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In his interactions with Union Home Minister Amit Shah, Tamil Nadu BJP President K Annamalai had reportedly made it very clear that the BJP should enter into a pre-poll alliance with the AIADMK only if it did not agree to projecting to anyone from the regional party as CM candidate. Armed with facts and figures, he explained to Shah that the AIADMK under Edappadi K Palaniswami’s (EPS) leadership had been steadily declining including its vote share. Annamalai insisted that the BJP must work on stitching up a NDA alliance in TN that builds on gains that the BJP made in 2024 Lok Sabha elections by going alone. It may be recalled that it was the AIADMK that had walked out of the NDA alliance in Sep-Oct 2023 months ahead of the 2024 Lok Sabha elections. Yet, the BJP managed to double its vote share from 3.66% to 11.1% though it did not win a single seat. It would be interesting to see how the AIADMK chief EPS responds to this precondition from BJP. EPS has been pushing for the NDA to project him as the CM face. BJP sources say EPS has been playing tricky. Soon after his meeting with Shah, EPS reached Chennai and repeated charges against Modi government that the DMK government has been making regarding the NEP and Centre not clearing state’s dues. His comments surprised some Congress leaders. So, will Annamalai who has been TN BJP chief since 2021 be eased out? Such posts are for three-year terms only. For the sake of caste dynamics — as there are one too many Gounder community leaders like Annamalai and Mahila Morcha chief Vanathi Srinivasan, it is felt the party may go for a Thevar leader Nainar Nagendran, a BJP MLA from Tirunellveli. A final call on Annamalai, who has opted to work as cadre, will of course be taken post PM Modi’s TN visit on April 6.
Indo-US political compatibility will witness preferential tariff rates worked out for India by the latter with clear bias against China. Well-placed sources explained, “China faces a 60% tariff rate imposed on exports by the U.S. President Donald Trump. Disparity will be evident when similar exports from India will face sub-40% tariff rates. Prime Minister Narendra Modi bargained hard, on pain of cutting off exports to the USA, taking Indian goods to the European Union instead.” This worked tremendously in favour of Indian exporters who won’t face sudden spikes in duty rates levied. President Trump is now eager instead, to up bilateral trade between our two nations to scale up to $500 bn by 2030. Sector specific negotiations are currently underway even as nations like Canada, China and the European Union experience trepidation over Trump’s tariff war against them. The U.S. conceded to India’s demand for technology transfer under long pending agreements for fifth and sixth generation fighter planes. Sharp negotiations progressing with Russia and France encompassing a wider arena of joint collaborations including marine drone technology, space missions helped tremendously. The proposed visit of Russian President Vladimir Putin to India will focus upon enhanced business in the wake of sanctions against Russian crude on the verge of being lifted. Strong winds are also blowing to foster cultural relations between India and Russia as a new coalition of global players is being disrupted to include the USA, France, Italy and Israel for a new world order. Ukraine and Hamas (in Gaza) stand relegated to minion status on the world stage in the meanwhile.
After 15 seasons in the IPL as Chennai Super Kings’ talismanic personality, Mahendra Singh Dhoni has drawn attention for all the wrong reasons. He evoked encomiums for his lightning stumping of Suryakunar Yadav of Mumbai Indians and Phil Salt of the Royal Challengers Bengaluru in the ongoing Tata-IPL-18, but after a 50 run defeat i against the RCB, Dhoni aka “Thala” is under flak for coming to bat at No 9 (with CSK at 99 for 7) against RCB which had set a formidable target of 197. Dhoni scored a quick 30 not out off 16 balls with 3x4s and 2x6s, but his blitzkrieg has far from convinced the CSK fans of his value to the team. While the majority of them go to the extent of hero-worshipping him, there were voices of dissent about him batting at No 9. One cricket lover said that a genuine CSK fan like him cannot be fooled anymore. “He should have come ahead when the target was 197,” he said. Dhoni will turn 44 coming July and once again the grapevine is rife with the news that he will hang his boots at the conclusion of this season. Australian Brad Hogg was 45 when he played his last IPL match in 2016 for KKR and Pravin Tambe was 44 when he played his last match for Gujarat Lions in 2016; this makes Dhoni the third oldest player in the league. He has featured in 138 winning matches for the CSK, averaging a little under 45 in these matches and scoring 1000-plus runs at No 4 and 5. He has batted at No 9 only twice and the CSK fans are, naturally, angry!
Union Home Minister Amit Shah came down heavily on Congress MP Rahul Gandhi for his criticism of the Parliament’s functioning, saying at the allotted time to speak in the Lok Sabha, the Leader of Opposition (LoP) Rahul Gandhi was in Vietnam. He also pointed out how the Congress had got 40% of the time to speak on the Budget. He said it was possible that the LoP in the Lok Sabha was perhaps not aware there are rules for speaking in the House, which cannot be run through whims and fancies. “His (Rahul’s criticism of the functioning of the Parliament) were completely misplaced. Parliament proceedings can’t be conducted like party office meetings,” pointed out Shah. Last week, Lok Sabha Speaker Om Birla had made oral observations about improper conduct of the LoP. Rahul had walked into the House even as the proceedings were on. Instead of walking directly to his seat, Rahul had indulged in some PDA with his sister Priyanka, drawing sharp observations from the Speaker Om Birla. It was later pointed out that Rahul was not being respected as LoP as he was not allowed to speak as the House was adjourned immediately after the Speaker’s observations. Rahul had apparently wanted to speak soon after PM Modi’s statement on Mahakumbh on March 18 and wasn’t given the floor. Interestingly Shah made his remarks on Rahul at Times Now Summit. BJP MP Nishikant Dubey had also mentioned about Rahul’s preference for Vietnam in the Lok Sabha.
It was the trailer launch of AR Murugadoss directed Sikandar. Salman Khan with childlike enthusiasm brought Kollywood’s grizzly actor Sathyaraj to meet his dad Salim Khan — the iconic script and screenplay writer, celebrity half of Salim-Javed. “Pappa, Kattappa,” said Salman while introducing Sathyaraj to his dad. Sathyaraj, who plays the role of a transgender villain in Sikandar said, “Salim Sir has been my hero from my college days. I have worked for 47 years in 258 films. Today, I have fulfilled the wish to meet him in person.” He was delighted that Salman introduced him by his famous character’s name. Sathyaraj reiterated that his multi-dimensional role in Sikander may well be another Kattappa. At the event Salman got an opportunity to unburden his angst. “We see Rajni and Chiranjeevi films and welcome South Indian productions wholeheartedly. But find that though Bollywood stars are celebrated down South, our films don’t get the same overwhelming reception.” Bahubali made the Pan India trend into vogue. So, is Salman on the cusp of another EID Mubarak? His future is riding on Sikandar. He must have longed for that thumping box office success of earlier times when his career seemed it would never tank. But five years of a barren streak, and his efforts to keep his premium slot intact have been obvious. Sikandar’s muqaddar is set to change. At the Press meet Salman said that “Kitna bhi log bole…mere fans 100 crore toh pahuncha dete hai”.
Odisha’s Opposition leader Naveen Patnaik, former chief minister and head of Biju Janata Dal (BJD) seems to have got a jolt from his man Friday ex-IAS officer VK Pandian. The big news is Pandian has left Naveen Nivas vis a vis politics for good thereby putting his master in a spot. So, what made the influential Pandian leave Navin Nivas? Sources say, even though Pandian holds Naveen babu in a very high esteem but he sees no future for BJD nor for himself within the party. The power corridor in Odisha is buzzing with the news that Pandian is in talks with Bill & Melinda Gates Foundation for a senior level position to handle some part of their India ops. If he does join, it makes eminent sense, because as a seasoned IAS officer he has considerable clout both in Delhi and Odisha. Also, Bill Gates Foundation is known to hire top notch ex-IAS talents. It may be recalled that sometimes back Bill Gates while meeting both Naveen Patnaik and VK Pandian had praised Odisha’s health initiatives, sanitation intervention, effective management of Mission Shakti and Pandian’s administrative capacity to solve issues and getting proposals cleared by respective ministries. The latest news is Pandian’s wife Sujata Karthikeyan, an IAS officer who was working as special secretary – Finance Dept in Odisha has opted for VRS. The Centre has not only accepted her resignation but also waived her notice period. Is she entering politics?
The simultaneous release of three films, Tumko Meri Kasam directed by Vikram Bhatt, Pintu Ki Pappi by Shiv Hare and Baida by Sudhanshu Rai seems to have skidded at the box office. These films are emblematic of a troubling trend in the industry, characterized by poor marketing, lack of visibility, and minimal audience excitement. Tumko Meri Kasam features Adaah Sharma, Ishwak Singh, Isha Deol and Anupam Kher. However, it suffers from a lacklustre promotional strategy that fails to generate buzz. The film’s dark and dull poster does little to entice potential viewers, making it feel like a B-grade production rather than a cinematic offering worth watching. Similarly, Pintu Ki Pappi is struggling with a title that fails to convey its essence, leaving audiences confused and uninterested. With Ganesh Acharya as the producer and newcomers Sushant and Jaanya Joshi in leading roles, this film too lacks the marketing push to draw the audience. A title like Pintu Ki Pappi may be catchy, but without context or appeal, it risks alienating potential viewers. In the case of Baida, a supernatural thriller that despite its intriguing premise, has not garnered attention. Directed by Sudhanshu Rai who also stars in the film, it suffers from a lack of awareness and visibility. All three films represent small-budget productions that have entered the market without effective marketing strategies or brand recall. The absence of excitement and visibility raises serious questions about how these films expect to attract audiences to theatres. The only commonality among these releases is their dismal box office performance, highlighting the urgent need for filmmakers to prioritize marketing and audience engagement if they hope to succeed in an increasingly competitive landscape.
