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Good news for footwear enthusiasts in Chennai. The city will host the first Kickers store. Following a 30-year licensing deal with Royer Group of France, Kothari Industrial Corporation Ltd (KICL) is gearing up to set up its maiden Kickers store in Chennai tomorrow. The timing could not have been better for KICL, which has come under a new owner in Rafiq Ahmed and got relisted on the bourses. The opening of the Kickers store in Chennai comes within days of a significant development in the annals of KICL. A Qatar company belonging to the Royal family has just been cleared by the board of KICL to pick up a 10% stake in the Chennai company. Qatar-based F J Global Investment is owned by Falah Jassim J.M.AL-Thani, who is a director of Doha Bank and was also the founder of Qatar Airways. He was also a minister in the Qatar Government. This is a significant boost to KICL under Rafiq Ahmend, who has gone on a mission to revive the KICL and bring the iconic Kothari brand back to yester-year glory. The investment from a company owned by Qatar Royal family is seen positively by industry circles in Tamil Nadu, which is going the extra mile to woo foreign investment into the state. Significantly enough, KICL has also embarked on a consolidation move with the board approving a proposal to buy 30% stake held by Rafiq Ahmed in Phoenix Kothari Footwear Ltd, a joint venture that is setting up a non-leather footwear park in backward Perambalur district of Tamil Nadu. Well, things appear to fall in place for KICL as it seeks to make a strong comeback and regain its past glory.
It was something that the Congress couldn’t stomach easily. Perhaps the party was surprised that the Raj Kapoor family had chosen to interact with PM Modi. A day after the social media and TV channels were awash with PM Modi’s interaction with members of the Kapoor family, a very senior Congress leader ventured to put out a snarky social media post questioning the meeting. For some odd reason he completely chose to ignore the context of the meeting. “We have been asking PM Modi to visit Manipur. But he has instead found time to meet with Kareena Kapoor.” Soon good sense prevailed and he deleted his crude post. Guess he must have realised that his post was outright offensive. The Kapoor family had called on PM Modi on December 10 to invite him to the legendary actor-filmmaker’s Film Festival. The festival is to commemorate Raj Kapoor’s 100th birth anniversary, an iconic figure in Indian cinema who passed away in 1988. Ten Raj Kapoor films are going to be showcased across 40 cities in 135 cinemas .The Kapoor family, including actors Ranbir Kapoor, Riddhima Kapoor Sahni, Neetu Kapoor, Kareena Kapoor Khan, Alia Bhat and Saif Ali Khan met the PM. “This is a special day for us. We enjoyed the conversation. He spoke to us in a friendly manner. He made all of us feel very comfortable,” said actor Ranbir Kapoor. His cousin actor Kareena Kapoor Khan said that it was her dream to sit next to PM Modi and talk to him. “His energy is so positive and he is truly a global leader.” PM Modi inquired about the third generation of Kapoors — and autographed for Kareena’s children Tim and Jeh. December 14 marks the 100th birth anniversary of Raj Kapoor.
It couldn’t have come at a more inappropriate time than this. The day when the entire national media was riveted on the Parliament debates commemorating 75 years of Constitution of India and newly-elected Wayanad MP Priyanka Vadra Gandhi was making her debut speech in the House. For some odd reason the Telangana Police chose to arrest Telugu star Allu Arjun, protagonist in the Rs 1000-crore plus grosser Pushpa 2: The Rule. He was arrested in connection with the stampede incident at Hyderabad’s Sandhya Theatre, which resulted in the death of a woman. On December 4, a massive crowd gathered at Sandhya Theatre to see Allu Arjun, resulting in a tragic stampede. Revathi, a 39-year-old woman, died due to asphyxiation, and her 8-year-old son was hospitalised. While granting interim bail to Allu Arjun, the Telangana High Court affirmed Arjun’s right to life and liberty, stating that he cannot be deprived of these fundamental rights. While leaders cutting across the political spectrum came out in support of the actor, Telangana BJP leader and Union Minister Bandi Sanjay described the arrest of a National Award-winning actor as having been done to steal the spotlight. “Drama over delivery, diversion over governance — that’s the Telangana Congress government for you!” Arjun’s uncle and Andhra deputy CM Pawan Kalyan rushed to rally support for him. In the meanwhile, it will be interesting to see how Priyanka Vadra herself responds to the ham-handed manner CM Revanth Reddy handled the situation. He had after all managed to divert attention from her debut performance in the Lok Sabha to an avoidable law & order incident in Hyderabad.
To ensure the social welfare schemes reach the intended target group, West Bengal chief West Bengal chief minister Mamata Banerjee has rolled out a robust mechanism to ensure the effective implementation of socio-welfare schemes. This initiative aims to hold government officials accountable for supervising these projects and addressing inefficiencies that have marred progress in recent years. The state finance ministry has issued a notification, followed by the establishment of a dedicated help desk at Navanna to oversee information flow from block and sub-division levels. This initiative, aimed at curbing inefficiency and fraud, will require officials to physically visit project sites instead of submitting progress reports from office desks. The app will feature automatic geo-tagging, ensuring accurate location tracking of officials during field visits. During multiple administrative meetings chaired by CM, officials repeatedly failed to provide accurate updates on the status of ongoing schemes. This incomplete information has not only slowed down critical projects but also caused dissatisfaction among citizens. Officials, from BDOs to District Magistrates, must register using their mobile numbers. Reports will require OTP authentication and must include photographs of on-ground work. The app mandates regular updates, such as reporting issues in road construction, cleanliness, drinking water, and electricity services, along with distinguishing between simple and complex problems. The model draws inspiration from private sector practices, where geo-tagging apps track employee performance. The state’s new app is expected to enforce accountability among officials, address bureaucratic delays, and improve public service delivery.
In a move that may have surprised the Opposition BJP, West Bengal chief minister Mamata Banerjee appointed Radharamn Das, vice president of ISKCON Kolkata,to a 13-member board of trustees for the upcoming Jagannath Dham project in Digha. The temple, set to be a cultural and religious landmark on the shores of the Bay of Bengal, will be inaugurated on Akshay Tritiya on April 30, 2025. The Jagannath Dham Sanskriti Kendra, spanning 20 acres, is being developed under the supervision of HIDCO, an urban planning body under the state government. With an investment of Rs 250 crore, the project aims to replicate the grandeur of the Puri Jagannath Temple and serve as a significant pilgrimage and tourist attraction. This development comes amid ongoing political friction between Didi and BJP’s Opposition leader Suvendu Adhikari. It may be recalled that Nandigram where the temple is being built was the place where he had defeated Didi in the 2021 Assembly elections. Adhikari who is opposing the project on the ground that using public funds to construct religious structures is unconstitutional. He accused Mamata of attempting to win the Hindu vote bank as her minority appeasement has alienated Hindus. Mamata’s decision to include an ISKCON leader is seen as a strategic move, in light of recent attacks on Hindus in Bangladesh and the arrest of an ISKCON monk. Political analysts believe Didi is sending a message of solidarity to the Hindu community while subtly addressing concerns raised by the BJP over her government’s alleged minority appeasement policies.
Devajit Saikia is the Board of Control for Cricket in India’s (BCCI) representative in the International Cricket Council (ICC) as its Director. Saikia, who is the question that is being asked by those not acquainted with the BCCI’s governance structure, especially after the Justice Lodha Committee’s Reforms in Cricket report was accepted by the Supreme Court in 2016 and its Constitution was rewritten thereafter. The ICC Board is the all-powerful body in its Governance structure, and as a convention, the 12 full members of the ICC nominate its Presidents as Directors. Many stalwarts of the BCCI, like Jagmohan Dalmiya, Sharad Pawar, N Srinivasan and Shashank Manohar were on the ICC Board, and after the 2019 election, post the reforms, former India captain and BCCI President Sourav Ganguly was on the ICC Board. Ganguly was succeeded by the BCCI Secretary Jay Shah with the BCCI President Roger Binny as the alternate director in 2022, the same year when the former Assam Ranji Trophy cricketer and legal practitioner Saikia was elected as Jt. Secretary of the BCCI. People in the know attribute Saikia’s rise on the administration side of the game to his association and rapport with Assam’s BJP chief minister Himanta Biswa Sarma. Once it was announced that Jay Shah would take charge as Chair (Independent Director) of the ICC from December 1, 2024, quite a handful of names like Arun Singh Dhumal (former BCCI Treasurer and currently chairman, IPL) and Ashish Shelar (BJP President, Mumbai and BCCI Treasurer) emerged as a potential successor to Shah as BCCI Secretary. Saikia, will remain the BCCI Joint Secretary and perform the duties of the Secretary. But his nomination to the ICC Board has surprised many people.
Veteran leader Sharad Pawar has once again monopolised the centre stage following reports that a top leader of his party has held talks with a prominent BJP Union minister in Delhi. The political grapevine is buzzing with different versions since the meeting is believed to have occurred at industrialist Gautam Adani’s Delhi residence. In fact, Pawar started hitting the headlines on Thursday (Dec 12) morning as the news that his nephew Ajit Pawar and a couple of other NCP (Ajit) leaders had reached the patriarch’s residence. Ajit later said that being a family member, he had greeted his uncle on his birthday and nothing unusual should be read in the visit. Ajit was accompanied by Praful Patel and Sunil Tatkare, both very close to Sharad Pawar till the recent split in the NCP. The name of Adani added grist to the gossip since the industrialist had visited Maharashtra chief minister Devendra Fadnavis just a couple of days ago in Mumbai. The Adani group continues to BE target of Congress leader Rahul Gandhi and Shiv Sena party chief Uddhav Thackeray. In the past too, Adani has been meeting Pawar off and on. The presence of Fadnavis in Delhi on Thursday proved to be another trigger to speculate that the political scene of Maharashtra was likely to undergo another overhaul. Pawar’s hot and cold relationship with Prime Minister Narendra Modi has always remained an intrigue. Hence, his followers are unable to predict which way he can turn.
