character is also the director of the film. Mookkuthi Amman watches over the good people with her timely interventions and is lionised as the family “go to” deity. When story boards are as dry as a desert, film makers seek sequels — at least the essentials for the film are charted. Only a new story twist is needed. Nayanathara is an appropriate Mookkuthi Amman.
July 12 was a red flagged day for the much-anticipated and delayed release of Ulaga Nayakan Kamal Hassan’s magnum opus, Indian 2, sequel to that 1996 super hit that rocked global viewers for sheer scale, script and cinematic spectacle. Besotted Kollywood fans had almost given up on seeing Indian 2. Tamil film’s ace director S Shankar announced the sequel on January 15, 2019. A five years delay can be financially crippling in the film industry. What went wrong? Everything. At every step the film hit roadblocks. This string of unexpected hurdles could make for a standalone script for “The Making Of Indian 2”. A series of mishaps, infighting between the production house and the director, legal hurdles and an accident on the set — crane fell on the crew killing three workers. Kamal had to take care of the legal summons as he was in no way connected with the mishap. A prompt Rs 1 crore compensation to the deceased workers’s families pacified the crew. Then came Covid-19 pandemic. Indian 2 lost three of their best talents — top comedian Vivek, Manobala and Nedumudi Venu. Through all this Kamal worked in other films and also launched his own political party MNM. His Vikram, a super hit, turned the tide and Kamal’s confidence levels rose. Shankar, a mega scale director is not known to cut the cloth according to the coat. In 1996 Indian 1 made on Rs 9 crore budget earned Rs 30 crore, his Rajini starrer 2.0 made in 2018 with Rs 600 crore earned Rs 800 crore. Indian 2 made at a cost Rs 600 crore is expected to cross the Rs1000-crore mark.
Following Anusuya Sengupta’s acclaimed win as Best Actress in the ‘A Certain Regard’ category for her film ‘Shameless’ at the 77th Cannes Film Festival, questions have arisen concerning the notable absence of Indian Bengali cinema at prominent international film festivals like Cannes, Berlin, and Venice. Acclaimed Director Goutam Ghose, a recipient of numerous awards at prestigious global film festivals, highlighted a disparity in enthusiasm towards festivals among Bengali master filmmakers of yester years. While luminaries such as Satyajit Ray and Mrinal Sen actively engaged with these platforms, celebrated figures like Tarun Majumder and Tapan Sinha were less inclined, despite their films receiving recognition. Ghosh noted fluctuating preferences among festival organizers favouring films from different countries at different times, including periods where Iranian, Korean, and occasionally Indian cinema gained prominence. Film researcher and professor Sanjay Mukhopadhyay observed that films like Debaki Kumar Bose’s ‘Sita’ might have won accolades in Venice due to their westernised portrayal of Indian women. He acknowledged a decline in Bengali cinema’s international visibility post the era of Ray, Sen, and Ritwik Ghatak. Director Atanu Ghosh, whose works have been honoured at international festivals, acknowledged the current scarcity of Bengali films on the global stage. Interestingly, according to director Sekhar Das even Russian films are not being able to make their mark even with these famous directors like Tarkovsky or Sokurov. The same is true for Bengali movies.
Whoever watched Kalki 2898AD is all praise for Amitabh Bachchan …for his role as Ashwathama. And interestingly, the box office numbers prove that Big B is a big draw. Trade analyst Taran Adarsh tweeted that Kalki2898AD is the third Telugu film, dubbed in Hindi, after Baahubali2 and RRR to cross the Rs 200-crore mark in 10 days. Big B who has worked in over 248 films — 12 waiting to be released – hasn’t really got this kind of response to his films in recent times. In the last few years he acted in a number of multi-starrers like Unnchai, Goodbye, Runway 24 and Jhund but none of them impressed the audience save for Brahmastra. Bachchan, at 81, seems to be a big draw as he is constantly reinventing himself. At the peak of his career in the 70s, 80s, he with his angry young man image was a phenomenon; a one-man industry whose name drew the audience to theatres. Then on the advice of an investment banker he set up ABCL which drove him to bankruptcy. He got a lifeline from the late Subrata Roy of Sahara Group and a break in small screen to host Kaun Banega Crorepati? On TV Salman Khan may be getting bigger money than Bachchan but the kind of respect Big B commands after hosting KBC is unbelievable and it continues for two decades now. According to an election affidavit, he and his wife Jaya Bachchan’s combined net worth is Rs 1,578 crore. Industry observer Girish Wankhede says, “Mr Bachchan rewrote the history with his performance and the enormous box office numbers consolidate his eternal domination. He has been the king of box office in the past and with Kalki 2898AD, he is again back with the bang.” Big B has proved that age is just a number.