What made the BJP-AIADMK alliance, now being talked about freely, come about was Vijay’s refusal to tag along with anyone on the Tamil Nadu political scene and to go it alone in the 2026 polls. And he made that decision based on Prashant Kishor’s advice. It was known that Vijay had virtually decided to go with the AIADMK in an alliance to try and gain power quickly in his political career for which he was ready to be Edappadi K Palaniswami’s (EPS) deputy CM if that scenario came good. It was Prashant who told him not to do that and to go on his own as he was guaranteed to pull in at least 20% of the vote, much of it expected from youth willing to give a new idea a try and women who determined to look for change from the tired Dravidian major party scene of the DMK and the AIADMK. Prashant was said to have postulated that either he could become the kingmaker in any split decision in a hung Assembly or even king if the tide turned all in his favour. Otherwise, he would have been only second fiddle if his alliance with AIADMK did well enough to get the majority. EPS made his move to go to Delhi and seek out Amit Shah only when he came to know that Vijay was unwilling to get into an alliance with his AIADMK. It does appear then that Prashant has made this 3-way scenario come about with DMK+, AIADMK-BJP and TVK in the fray with Seeman likely to join the mega alliance with AIADMK. Having lost his banker in Vijay as an ally, EPS will soon be firmly in BJP’s lap.
AIADMK chief Edappadi K Palanisami (EPS) set off a tsunami of surmises when he rushed to Delhi for a durbar audience with home minister Amit Shah. So, who or what spooked EPS despite Shah’s multiple visits to Tamil Nadu since 2023 and open invitations to EPS to join the NDA? Chinwaggers had a field day in surmising what transpired in that crucial meet of Tamilaga Vetri Kazhagam chief Vijay, EPS and his son Mithun. Some earlier meets facilitated by the new entrant to TVK, Aadav Arjun had not gone unnoticed giving Arjun importance as a powerful catalyst influencer. But this time Arjun was sidelined, Mithun was the influencer for Vijay’s power play. Vijay set forth his expectations…more akin to the tail wagging the dog, a jaw dropping number of seats that EPS had to concede if Vijay was to walk into the alliance. Vijay also made it clear that even as soon as his last film, Jananayagan was wrapped up, he would start on his TN Yatra. In fact, he reiterated, it is better that ‘I announce my final decision then’. It seemed EPS was zapped even as Mithun decoded this strategy and its fallout where Vijay seemed to hold all the aces. EPS decided a bid in the hand is far worthy than a push in the bush and flew to meet Amit Shah.
Ashesh Jani, Co-founder of Ribbon App that offers multi-currency accounts and wallets for 32 currencies, recently flew into London to meet K Rajaraman, chairperson of the International Financial Services Centres Authority (IFSCA) and Dipesh Shah, Head of Development of Financial Market & International Affairs. The IFSCA is located at the Gujarat International Finance Tec-City (GIFT City) in Gandhinagar. The meeting facilitated by the Indian High Commissioner Vikram Doraiswami was to explore the possibility of Jani setting up operations in the GIFT City. Ribbon, whose tagline is: ‘Account Before You Fly’, offers a range of services that is tailored for Indian students and professionals relocating to the UK. Seeing the huge potential in the domestic market, Jani is keen to set up an Indian office to do domestic business. Ribbon offers multi currency accounts and wallets with an embedded payments marketplace, and access to deposits, FX, Crypto and equity trading platforms. Its AI-powered app is designed to offer a hyper-personalised experience to its users. What probably attracts Ribbon to invest in India is the competitive tax environment that GIFT City offers.
Is Salman Khan playing Bollywood Sugar-Daddy? So, it seems and, has been for some time now. Few are vocal or, even make it an issue preferring to instead, quietly drop out of projects. His growing interference came to fore once again when his favourite Bigg Boss contestant Shehnaaz Gill was signed up for Kabhi Eid Kabhi Diwali. Sources say Salman took issue with producer Sajid Nadiadwala, his best friend, over the star cast including co-stars Arshad Warsi and Shreyas Talpade. Salman apparently pitched Zaheer Iqbal and Aayush SHarma for the respective roles instead. Probably, one of the reasons Sajid walked out of the Kabhi Eid Kabhi Diwali project. It appears that economic viability does not bother Salman. Those who have known him closely say he always got involved with star casting and pushed his personal preferences for films he signed up for. Even in the past, he did the same to co-star with Raveena Tandon and Karisma Kapoor. In recent times Daisy Shah and Jacqueline Fernandez were his choice of co-stars. He was also the one who pushed Katrina Kaif for Bharat after Priyanka Chopra opted out. Sometime back a well-known and favourite director of the actor preferred to shelve his film rather than giving into the actor’s whims and fancy over who he should sign up or not.
The untimely death of Sushant Singh Rajput kicked up national outrage over nepotism and debate on the outsider vs insider discrimination in Bollywood. Zoya Akhtar’s latest project The Archies adds more grist to the mill. This film, directed by an established insider Zoya, will launch Shah Rukh Khan’s daughter Suhana Khan, Sridevi’s daughter Khushi Kapoor and Amitabh Bachchan’s grandson Agatsya Nanda. Interestingly, the parents of all these star kids have respective home productions but, are being launched by Zoya Akhtar, the unconventional producer known for his content driven cinema. It is an unconventional launch for the youngsters. While Zoya cannot escape nepotism allegations as she chose the Bollywood insiders to star in the film. One would have thought SRK and Big B would avoid playing it up on social media out of fear of being trolled but, both just went ahead and tweeted emotional posts. Guari Khan wrote: `Suhana you did it’ and Amitabh Bachchan said, “Rise of the Son’’. The nepotism debate was immediately sparked off online as netizens passed judgement on the actors as white kids minus a Suhana Khan. Whether it was talent or nepotism that launched these star kids will be settled soon enough. Yes, these star kids will have to prove to the world that they carry the genes of their superstar parents.
As if competition from local Indian players was not enough, mainline OTT players are now facing heat from a fresh wave of regional players. Following in the footsteps of Zee 5, Sony Liv, Voot et all are MX Player in Hindi, Tamil, Malayalam, Bhojpuri, Punjabi, Bengali, Alt-Balaji and Eros in Hindi, Hoichoi in Bangla, Aha in Telugu, now expanding into Tamil, Kannada and Malayalam, Manorama Max, Neestream and Koode in Malayalam, Kanncha Lannka in Odiya, My Toonz (Kids OTT in Hindi and English). And, so many more are still lining up. Why is the Indian market turning out to be a different ball game? None of the big players are standalone entities like Netflix. Disney has the backing of Star group and Hot Star, Amazon Prime has Amazon Shopping and online services, Zee 5 has the Zee TV group, Sony Liv is with Sony TV group, Viacom 18 boasts of Paramount + while Sun Next has the parent Sun group. And if this was not enough, there is a new entrant in the form of the James Murdoch-Uday Shankar combine tying up with Reliance’s Jio Cinema. Competition is sizzling up in the OTT space with viewers beginning to feel like kings.
In just four days of streaming on YouTube, Kamal Haasan set a world record crooning the first song from his action-thriller movie Vikram. The electric rhythm and electrifying lyrics of Pathala, Pathala (can’t have enough) have sent his legion of fans into ecstatic frenzy. Kamal’s team pulled out all the stops to make Vikram and its music a customised stimulating experience. The ensemble cast including 67-year old Haasan has Vijay Sethupathi, Fahadh, Kalidas Jayaram and, a cameo by Surya. No prizes for guessing the ingredients for this potpourri action thriller directed by Lokesh Kanagaraj in which Kamal dons khakhi. It is pure Chennai petta rap like Bombaiya, full of irreverent political innuendos, taking on both the Center and the ruling party, besides other public Rasputins. Sweet revenge for all his failures? Ultimately, what nails this song is Kamal’s energetic tempo of dirty dancing that has pumped up hysteria. A crazed fan adds, “What Rajini got with a lifetime of style, Kamal has belted out in one song “. Is Janaki meant to take on a Tamil Nadu BJP functionary? Already, an obfuscated vigilante has filed a case against the song for its controversial lyrics. Both Kamal’s political avatar and cinematic charisma sorely need an upturn. Let’s hope it doesn’t turn out to be pathala, pathala….just not enough.
One more movie has bombed at the box office. Ranveer Singh starrer Jayeshbhai Jordaar. It is the fourth actor driven film that has evoked poor audience response. Earlier, it was Bachchhan Pandey, Jersey, and Heropanti2. Only exception in recent times was Gangubai Kathiawadi; it had versatile actress Alia Bhatt and star director Sanjay Leela Bhansali. Bollywood stars and directors need to understand that a new class of audience is emerging post-Covid pandemic. These people not only seem to smell the film in advance but have also developed a palate for OTT content and South Cinemas. Akshay Kumar must have had maximum releases in the last two years but has a poor success rate. Salman Khan’s attempt to save Antim by visiting theatres did not save the film and even Tiger Shroff who has strong youth connect had the first flop (Heropanti2) to his credit. The South Indian cinemas are thriving on star power supported by a very strong content. But in Bollywood content seems to be given short shrift. The message that is coming out loud and clear is signing up top class stars is no insurance any more. The days of star power are over. Time Bollywood wakes up and smells the coffee lest the south based stars dubbing in Hindi will emerge as the real alternative.