The Raj Kapoor family has finally come out together to celebrate the centenary year — 1924-2024 — of the showman of the film industry. Forty two year old Ranbir Kapoor who has been in the film industry for nearly two decades has taken the lead along with his cousin Kunal Kapoor to celebrate Raj Kapoor through his cinema. But was it too late to celebrate RK? Is the newer generation enthusiastic to watch his films? Ranbir Kapoor said, like his wife Alia, the young generation needs to know about the cinema of Raj Kapoor and one hopes he is successful through his stardom and initiative to keep RK’s legacy alive. But, is the film industry or the government really care about saving our heritage or culture, considering the government is calling the film industry as soft power? The hard truth is: why are our studios and banners not surviving be it Filmalaya Studio, Kamalistan Studio and Raj Kamal Studio which has limited work space. Raj Kapoor’s RK Studio, a famous landmark in Chembur along with his bungalow has been sold to Godrej Properties for constructing residential properties. It may be recalled that RK Studio was working on the rentals till the fire destroyed the entire heritage. Luckily film lovers are lucky his films were in the safe custody of NFAI. It is learnt that Ranbir Kapoor who is already a producer wants to turn director. So will he revive the RK Banner? As a part of the centenary celebration the entire RK clan met the Prime Minister Narendra Modi and conspicuous by his absence was Randhir Kapoor as he was not keeping well. In the end one only hopes that Ranbir Kapoor carries the great showman’s legacy forward.
This maverick and marauding scam tainted politician was once the acolyte of Lok Nayak Jayprakash Narayan. Former Bihar chief minister Lalu Prasad Yadav has burnt many bridges in his meteoric rise in politics. A stormy petrel, indicted for five scams, served jail term and is now out on a bail. He is once again in the news for his below-the-belt remark against his bete noire, Bihar chief minister Nitish Kumar who recently announced a Mahila Samvad Yatra to interact directly with women and evaluate the impact of his government’s programme targeted for women. When the media quizzed the RJD supremo Lalu about Nitish Kumar’s Mahila Yatra and his goal of winning all 225 seats in the forthcoming Assembly elections, the unstoppable motor mouth said, “Pahle unko aankh sekhne do” (let them get an eyeful of the women). Lalu is famous for double entendres and pithy talk. This chintzy, low end hit at both Nitish’s party and the women electorate set off a storm. Bihar deputy CM Vijay Kumar Sinha said, “It seems Lalu Prasad has lost his ability to comprehend, doesn’t know what he is saying “. JDU MP from Munger, Rajiv Ranjan Singh said, “Lalu is master of buffoonery”. Public discourse is an amalgam of many such talents. But certainly hitting below the belt and indulging in such loose talk shows the lack of grace and polish.
Shiv Sena leader Uddhav Thackeray’s plans to attend the Winter Session of the Maharashtra legislature beginning from December 16 at Nagpur will prove to be a game changer, his followers feel. Thackeray’s continued distance from the state legislative council proceedings over the past year are discussed by his party members in hushed tones since the aggressive direction needed to corner the BJP-led three-party government somehow lacks as far as his Sena is concerned. Council’s leader of the Opposition Ambadas Danve (of the Sena UBT) lacks the image and articulation which are vital for any LoP to humble the ruling side. Now that the new government led by Devendra Fadnavis has decided to appoint former CM Eknath Shinde as leader of the upper house, Danve’s limitations will be felt more vividly. Thackeray’s intermittent presence in the council ever since he resigned as chief minister in 2022 has been noted more due to his statements outside the house. He has hardly made any worthwhile speech on the floor. Therefore, his plans to remain present for the Winter Session have revived the hopes of his followers, who wish to witness his attacks against the BJP and the Sena led by Shinde. It is being recalled that Thackeray did not attend the recent three-day session of the legislature in Mumbai, held after the assembly elections. According to present indications, Thackeray will reach Nagpur well in time for the week-long session, which will be a stormy affair, focussing on settling political scores.
It was something that the Congress couldn’t stomach easily. Perhaps the party was surprised that the Raj Kapoor family had chosen to interact with PM Modi. A day after the social media and TV channels were awash with PM Modi’s interaction with members of the Kapoor family, a very senior Congress leader ventured to put out a snarky social media post questioning the meeting. For some odd reason he completely chose to ignore the context of the meeting. “We have been asking PM Modi to visit Manipur. But he has instead found time to meet with Kareena Kapoor.” Soon good sense prevailed and he deleted his crude post. Guess he must have realised that his post was outright offensive. The Kapoor family had called on PM Modi on December 10 to invite him to the legendary actor-filmmaker’s Film Festival. The festival is to commemorate Raj Kapoor’s 100th birth anniversary, an iconic figure in Indian cinema who passed away in 1988. Ten Raj Kapoor films are going to be showcased across 40 cities in 135 cinemas .The Kapoor family, including actors Ranbir Kapoor, Riddhima Kapoor Sahni, Neetu Kapoor, Kareena Kapoor Khan, Alia Bhat and Saif Ali Khan met the PM. “This is a special day for us. We enjoyed the conversation. He spoke to us in a friendly manner. He made all of us feel very comfortable,” said actor Ranbir Kapoor. His cousin actor Kareena Kapoor Khan said that it was her dream to sit next to PM Modi and talk to him. “His energy is so positive and he is truly a global leader.” PM Modi inquired about the third generation of Kapoors — and autographed for Kareena’s children Tim and Jeh. December 14 marks the 100th birth anniversary of Raj Kapoor.
Reel heroes don’t care about the media. That’s what came to light at the recent episode where a phone of a senior journalist was snatched by security personnel of actor Allu Arjun and no apology was offered either by the actor or his PR team. One has to wait and watch whether the journalist Vibha Kaul Bhat of ABP News will take the fight forward. More. Recently at the trailer launch of Kanguva, the bouncers of Tamil film’s popular star Suriya pushed the media who were waiting for the actor for over two hours. But, here one must say the actor had decency to apologise. Ranbir Kapoor now enjoys a good equation with the paparazzi but it may be recalled that the same actor in the past had snatched the camera of a paparazzi. A few years back Kangana Ranaut sent a legal notice to the Entertainment Journalists Guild of India and the Press Club of India for supporting PTI journalist Justin Rao. There are stories and stories about Dharmendra, Anupam Kher and other stars how they got into fights with journalists. In recent times Shah Rukh Khan was mightily upset with paparazzi for staking out his house when his son Aryan was arrested in connection with a drug-on-cruise case. Their overdrive saw King Khan carrying a green umbrella to hide his face making it difficult for paps to shoot him. During Ambani’s wedding the film fraternity went that extra length to pose for the paparazzi. Ironically, while the entire fraternity including Big B has had problems with paparazzi, Sanjay Dutt and Jackie Shroff have been their darling since the time they entered Bollywood. Time for other stars to learn their mantras.
The latest petition from the Tamil Film Producers’ Association, is perplexing. Justice S Sounthar refused to grant an interim stay adding that film criticisms are part of freedom of speech and expression that cannot be curtailed. It’s not hard to delve into why this gag order is sought legally. The recent disaster of Kanguva at the box office is probably the reason for this drastic demand. High stakes and high jinx political grandstanding. The sop…journos are invited for a press show before the release either in a preview theatre or regular ones. And the press note gives the synopsis, star cast etc. The reviews in print or digital are read by people who decide — given today’s looming OTT presence — whether they want to see it or wait for a week or two. …it seems most decide to wait. Amaran is yet to debut on OTT….5th December after much demand. Because the film is still running to decent shows not managed by incentives Amaran came quietly with a feel good heart touching theme all could relate to. Kanguva thundered “Audience will lap it up. Open mouthed”. We rest our case.
Making his appearance on a reality show Indian Idol the 50-year old Fardeen Khan, son of successful actor-producer Feroz Khan, looked boyish and subdued. Indeed, he has quietly made a comeback on the big screen and OTT after 14 years of self-imposed exile. Although he was signed by Sanjay Gupta for Visfot which took a really long time to release as there were no takers for Gupta’s films; Covid-19 was the main culprit. But it helped Fardeen who got a chance to work with one of the biggest OTT shows Heeramandi directed by Sanjay Leela Bhansali which signalled his comeback in 2024. This was followed by Khel Khel Mein with Akshay Kumar which didn’t do well. But Fardeen who played the role of gay man certainly impressed the audiences and critics in a big way. Fardeen made his debut in 1998 with Prem Aggan. Post that he signed up for several films. Overall his career graph did not pick up. In 2010 after the release of Dulha Mil Gaya he took a break from acting. During this long hiatus he worked on his craft. Fardeen who was married to yesteryear actor Mumtaz’s daughter Natasha now separated has a daughter and son. He often brings his children to the sets. Currently, he is working with Akshay Kumar in Housefull 6 which is set for 2025 release. He may have missed out on No Entry Mein Entry. Will Feroz Khan’s son make a big impact in his second innings?
Kolkata’s cultural calendar is abuzz as the 30th edition of the Kolkata International Film Festival (KIFF) approaches, set to run from December 4 to 11. However, this year’s celebration of cinema is overshadowed by controversies and protests within the Tollywood industry. The festival, showcasing 175 films from 41 countries with a spotlight on French cinema, has been relocated from the sprawling Netaji Indoor Stadium to the smaller Dhanodhanya Auditorium by chief minister Mamata Banerjee’s government. The shift in venue, coupled with a reduced guest list, reflects the tension brewing between Bengal’s film industry and TMC government. This uncurrent stems largely from the aftermath of the RG Kar hospital rape incident, which sparked a citizen’s movement involving many prominent Tollywood stars coming out in open against the government. Party insiders revealed that Didi expressed dissatisfaction with Tollywood, remarking that the stars’ involvement had fuelled public outrage. Adding to the friction, a faction of directors and producers is protesting against Swarup Biswas, president of the Federation of Cine Technicians & Workers of Eastern India, accusing him of running a “syndicate raj.” Legal disputes, including defamation cases have escalated tensions further alienating a significant section of the film industry. This year, a notable portion of Tollywood has reportedly boycotted the festival, marking a shift in its traditionally warm relationship with Didi. Over the years, Didi fostered strong ties with Tollywood, even nominating several actors to political office. Yet, the current unrest signals a growing rift, with critics suggesting the RG Kar protests lent momentum to public dissatisfaction with her administration. This has strained the once-strong bond between Didi and the industry.