Tamil cinema’s popular star Dhanush unloaded a plethora of angst at the music launch of his 50th film, Raayan. But why? He has travelled from Kolly to Bolly to Hollywood in the span of 24 years, no mean feat for a guy who came from nowhere (literally), body shamed for his looks…thin, dark and passable visage, a far cry from matinee idol. But this hugely talented star had immense confidence in his ability and quickly made his place in the clawing competitive space of Tamil cinema. His acting talent was evident. Talking about his rise, popularity, star saleability and versatility Dhanush recalled those days …when he lingered in Poes Garden hoping to catch a glimpse of his hero..,his future father-in-law Rajinikanth. He idolised Superstar Rajini, craved and coveted his lavish house, its location; so too J Jayalalithaa’s iconic home and address. “I am going to get a home here in Poes Garden”, he vowed. And he did. He built his imposing home (Rs 100 plus crore) very near to the Superstar. While his professional life zoomed up as one of the most sought after cinematic talents …actor, director, script writer, singer, his personal life plunged into chaos. He separated from his wife Aishwarya and two sons. Dhanush reminisced about all this even when he should have proudly launched his 50th film, talked about maestro AR Rahman, ensemble cast. When Dhanush opened up about his regret for building this opulent home in Poes Garden, the overwhelming sense of emotional pain spilt out as angst.
Trisha Krishnan and Thalapathy Vijay were the best-selling Tamil cinema on-screen pair in the mid-2000s. Their first film, Ghilli, Rs 50 crore hit, still draws repeat audiences for bubbly entertainment and a fast moving story. Four back to back films including Kuruvi naturally lead to cotton candy talk of the two getting serious. The pairing stopped. Only when Lokesh Kanakaraj announced Leo, Trisha came back to the Vijay pairing after a gap of 15 years. Lokesh, Vijay and Trisha alchemy is expected to sizzle at the boxoffice. Parallel to cinema happenings, Vijay is super busy and super present in the news for the launch of his party Tamizhaga Vettri Kazhagam. Social media is full of news about his “powerful and planned “thrust into politics, with all kinds of imaginary status about his marital life, parental non proximity, even his son rising as a challenge. What about his love life? Ah, this is where it becomes hot and humid. The infamous Suchitra leaks hit Vijay and Trisha with hot Saravana Bhavan rasam like spice. For those who are not in the know, Suchitra, a former singer and now suffering from delusional disorders puts out the most atrocious claims on the life, liaisons and love of filmi denizens. A birthday wish picture on Vijay’s 50th on Trisha’s Insta set the cats screeching. Suchitra wrote: “Trisha is a parasite. She is preying on Vijay’s loneliness in the absence of Sangeeta, pushing her way closer to fulfil her own political ambitions through Vijay. I am warning Vijay”.
Bollywood’s successful producer Vashu Bhagnani is cash-strapped and has put one of his properties on the block. Reportedly, he has not paid Rs 65 lakhs to his crew who worked in three of his films. Besides has also not paid the stars like Akshay Kumar who has agreed to wait. Incidentally, most of his films in recent times starring Akshay Kumar and Tiger Shroff have bombed at the box office. In the case of Akshay, all his four films with Vashu have done badly. Industry insiders say a film bombs because of poor script or high cost of stars or lavish production cost. It is an open secret that some of the popular stars take about 40% of the cost of production of the film. Vashu Bhagnani who entered Bollywood in 1995 has given a series of superhits, so it’s surprising he landed in a financial mess. He invested about Rs 1,000 crore in Bade Miyan Chhote Miyan Mission Raniganj, Ganpath and Cutputli. But earnings have been very poor. Also, signing big stars does not guarantee box office success. In the past Raj Kapoor landed in financial trouble after Mera Naam Joker flopped; Prakash Mehra after Bal Brahmachari and Zindagi Ek Jua and Manmohan Desai after Anmol and Toofan. But, these producers failed not because of the high cost of stars but because the audience did not like their stories. In the case of Bhagnani’s high cost of stars is also one of the reasons. There is surround sound that actors should cut their price. Will they?