Netflix watched its subscription base lose around 900,000 viewers with 700,000 losses attributed to the Russia-Ukraine war and, 200,000 blamed upon other markets. To arrest viewership loss, Netflix is introducing a password sharing fee in the U.S. and other markets. It intends to generate more revenue from existing subscribers, one connection with multiple users. First introduced in Latin American markets, a progress report is awaited but, media pundits predict a further downslide of 10 to 13% in the U.S.A, post launch. After all, the choice is multi-fold. In India too, things aren’t moving as planned. Despite a first mover advantage, Netflix couldn’t hit the bullseye. Indications that more than 50% of content under production is on hold including season two of Delhi Crime. The current Indian content has failed to achieve desired traction milestones. An overhaul, review and new creative ideas are on the cards. Netflix slashed subscription rates a couple of months back to Rs 149 for its mobile pack and Rs 199 for mobile/TV packs. An update is anticipated. Netflix started with a bang with series like Fauda, House of Cards, Peaky Blinders, Money Heist, Friends and Indian series like Sacred Games. Renewed interest piqued through the Korean Series — Squid Game, 365 Days, and now Kota Factory. The latest blockbuster attraction — Gangubai Kathiawadi is expected to renew viewer interest in Netflix.
Known for his gentlemanly demeanor, actor R Madhavan who enjoys a pan India appeal finds himself zooming into space with his directorial debut Rocketry: The Nambi Effect. The biopic is based on the life of Nambi Narayanan, former scientist and aerospace engineer from ISRO, who was falsely accused of espionage. Written and directed by him, Maddy as he is popularly known essays the key role. He has chosen a story as thrilling as a rocket launch into space, and also depict Nambi’s life who was jailed, tortured and forced to confess to a crime he did not commit. He was exonerated and acquitted subsequently. Making amends the Indian government decorated him with a Padma Bhushan. Maddy has struck platinum as the film will be screened at Cannes on May 19, in the prime time 9 pm slot, as India’s entry for the Red-Carpet world premier and inaugural of the 75th Independence Day Palaise De Festival. “As a debutante, of course, I am nervous, I hope Rocketry brings glory to India “. The movie made in three languages – English, Tamil and Hindi – was extensively shot in France, Canada and Georgia. The world premiere is on July 1, 2022. Madhavan’s choice of subject that has all the ingredients — intrigue, skull-duggery and glory – seems the best lift-off for a debutante.
After Akshay Kumar (Bachchan Pandey), Bollywood star Shahid Kapur (Jersey) too disappointed fans. Then Tiger Shroff’s latest movie Heropanti2 bombed at the box office. Surprisingly, audiences preferred to go to theatres to watch the dubbed version of Kannada movie KGF 2 and not Heropanti2. This was strange! Has something gone wrong for Bollywood that audiences refuse to even enter cinema halls? Marathi films like Sher Shivraj and Chandramukhi drew better crowds than Tiger’s movie. Trade pundits are at pains explaining that the true villain is poor content. Be that as it may, Tiger Shroff needs to reinvent himself. Sculpted body, martial fights and dance cannot propel his career much further. The 32-year-old action hero — son of Jackie and Ayesha Shroff — impressed everybody in his first movie Heropanti in 2014. This was followed by hits like Baaghi and War. In War his talent came to the fore against Hrithik Roshan. Well-wishers feel Tiger, with a huge fan following, should pick and choose his scripts and directors; stop working with directors who aren’t really film makers. He has a couple of interesting projects in the pipeline like Ganapath, an action film directed by Vikas Bahl and the remake of Bade Miyan Chhote Miyan with Akshay Kumar. Both movies will decide Tiger’s future. Will the Tiger roar or whimper? Only time will tell.
Every producer-director suffers pre-release jitters. Ajay Devgn has also caught anxiety before the release of Runway 34 in the wake of South Indian movies, dubbed in Hindi, smashing box office records and newer audiences veering towards OTT. So, he apparently courted controversy over Hindi with Kannada star Kichha Sudeep. There is little doubt he reaped good publicity too but, Devgn could not anticipate fresh controversy to emanate from another quarter. The Federation of Indian Pilots has thrown turbulence his way and stated, “The profession of airline pilots was unrealistically portrayed in the movie and may create apprehensions in the minds of nervous fliers. While we all enjoy being entertained and appreciate the artistic licence of a movie director, a thrilling tale should not be perceived as a true depiction.” Cinema buffs saw through Devgn’s story content, for stark similarities it bears to two acclaimed aviation dramas. The Captain, a 2019 film, portrayed the real-life drama of Sichuan Airline Flight 8633 which made an emergency landing at Chengdu Shuagliu International Airport after its cockpit windshield crashed. The other is the 2009 Clint Eastwood production Sully starring Tom Hanks. The flight from LaGuardia, was hit by a flock of geese forcing an emergency landing on the Hudson river with 155 lives on board. Sully was grilled by the National Aviation Safety Board while Devgn faced baritone Bachchan.
Two distinct trends emerged from Bollywood. It has run out of original story ideas resorting to remakes of popular south Indian movies increasingly, to maintain the Hindi film industry churn. Secondly, it is a bad copycat. Two remakes Laxmmi Bomb and Bachchan Pandey, starring Akshay Kumar failed the box office collections. Latest to join the flop list is Jersey, featuring Shahid Kapur and Mrunal Thakur. Producer-director Ram Gopal Varma tweeted: “The DISASTROUS fate of the film JERSEY in Hindi signals the DEATH of REMAKES for the simple reason it has been proved multiple times, that dubbed films like #Pushpa #RRR #KGF2 are doing far better than originals, if the content is good.” It’s very likely that no south (Indian) film with good content will sell its remake rights. Kannada superstar Kiccha Sudeep rubbed it in saying Bollywood was struggling, with even its dubbed versions in Tamil and Telugu failing at the box office. Southern stars have stormed the film industry and assumed Pan India (actor) identities. One of the reasons for Bollywood taking a hit on the stories front is because most good writers have shifted to OTT platforms. It’s about time the Bollywood fraternity came together and scripted a strategy to regain eroding industry hold. Will Bollywood get its next ACIONS right?
Vignesh Shivan and K Town superstar Nayantara are set to tie the knot, an event fans have waited for with baited breath. The couple has been dating, dating some more, and on a still dating status for long now. Further testing how much more waiting besotted fans could take…the couple’s production company Rowdy Pictures is now ready with Tamil romantic comedy Kaathuvaakila Rendu Kathal for worldwide release on April 28 April. Directed by Shivan, starring crowd puller Vijay Sethupathi, pitching his love to two of the most winsome ladies from down South, Nayantara and Sexy Samantha Ruth Prabhu, she of Pushpa The Rise and The Family Man hit series, and spiced up with Anirudh Ravichander’s hot music, the film makes no pretensions to serious cinema. The cherry on the cake, the film will be distributed by Udhayanidhi Stalin’s Red Giant Movies. The makers plan to simultaneously release a Telugu dubbed version as Kanmani Rambo Khati. What more could fans want? The excitement quotient has doubled with the film’s teasers promising a romantic comedy, a raunchy race, rife with ribald dialogues and the promise of a hero Rambo romancing two hot heroines — Khadija and Kanmani. If fantasy and escapism is what fans are seeking, this movie is already paisa vasool.
Ever since he signed his first movie Refugee in 2000, there has been no respite for 46-year-old Abhishek Bachchan. He is constantly compared with his larger-than-life father Amitabh Bachchan. Is this comparison even justified? Abhishek has acted in 73 films in his 22 years career, even made a mark in films like Sarkar, Dhoom, Yuva and Guru. He carved a space for himself, worked with big banners and famous directors, yet that big moment has eluded him – the role to catapult him into the big league. There were a lot of expectations from The Big Bull where he played scamster Harshad Mehta but, he lost out to the web series Scam 1992 played by Pratik Gandhi over timing of the release. He got praise for his role as an uneducated politician in Dasvi though it was not a box office hit. Bob Biswas also failed to propel him. So, what worked against Junior Bachchan? A respected source says “Abhishek, unlike his father, does not give a 100% for every movie. In some movies he goes the whole hog while in others it seems like he is disinterested.” If he wants to step into the Big B’s shoes he has to put 150% into all the roles he plays – big or small. Only then will his Oscar moment arrive!
No doubt, he is Tamil Nadu‘s treasure and pure and unadulterated symphony for cinema. Ilaiyaraja became a household name for his resonating music and giving consistent hits as composer and singer for over 30 years. Isaignani (Saint Musician) as he is referred to (an encomium conferred by Kalaignar) has over 7,000 songs to his credit. He is Asia’s first symphony writer and even A R Rahman’s Oscar has never daunted the music Raja, the acknowledged doyen of the music industry. Suddenly though, controversy surrounds the Raja. Has he moved from Sangeet to become a Sanghi? There is no smoke without fire and Ilaiyaraja himself stoked the flames and his reputation as a professional without any political leanings. His foreword to a book titled, Ambedkar & Modi, Reformer’s ideas, Performer’s Implementation launched by BlueKraft Digital Foundation, has stirred up a hornet’s nest. Raja further gilded this lily by making a comparison of the two titans, with brother Gangai Amaran serving as his mouthpiece. Even as media talking heads and YouTubers analysed his claim, news has leaked out that President Ramnath Kovind received a list of three names from the world of Art and Entertainment to nominate as Rajya Sabha members. So, one of the names is that of Ilaiyaraja. The penny has dropped with a loud clink.