The 55th edition of the International Film Festival of India (IFFI) held in Goa every year was bigger in scale and ambition. There were more venues for screenings. Besides Panjim there were places like Porvorim including beach screenings at Anjuna and Miramar. The 9-day celebration showcased over 200 films from 75 countries. But, the glamour quotient was missing. Telugu superstar Allu Arjun whose name was sent out by the media cell of the festival did not turn up instead asked his Pushpa 2 co-star Rashmika Mandanna to stand in for him. Although IFFI is about the convergence of cinema from all over the world, the perception is always made by the big Bollywood and international names attending. And this was not impressive. The only big names from Hollywood were Hugo Weaving and Chuck Russell who are no longer part of the mainstream cinema. Every year there are huge delegate queues waiting to watch films but that was missing this year, an indication that cinephiles are losing interest in the festival. A few complained that the booking app showed it was houseful but the reality was just the opposite. The Film Bazaar, the biggest marketplaces,a big attraction for young filmmakers and storytellers seems to have attracted less number of buyers — both Indians and foreigners. The Indian Express in its editorial said that various institutions “over the years, pumped in funds and energy into making the IFFI as prestigious as the Cannes Film Festival — as envisioned when Goa was selected as the festival’s permanent home in 2004. Yet, 20 years on, unlike its model on the French Riviera — whose selections and winners go on to dominate the international festival circuit and awards season — the IFFI is far from shaping global cinematic imaginations and sensibilities.”
Will Telugu sensation Allu Arjun do an encore? Pushpa 2 releases and the film trade is saying it will rewrite the box office history. It may be recalled that Pushpa: The Rise became a sensation and his mannerisms became very popular. It emerged as the highest-grossing Indian film in 2021 and ranked among the highest-grossing Telugu films of all time. The film also earned Arjun his first National Film Award. A clued-in trade analyst says that after KGF Chapter2 Allu Arjun’s Pushpa 2 will create the same type of buzz. Unlike RRR, this is a contemporary movie and more people can relate to it. Common man can relate to the character Pushpa, who rises from the bottom. It’s a masala story that’s bound to click. It is learnt that Allu Arjun is travelling all over to promote his film. His event at Patna has increased the curiosity amongst the audience in the Northern belt. The music of the film is already a big rage and the 42-year old star who has connect with the audience is definitely going to create a bigger market for his films and himself. Exhibitors like Girish Wankhede feel that the Hindi collection of Pushpa 2 is expected to be a major surprise. It has the potential to surpass the post COVID-era benchmark of Rs 66 crore on its opening day, with projections indicating that it could reach between Rs70-75 crore for its Hindi version. The total collections may exceed Rs 250 crore worldwide.
December 4th is a red letter day for the Hyderabadi glitterati. Nag Chaitanya and Shobhita Dhulipala are to solemnise their marriage at a lavish ceremony to be held at the Annapoorna Studios, the Akkineni family’s heritage studio named after the late Akkineni Nageswara Rao’s wife. Sentiment, scale, spend and super social event to mark this second wedding of 38-year old Nag Chaitanya, divorced from Samantha Ruth Prabhu in 2021. The talk is that 32-year old Shobitha has been gifted specially woven Kanjivaram saree and choli in gold lace and stunning jewellery befitting the Akkineni family. The ceremony is to run over 8 hours. The big buzz is that this gala event’s filming and exhibition rights have been sold to Netflix for Rs 50 crore! Rings a bell? Nayanthara and Vignesh Sivan’s wedding event and its OTT telecast. Even as the camera greedily laps up the stunning costumes and staggering jewellery on display, the long line of filmi invitees waiting to pose in their boast worthy bling are on view. And OTT streamers have their own original edited content. And the families earn back the money spent on the weddings. Business Schools have yet to teach this ROI. The only troubling thought …after all this, why are divorces taking place so often? Even as Nag Chaitanya and Shobitha Dhulipala soon to be streamed wedding events are making news, Dhanush and Aishwarya Rajinikanth are given the family court’s verdict. Divorced.
The Nayanthara-Vignesh Shivan wedding in 2022 was much talked about, kindled oodles of curiosity and news. Okay, Nayan is known as the Lady Superstar of Kollywood and this couple were newsmakers for a long time …speculations and guesswork rife over whether it was yet another Nayan dalliance in her longline of ditched paramours Prabhudeva, Simbu in that list. Finally the wedding was celebrated with pomp and style, Netflix signed a deal for OTT rights at an astronomical figure, no one could corroborate. Then, all concerned moved on … .Nayan is now mother to two cute boys. The wedding footage and other highlights of Nayan’s films were curated to make a biopic, Nayanthara, Beyond The Fairy Tale, and it went OTT live with many expectations that it would hit the high jinx for Nayan…actually it has not garnered much praise. But the Fairy Tale turned into a Horror Story when she was slapped with a notice to pay Rs 10 crore for a 3-second clip from her movie Naanum Rowdy Thaan, a hit movie from Dhanush’s home production. Nayan was livid. Adding insult to injury, Dhanush further insisted that the clip be deleted immediately. Currently Dhanush is directing Idli Kadai produced by Akash Bhaskar. His recent wedding attended by Sivakarthikeyan, Anirudh, Dhanush and Nayanthara, husband in tow turned viral worthy … .the angry vibes both conveyed made news. The protagonists were sitting poles apart and faces turned away. Karma, it is said, has a way of punching holes in egos.
A major controversy has erupted in Tollywood as over 233 directors from films, TV and independent media have filed a defamation suit against Swarup Biswas, president of the Federation of Cine Technicians and Workers of Eastern India. The Rs 23-crore lawsuit follows Biswas’s contentious remarks alleging rampant sexual harassment in the film industry, with 60% of complaints purportedly against directors and producer-directors. The hearing will take place on January 10. Swarup, the younger brother of Aroop Biswas, Bengal’s Power and Housing Minister and a close aide of chief minister Mamata Banerjee, finds himself at the centre of an unprecedented protest by Tollywood’s creative community. This is, perhaps, the first time that Tollywood has publicly challenged the Federation. Directors and producers have also criticized what they call “red-tapism” and “arbitrary demands” imposed by the Federation, including its control over unit sizes, pay scales, working hours, and technician selection. At the Eastern India Motion Picture Association’s (EIMPA) recent AGM, Swarup Biswas proposed that producers deposit Rs 5 lakh each as security to ensure timely technician payments, citing Rs 50 lakh in pending dues. Producers have outright rejected the demand, questioning the Federation’s accountability and EIMPA’s silence on the matter. Veteran actor-director Aparna Sen has publicly questioned Swarup Biswas’s credentials, asking for proof of his contributions to the industry. Biswas holds an assistant director’s card, which is reportedly issued only to those involved in at least two films. Actor-politician Roopa Ganguly also criticized the Federation, accusing it of politicizing the industry and questioning why filmmakers often seek the CM’s intervention during crises.
Are the re-runs slowly becoming a revenue model both for producers and exhibitors who have been grappling to bring back the audiences to cinema halls? Diwali turned out to be decent but then again we are gone back to re-release of films. Shah Rukh Khan’s Veer Zara re-release has been appreciated. Rakesh Roshan plans a re-release of Karan Arjun with a huge number of screens after 30 years of its release. This again has Shah Rukh Khan and Salman Khan coming together for the first time on screen. SRK’s Kal Ho Naa Ho and Pardes too are re-releasing in cinemas. Those in the trade feel that re-release of Tumbbad, Rehna Hai Tere Dil Mein and Laila Majnu have given courage to producers to cash on re-runs. The re-runs have stirred both excitement and curiosity. Traditionally, re-releases were reserved for timeless classics, but now more recent films are being revived, prompting questions: Is this trend purely nostalgic, or is there a deeper strategy at play? According to Trade Analyst Saurabh Varma, the re-release phenomenon is benefiting the cinema industry in multiple ways. For producers, re-releasing films is a cost-effective option. The marketing and distribution expenses are far lower than for new releases. Re-releases tap into the large fan bases of iconic films, giving long-time fans a chance to relive their favourite stories on the big screen. Furthermore, these revivals provide a unique opportunity for younger viewers who may have missed these films during their initial release. The combination of nostalgia and iconic music resonates deeply with audiences.
Tamil film producers and their financial backers are now rethinking this model — big money, big stars, big projects but no guarantee that it will reap profits. So the new strategy…safe and secure than spend thrift and sorry. Can small budget films do big business? A resounding yes to three of 2024s baby budget films that warmed the cockles of producers’ hearts. Three films of this year, Lover, Lubber Pandhu and Vaazhai have pulled in amazing profits and massive margins. Lover’s budget was a mere Rs 5 crore, and plus other expenses added the total cost to Rs 6 crore. Hold your breath! It made a profit of Rs 13 crore. But Lubber Pandhu (Rubber Ball), a title that would have gone unnoticed, made the biggest rake in for Prince Pictures who earned Rs 35 crore in TN gross alone — 300% profit. Vaazhai was no sneeze over either…it brought Rs 12 crore profits in TN. Film making costs and exhibition/promo expenses can zoom up dangerously, and after paying the incredible star salaries, if the film’s overflow is modest, stakeholders have no insurance cover to fall back on. Small is big is fast becoming the new open sesame for Kollywood to stay safe.
Popular Tamil star Suriya’s much-awaited Kanguva said to be made at a cost of Rs 200 crore faced public wrath. Suriya had done intense promos and marketing even claiming that the film would rake in Rs 2000 crore. The most cringeworthy claim was “audience would lap it up, open mouthed”. The first day’s take was pegged at RS.60 crore. In fairness to Suriya those in the know claim that it was just a concerted effort to throw the baby out with the bath water. There were other stars who too had disappointed so why pick on Suriya? For those seeking the truth, Suriya and wife Jyotika had made some public utterances about religious worship …why spend money in temples and other religious places? Why not use that money to help underprivileged kids to get educated? There is talk that the family moved to Mumbai from Chennai in order to seek better career prospects and make the home production company more profitable. Interesting to note that there were claims and memes by the prickly audience asking Suriya “you could have spent Rs 200 crore on philanthropy. But no, you wanted to spin it to Rs 2,000 crore”. No one is sure till now whether Kanguva is a rotten tomatoes failure or it would survive the vicious backlash. But a leading Tamil magazine Vikatan in its review has appropriately summed it up …”Suriya set out to save the Truth. But who is going to save Kanguva’s weak script”. There is a saying in Hindi, Ek Chup, Sau Sukh. Discretion is the better part of valour.