In his career spanning over 40 years, the 67-year old Anil ‘Jhakas’ Kapoor has smartly kept out of controversy. But, in recent times found himself dragged into two controversies. He is being trolled for agreeing to host Bigg Boss OTT, a reality show which has become synonymous with Salman Khan. Bhai’s fans are mightily upset that Anil has replaced Sallu Bhai in one of the most controversial reality shows. Anil is not perturbed by criticisms and trolls. Meanwhile, he seems to be in the news for other reasons — fallout with his elder brother Boney Kapoor. Sources say that producer Boney has decided to cast his son Arjun Kapoor in the sequel No Entry Mein Entry without informing Anil and this has upset him. But when some reporters quizzed Anil, he quickly responded “Ghar Ki Baat Ghar mein hi rehne do”. Anil, one of the non-controversial actors in Bollywood, has acted in over 100 films and his career graph, like Dharmendra, Jeetendra, has been steady. The actor is constantly reinventing himself to keep in sync with changing times. He is identified for some of the interesting roles he essayed in Hindi films like Mr India, Mashaal, Tezaab, Ram Lakhan, Nayak, Welcome, English movie Slumdog Millionaire and English TV serial 24. As regards to his producer brother, he has worked with him in over nine films and has acted opposite Sridevi, his sister in law in eight films.
Tamil film’s well known director, 37-year old Arun Kumar (aka) Atlee has moved into the big league. His star trek which began in 2013 with Raja Rani got a leg up thanks to Thala Vijay. He directed Vijay in three superhits Theri, Mercel and Bigil. Like many super hits, Atlee guided his hits with more razzmatazz and gloss, a page taken from his mentor Shankar. Kollywood producers quickly realised that Atlee was building his own brand with way over budget films. Kalaipuli Thanu, a name to reckon in the Tamil Film Producers Guild cracked the whip…Tamil movies did not seek Atlee and when he tried to move to Telugu…he drew a blank. It seems Telugu and Hindi film producers are hard nuts to crack where finance is concerned. He has been lucky though. When Bollywood was down in the trenches and needed a hit badly to pull it out of the tailspin, Atlee delivered Jawan for SRK. Made on a Rs 370-crore budget, it raked in Rs 1200 crore. But Atlee was criticised for the way Jawan’s extravagance gnawed at the profits. Atlee has just made it known that his salary would now be Rs 100 crore plus profit sharing. Atlee announced his next movie with Allu Arjun. But call it destiny. The Andhra Pradesh government has changed and the new Czar Chandra Babu Naidu is unlikely to forget that Allu Arjun had campaigned for his rival Jagan Mohan Reddy. The latest buzz is that the prestigious project has been shelved. Allu is waiting for the release of Pushpa 2.
Thirty-seven year old popular Bollywood star Sonakshi Sinha is being trolled for getting married to her Muslim boyfriend. Reportedly, her family also does not seem very happy about her marriage to Zaheer Iqbal, an actor who was launched by Salman Khan but did not make it big in the tinsel world. Incidentally, Sonakshi was also launched by Salman Khan in Dabangg. Actually, her family’s reaction is surprising because the news she was dating Iqbal has been mentioned in the media off and on.. Be that as it may. But nothing will stop Sonakshi from marrying the man who she has been dating for seven years now. Media reports claim that her father Shatrughan Sinha and brothers were taken by surprise about the wedding date and they have blessed her through the media. But Sonakshi is not the first or the last actress to rebel against their parents. In the past too stars have rebelled or eloped and got married. The Maine Pyaar Kiya girl Bhagyashree married Himalaya Dasani as her parents did not approve of him. Bhagyashree comes from a royal family and the family felt the status did not match. Aamir Khan and Reena Dutta had a quiet marriage as their families did not approve of the relationship. Gurmeet Chaudhary and Debina only had friends who attended their wedding and kept it under wraps for many years. And not many know that Jennifer Kendall left her family to be with Shashi Kapoor and later had a traditional Hindu wedding.