Akshay Kumar was trolled for endorsing a pan masala ad Vimal Elaichi that has featured Ajay Devgn and Shah Rukh Khan earlier. The commercial promotes the elaichi brand of the product but, the company also makes gutka and the actor, known to be a fitness icon, is on record saying he would never endorse any tobacco brand and has come under fire. Although there was no response from the brand or an apology from either party, it may be recalled that Amitabh Bachchan had returned the money earned from the Kamla Pasand advertisements after being trolled by his fans. In this age of social media, trolling is part of the game with celebrities prepared to face the music though it seems like most brands don’t really bother about the trolls. Like Telgu-Kannada actress Rashmika Mandana was trolled for ogling at Vicky Kaushal’s innerwear brand Macho Sporto, Kartik Aaryan for sporting fake abs for a hair removing brand; neither stars or advertisers really bothered. Till only a few years ago, these stars would have lost their contracts, had the ads pulled off air. It happened to Aamir Khan when he used the word “intolerance” in one news interview. Recall how yesteryear super models Milind Soman and Madhu Sapre were dragged to court for posing nude for the Tuff Shoes Ad with a python wrapped around them.
It was not the big fat Punjabi wedding many had expected. Ranbir Kapoor and Alia Bhatt decided on a low-key affair at their Bandra residence ‘Vastu’. Both consciously chose a simple marriage over a celebrity event, with all the associated drama and restricted it to their families and a few close friends, while keeping the paparazzi, politicians, celebrities and industrialists out of the picture. An invitee at the wedding said: “If you ask me how it was different from other celebrity weddings, the word is, simplicity.” Many who expected invitations were thoroughly disappointed and of course, best man Ayan Mukerji features in all the frames. So does Karan Johar. Alia-Ranbir were seeing each other for five years and, merely decided to give their relationship the official tag of “Just married”. On social media, Neetu Kapoor posted: “This is dedicated to Kapoor Saab (red heart emoji). Your wish has been fulfilled.” It was a family get together, with mehndi and sangeet on the same day with choreographer Rajendra Singh who arranges dances at all the Kapoor weddings. Attendees said it was full of fun and laughter as it is, in all Kapoor household weddings. There was singing and dancing that wouldn’t have been complete without Alia and Karan Johar grooving to the “Radha, Tera Jhumka song from Alia’s first movie Student Of The Year.
Thalapathy Vijay’s vast army of fans who waited with bated breath for his latest release Beast were disappointed, going by reactions of those exiting cineplexes, where frowns and let down feelings were clearly evident. After Kolamavu Kokila and an acknowledged hit in Doctor, the heady combination of director Nelson, action czar Vijay and foot tapper Anirudh was expected to set the box office on fire. While fans don’t blame their hero Vijay, who captures every frame with style and pizzaz, they are disappointed with the weak story line and at Nelson for “wasting the actor’s immense talent “. Clashes between fans of filmstars Ajit and Vijay over perceived popularity ratings and ability to deliver more hits is infamous. Currently, after Ajit’s Valimai also faltered, petering out within days of release, both are left standing on the same pedestal. Sun Pictures left no stone unturned to pull off another superhit, including pre-release publicity stunts, exclusive interviews with Vijay claiming this as his best performance in over a decade! Beast’s music by Anirudh with two chart busters in Arabic Kuthu and Jolly O Gymkhana became chart-toppers and loved by fans. Beast has followed quickly in the footsteps of the commercial failure Radhe Shyam. Fan frenzy for Thalapathy notwithstanding, the diamond did not get its perfect setting to shine.
Looks like Salman Khan and his close friend Sajid Nadiadwala have decided to part ways on the professional front as they seem to have serious differences over their new venture Kabhi Eid Kabhi Diwali? According to a highly placed source, differences arose over Salman Khan’s payout. For the astute film producer Nadiadwala that number was not making business sense. Instead of creating bad blood, a wiser Nadiadwala has handed over the project lock, stock and barrel to Salman and walked out. An insider is at pains to point out that their old friendship continues; it is purely a business decision. Be that as it may, Salman has seen and been in such situations several times. He walked out of Sanjay Leela Bhansali’s Inshallah after the set was erected. Bhansali lost quite a fortune but he was smart enough to utilize the set for making Gangubai Kathiawadi. Earlier, Priyanka Chopra ditched Salman to get married, left high and dry, he quickly roped in Katrina Kaif for Bharat. Kabir Khan who got along famously with Salman is no more on his speed dial post the flop of Tubelight. Similarly, he replaced director Ali Abbas Zafar with Manish Sharma for Tiger 3 which features Katrina Kaif with whom he was once linked with. How will their chemistry be in the movie given the fact he was not invited to her wedding?
Shahid Kapoor, at a recent press conference, expressed envy towards Mrunal Thakur, one of few actresses who were busy shooting during the Covid lockdown. The Jersey heroine is again one of few TV actors who transitioned seamlessly to the big screen. Her first movie Love Sonia was an international film. The 29-year-old actress, who made her television debut in 2012, worked in eight TV serials and was called insane for quitting the highly popular Kumkum Bhagya. She has since emerged among the top leading ladies of Bollywood with films like Toofan, Super 30 and Dhamaka. Mrunal is not singularly successful though and TV stars like Sakshi Tanwar, Vidya Balan, Prachi Desai and Yami Gautam also migrated to the Big screen as did Shah Rukh Khan. So, what makes Mrunal different? Industry watchers say it was her timing of entering the film world when the industry was undergoing a churn and stories took precedence over stars. She was launched through a Marathi movie in 2014 and entered Bollywood in 2018 managing to emote and impress the audience even with her small roles. She almost made it to Bahubali and would have been part of Aamir Khan’s Dangal if her TV show had not come in the way. One thing is for sure, nothing’s gonna stop this Marathi mulgi going the dhak dhak girl way.
Alia Bhatt has clarified she is not upset with director SS Rajamouli for limiting her role in RRR. Alia should know, however, that her fans are upset over her minuscule performance in the magnum opus that registered a roaring box office success. Industry insiders explain that Rajamouli’s focus was on making a film featuring Jr NTR and Ram Charan, with a limited role for Alia but, he did also make Bahubali with two leading ladies each dominating with fabulous roles. So, was casting Alia merely a marketing tool to appeal to Hindi speaking audiences? That would explain why Ajay Devgn, also featured with a 10-minute role in RRR, stayed away from the film’s promotion. A similar experience was faced by Priyanka Chopra during her initial days in Hollywood. It was only her strong PR management team that made her the star she is today. Why then are Bollywood stars still keen to be part of south Indian projects, to feature in blink-and-miss roles? South Indian films do not need Bollywood stars to boost business. In fact, it is the other way round. Alia may do well to note that a brief post on social media may not placate her fan following although she plays the heroine of RRR and shares credit for the film raking in Rs 600 crore.
The Hindi language was a barrier for yesteryear superstars from down south like Kamal Haasan, Chiranjeevi, Venkatesh and Arvind Swamy; they did not gain a foothold in Bollywood. Some lost out because of south Indian looks and returned to doing regional films after acting in a few Hindi films. But, the new crop of popular stars are defying conventional wisdom. Allu Arjun, Rock Star Yash, and Prabhas have proved that you don’t really need to move lock, stock and barrel to Mumbai to make a mark in Bollywood. The movie can be dubbed or, simultaneously shot in two languages Telugu/Tamil and Hindi and it will fly. By doing so, they have crossed over virtually through their movies and have become mainstream heroes of Bollywood. Trade pundits feel although Bahubali restarted the trend of the return of the south stars, it was Pushpa that showed that language was no barrier to woo audiences; Allu Arjun literally took over the throne of cross-over from Prabhas. Now our very own indigenous Akira Kurusawa, SS Rajamouli, with RRR has introduced two more megastars to Bollywood — Ram Charan and Jr NTR, with the inconspicuous presence of Alia Bhatt and Ajay Devgn. Meanwhile, in an interesting development, Kannada superstar Rockstar Yash, Malayalam superstar Prithviraj and Karan Johar are working towards the amalgamation of Kollywood, Tollywood into Bollywood – a la Hollywood style.
Should a film on genocide be exempted from state entertainment tax? Delhi Chief Minister Arvind Kejriwal’s brazen attack on The Kashmir Files – a defining movie on genocidal horrors and forced exodus suffered by Kashmiri Pandits – not only killed the tax-free debate but also resurrected a new low, “You (BJP) don’t look good putting Jhoothi picture.” The genocide denial has led to a tide of opprobrium. Sikh social worker Manjinder Singh Sirsa tweeted, “Laughing at #TheKashmirFiles and calling it a lie!! Sorry to say @ArvindKejriwal you don’t deserve to be called a human being.” Earlier, came scathing remarks from BJP’s Amit Malviya: “Only an inhuman, cruel and depraved mind can laugh at and deny the genocide of Kashmiri Hindus. Kejriwal has ripped open the wounds of the Hindu community, who have been forced to live as refugees in their own country, for 32 long years, by calling #KashmirFiles a jhoothi film.” Aditya Raj Kaul, a veteran journalist, pointed out, “Denying persecution, forced exodus and genocide of a minority community is a criminal act. I hope you will apologise to the victims of terrorism, Mr Arvind Kejriwal. Hate for Modi, BJP and filmmaker is one thing but to deny a historic reality is absolutely shocking.” Steven Spielberg’s 1993 film Schindler’s List suffered the same genocide denial mindset and was banned from screening in many Islamic countries, including Pakistan.