Vidya Balan struck Bollywood like a tornado in Parineeta having debuted in 2003 with a Bengali film Bhale Thaco …this South Indian star raved by audiences for her acting and beauty struck a chord. Another Hema, Rekha, Padmini, Vyjayantimala? Vidya has her unique magnetism and left behind her signature in every role. Then it happened …actually it had been building up kilo by kilo …her weight gain overshadowed all else. Though she faced body shaming with determination, even as she claimed that she had overwhelming hormonal issues. But in a super charged fashion and style world where the Manish Malhotras and Tarun Tahilianis who designed for super trim beauties, Vidya had to regain her trim figure. And you know how she lost weight, leading to OMG gasps and wonderment? As stylishly as she handled an on stage fall, oops moment while performing a dance number with Madhuri Dixit for the promo of Bhool Bhulaiya 3. Even as Vidya performed intricate Bharata Natyam steps, she just fell…and raised herself stylishly and carried on, almost as if it was a dance move. Vidya now basks in admiration for her weight loss which was through the diet change that she credits — Anura, a health center that helped her to identify her particular “inflammation” prone body response to sluggish metabolism. The born again Vidya is chirpy and cheerful and fans are going to see a lot more of the new Vidya.
Tamil Nadu political parties put up a brave face after watching the response to Vijay’s entry into their charmed circle. While some minor players were dismissive of the actor, the ruling DMK tried to convey the message that it was business as usual. Except that they too are worried not even about the zeitgeist of young people seemingly attracted to the fresh player on the scene. What bothers the DMK the most is its rival AIADMK would be able to tie up with Vijay, in which case they sense a more formidable rival may be at hand to threaten the future of the mostly family concern that the DMK is. The AIADMK, sensing an opportunity, has asked its leaders and cadre not to attack Vijay in the media as they sense a soulmate in the greenhorn who mostly toed the AIADMK line when Vijay spelt out some of his political ideologies and plans. In boldly putting forth his views on the corruption in the DMK, he has become most attractive to the AIADMK. They sense that Vijay, a Christian, may not fit the BJP plans and hence believe they are in a better position to woo him into an alliance for the 2026 Assembly polls. The DMK is, however, happy at the arrival of a new player who can further split the public vote if his Tamilaga Vettri Kazhagam is to contest the polls alone and not in any alliance. The 2026 Assembly polls of Tamil Nadu are going to be fun and games.
It’s a tricky tightrope walk when a true life event and sacrifice is transferred on to the medium of cinema … .the creation has to more than match the extraordinary bravery of an army Major, his supreme sacrifice and the family’s sorrow filled pride in him. Kamal Haasan and his Raaj Kamal Films International production house has hit the high emotional spot with Sivakarthikeyan as Amaran. The film, applauded by both audience and critics, raked in Rs 42.3 crore worldwide on Day One. And deservingly. Amaran is the rendition of late Major Mukund Varadarajan leading the Rajasthan Rifles in Shopian, who fell to terrorist bullets while defending his team and the country –he was just 31. Even as people exited the cinemas, many were shedding tears and paying heartfelt emotional salaams to this brave son of India. Rajkumar Periasamy, trained in the creative environs of Kamal’s cinema, has done faithful research on the life of Major Mukund, and created his character for compelling screen performances. Sivakarthikeyan, according to Kamal has raised himself to a new cinematic level that is bound to leapfrog his status as an actor. But it is Sai Pallavi, as the hero’s wife Indu Rebecca who has garnered equal admiration as the “iron” army wife who does not shed tears of weakness but carries her head high, saluting her husband’s bravery. Good cinema is still appreciated amidst the cacophony and glitz of mindless offerings aimed at padding up jaded stars.
Kollywood has set the trend for many traditions, especially festivals. Diwali tops the list for the Tamilian film buff — crack of dawn oil baths, new clothes finery, gorging on sweets and savoury, crackers, and of course a must see “film”. Producers too play by this unstoppable sentiment and release their movies on Diwali Day with great expectations about audience storming cinemas and opening their wallets. This year’s line up — Amaran, Brother, Bloody Beggar and Lucky Baskhar are all set to sashay sassily on the ramp and raise hopes for which film gains the most …money wise. Starring Sivakarthikeyan and Sai Pallavi Amaran produced by Kamal Haasan and Sony Pictures International, directed by Rajkumar Periasamy has raised the expectations bar. Jeyam Ravi has not had much cinematic popularity to talk about after Ponniyin Selvan. His movie Brother directed by M Rajesh is touted as an all-round entertainer with comedy heading the mix…Harris Jeyaraj has scored the hit number Makkamishi. In the case of Bloody Beggar, an entertainer that hinges on a poor man as an impersonator in a rich man’s mansion. It is backed by Nelson the director of Jailer who has trusted his assistant M Sivabalan to bring the best of acting talent from Kavin seen as the millennial favourite. Perhaps all three films are at best seen as counterfoils to Dulquer Salmaan’s Lucky Baskhar, a Telugu film that has quickly turned out pan India in Tamil, Malayalam and Hindi. Vaathi fame director Venkat Atluri has directed this film as a period piece.
Will the ego clash destroy the fate of the two Big Diwali releases this year? So it seems. Singham Again, directed by Rohit Shetty, a multi-starrer starring Ajay Devgn, Ranveer Singh, Akshay Kumar has been dragged to the Competition Commission of India (CCI) for unfair business practice by the producers of Bhool Bhulaiyaa 3 alleging that they are not being allowed to take single screen as Singham Again producers have booked all screens. Bhool Bhulaiyaa 3 directed by Aneez Bazmee has also got a good star cast comprising Kartik Aaryan,Vidya Balan, Madhuri Dixit and Triptii Dimri. It may be recalled that Ajay Devgn had dragged Shah Rukh Khan to CCI for unfair business practices during the release of his movie Son of Sardar which coincided with SRK’s Jab Tak Hain Jaan. Even then it was a Diwali clash. Here one can’t help but talk about Om Shanti Om which was released on Diwali along with Sanjay Leela Bhansali’s Saawariya. The clash between two titans almost sacrificed the careers of two newcomers Ranbir Kapoor and Sonam Kapoor; it had Salman Khan who wasn’t on good terms with SRK. Similarly, SRK and Rakesh Roshan were locked in a release battle during the release of Kaabil and Raees and both films suffered. Both Shah Rukh and Hrithik Roshan have a history as when the latter became a superstar with Kaho Na Pyar Hai and SRK’s Phir Bhi Dil Hai Hindustani flopped. Critics were talking about Hrithik replacing SRK. At that point in time SRK cleverly used a Pepsi Ad to mock Hrithik’s super star status.
This year’s biggest grosser Stree 2 has found its place in the numbers book as pure entertainment riding a spooky plot. This film’s highlight is Tamannaah Bhatia enticing fans with her Aaj ki Raat item number, bringing in repeat audiences just to see her dance. Her earlier film Jailor item number Noovu kaavalaa is still rocking the audience. Tamannaah has her place as a saleable star who raises no controversies, does her work and moves on. But she may not have realised the deep trouble she was getting into by signing on as Brand ambassador for the Mahadev HPZ Token App, which has now become a legal nightmare for its owner Saurabh Chandrakar. His App and role in the alleged illegal broadcast of the IPL competition has turned into a Rs 5000 crore lawsuit, with Viacom claiming Rs 100 crore loss. Tamannaah is alleged to be part of the promos and events and now the ED is determined to question all those connected with the scam. Travelling to Guwahati with her parents, the ravishing film star was subjected to 5 hours of questioning. It is not known how this captivating lady withstood the ED grilling (or how the ED faced her voltage). But her visit to the famous Mahashakti’s Tantric power temple of Kamakhya, dressed in a white kurta accompanied by her parents, made more news.
Sixty-year old popular star Jayaram Subramaniam has created a soft and stylish spot for himself in Kerala films despite Mammootty and Mohanlal’s reigning supreme as evergreens. His performance in the hit period drama Ponniyin Selvan (as Alwar Kadian Nambi, the articulate comic Brahmin) was as much the highlight of this epic drama as the pivotal characters of Ponni and Karikala Chozhan. His 26-year old son Kalidas Jayaram has created a niche for himself in the film industry. Recently he was cast in the Dhanush film Raayan, and showed his mettle in the Tamil OTT anthology Pava Kadaigal in which he played a transgender. Kalidas is all set to marry Tarini Kalingarayan, a former Miss Tamil Nadu 2019, well known model and alumnus of MOP Vaishnav College. Jayaram and wife Parvathy had just celebrated daughter Malavika’s wedding in grand style , and it came as no surprise that they announced Kalidas ‘ wedding too in quick succession. The only surprise was that Jayaram, Parvathy and Kalidas honoured MK Stalin, TN CM with the first invite. Not surprising it created a buzz as why had he not given the first invitation to the Kerala CM Pinarayi Vijayan? In the world of politics and cinema events occur not according to the logic of mundane society. Celebrities have their own exalted status or political predilections. Superstar Mammootty’s son Dulquer Salmaan’s was an arranged marriage in 2011 to Amal Sufiya whose family is from North India. Mohan Lal’s son, Pranav Mohanlal’ marriage with Kalyani Priyadarshan has remained an enigmatic topic.
The Hema Committee Report, revealing tales of sexual exploitation and inhuman working conditions in the Malayalam film industry, has raked up the #MeToo movement in Mollywood leading to many prominent actors, directors named by their co-stars. In Hyderabad it has taken its first toll; choreographer Shaik Jani Basha, popularly known as Jani Master who works in Telugu, Tamil, Kannada and Hindi films saw the I&B ministry withdrawing its invitation to 70th National Film Awards in New Delhi but also suspending his National Award amid sexual assault allegations. Jani who is out on bail. And the person who complained against him is worried if she would lose both work and face in the film industry. Close on the heels of Hollywood, in India the MeTooMovement gathered steam in late 2018 when actress Tanushree Dutta accused actor Nana Patekar of sexual harassment. Then many more female stars and professionals from Bollywood came forward. Music director Anu Malik, director Sajid Khan paid the price; they were dropped from reality shows initially. But it seemed a temporary halt almost like lip-service. One could see singers Alisha Chinai and Sonal Mahapatra raising howls of protests via social media every time they saw Anu Malik judging reality shows. In the case of director Sajid Khan, he kept out of public glare initially and was almost out of work as several actresses accused him of exploitation. When things cooled down he was given an opportunity to participate in Bigg Boss reality show to clear his image. Some of the actresses seeing there is no harsh punishment for people in Bollywood who have exploited female stars, technical assistants, choreographers, makeup artists are wondering the cost of being outspoken.