Forty-six year old Vijay Sethupathi, who predominantly works in Tamil cinema, is an actor who never fails his fans. This director’s delight, bankable hero has none of that “chikna charm” of a stereotype film hero — brawn, Greek God profile, towering personality and a deejay’s baritone. But he comes alive on screen as a wholesome, dependable artist who carries off the entire film with his performance. Those who have seen his debut movie Thenmerku Paruvakaatru in 2010 remember his goatherd character to this day. Sethupathi has crossed many milestones and is confident that his 50th movie, Maharaja will get acclaimed just like his earlier hits Vikram Vedha, Sundarapandian, Pizza, 96 to name a few. His calm and controlled nature rarely kicks up cinematic storms…though recently he refused to co-star with Krithi Shetty for DSP. Reason: “In an earlier movie Krithi acted as my daughter. I made her feel really secure…even told her to think I am your real father. So I am not going to act with her as my female lead,” he said. In the film 96, which was a hit, he was paired with Trisha and critics did talk about a winsome youthful Trisha teaming up with an overweight Sethupathi as a classmate. His Vikram Vedha with Madhavan and Naanum Rowdy Dhaan with the lady superstar Nayanthara zoomed up the charts. Sethupathi has none of that ham handed heaviness in his portrayals. Fifty films old Vijay Sethupathi is as genuine as American Apple pie or South Indian Filter Coffee …no glamour but guarantee.
Celebrated author-writer-filmmaker Amish Tripathi, Bollywood star Nawazuddin Siddiqui and actor-producer-author Vani Tripathi Tikoo are meeting in London to participate at the Manoj Ladwa-led Indian Global Forum’s Pathways To A Limitless Future to be held between 24-28 June. The 3rd Culture & Creativity Forum at IGF London will draw leading voices from film & TV, fashion, literature, sports, economy and more. What new pathways for growth can creative innovation unlock? How can culture help organizations diversify their reach? How can we revitalize the global creative economy are some of the topics the brightest minds converging in London will debate, discuss and deliberate. It is learnt that Amish Tripathi while in London will use this opportunity to announce his creative tie-up with Lord Jeffrey Archer, a successful novelist who has written scores of best-sellers like Kane And Abel, Only Time Will Tell, The Prodigal Daughter to name a few. Kane and Abel remains one of the best-selling books in the world, with an estimated 34 million copies sold worldwide. All his novels put together have sold more than 320 million copies worldwide. Tripathi’s best kept secret project with Lord Archer will be unveiled on June 24.
TRENDS & VIEWS
Editor’s Note: Big Punch In Small Pack
It is the Third Anniversary of Short Post and as a news media startup launched during the Covid-19 pandemic it certainly feels better than good to find ourselves where we are today. Here, I must cite the unstinted support of our seasoned contributors, all senior editors in the country, who brought a great degree of maturity and sagacity to the Short Post newsroom. But for them, our tagline “Authentic Gossip”, an Oxymoron, would not have matured viably. Our user numbers may be small but our stories have created the desired impact among people who matter — decision makers and influencers. We offer a big punch in a small pack and Short Post with its 225-word stories has been punching above its weight category. Having posted close to 3,000 stories in the last 36 months, Short Post, I feel, is an idea whose time has come.
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If you look at the media landscape – print, TV and digital — it is a mixed bag. There are job losses as some outfits have closed down while a lucky few were bailed out by large corporate houses. Yes, there is a lot of action in the digital space. However, the entry of corporate houses has raised the question of independence of news media outfits. Sadly, there are just a handful of independent media outfits in the country that are highly respected for their neutrality. At Short Post, our credo is not to take sides, prejudge issues or be biased but, informing readers of behind-the-scenes happenings. In essence, Short Post strives to be a neutral editorial platform — neither anti-establishment nor pro-establishment.
As I said last year, disruptions in the media world are moving at a fast and furious pace. Technology is playing a very big role in how content is generated and consumed. But, we are neither alarmed nor perturbed as it is all a part of the evolution process. What gives us comfort is that AI is unable to create original gossipy content. And that is the news arena where we have achieved a distinction.