During the Covid lockdown Akshay Kumar ruled Bollywood with releases like Laxmii, Bell Bottom, Sooryavanshi and Atrangi Re. But, his latest movie Bachchhan Paandey reportedly made at a cost of Rs165 crore has suffered a huge setback due to The Kashmir Files made by Vivek Agnihotri at a cost of merely Rs 15 crore in comparison. With the movie achieving proportions of a people’s movement The Kashmir Files is set to cross the Rs 200 crore mark. Bachchhan Paandey’s collections were poor from day one and may not gross good returns for the producers even as Akshay Kumar is believed to have charged Rs 99 crore for the film. Despite attempts by Akshay Kumar’s fan clubs to save the film The Kashmir Files tsunami continues to storm the box office with nearly 4000 screens added after the initial 650 screens as on March 10. Producers of Bachchhan Paandey know that at this critical juncture any marketing gimmick will fall flat. For his part, Akshay Kumar did not score brownie points by announcing he would watch The Kashmir Files. Bachchhan Paandey may well be written off as a flop because of the bad timing. Nobody anticipated that The Kashmir Files would stir hornet’s nest and evoke positive response worldwide. Meanwhile Akshay Kumar has moved on to shoot for his next film Selfiee.
Popular Tamil star Dhanush had a dream film run from 2004 after he married superstar Rajinikanth’s daughter. Eighteen years, two smart boys, cinematic fame, and a hectic professional life later, the couple opted for divorce. Suddenly Dhanush found his trusted producers, directors acting hard to get, almost avoiding him like a Covid variant. His last film, Maran fared below par, and Dhanush headed straight to Vetrrimaran, his go to confidante and alter ego, to sign up for his next film. Vettrimaran tactfully dodged, citing his full portfolio. That’s when it hit Dhanush. Hell hath no fury like a mother-in-law scorned, a sasuma spited. Talk is rife in film circles that Lata Rajinikanth, the strong lady of the family has imposed sanctions, warning producers and directors close to her Damaad to stay away. Dhanush, on the other hand, is shouting hoarse that his talent and hard work alone produced super hits like Karnan, Maari, Velaiilla Pattadhari, Raanjhana, Shamitabh, Atrangi Re. But when an also ran, middle class Hero marries a superstar’s daughter, the union is not among equals, There is a salacious media report of his efforts to see sasuma and have an open confrontation and how he was turned away by the gate security. Lata, it is said, did not relent.
Prabhas reigns as a cinematic brand that few could match after the Bahubali super hits. And audiences expect him to exemplify that same brand film after film. After the pandemic pause, Radhe Shyam also released to sky high expectations but the film, shot simultaneously in Telugu and Hindi, turned out to be Candy floss, just fluff, no bite. Advertised as a big budget film (Rs 300-350 crore) boasting over the top visual effects, lavish locales of Europe with each frame mounted to draw gasps of astonishment, Prabhas and Pooja Hegde elicited groans instead even as the screenplay and narrative fell flat as pointless piffle. The Telugu version fared somewhat better, but the Hindi version faced the humiliation of rejection even compared to the low budget yet, intensely riveting The Kashmir Files. Prabhas, cast as a phenomenal palmist (the Einstein of Palmistry, Nostradamus of prediction) has to convince audiences that life lines on one’s palm determines your destiny, and yet it is possible to change destiny by sheer determination. Prabhas playing a palmist challenges destiny but, ultimately gets the girl he loves, Prerna, after super human efforts. Whatever the claims by the makers over box office collections (Rs 150 crore in first three days), even palmist Prabhas didn’t predict revenues would lag way behind the Rs 300 crore spent.
He is literally the tallest Khan compared to Salman and Aamir. Fifty-six-year-old SRK, who entered Bollywood in 1992, initially essaying negative roles in movies like Darr, Baazigar could convince producers that he was the next romantic hero, a space occupied by superstar Rajesh Khanna. Convinced, producers signed him on for box-office hits like Dilwale Dulhania Le Jayenge (DDLJ), Dil To Pagal Hai, Kuch Kuch Hota Hai and Mohabatein. DLDJ run of 1000 weeks established SRK as the king of romance, set off a female fan frenzy like Khanna did and, thronging crowds like Big B’s at his bungalow Mannat who fervently hope for a glimpse of him. Charming, witty and intelligent, SRK knows how to emote with the audience both locally and globally, on-and-off screen. “His brand loyalty remains strong despite the fact there were no SRK releases in the last two years. He connects well with people across all age groups,” says Karan Taurani of Elara Capital. One of the many reasons SRK outshines the other two Khans is that he was an outsider. Salman Khan is more a Bhai for commoners while Aamir Khan only connects with audiences during films releases but, the King of hearts connects with audiences across age groups throughout the year. He also smartly set up his own enterprise, Red Chillies Entertainment and owns a big stake in IPL team, Kolkata Knight Riders.
Those who questioned Alia Bhatt’s calibre to play Gangubai Kathiawadi have been forced to eat their own words and, Kangana Ranaut tops the list. The actress had said she didn’t expect the movie mafia’s film to do well. While Kangana taking pot-shots against top actors, to increase her social media influencer reach is plain to see, even those within Bollywood were unsure if the woman-centric film would do well at the box office and, with Alia in the lead role. In fact, only a handful of women-centric films have managed to get good numbers at the box office. Gangubai Kathiawadi has surprised everybody. Trade experts say that film is getting a good draw and business could have been 20% more had cinemas opened to 100% capacity. While there is no comparison between Alia and Deepika Padukone has been made, although the self-proclaimed Queen of Bollywood thinks so, there is little doubt that Alia has arrived which may be giving heebie-jeebies to the established likes of Deepika. Twenty-nine-year-old Alia, who debuted as a child artiste, got her first big break in Karan Johar’s Student Of The Year. Avid cinema goers were impressed by her performance in Raazi, Gully Boy and, Highway just to name a few.
Award winning actor cum filmmaker but, ever controversial, Kangana Ranaut’s recent jibe at Alia Bhatt over the latter’s movie Gangubhai Kathiawadi was in bad taste say Bollywood insiders. Is the 34-year old Kangana, a known BJP sympathizer, only trying to enhance her social media presence further? Kangana has been speaking out via social media platforms on all major issues and, was instrumental in changing the narrative in the Sushant Singh Rajput case. Has she now targeted Alia over her enmity with filmmaker Mahesh Bhatt? Generally, Bhatt senior would have jumped to his daughter’s defence through a tweet but, he has instead adopted a ‘let sleeping dogs lie’ strategy. Alia called Kangana’s video cute while quoting a verse from the Bhagavad Gita. It may be recalled that Mahesh Bhatt had launched Kangana in Gangster and there were videos of her praising the filmmaker but, today both stand swords drawn. A majority in the film industry avoids Kangana, some boycott her while fence sitters like Ekta Kapoor cash in on her public controversy and, has signed her up for the most fearless reality show Lock Upp. Apparently, Kangana asked Ekta to sign up her bete noire Karan Johar for the reality show. In 2020, lyricist Javed Akhtar had filed a defamation case against her.
Superstar Rajini Signs Up For His 169th Movie, Pushes Producer To Cast Aishwaryaa Rai As His Co-Star
After a lot of hype and hoopla and, sky high expectations for Rajinikanth’s Annaatthe, the film hit the bedrock, a rejection the superstar is still smarting under. Despite a nubile Lolita like Keerthy Suresh in the lead (she was cast as his sister whom he protects like a nuclear code), icy Nayanthara as his ambiguous love interest and, buxom Khushbu, playing matronly Meena to gird Rajini’s masochism, Annaatthe sadly lulled audiences to sleep. The buzz among fans is that Thalaiva must ‘quit while he is still the icon’. Not ready to walk off into the sunset, Rajini has signed up his 169th movie to be shot by his director of choice, Nelson Dilipkumar. Shootings expected to start in May and completed within five months’ time, for an October 2022 Diwali week release. Producer of the film Sun Pictures is in a quandary as Rajini has insisted on Aishwaryaa Rai-Bachchan as co-star. But her signing up fee of Rs 10 crore is out of their budget. Rajini being Rajini, has said get her at any cost. Come October, one will see how Rajini’s style magic combines with Aishwaryaa’s beauty to make cash registers ringing big time. Fans are hoping his 169th film is not the swan song for both.
Big budget movie 83 on Kapil Dev led India winning the 1983 World Cup cost Rs 270 crore to make but did not do well. The biopic on MS Dhoni: The Untold Story, made with a budget of Rs 106 crore, did much better. 83 did not connect with today’s audience while Dhoni did. Trade pundits say the subject of 83 was overexposed; an old chapter in the history of India’s cricket and whatever was shown in the film was available on YouTube. Dhoni’s biopic, in that sense, was an untold story so had a huge audience connect. Also what worked in the biopic’s favour is Dhoni’s huge fan following coupled with his participation in the film promotion. Dhoni’s movie had romance, portrayed the journey of a small-town boy becoming captain of the Indian cricket team. It was aspirational. 83 was only about cricket which perhaps put off today’s generation despite Ranveer Singh. People who went to see 83 were in the 40-plus bracket, who are fewer in numbers. Also, it was not a family outing as their children were not keen to see 83. It was also impacted by the Omicron wave. Clearly, Sushant Singh film had a bigger draw than a Ranveer Singh film. Incidentally, not all biopics do well. The one on Mohammad Azharuddin played by Emraan Hashmi bombed.