Ace Tamil film director Lokesh Kanakaraj currently directing Rajinikanth’s 171st movie Coolie, is a hunted man trying his utmost to convince the crazed Super star fans that he was in no way responsible for Thalaiva’s sudden illness. Rajini had just completed a 40-day stint for Coolie at Vizag. He was taken ill with belly pain and unease, immediately rushed to the Apollo Hospital, Chennai where a team of top cardiologists and other consultants took charge. Rajini came home after a stent was put and advised rest for three weeks. The Tamil media spelt the stent as “stunt” in their news bulletins. In any other 73-year old, it would just pass off as an age related issue and not unusual. (Rajini has a transplanted kidney and was on immune suppressants). Here we are talking of a phenomenon who reigns over a huge legion of fans who go crazy just for a glimpse. So the overwhelming vigil outside the hospital was expected, happening every time a political VIP/celebrity gets into Apollo. Not just the media but the hundreds of me too YouTubers floated opinions, prayers, surmises and misplaced criticism of the director Kanakaraj. Various theories floated around and blame was pinned on the director. With Vettaiyan set to release on October 10 and mega marketing promos needed, Rajini had much to deal with. The talk was that he was paid Rs 100 crore while Big B paid Rs 7 crore ( for guest appearance ). Vettaiyan could benefit from the huge publicity generated by Thalaiva.
Thirty-seven year old Samantha Ruth Prabhu was married to Nag Chaitanya, Telugu film’s enduring star Nagarajuna’s son for just 4 years before the couple filed for divorce in 2021. Already Nag Chaitanya’s closeness to fast rising Shobhita Dhulipalia is buzzing around. But it is Samantha who has been hit the hardest in the past few years, despite her rise to stardom in both Tamil and Telugu films. The OTT series Family Man brought her much acclaim. But her personal life was hit in a serious way when she was diagnosed with myositis, a medical condition that has punched her psyche hard, understandably. But Samantha was not prepared for the latest turbulence in her life…Telangana Minister for Environment and Forestry, Konda Surekha recently made downright derogatory remarks about the cause of Samantha’s divorce ….alleging that BRS leader KT Rama Rao is the cause for the rift and divorce. Surekha further insinuated that this BRS leader has a knack of intervening and interfering in the lives of celebrities. Telugu cineworld has erupted in anger at this kind of malicious loose talk, and superstars Chiranjeevi, Allu Arjun, Jr.NTR, Nagarajuna have condemned the Congress leader for this unsavoury talk. KTR of course has warned this minister to apologise immediately and retract her slanderous allegation or face a defamation case. The Minister has tended an instant apology on X, especially to Samantha that she had no intention of dragging her into the muck…she just wanted to vent her venom on politicians for their derogatory attitude to women. Samantha may be rueing her bad times…stars too have to cope with Star struck times.
As Durga Puja, the most anticipated festive season in West Bengal, approaches, the Bengali music industry finds itself in a precarious position, haunted by memories of the Covid-19 pandemic. The recent RG Kar Medical College incident has sparked a wave of concern, resulting in the widespread cancellation of events and programmes. Several prominent singers, music bands, and musicians have voiced their worries as the festive period, usually a time of high earnings, now faces a grim scenario. One of the key voices from the industry, renowned singer Jojo, expressed her anguish over the unfolding situation. According to her, people often think that musical events are merely entertainment, not realizing that these shows provide income to a wide array of people—from backstage crew members to sound engineers and support staff. Echoing her sentiment, celebrated singer Lopamudra Mitra highlighted the impact on young musicians who often accompany established artists during live performances. She further mentioned that many budding talents rely on the festive season to showcase their skills and gain exposure. Veteran singer Rupankar Bagchi raised concerns about the inconsistency in policies, where television productions are continuing uninterrupted, with channels banking on new content for the festive period, but music and cultural shows are being singled out. It’s not just the music industry that’s bearing the brunt. The local theatre industry, popularly known as “Jatra,” is also witnessing a steep decline in sponsorship and participation. The Bengali music and cultural community is now grappling with the fallout of these developments, fearing long-term repercussions.
The oft debated question, can meaningful cinema entertain? Or intended pure entertainment be meaningful? Suriya and Jyotika’s home production 2 D Entertainment‘s just released Meiyazhagan is sure to raise this debate all over again till the next Mega extravagant film comes along to zap film buffs with the scale of spend. Director Premkumar has taken 6 long years after the super success of 96, a Trisha and Vijay Sethupathi led, literally one night stand when they meet and relive their now ended love story. Meiyazhagan is the one night story of Arulmozhi( Arvind Swami in a riveting, unforgettable performance ) who travels home in the Needamangalam bus, to his native village from where he was unexpectedly hounded out when his ancestral home was willed to his sisters. The trip is made memorable by meeting Karthi the hail fellow well met, cheer and bonhomie maker. Malayalam cinema’s “almost there” super star Tovino Thomas feels Meiyazhagan is the leitmotif of meaningful cinema that touches viewers and lingers as emotional super glue. Arvind Swami and Karthi share the powerful impact of a common story that appeals in uncommon ways. Incidentally, Karthi, still under the spell of his role as influencer was an inch away from trouble. At a press meet for movie’s promotion, he was asked about the Tirupati Laddu issue. In his usual way he tried humour. Pawan Kalyan came down heavily on his flippant attitude and soon Karthi had to apologise. Sensible otherwise, the Telugu version of Meiyazhagan would have suffered.
After a noteworthy career as a Tamil Film heroine from 1995 to 2005, Simran Bagga is happily settled in Gurgaon with her husband and children. When she is offered a role she accepts but in her own words “I don’t hanker after roles as co-star to top heroes,” insisting she is content with her achievements in South films having worked with all leading heroes — Vijay, Suriya, Ajit and others. She was referred to as “Slimran” a compliment given by her directors and media for her slim figure and pleasant looks. There were the usual stories that were cooked up to add Masala to her film promotions. But the recent media stories linking her to Vijay especially that she asked Vijay if he would agree to work in her production have lit much anger in her. Vijay is supposed to have turned down her offer, claiming “my movies always roll with controversy…I can’t say from where the problems come.” Simran is aghast that such a claim is making the rounds. “STOP this kind of loose talk, linking me to top actors. I value my self-esteem and self-respect.” From her first Tamil film Nerukku Ner, through many a hit with Ajit and Vijay, Simran has traversed a steady career. And would like to be left out of controversy, not of her making.
Thirty-eight year old actor-director-politician Kangana Ranaut has been courting controversy on both political and professional front ever since she was elected BJP MP from Mandi in Himachal Pradesh. Her directorial venture Emergency where she plays the role of Indira Gandhi faces flak from both the Sikh community over depiction of Operation Blue Star and the Congress party over her portrayal of Indira Gandhi. The film, where she has a producer sunk a lot of money, is yet to get clearance from the Central Board of Film Certification as CBFC has received too many legal notices over the movie’s release. This delay is taking a toll on her finances. Apparently, she had mortgaged her properties to produce this film, and release delay has resulted in her selling one of her bungalows in the upscale Bandra suburb. The actress who does not have support from the fraternity needs a hit which has been eluding her for some time. Her last nine films have done well at the box office. People who have seen rushes of Emergency say the movie will do well. Meanwhile, politician Kangana seems to have irked her party leaders by speaking against the farmers twice in the last four months. So much so, BJP spokesperson Gaurav Bhatia commented, “Kangana Ranaut is not authorised to make such a statement on behalf of BJP and it doesn’t depict BJP’s view on the farm bills. We disapprove of this statement.” And falling in line, she too tweeted, “My views on farmer’s laws are personal and they don’t represent the party’s stand on those Bills.”
Sai Pallavi, the actor who has a big fan following for her films, is a doctor by profession. She is also known as one of the best dancers, her hit number with Dhanush “Rowdy Baby” still remembered for its sizzle and sass. For the engagement ceremony of sister Pooja Kannan to Vineet held in January, Sai and Pooja danced to the hit Marathi song “Apsara Ali”, a riot of energy and fun. But Sai Pallavi turned serious at Pooja Kannan’s wedding, held in true Badaga style in the cool environs of Ooty. The Badagas have unique traditions and culture and weddings too are celebrated in true Badaga style. The bride’s party reaches the grooms place early in the morning for the ceremony, which starts with the “Thali” (mangalsutra) tying at the Hethai Amman temple, then wend their way to the groom’s place for the sumptuous feast, Madhuve Hittu. Sai officiated as the sister bridesmaid at every turn, looking ethereal in a monochrome outfit that matched her sister’s. Sai is soon to be seen as Sita in epic Ramayana with Ranbir Kapoor as Ram …the divine chemistry to unfold the oft told epic story …Sunny Deol, Bobby Deol, Yash and Vijay Sethupathi are to provide plot movers. Sai also has Amaran with Sivakarthikeyan in the lead.
Even as film fans across the country are wildly speculating about divorce in the Bachchan’s family comes the news from Kollywood that Jayam Ravi, one of the most dependable performers (the standout star of Ponniyin Selvan) dropped a bombshell on his 44th birthday (Sept 9) that he is seeking divorce from wife Aarti after 15 years of marriage. The couple have two children. A shell shocked Aarti, a successful entrepreneur in her own right, said “Ravi did not consult me, nor was I aware that he is about to drop this bombshell on me and the kids. This unilateral announcement never gave me a chance …much as I tried to talk to him.” Coincidentally, Ravi’s first hit, M.Kumaran S/O Mahalakshmi was a film that touched the hearts of many. It is about a single mother who brings up her son with no help from a husband who walked out on the marriage. Ironically, Ravi asking for divorce will see Aarti face a similar predicament. Aarti is the daughter of successful TV serial producer Sujatha Vijayakumar. Has Ravi come to the end of his tether because of perceived interference of his in-law? Inspite of his busy schedule, Ravi has always given quality time for his family says sources. No one is aware of the real reason for Ravi’s ultimate break decision. But the way he has done it made Aarti lament, “My grace and individuality have been knocked out by the media speculations.” She still hopes for a rapprochement. Marriages are made in heaven, but hit the rocks in this fantasy world of tinsel make believe.
Netflix India’s content head Monika Shergill met Union I&B Ministry officials answering summons over controversy surrounding Anubhav Sinha’s IC814 -– The Kandahar Hijack web series aired worldwide. The inadequate disclaimer tagged alongside the series was promptly rectified with additions reflecting, “During the hijacking of IC814 (Indian Airlines plane) terrorists used aliases, code names. The names of terrorists were: Ibrahim Athar (alias Chief), Shahid Akhtar Sayed (alias Doctor), Sunny Ahmed Qazi (alias Burger), Mistri Zahoor Ibrahim (alias Bhola), Shakir (alias Shankar).” While expected to bring closure to issue, BJP is livid at the selective advisory being aired limitedly on Netflix India while global feeds (aired through U.S.-based servers) continue depicting the old disclaimer. I&B Minister Ashwini Vaishnaw faces flak from within BJP for the limited clarification. “The Indian Hindu diaspora is a global phenomenon in every corner of the world. Why is disclaimer restricted to resident Indian audiences? I&B Minister must take issue with Netflix,” senior BJP leader Mahendra Jain says. Another leader states, “Vaishnaw knows the old disclaimer was amended to include fresh advisory to be put out globally to set the record straight. This is now akin to hijacking the clarification itself to suit Netflix’s convenience. When newspapers issue rejoinders over inaccurate facts, it’s not limited to one segment alone but carried across editions so all readers are well informed.” He added BJP’s former I&B minister Ravi Shankar Prasad lost his ministry over a smaller faux pas after being tasked by PM Narendra Modi for tackling X over pejorative content regularly tweeted. “Back then, Prasad’s own twitter account was suspended which did not go down well with the BJP higher ups and he lost his job. Vaishnaw must pull up his socks or else face a similar fate.”
The rape-murder of RG Kar hospital doctor has led to a wave of revelations in the Bengali film industry. Women across all levels have come forward with allegations of sexual harassment against influential figures, including directors and producers. In response to these allegations, the Federation of Cine Technicians and Workers of Eastern India (FCTWEI) recently announced the formation of a special 15-member committee, named ‘Suraksha Bandhu,’ aimed at safeguarding women in the industry. However, the formation of the committee has sparked controversy, with the Directors Association of Eastern India (DAEI) questioning the legitimacy of the new body. Director Sudeshna Roy representing DAEI criticized the FCTWEI for not adhering to a proper process when selecting committee members. She also challenged the Federation’s statement that claimed 60% of directors and 40% of producers were implicated in the complaints. Roy pointed out that the technician’s association is led by Swaroop Biswas, brother of state minister Aroop Biswas, and alleged that Swaroop made the sole decision to constitute the women’s protection committee without consulting other key stakeholders. She argued that the Federation is not the industry’s sole regulatory body and questioned its authority to unilaterally form such a committee. In contrast, DAEI has proposed the creation of a new committee, ‘Women’s Forum of Screen Workers Plus,’ which would be tasked with addressing complaints of sexual harassment. It may be recalled that celebrated director Arindam Sil was banned by the Directors Guild following multiple complaints of sexual harassment. The ban will remain in effect until Sil is proven innocent, signalling that the industry is taking the allegations seriously.
You say what’s in a name, it is what you make of yourself that finds your name in history. There is at least one mega star who would differ aggressively…actually the very name he shunned turned into the mega brand, loved and idolised. Many have wondered what the name Mammootty meant. For the past 50 odd years, it has shot into global popularity and respect. Mammootty who turned 73 on September 7 was born into a conservative family. His parents Ismail and Fathima ran a modest trade business in clothing and rice in Kerala. Mohammad Kutti, the eldest of their six children, dreamt of getting into films but family pressure saw him graduate from Ernakulam’s Maharaja College and forced him to study law so as to add the prefix Advocate to his name. Wanting to be known as Omar Sharif, the Egyptian killer star, Kutti hated his nickname Mammootty, the abbreviated choice of his friends and family. Now comes the filmy twist. One day the postman knocked on the Advocate’s door, asking “Who is Mammootty…I have a letter from MT Vasudevan Nair of Janasakti Films, addressed to Mammootty”. The rest is magical cinematic history. Mammootty , christened and chosen by the genius Vasudevan Nair went on to become the tallest Malayalam film star, with 420 films in his bag…a mix of good, bad and passable. In 2000, Mammootty hit the mother lode of four scorching hits —Narasimhan, Valletta, Dada Saheb and Kandukondein Kandukondein. With four National Awards and countless State Awards, at this age Mammootty still causes heart flutters in women. A nickname turned into a legend, and a guaranteed audience draw. Mammootty, destiny’s child is acclaimed by his son Dulquer Salman as a hard act to follow.
The pre-release hype and hoopla for top star high budget films are hard to ignore. But Archana Kalpathi, Creative Head of Kalpathi Films has more than swivelled 360 degrees to hit the target for Great Of All Time (GOAT) – superstar Vijay’s penultimate film. The usual suspense about extra shows ended when TN cinemas announced a special 9 am show. Kerala went a step further and had a 4 am show as crazed fans from Coimbatore and state border towns pole-vaulted to Kerala cinemas. The (unofficial) ticket cost of Rs 1000 shot up to 2k. Such is the hold of superstars and the besotted fans…a launch pad for politics that TN stars transit from formula films to politics with ease. Tamil news had snippets of who watched GOAT where …top heroine Trisha watched the movie with Archana, Director Venkat Prabhu preferred Kamala cinema. If the delirium surrounding Vijay was not already palpable, another snippet conveyed that Thala Ajit was one of the first to call, and wished Vijay all the best for his mega hit. The buzz about the AI and De-ageing technology used in the film to differentiate between father Vijay and his son is sure to kindle curiosity. The last few years had a rush of filmi gossip about Vijay’s estranged parents and wife Sangeeta, even son Sanjay’s rebellion. Suddenly, photos of the entire family bonding watching the film at this time were flashed in the media.Vijay’s newly minted party TVK is now planning the mother of all public gatherings to present Vijay as the new messiah of TN. Interestingly, throughout the film, Vijay drives a car with the number plate TN07 CM 2026! Talk about subtlety!
Controversy seems to be the middle name of this 38-year old Queen of Bollywood. Once again actor-director-politician Kangana Ranaut is making headlines over soon-to-be released movie, Emergency where she plays the role of Indira Gandhi. Even as she hops from news channel to news channel promoting her movie and giving her version of the story, the political parties like Congress, Shiromani Akali Dal (SAD) have sought a ban on the movie. Looks like she is a proxy for hitting the BJP. SAD, which has sent her a legal notice wants Kangana to delete a scene which shows Indira Gandhi being assassinated by Sikh security guard.. Surprisingly, even though her party BJP is backing her, the movie is yet to receive the go ahead from the Central Board of Film Certification. Most of her movies in the last few years have not done well. Nearly six of her movies like Katti Batti, Simran Panga and Tejas have not got big numbers at the box office. According to Trade Analyst, Girish Wankhede Emergency does not look strong enough to resurrect her career. Reportedly, she has decided to quit films after being elected from the Mandi Lok Sabha constituency. It is learnt that more than Rs 80-90 crore is riding on Emergency. A hardcore nationalist, Kangana who speaks her mind and not bothered of consequences has been told by her party to not to give comments on any issues.
Thrust the Malayalam film makers to rework things amidst the OTT boom, especially yesteryear producers/directors who are missing the present day boom. Malayalee film goers are queuing up to watch some of the yesteryear classics like Manichitrathazhu, Devadoothan, Spadikam etc first released 20 to 30 years back. The re-release boom is fast catching up with at least 15 to 20 old Malayalam classics being lined up for re-release. Film maker Sibi Malayil, who is behind the re-release of Devadoothan, says that “one thing we need to ensure is that the quality of the visuals and sound improves on re-releasing a movie. Better quality raw materials help in giving audiences a better theatre experience, he added. It costs about Rs 1 crore to rework an old movie to give a 4K experience. Devadoothan, a Mohanlal starrer was a colossal flop when it was released first, 24 years back. Today, after restoring the film, re-editing and removal of unnecessary scenes and even adding spice to some of the fight scenes, the film has grossed Rs 4 crore in two weeks at the theatres. The movie is still running full house in the third week. Movies being lined for re-release include Mohanlal’s Devasuram (1993), Araam Thampuran (1997), Mammoothy’s Oru Vadakkan Veeragatha (1989) and Palery Maanikyam Oru Pathira Kolapaathakathinte Katha (2009). But, theatre owner Liberty Basheer sounds a word of caution. “We cannot predict the audience. Most of these films are available on YouTube or have been telecast on TV. Not everyone would want to experience the 4K version. “Kerala of late has been witnessing huge footfalls at theatres following successful launches of new generation films like Manjummel Boys, Avesham, Premalu etc which have grossed theatre collections over Rs 100 crore.
Something very laudable is happening in Kollywood. Acclaimed film director Bala was all praise and laurels for a just released film Vaazhai, directed by Mari Selvaraj which would have easily passed into oblivion, as it has no glitzy stars nor high amp pre- promos. Just a cute story that unfolds and tugs at your heartstrings, the kind of film that the audience relegates as Festival types. A teary-eyed, highly talented director Bala hugged Mari Selvaraj and said, “We are surely and supremely on the road to global acclaim for Tamil cinema and artists”. Ace director Mani Rathnam too praised the film. Result: 60% of the theatre audience have watched this movie due to endorsements by these well-known directors. There is a big sea change happening, and a very essential change in the themes, treatment, cast and most telling in the budget. Sensible producers like Sivakarthikeyan and directors like Vinothraj have touched audience sensibilities that over the top budget and cast do not make a film watchable. Actor Sivakarthikeyan is glowing with pride that his just released Kottukkaali (fresh from its showing at the 74th Berlin Festival) has garnered rave reviews from peers and patrons. Soori, the film’s main protagonist/antagonist has risen like a colossus from his earlier avatar as a comedian, sidekick. Bollywood and its bean counters are sure to be wondering if it is not big money, then what is the secret sauce of such small budget films. Simple themes but powerful storytelling.
This 37–year old Bollywood actress quietly made a big splash. Shraddha Kapoor’s latest film Stree 2 has drowned both John Abraham’s Vedaa (Rs 10.5 crore) and Akshay Kumar’s Khel Khel Mein (Rs 9.95 crore) in the box office. In three days Stree 2’s collection was Rs 100 crore… Rs 150 crore on the fourth day. Movie critic and trade analyst Taran Adarsh tweets “Indeed, #Stree2 is rewriting the rules of the game”. Bollywood watchers say she can well be called the franchise queen. Shraddha, daughter of Shakti Kapoor, who has acted in over 38 films entered Bollywood in 2010 with Teen Patti followed it with her first leading role in the teen drama Luv Ka The End (2011). She is considered Alia Bhatt’s rival in a way. She has acted with all the big heroes. She was in Aashiqui 2 produced by Mahesh Bhatt, Street Dancer with her childhood crush Varun Dhawan and Baaghi with Tiger Shroff. In the last three–four years Shradda –– the second most–followed Indian actor on Instagram –– has made a big impression with her fans. It started with Stree (2018), Chhichhore (2019) and Tu Jhoothi Main Makkaar (2023) and the action thriller Saaho (2019). Besides acting, she, like Alia Bhatt has hummed quite a few numbers. One of India’s highest–paid actresses, she has been featured in Forbes India’s Celebrity 100 list since 2014. She endorses several brands and has her own line of clothing. Trade Analyst Girish Wankhede says Shraddha is at the top of the game with the stupendous success of Stree2. The franchise has rejuvenated her stardom after series of average hit films.