Thirty-five-year-old Richa Chadha’s latest web series The Great Indian Murder directed Tigmanshu Dhulia has received mixed reviews. But there is no denying that Richa has arrived in Bollywood. Hailing from an academically-oriented family, Richa entered Bollywood in 2008 with a small role in the comedy Oye Lucky! Lucky Oye! In the last 13 years she acted in over 27 films and shot to fame for work in the Fukrey series, her supporting role in Gangs of Wasseypur also won her many awards. Unlike other Bollywood stars, this St Stephen College alumni is headstrong and speaks her mind on raging social issues. She is one of few actresses who protested the attack on JNU students. In the recent Karnataka hijab row Richa, who enjoys over 5 lakh followers tweeted: “Raise your sons better! A bunch of ugly, cowards attacking a lone woman in a pack and feeling proud of it? WHAT LOSERS! Shameful. They’ll be jobless, more frustrated and penniless in a few years. What poor upbringing! No sympathy, no redemption for them (sic).” Little wonder she has signed up for films with strong social issues, subjects or characters who are change agents. Recently, she and her fiancé Ali Fazal set up their own production house, Push Button Production.
The immense popularity of new Hindi serial thriller Yeh Kaali Kaali Aankhein across Uttar Pradesh has given it a new distinction of being a happening state. The dredged imagery of an unwashed, overly populated, poverty stricken, illiterate and exploited state that sends the maximum lawmakers to Indian Parliament is passe now. Yeh Kaali Kaali Aankhein has jolted out this stereotype. UP’s consciousness has traversed far ahead with regard to permissiveness, modern lifestyles, wealth and power flaunting, organised and unorganised crime. OTT Hindi serials will hitherto be benchmarked against These Black Black Eyes, the early era filmy hit song belted out by Shah Rukh Khan in Baazigar. Omkara is the fictional name given to the state of violent politics and the mafia, chilling terror and awe-inspiring revenge. Season One (eight episodes) unravels the power and terror that political heavyweight Akhiraj Awasthi (played brilliantly by Saurabh Shukla) holds over his family and, the entire state. No one dares take him on even as he is the very embodiment of evil. His daughter Purva (Aanchal Singh will go places) overtakes daddy dear in all things evil and is driven, possessive, passionate with a Zumba toned body. What mesmerises the viewer is the slick editing, lightning change of moods, dizzy action and the fast pace of the unfolding storyline which is pulpy, and hooks you, line and sinker.
Award winning and yet, controversial filmmaker Sanjay Leela Bhansali has found a new muse in Alia Bhatt, who featured in his latest film Gangubai Kathiawadi, a biographical crime film based on a chapter from Hussain Zaidi’s book Mafia Queens Of Mumbai. Bhansali, insiders say, has already decided to cast Alia in his next ambitious project Baiju Bawra, originally planned with Mastani Deepika Padukone in mind. But Bhansali’s erstwhile muse, who saw him as her mentor sought more money, which did not go down well with Bhansali. Deepika essayed key roles in two of his movies Bajirao Mastani and Padmaavat but, may be out of the new big banner project even as many wonder whether the two will ever work together again? Alia is definitely a part of his next film though. Of course, Ranveer Singh who also owes it all to Bhansali will most likely play the title role of Baiju Bawra. Bhansali, with over 18 films, follows a pattern of working with his film stars in at least two films. Aishwarya Rai was his all-time favourite while Manisha Koirala acted in 1942: A Love Story and, is back with Heera Mandi. It is quite common for filmmakers to cast their favourite stars in all their movies, David Dhawan-Govinda, Karan Johar-Shah Rukh Khan and, of course, MF Husain whose forever muse was Madhuri Dixit.
In the season of biopics, the latest one taking shape is based on the life of Biscuit King, Rajan Pillai. Bankrolled by Saregama India’s film arm, Yoodle Films, Biscuit King will feature Malayalam super star, Prithviraj Sukumaran, directing and essaying the title role. Rajan Pillai got fame when Nabisco, the US biscuit and cookies maker was bought over by KKR in 1989 in one of the biggest leveraged buyouts for $ 31.4 billion. KKR after the buyout, started asset stripping the company and selling most of Nabisco’s business the world over, barring US. Rajan emerged as the biggest bidder for Nabisco’s Asia business along with his former boss Ross Johnson. After Nabisco’s acquisition came Britannia Industries in India. Rajan Pillai’s emergence at Britannia led to one of the biggest corporate wars between him and industrialist Nusli Wadia. Rajan paid for it with his life, ending up at Tihar Jail and dying a horrible death. Ironically, Rajan who escaped from Singapore was arrested for a crime he never committed in India. Tihar jail officials mercilessly beat him. The question being asked in corporate circles is whether Biscuit King will portray Rajan’s wife Nina Pillai’s version of the saga or Nusli Wadia and Sunil Alagh’s viewpoint. Whichever the version, this movie on the rise, fall and gruesome death of Biscuit King Rajan Pillai will attract huge eyeballs.
Fictitious character names turned household favourites, more popular than their real-life identities, like Tulsi (Smriti Irani – Saas Bhi Kabhi Bahu Thi), Mihir (Amar Upadhyay & Ronit Roy — Saas Bhi Kabhi Bahu Thi), Parvati Bhabhi (Sakshi Tanwar—Kahaani Ghar Ghar Ki) and Jassi (Mona Singh – Jassi Jaisi Kohi Nahin). None of these tele superstars struck it big in Bollywood like Shah Rukh Khan who similarly started his journey with the TV series Circus and Fauji. Another actor who carved a niche in Bollywood was the late Sushant Singh Rajput who shed his Pavitra Rishta image. Smriti Irani leveraged her popularity to launch into Indian politics. Balaji girl Sakshi Tanwar, hosts a cooking show on Epic TV and, will play one of two main leads in Tahira Kashyap’s film Sharmaji Ki Beti. Ronit Roy worked a security services business alongside doing TV serials and, focusses on the OTT sector. Amar, the original Mihir, continues struggling as actor and, after Bob Biswas features in Bhool Bhulaiyaa 2. Mona, screened in 3 Idiots and, will be seen in Laal Singh Chadda. Arun ‘Ram’ Govil and Dipika ‘Sita’ Chikhlia of Ramayan fame, and Nitin ‘Krishna’ Bhardwaj of Mahabharat fame did not strike big in Bollywood post their memorable roles. Does this mean these TV actors are trapped in their character as the audience are not able to accept them in the distinctly different roles enacted for the film industry’s reel world?
Marriage has turned into one of the most fragile institutions in today’s fast paced world. Celebrity marriages more so, as frothy as Frappuccino. Dhanush and Aishwaryaa’s divorce announcement kicked up a storm of reactions both, for and against either spouse. If one were to believe all that cine raconteur and newscaster Bayilvan Ranganathan spouts over multiple filmi YouTube channels, the salacious gossip would put even the most notorious Hollywood philanderers to shame. Without making a direct reference to Dhanush’s multiple liaisons, he simply terms these as Body Demands! Even when Aishwaryaa directed Dhanush in a movie, his dalliance with Shruti Haasan apparently rang alarm bells for their high-profile parents Rajinikant and Kamal Haasan. Similar was his so-called veering off course with Amala Paul, TV anchor Deva Dharshini, Sonia Agarwal and, even Sara Ali Khan after his latest movie Atrangi Re. Aishwaryaa is not spared by the chin wags either. She allegedly married Dhanush on the rebound, made little effort to bond with his family, spent most of her time at her parent’s place, and would not let go of her high profile image as Rajini’s ladli Beti. So who is to be blamed for this marital collapse? Nobody. Clearly, two mature adults exercised the civilized, modern day exit out of a bad marriage –splitsville.
Malaika Arora’s Bollywood career started in 1998 with run-away hit item song Chaiya Chaiya making her a star. She stayed rooted as an item girl without the urge to evolve as an actor perhaps, by design. The 47 years young model, fitness freak single mom carved a distinct place in Bollywood with more memorable item numbers including Gur Naalo Ishq Mitha, Maahi Ve and, Munni Badnaam Hui. This Mumbai-born middle-class lass started modeling as a teenager that made her film industry smart. She typically took in her stride and moved on, after her 19-year marriage with Salman Khan’s brother, producer Arbaaz Khan soured. She walked away with her son and started afresh, even dropping the Khan surname. She is a brand and needs no morning walks with a pet dog in tow, as other paparazzi crazy stars do. Malaika still bags modeling assignments, is part of dance reality shows and partners with Sarvanga Yoga to post pics of various asanas over Instagram. A Bollywood insider says, “She is a person, unlike most celebrities, comfortable in her body. She wears what she feels like and aces it.” She showed guts by dating a younger man, actor Arjun Kapoor and soon may even tie the knot. Malaika’s is the story of a strong-willed woman who has come of her own, on her own terms.