Tamil film superstar Vijay’s hunt for a venue for his party Tamil Vetri Katchi’s inauguration has been a tale of frustration that betrays the fear people have of being seen promoting a new player on the political scene. The hunt had led Vijay’s party members to several cities and towns in the state looking for a venue like an open ground that can accommodate around 10 lakh people who are expected to attend. Having looked at suitable venues in Trichy and Salem, the party had to cancel with the parties owning or controlling the venues pulling out for fear of getting into trouble with the powers. The party had then approached a private college management to lend their campus and ground in Vikravandi, a town about 120 kms south of Chennai. The venue may not be big enough if a million people get there for the inaugural slated for September 22. The party is said to be still trying for a more suitable venue even as preparations are on for releasing the party’s flag on August 23 so that supporters and fans can carry the flags to the venue on the inaugural day. The party is determined to get the party off the ground in a spectacular way in September. Vijay’s final film – The Greatest of All Time or GOAT –– before his political plunge will hit screens on September 5.
Ever since this film was announced, Thangalaan, with iconic actor Vikram in the lead, it has garnered media news by the ton. With good reason too…audience still recall KGF and its thrilling story, our very own Mackenna’s Gold. Who wouldn’t be hooked by the thrill of prospecting for gold? Thangalaan is now anticipated as another KGF. Directed by Pa Ranjith, the man who creates stunning visuals even as the hard hitting screenplay unfolds. But suddenly, a scary twist hit the film’s much-awaited release. A Division Bench of the Madras High Court decreed that the producer, KE Gnanavel Raja and Easwaran, stakeholders of Studio Green deposit Rs 1 crore by August 15 in the account of the official assignee representing the late creditor Arjunlal Sundardas who had pleaded insolvency before he died. Thangalaan faced the oft-repeated speed breaker in films, creditors who are as keen to get the money back as the producer to release his film made with blood, debt and tears.
There has always been a love-hate relationship between the Bollywood stars and scribes. Not to forget the paparazzi. A seasoned journalist covering the industry for over three decades was shocked and surprised to see the way stars are snapping at journos and their menacing tone these days. This seems more pronounced in the past few months. At the press conference of John Abraham-Sharvari starrer Vedaa, John was visibly annoyed when a reporter asked him whether he was playing safe by doing the same kind of roles. In the case of Akshay Kumar, he is avoiding giving interviews …and he is very selective to which journalist he will speak to. Before journos ask for consecutive failure of his films, Akshay preempts them and says “only five films” have flopped. But, he forgets the crores of rupees producers have lost. One producer had to put his office on the block to pay his entire crew. And the new trend is all stars are asking reporters to give questions in advance. Inspite of that Sanjay Dutt at a press conference over UK denying him visa made a boo-boo in one of the answers to a question, why he was signing for villain’s role these days? And it seems Ajay Devgn avoids promoting films and his latest movie with Tabu Auron Mein Kahan Dum saw a meagre collection of Rs 10 crore in the first eight days. Most of the Bollywood stars need to understand that they need to connect with the media to connect with their ‘audiences’. It is clear banning or shunning the media does not work for stars or scribes. In the eighties Big B had banned media for nearly a decade but finally smoked a peace pipe.
They are no longer behind the scene players. The spotlight is on them too. A case in point is Shah Rukh Khan’s manager Pooja Dadlani, besides film dos she was seen with SRK in most IPL matches. In Bollywood, the role of secretary has metamorphosed into manager. The whole dynamics has changed with manager/professional agency handling stars. Film historian Dilip Thakur says, “Back then, the secretaries knew how the film industry functioned and worked in such a way that the entire industry benefited.” Today it seems a mercenary approach, the agencies are interested in seeing that stars fees are 40% of the budget of a film. This is one of the reasons many films are bombing. A few decades back, the star’s secretary played a different role. They ensured that their star bosses are projected well. They did not think of money. When Big B returned after quitting politics, his secretary Sheetal Jain managed to organise three muhurats in a day at Mehboob Studios. And the films were Hum, Agnipath and Luv Kush. For creating buzz around Amitabh all the credit goes to Sheetal. Rajesh Khanna’s secretary Gurnaam made sure he picked the right script; she had a role to play in his super stardom. After her death, Kaka’s career plunged. Rikku Rakesh Nath who made careers of Madhuri Dixit, Shilpa Shirodkar and Anil Kapoor also ensured that some of his star clients who had no films (read jobless) got one or two films. That speaks of his clout, commitment and dedication. Sridevi’s secretary Hari Singh went that extra mile to ensure she was presented well, bagged meaty roles, and managed to get her to the No 1 position at a time when Madhuri Dixit was ruling the roost. Today, many secretaries/managers have evolved further –turned producers albeit with the backing of the stars.
Tamil film popular star Vishal’s Sandakozhi (Fighter Cock) hit the headlines in 2005, swaying its audience for 210 straight days in cinemas. The pugnacious Vishal gained popularity as a saleable star and was signed up for more films. Soon he started Vishal Film Factory. And parallel to this he also turned bellicose and aggressive for both right and wrong causes. He became the Sandakozhi in his professional life, and has been in the news for many a contentious issue. Vishal also took on Udhayanidhi Stalin’s Red Giant Distribution house though indirectly as he feared his film Rathnam could be stymied by alleged monopoly and manipulative practices. Sometimes back, he talked about corrupt practices in the Central Board of Film Certification to get his film Mark Antony certified. But now things have hit a churning point. His venture, Vishal Film Factory had borrowed Rs 23 crore from financier GN Anbu Chezhiyan. But then Vishal had a cash flow problem. To bail him out Lyca Productions stepped in and took over his debt with a deal that all future releases would go through Lyca. Vishal allegedly reneged on the deal and Lyca took him to court. Vishal had to appear in the Madras High Court of Her Honour P T Asha on July 29. During the court proceedings, when he declined that he had signed a contract but had signed a blank paper. The Judge shot back, “You were supposed to settle all dues before Sandakozhi2 release. You think it is smart to deny your own signature”? Vishal interrupted the Judge and addressed her… “Boss”. The Judge, already irritated, countered “You can’t use Boss. Just say yes or no”.
It almost seemed like a sisterly act of reaching out to each other. Both FM Nirmala Sitharaman and West Bengal CM Mamata Banerjee are continuously engaging each other in social media. After FM Sitharaman praised Mamata for attending the NITI Aayog meeting and later openly lauded her in the Lok Sabha, the TMC, in its official handle, reposted her praise on X. ‘A good Chief Minister and a fighter who has been leading the state for so many years!’ “FM@nsitharaman in a moment of honesty praises our Chairperson in Parliament. TRUTH CANNOT BE SUPPRESSED FOR LONG”! In her reply to the debate on Union Budget in the Lok Sabha on July 30, FM was particularly irked by TMC MP Prof Saugata Roy, who had remarked that he did not expect the “FM to be like Dr Manmohan Singh” as she was not a PhD from Oxford like Dr Singh not even like Chidambaram, who had got a management degree from Harvard. “She is from our own JNU. But the problem is, she is bereft of new ideas.” A somewhat peeved FM said “A lady who I respect a lot, who sits equally in the GST Council with me, who is the FM of West Bengal, studied in the University of Kolkata. She is not a Member of this House. She is the FM of West Bengal (Chandrima Bhattacharya) and studied in the University of Kolkata. Is she also bereft of new ideas? She makes wonderful contributions to the GST Council.” The CM of West Bengal is also from the colleges affiliated to the University of Kolkata. Does this mean that if you study in the Indian universities, you are bereft of ideas? In what way are we less than the Harvards of the world or the Oxfords of the world?
At 41, Dulquer Salmaan has an envious track record of big achievements –MBA from Purdue University, a Dubai stint in IT major, and then quitting this comfort zone to plunge into films to prove that just being legend Mammootty’s son would not put him in the orbit of pan India success. In 2012, when Dulquer wanted to act in films, the easiest thing for him would have been to latch on to the fame, name and star adulation of his father who at 73 continues to rock Malayalam cine world. But Mammootty made it clear that he would not call in any favours. Dulquer proved that he could build his own niche. He instinctively chose pan India films and themes in Telugu, Hindi, Tamil and Malayalam acutely aware that Dad was a hard act to follow in just Kerala cinema. A brilliant strategy that has won him a Filmfare Award and other trophies. Sita Ramam turned out to be both a creative and commercial hit, after his O Kadhal Kanmani (Mani Ratnam directed ) Kannum Kannum Kollai Adithal, King of Kotha, Karwaan and a host of projects that have built his star status, frame by frame. Dulquer runs profitable enterprises, and is brand ambassador too. His passion for bespoke cars is a luxury his star status brings. Recently when someone compared his rise to the likes of Shah Rukh Khan, an embarrassed Dulquer shot back and said please don’t insult Shah Rukh Khan. Not many star progeny have built the kind of sustained following Dulquer has carved out for himself.
One remembers Rishabh Shetty reacting to a question, if Kantara should be remade in Hindi. “Why should it be made in Hindi when I have already made it,” came the pat reply. Today, the success record of remakes in Hindi is only going down. Sarfira, Selfiee and Shehzada have flopped miserably. Why does Bollywood opt for remakes when there is so much original content waiting to be made? Once upon a time dubbing was not entertained with the theatre flocking audiences. Then, audiences accepted remakes and it became a hit. For example, Vinod Khanna-Shatrughan Sinha starrer Mera Apne was a remake of Bengali hit Apanjan. Rajesh Khanna-Hema Malini starrer Prem Nagar was a remake of Telugu movie Prema Nagar. Cut to the digital era, all movies are dubbed globally…and audiences have no reservations watching Bhojpuri or Telugu or Korean movies. According to Trade Analyst Girish Wankhede, there are four reasons why remakes of regional films do not work today. First, the OTT platform comprises the original content which is pushed on in all languages and its reach is mind-boggling. There is no novelty left when remakes are made. Tamil film Soorarai Pottru starring Suriya was a big hit and popular on OTT platforms too. When Bollywood made Sarfira’ majority of people had already watched it on OTT. Second, dubbed versions of South Indian blockbusters are shown on TV whose reach is astronomical. Audiences in the North are aware of the popularity of Jr NTR, Suriya, Prithviraj, Vikram and others. Third, no marketing of remakes. Fourth, sometimes the essence is lost in remakes. Marathi hit Sairat was remade in Hindi but the Hindi movie Dhadak dropped certain crucial parts as a result it flopped.