The perennial pan India cash cow, the cinema business, with its jingling cash registers is sending out distress signals right now! After two long Covid-19 pandemic hit (locked down) years, just as the film industry started seeing rosy dreams of making up for heart-breaking business losses, come Pongal Festival, a sudden downturn is now predicted. For years now, the Tamil calendar’s annual Pongal week always meant family indulgences with anything cinematic. That may not happen this time round, as Omicron and its tsunami wave hits the solar plexus of exhibitors and industry big guns alike. Three big budget films, RRR (directed by India’s Cecil B DeMille aka Bahubali SS Rajamouli), Boney Kapoor’s Ajith Kumar starrer Valimai and Prabhas-Pooja Hegde love anthem, Radhe Shyam were lined up for the Pongal sweepstakes. Then came government orders about total Sunday curfews, lockdown daily between 10 pm and 5 am and 50% seating in cinemas. The trade had estimated Rs 600 crore collections from these three films released worldwide and overseas. They had probably structured all their debt and business plans on Pongal to rake in big moolah. But, Omicron seems to have played spoilsport. Big disappointment for fans of Ajith, Prabhas NT Rama Rao Jr, and Ram Charan. But, it’s a question of a month or two before these movies hit theatres near you soon.
A proliferation of the newfound Covid virus or the Omicron Effect is rippling through the Bollywood taking in A listers into its embrace. It began with Kareena Kapoor Khan and friends – Amrita Arora and Seema Khan – admitting to their positive status with Covid after attending a party that was high on the celebrities’ quotient. Then came news of the other Kapoors. While Anil Kapoor was negative, daughter Rhea and her husband Karan and cousins Anshula and Arjun Kapoor tested positive. Curiously, none of these celebrities took to social media to apprise their daily contacts and connections about their Covid status, ignoring commonly followed protocol. Why these stars failed to warn people they came in contact with is perplexing. Others like Ekta Kapoor, who also tested positive, immediately posted their Corona status on social media. John Abraham and wife Priya also tested positive, while Pooja Bedi’s daughter Alaya F who was covid positive finally tested negative. Some crew members of the film Geheriyaanhave also tested positive. Despite infections reported rampantly, shooting for films and TV serials continues unabated just as before. However, two big films RRR and Jersey releases have been postponed as cinema halls are being shut in some states or occupancy reduced to 50% levels. Looks like Bollywood has thrown caution to the wind.
From a rank outsider, Jacqueline Fernandez’s rise and rise in Bollywood was meteoric. The 36-year old Sri Lankan model-turned actor, who entered Bollywood in 2006, has acted in over 25 films already. In 15 years she has starred opposite top heroes including Salman Khan and Akshay Khanna. Even as her northbound career graph scaled new heights came news of her involvement with conman Sukesh Chandrasekhar, who was arrested for extortion and money laundering. She claims Sukesh lured her with Bollywood offers even as he showered her with costly gifts, even a high end car. Though Jacqueline tries hard to distance herself from Sukesh, the Enforcement Directorate is yet to give her a clean chit. Does this mean curtains for her Bollywood career? Not really, say Bollywood producers. “Film makers are not judgemental. We are a very forgiving industry and, have given second chances to Sanjay Dutt, Armaan Kohli, Shiney Ahuja.” On the ground, Jacqueline’s Dabangg live tour could not begin as the ED prevented her leaving the country but she is shooting for films within the country. As of now, she has Ram Setu, Circkus, Vikrant Rana, Bachchan Pandey and Attack on hand. The ED case may slow her down for a while but, there is little doubt she is among the most liked stars of Bollywood.
It was just waiting to happen: The decoupling of the Indian couple who vowed to stay together for life! Netflix’s original show Decoupled, themed on global Indian marriages, has hit pure gold. Women finding their voices even as a couple’s marriages hurtles through marital discord and yet, both working hard at co-parenting while aspiring for their career fulfilment. Marriages are (rarely) made in heaven, but remain permanently earthed. R Madhavan at 51 plays an over-the-hill writer, Arya Iyer and, is a Maddy to scream and root for. He is sensitive yet, sexy if such a combination exists, with whacky comic timing too. Arya refuses to shake hands with young boys. “Boys are busy with their hands…they don’t wash later” his firm tongue-in-cheek refrain. Two Jharkandis brought fame and GPS to Ranchi –one, a cricket legend and the other, “ice cream won’t melt in my mouth” the wholesome Tambram, code jock clone Surveen Sacred Games Chawla, the Punjabi ultra slick kudi. A huge plus that Decoupled is in English…Coupertino to Cochin, most couples will identify with the everyday nuke edge moments that are thrown up in a high wattage marriage. Maddy fans have much to drool about and rejoice to see their footloose heartthrob take his OTT steps towards global stardom.
When Shah Rukh Khan’s son Aryan was arrested in the drugs-on-cruise liner case the whole of tinseltown came out in support for him. The same spontaneity was missing when actor Armaan Kohli was arrested by the Narcotics Control Bureau in August 2021. Bollywood’s silence is peculiar, given its penchant to make stars of controversial actors in the past and, may be due to multiple earlier police cases against Kohli. With Bombay High Court rejecting his bail plea, Armaan’s only option is the Supreme Court now. The 49-year old actor, son of renowned film maker Rajkumar Kohli and actress Nishi, was always a maverick since his foray into Bollywood in 1992 with Virodhi. Since then, many interesting offers that came his way were turned down by him. For instance, Shah Rukh Khan became his replacement in Deewana and an overnight star. Though 15 films old, success has eluded Kohli so far, despite his filmy family, by his own doing, says an industrywallah. Still, Salman Khan featured him in Prem Ratan Dhan Paayo and even Bigg Boss. At the Bigg Boss house Kohli befriended Tanisha Mukerji and many felt they would settle down. That was not to be. What does the future hold for Armaan considered a very good looking actor before Hrithik Roshan had arrived? Only time will tell!
December 12: Superstar Rajini’s 71st birthday Stargazers, fans and critics stood lost right outside his Poes Garden home in Chennai. Media persons held vigil since 7 am, even as gathered fans raised slogans:‘Iraiva, Thanga Thalaivaa, Yesuvee’!…a crowd that could not be fathomed as friendly or angry. For years, Rajini or Thalaiva always met fans, handed out Rs 100 each as a birthday take away but the dole stopped by mid-2000. Still restive crowds waited, hours on end before the brief appearance, almost a Hitchcockian glimpse lapping it up. More change followed. Rajini left for known/unknown destinations. Rumours of a Himalayan sojourn sometimes or, his farmhouse and, even in Bengaluru at times. When his imminent political foray was known, carefully scripted and crafted, crowds went ballistic. But an anti-climax followed. A December 2020 announcement – “No (more) politics, my health is fragile. Sorry if I led you on, fans.” Rajini’s popularity as an entertainer is unabated. But, some equations are mutating. Wife Lata is emerging as the driving force, a shadow alter ego with strong political aspirations. A superstar’s wife has limits but a superstar’s political heir has endless possibilities. The birthday crowd’s clamor now turns into a crescendo, demands for her appearance. Analysts are trying to decode as to why fans were cheering for Mrs Thalaiva. Hopefully, the cat will be out of the bag soon.
An all males association in Andra Pradesh has petitioned a court to ban an item song-and-dance in the just released trilingual movie, Pushpa. This is a first in India’s male dominated misogynistic society. Samantha, who recently divorced, openly flaunts her assets, and dances to a raunchy rap song crooned by Andrea with lyrics by Vivekh. The gist of the in-your-face song: “When the lights are off, who cares if the catch is skinny, winny, winsome, wholesome or just plain?” The song has turned on a macho challenge (read bristled some male egos). Samantha is rumoured to have earned Rs 1.5 crore for the item song and returned good value for money, her attire and gyrating causing temperatures to sky rocket. Yes, Samantha ki jawani will jingle cash registers for the movie at the box office. Sentimental Rajesh Khanna said it right famously, “Pushpa I hate tears!” Producers of Pushpa are laughing all the way to the bank. An estimated million people saw the gyrating dance and have already drooled. What is the sought ban set to achieve? Surely more clicks of the mouse.
His surname is Khan yet this 51-year old actor has never been bracketed with the other three Bollywood Khans – SRK, Salman and Aamir. But, today this fourth Khan, Saif Ali Khan, is proving to be the most relevant Khan; he has reinvented himself and adapted to the changing times. He’s the first one to experiment with the OTT platform with Sacred Games. Now, other big stars have followed him. Is there a strategy in what he is doing? Yes. This came to the fore after 2000. Playing character Sameer in Dil Chahta Hai and Langda Tyagi in Omkara won him accolades. Since then he has decided not to insist on playing the lead role but to pick up interesting and challenging roles. Son of actress Sharmila Tagore and cricketer Mansoor Ali Khan Pataudi, Saif entered the film industry in 1993 with Parampara, followed by Yeh Dillagi and Main Khiladi Tu Anari. Post that, nobody touched him in the nineties. In fact, industry insiders were derogatorily commenting about his looks. His patience paid off when romantic comedy Hum Tum proved to be a game-changer. Today, Saif is being offered roles that are meaty. But his latest movie Bunty Aur Babli 2 bombed at the box office. But, nobody seems to mind. Saif has arrived and he has created his own space.
Akshay Kumar as the patriotic, patronising, platitudes spewing cop carries Sooryavanshi on his six pack, muscle bulging shoulders with so much sincerity that one feels almost guilty for panning this mixed up, pro-establishment homily ridden film. This “terrorist” film heavy on back to back guns, helicopters, chases, RDX, serial blasts , innocents falling like nine pins and Hindu Muslim platitudes spouted with absolute seriousness is so predictable. Mass action entertainer Rohit Shetty has even bunged in the theme song from Hum Hindustani. And the heroine Katrina Kaif would get the same summing up from Khalid Mohammed when he reviewed Darwaza years ago. “Anil Dhawan in and as Darwaza.” Ranveer Singh in a comedy cameo as the pomaded sculpted body Simmba and Ajay Devgun as Singham the serious pose with Akshay, victorious. The movie has racked over Rs 120 crore within a month of its theatre release, when the makers were debating OTT or theatres in 2020. And the icing on the cake, Netflix signed up Rs 100 crore for its December 4 release. Good optics for the BJP trying to change gears and lanes for its ensuing elections narrative. Two straight years of locked down, misery filled rainy days and assorted catastrophes, people of India want some fantasy spectacle. Who knows even such filmy efforts may stitch the great divide or drive the wedge even more deeply.
Ever since Abhishek Bachchan entered Bollywood in 2000, critics and viewers have been uncharitably comparing him with his iconic father Amitabh Bachchan. The surname did weigh heavily on him. But, he did not lose heart. He soldiered on and was recognized for his talent in movies like Refugee, Yuva, Zameen and Sarkar. Impressed by his performance, acclaimed director Mani Ratnam cast him in Guru to play the character of Dhirubhai Ambani which won him accolades. But the very next film Raavan bombed big time at the box office and apparently Big B was slightly upset with Mani Ratnam. With not many films offers on hand Abhishek looked at an alternative career; he focused on sports which is doing reasonably well. Then came another opportunity with a movie on stock market scamster Harshad Mehta. Abhishek was banking heavily on Big Bull to boost his sagging acting career. But Pratik Gandhi starrer 10-part OTT series Scam 1992 on a similar subject pre-empted his movie which did not do well. Now, once again Abhishek is hoping that the crime thriller Bob Biswas will boost his filmy career. He was certainly missed in Bunty Aur Babli 2 as Saif Ali Khan had replaced him. Reason insiders say is because of his past relationship with Rani Mukherji and both preferred not to work together. Incidentally, his web series Breathe seems to have done well, it is now into Season 2.
How many recollect Hema Malini was rejected by Kollywood at the very beginning of her career. After Raj Kapoor’s Discovery of the Dream Girl, Bollywood top heroes Amitabh Bachchan, Dharmendra, Shashi Kapoor and others vied to be paired with her. Garam Dharam went on to claim permanent ownership rights. But somewhere this Iyengar beauty who spoke Shudh Tam Bram Tamizh (as Shudh as the Shudh Kent Paani she promotes), must have craved for that mass adulation from her own tribe. The dream is now taking shape in the hands of genius director Bala, he of Tamil hits Nanda and Pitha Magan, too many classy hits with Suriya, in which they are collaborating. Jai Bhim, the gripping chronicle of caste exploitation that has kicked awake the collective conscience of our Teflon nation, Suriya is now a pan Indian name. Bala’s cinematic magic instinct is to work on a casting coup …Surya and Hema as the elderly couple in an under-production movie. Dream Girls are distinct divas too…Bala surely worked on the script to make her role strong and stunning, though Suriya followers were a bit sceptical by this odd pairing. But wait…73-year-old classic, temple sculpture beauties don’t have to be in cold storage mode… given the custom-made script, casting and an icon who breaks barriers in film direction, this movie is bound to be riveting.
Ulaga Nayakan (global hero) recently celebrated his 67th birthday. This year, Kamal Haasan on the cusp, strode two worlds — cinema and politics. His cinematic popularity has not waned. Kamal’s meteoric rise to the pinnacle of Tamil cinema is entirely on his awe inspiring talent. Unfortunately, he too was smitten by the political bug but only to find his party Makkal Needhi Maiam totally rejected. But Kamal being Kamaal has spread his talented tentacles in several directions. Samuel Becket’s Waiting for Godot could be Kamal’s too. His Bigg Boss reality show is on its Fifth Season, saucy and spicy. The much talked about come back film, Vikram has set his fans agog. It was Indian 2 — muhurat in 2017 — that had set off an avalanche of expectations. But this movie in the making faced one too many calamities. Three members of the crew died at the shooting as a set caved in, production powerhouse and major financier Lyca and mega budget Director Shankar went on a collision course, the lockdown put paid to any further shooting, comedian Vivek died of Covid complications, and the final straw was heroine Kajal Aggarwal backing out citing pregnancy. And now Kamal is hospitalized for testing Covid positive. Is this a jinx or hex? Just wait…this iconic powerhouse is merely pausing, to return as the unchallenged Master of all skills.
Vaccine hesitancy mindset seems to be the biggest challenge for both the Central and State governments. And, this hesitancy is more pronounced in Muslim-dominated areas, says Maharashtra’s Public Health Minister Rajesh Tope. With a view to address this issue, the Maharashtra government sought Salman Khan’s help to convince people to take jab. On his part, Salman very quickly put out a short video and appealed to people to take vaccines. Salman’s mass appeal should certainly help. On Twitter alone he has 43.2 million followers. It is quite well known that both he and his father, the well-known script writer Salim Khan are close to Prime Minister Narendra Modi from his days as the Chief Minister of Gujarat. During the Uttarayan Festival both Salman and Modi were seen flying kites. Yet, Salman surprised everybody visiting Shah Rukh Khan’s house when his son Aryan was arrested by the Narcotics Control Bureau in connection with the drugs-on-cruise case. Many stars did not show their solidarity openly for the fear of incurring wrath of the Central government but not Salman. Surprisingly, nobody trolled him for that. He is the only Khan who is known to be non-political and that has worked to his advantage. Yes, he has strong views but he does not hesitate to pick up the phone and talk to any politicians if he can help somebody.
South Indian star couple Suriya and Jyotika have bagged unheard of recognition and accolades for their home production, Jai Bhim. It is rumoured that they had to pledge jewellery for completing this film, which has overtaken classics like The Shawshank Redemption and The Godfather in IMDb ratings since its release on November 2. It has no kickass glamour, song and dance titillation, near naked costumes and all the B town masala elements to salivate over. Just a stark, gut wrenching and conscience hitting real life incident of 1993 about the socially marginalised, oppressed and downtrodden Irular caste of TN. The protagonist, retired Justice Chandru played by Suriya is not only surprised at all the encomiums flooding his mailbox but also shocked by political reactions. The most telling objection and angry angst came from PMK party head and former Union Health Minister Anbumani Ramdoss. Some remote areas where Jai Bhim was screened erupted in violence. PMK leader A Palanisamy offered a bounty of Rs 1 lakh for kicking Suriya! And there was a death threat too. A calendar depicting a PMK symbol was hastily deleted from the film. Iconic film director Bharathi Raja, President of South India Film Chamber and scores of directors have taken strong objection to Anbumani saying, “At this rate, it looks like we creative guys have to go to every two-bit political outfit to get our scripts okayed.”
For long, India grudged and griped about political dynasties and how big boss politician heirs moved seamlessly into powerful gaddis. The Gandhi clan, the DMK dynasty, Telangana’s TRS and Son, YS Jagan Mohan Reddy of Andhra Pradesh, the Scindias ,Pilots, Abdullas, and the UP Yadav clan. The list goes on like Hanumanji’s tail. Bollywood is not far behind with several star progeny aiming for stardom, name, fame and mega bucks. So it is a natural progression! If you are one such, the happy news …three star kids have been launched, all in the same film to be directed by Zoya Akhtar. A casting coup that can make the BO (Box Office not body odour) jingle with music as stompy as Bhappi Lahiris Disco Dancer. So folks, wait and watch out for Suhana Khan, King Khan’s Bitiya, Khushi Kapoor, late Sridevi’s younger daughter, and yes, the best catch for last mention, Agastya Nanda, Big B’s grandson and Shweta Bachan’s son. We hope he comes fitted with that signature baritone, and the same disarming charm, apart from the bells and whistles that are embedded in the Bollywood DNA. Can Kollywood, Tollywood and Mollywood lag behind with Udhayanidhi Stalin, Dulquer Salman (Mammootty’s son), Naga Chaitanya (Nagarjuna’s son) and the likes?
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Editor’s Note: Short Post Noticed By People Who Matter
Four years have zipped by and we are crossing another milestone on 31st January 2025 – it’s our 4th Anniversary. It feels good.
Looking back at the 1460 days, I must say Short Post has made its mark with people who matter via 4000 stories published in the areas of politics, business, entertainment and sports. All made possible by the unflinching commitment and dedication of our senior editors, most of whom have been part of this journey from Day One.
Small pack, big impact is in essence the story of Short Post which was launched at the height of the Covid-19 pandemic in 2021. It shows our conviction. In all humility, I can say, we have created a new niche in the news segment space like Hindustan Unilever which created a new segment, when it launched CloseUp Gel.
Yes, we have created a brand (in a limited sense), created demand (readers) and created supply (senior journalists). But we are facing teething problems like all start-ups. What makes us happy and confident is the recognition of our efforts. For instance, we have an arrangement with the OPEN Magazine, part of the $4.5 billion Kolkata-based Sanjiv Goenka-RPG Group. This arrangement sees around 10 Short Post stories posted on OPEN Magazine website every week. This arrangement is testimony that our content has been well received! Also, I may add that the Maharashtra government has recognised Short Post and has allowed our senior editor to cover the Assembly sessions. Ditto: Odisha.
Our goal is to ensure that Short Post becomes a habit. I would like people to keep checking their smartphones to know the latest Authentic Gossip. As regards AI and the fear of it disrupting all businesses including media. On that, personally, I have no such fear as I am confident AI cannot smell news particularly Authentic Gossip. That’s the place we are well entrenched.