The Bengali film industry is seeing a faceoff between the Directors’ Guild and the Federation of Cinema Technician Workers of Eastern India (FCTWEA) leading to political interventions to resolve the issue. The trigger was a 3-month shooting ban on Tollywood director Rahool Mukherjee for commencing shoot without requisite permissions from Directors’ Guild and FCTWEA. Notably, FCTWEA is led by Swaroop Biswas, the brother of Trinamool Congress minister Aroop Biswas. The situation has intensified with several high-profile Tollywood figures speaking out against the ban. Directors Parambrata Chattopadhyay, Kamaleshwar Mukhopadhyay, and Kaushik Ganguly, along with TMC MLA and director Raj Chakraborty, and actor-turned-MP Dev, have condemned the restriction. On July 26, the Directors’ Guild gave green signal to Mukherjee to start shooting of his film starring Prosenjit Chatterjee and Anirban Bhattacharya. However, FCTWEA refused to lift the ban and permitted Mukherjee only to serve as a creative director. This decision led to a fiasco on July 27 when several technicians failed to show up for the scheduled shoot. Prosenjit pointed out that such a situation is detrimental for the Bengali film industry. Dev expressed strong disapproval of the Federation’s stance, while Parambrata Chattopadhyay accused Federation officials of leveraging their position to impose their own crew members, despite having sufficient staff already in place. The issue has stirred concerns about the influence of political figures on the film industry, with allegations of muscle-flexing by the Federation at the behest of Minister Aroop Biswas’s family. Director Rahool Mukherjee is keen that the whole situation is resolved amicably in the interest of Tollywood. Will the West Bengal chief minister Mamata Banerjee who enjoys a cordial relationship with Tollywood personalities intervene and resolve the conflict?
Just before the release of his own Rs 100-crore budget directorial film Raayan, Tamil film popular star Dhanush went through pre-release agony of doubt and fear… he needn’t have. The crowds exiting cinemas were full of praise and admiration…for not just his direction, but the gracious way of projecting every actor in his or her true worth, not casting himself in every frame, using the ultraviolent action theme to effectively convey the blood and gore story….all in his favour as director. On X, a fan tweeted “A Badshah for Dhanush” (putting him on par with Rajinikanth hit Badshah). With the release of Raayan the debate in Kollywood has now graduated to Dhanush’s directorial skill? Will he plunge full-fledged into direction or manage both acting and direction? His confidence in directing actors like Prakashraj, Kalidas Jayaram, SJ Surya and Sandeep is now evident that he is capable of 50 shades of Grey. Starting off as an average looker and hesitant actor in 2002 in Thulluvadho Ilamai, taking on a variety of films and roles in 23 years, Dhanush has pitched his talent tent, in the right spot, capably. Of course he has gathered much moss and unsavoury baggage in his rise…as star, superstars damaad, family discord, competitive strife with Sivakarthikeyan, media overdrive on so-called dalliance with co-stars. Dhanush who acted in the Hollywood The Grey Man is no longer the Grey Man…He is Atrangi Re.
Looks like the 56-year old Bollywood superstar Akshay Kumar is losing his Midas touch going by total collections of Rs 17 crore for his latest movie Sarfira. The film, a remake of Tamil movie Soraru Puttru, was based on the life of Captain Gopinath of Air Deccan fame. In fact, its budget was much less than Akshay Kumar’s film. Post Covid-19 pandemic the first Hindi film to be released was Akshay Kumar’s Sooryavanshi directed by Rohit Shetty with Ranveer Singh, Ajay Devgn in the star cast. It did well at the box office opening with Rs 25 crore. But after that Bachchan Pandey spelt disaster at the box office and opened with just Rs 13crore. From then on films like Samrat Prithviraj, Raksha Bandhan failed miserably. He bounced back with Ram Setu and OMG 2 which did decent business at the box office. OMG 2 which was a hit had Pankaj Tripathi in the main lead but the actor was appreciated for his role as Shiva. As a producer he had to battle with CBFC for release of the film as it had given it A certification.There were Selfie, Mission Raniganj which opened at Rs 2.80cr which was better than Sarfira. Mission Raniganj earned Rs 33 crore while Bade Miyan Chote Miyan’s failure almost shut Vashu Bhagnani’s office. Sources say Akshay has not signed any new films and has reduced his price by 50%. But, the actor has quite a few films in production. Khel Khel Mein is with Taapsee Pannu and Vani Kapoor and directed by Mudassar Aziz who does not have a great track record. The only hope for Akshay is Housefull 5. Maybe his South sojourn could salvage his career.
Tamil film fans are on a high …just salivating in anticipation of a star cine line-up. Keenly awaited is Lyca Productions’ thriller Vidaamuyarchi with Ajit and Trisha swinging to Anirudh’s merry music under Magizh Thirumeni’s direction. The news about Trisha taking on the director for some obscure issue and other roadblocks put the fear about Vidaamuyarchi becoming Vitta Muyarchi or effort abandoned. But all is well and Diwali is to be lit up by this film. Thangalan, the much talked about Kolar Gold Mines is a film that may take veteran Vikram to new heights in acting. This film, directed by PA Ranjit with music by GV Prakashkumar will be released on August 15. The very first song Minikki Minikki is already a hit for its rural beat, rustic voice and lyrics. Thangalan to be released worldwide in Tamil, Telugu, Kannada, Malayalam and Hindi is predicted to be a creative and cash hit on the lines of KGF and RRR. Dhanush and his 50th film Rayan with a promising story and solid acting line up — Selvaraghavan, SJ Surya, Kalidas and Aparna Balamurali. AR Rahman has tuned the lyrics written by Dhanush with SUN Pictures gearing up for July 26 show time. Suriya’s Ganguva in 3D tech, directed by Siruthai Siva with Disha Patani, Bobby Deol and others is an epic historical film that has been long delayed. No wonder Suriya announced its Fire Song to be out on his 49th birthday on July 23 to keep interest alive in Ganguva. There are several small budget modest films too. Who can predict which of these films will grab audience attention?
The name of the game is marketing. The cinema business is all about hard-selling. The Indian II, a Kamal Haasan-starrer, is reportedly raking good collections at the Box Office despite a mixed review. That’s good news, no doubt, for the tinsel world. Is there a way to discover the exact collection? That could give a clue or two to the real appetite for a good movie. Well, the way forward is to go digital completely. Why not ticket sales be done only through online? For one, that could avoid the serpentine queue in front of the theatres to buy tickets. For another, it could provide visibility to stakeholders across the canvass on the revenue flow. That will go a long way in helping to devise a proper policy prescription to the cinema industry. An influential part of the cinema business is still not fully on-boarded into the formal system. Oftentimes, one is not sure if there is meaningful correlation between attendance at theatres and box office collections. Are we seeing the old style of accounting in the tinsel world? If the Railways could successfully run an online catering service to train travellers, why can’t a similar system be encouraged for sale of snacks and beverages at cinema theatres? The cinema industry has traversed quite long from a totally unorganised existence in the past. If the tinsel world is integrated into the formal system in every way, it will do a world of good to the industry, in general, and the national economy, in particular, if. That is easier said than done,however.
Even in an almost cameo role of Kamal Haasan in Kalki 2898 AD, it raked in the money and the laurels. But his full length sequel epic Indian 2 has turned into an embarrassment for all concerned – director S Shankar, Lyca Productions, Red Giant and cast. Hit in the solar plexus by a super long film that begs to be ignored. Especially brilliant director Shankar who has had many hits in his quiver and a reputation for big scale entertainment. In the high jinx, big money world of cinema many hits are quickly memory erased with one super flop. That’s exactly what has happened to wizard Shankar. But the long gestation period of Indian 2 brought an opportunity for him to sign up Ram Charan (fresh from the laurels of RRR and its near Oscar status) for directing Game Changer. Even as Telugu distributors, financiers and producers are shell shocked by the Indian 2 debacle, they have to scan the sky, hopefully for that rainbow. And appropriately enough it could be Game Changer with the suave Ram Charan. The political thriller written by Kartik Subburaj, features Kiara Advani, SJ Surya, Anjali and others. Ram Charan shared a collage of a helicopter that said, “The Game is about to Change … .Game Changer is all wrapped up. See you at the cinemas.” Cinema is mega money …it needs back to back game changers to survive.
TRENDS & VIEWS
Editor’s Note: Big Punch In Small Pack
It is the Third Anniversary of Short Post and as a news media startup launched during the Covid-19 pandemic it certainly feels better than good to find ourselves where we are today. Here, I must cite the unstinted support of our seasoned contributors, all senior editors in the country, who brought a great degree of maturity and sagacity to the Short Post newsroom. But for them, our tagline “Authentic Gossip”, an Oxymoron, would not have matured viably. Our user numbers may be small but our stories have created the desired impact among people who matter — decision makers and influencers. We offer a big punch in a small pack and Short Post with its 225-word stories has been punching above its weight category. Having posted close to 3,000 stories in the last 36 months, Short Post, I feel, is an idea whose time has come.
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If you look at the media landscape – print, TV and digital — it is a mixed bag. There are job losses as some outfits have closed down while a lucky few were bailed out by large corporate houses. Yes, there is a lot of action in the digital space. However, the entry of corporate houses has raised the question of independence of news media outfits. Sadly, there are just a handful of independent media outfits in the country that are highly respected for their neutrality. At Short Post, our credo is not to take sides, prejudge issues or be biased but, informing readers of behind-the-scenes happenings. In essence, Short Post strives to be a neutral editorial platform — neither anti-establishment nor pro-establishment.
As I said last year, disruptions in the media world are moving at a fast and furious pace. Technology is playing a very big role in how content is generated and consumed. But, we are neither alarmed nor perturbed as it is all a part of the evolution process. What gives us comfort is that AI is unable to create original gossipy content. And that is the news arena where we have achieved a distinction.