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The world’s oldest public transport service provider, Mumbai’s BEST undertaking’s plan to ramp up its comfortable air- conditioned travel option for last denominator citizens has ended in abject failure. The target 10,000 zero pollution EV buses by 2024 for Mumbai city, that Prime Minister Narendra Modi wants to transform into the international Fin-tech capital has not materialized. BJP’s Maharashtra executive committee member Mahendra Jain has written to the PMO and Maha CMO seeking a high-level enquiry into reasons for the failure seeking full accountability over holding Mumbai city’s progress to ransom. Maharashtra CM Devendra Fadnavis shunted out BEST GM Anil Diggikar in December 2024 itself, appointed Harshvardhan Kamble as the next IAS incumbent. Kamble was shunted out too and the BEST is headless. PM Modi provided Rs 450 crore, lying unutilized in BEST’s bank account, under the National Clean Air Programme. BEST admits to having only 3100 EV buses as of January 2025, devastating the PM’s dream. Global tenders floated by BEST in 2021 and Olectra group, a part of Megha Engineering and Infrastructures Ltd (MEIL) quoted the lowest L1 value @ 49 per km for supplying 2100 EV buses within a maximum of 18 months-time while Ashok Leyland’s Switch Mobility quoted the L1 value for supplying 200 double decker EV buses. After tenders were opened, litigation held up the process till November 2022, finally settled by Bombay High Court. But what happened thereafter? Till January 2025 MEIL only provided wet lease services of 275 single decker buses out of 2100 promised while Swift Mobility provided less than 60 of 200 double decker EVs till date.
The BCCI’s selection committee has played it safe was the wisecrack after India’s men in blue team was picked for the 3-match ODI series against England and the ICC Champions Trophy. The two biggest failures against Australia — skipper Rohit Sharma and Virat Kohli — made it to the squad with Sharma as captain. Both have quit the Twenty20 format, but have been highly successful in the limited overs game and the committee with Ajit Agarkar in chair did not want to take the radical step of punishing them for not scoring runs against Australia. With both Sharma and Kohli in the selectors in no way could have acted upon Shubman Gill who gifted his wicket to Australia in both innings of the final Test in Sydney. In fact, he has been named the vice-captain. The outcome of the ODI series against England at home and the Champions Trophy and their individual form with the bat may probably direct a specific course of action on a few old hands from the selection committee which can be said was very conservative in picking the squad for the two campaigns in India and in Dubai. Agarkar went to the extent of saying that the immediate focus is on the Champions Trophy and not about the future of Sharma — who took a swipe at the media during the Sydney Test — and Kohli. Indian cricket is yet to see something big and bold as the change of captaincy – from Tiger Pataudi to Ajit Wadekar — affected in 1971 by the then Chairman of the selection committee Vijay Merchant whose decisions took Indian cricket forward. When will a Merchant happen again for Indian cricket?
Delhi has BJP worried over outcomes considering 12 of 70 MLA constituencies are dominated by the minority community enjoying majority vote count. Rahul Gandhi, keen on BJP losing even at own party’s cost, predictably commenced campaigning from Muslim dominated Seelampur assembly constituency that counts over 50% voters from the minority community. Gandhi targeted PM Modi as usual, consciously launched broadside against Arvind Kejriwal under pressure from Congress local leaders Ajay Maken, former Delhi CM, Sheila Dikshit’s son Sandeep. For once Congress high command heeded local leaders’ advice to fight alone rather than according AAP walkover on pain of losing out erstwhile political bastion, even suffer further in Punjab like it did for general elections and was trounced. In Delhi 3:4 ratio of coalition drew a blank with BJP clinching all seven Lok Sabha victories. Gandhi’s sudden detour to meet RJD leader Lalu Prasad Yadav in Bihar Saturday surprised some but was to smoothen political relationship for next-up, Bihar state assemblies at instance of Sonia Gandhi notwithstanding Tejashwi’s hard stance against Congress. Delhi Lieutenant Governor granted prosecution permission against AAP leaders putting Kejriwal in a bind even as conditional bail pre-empts his CM post assumption if AAP wins. NCP leader and Maharashtra deputy CM Ajit Pawar preferred fielding 30 candidates for Delhi polls, including 13 Muslim aspirants, than settling within NDA coalition that accorded solitary seats to Nitish Kumar, Chirag Paswan. Pawar’s gambit is similar to 30 assembly candidates he fielded in J&K, 24 in Jharkhand although the impact of his national foray is yet to register a winning mark.
1st May 2025 is the release date of Kartik Subburaj’s Stone Bench Productions and Suriya’s 2 D Studios of their movie Retro. After the disaster of Kanguva, it’s widely talked about that Suriya must recover the lost ground via this new release directed by Subburaj himself. Suriya, it is learnt, was not keen to take any chance experimenting with new themes and avant garde story lines. Is that why they have hit upon the title Retro? The movie title is a bit mystifying and quaint for a romantic and action-filled movie whose teaser has set Suriya’s fans gushing over his talent for romance and action, a throwback to his highly acclaimed Kaakha Kaakha, Singam sequels, Pitamagan and Soorarai Pottru. Obviously, the team is not taking any chances. Suriya’s eager fans are rooting for a hit. Retro has to shine, shake and sell in the time frame when Ajith’s Good Bad Ugly and Dhanush’s much touted Idly Kadai will also draw eager fans to cinemas. Whatever the commercial and critical outcome, Suriya, Dhanush, Sivakarthikeyan are targeting that space left vacant by Vijay and Ajith. Vijay has launched his own political party. Ajith is getting more involved in racing events as he has launched his own team. He recently won third place at the popular 24H Dubai 2025 race and caused a flutter when his car did a top spin after hitting a barricade. Seasoned actor that he is, Suriya knows the intricacies of unravelling a story and living his role as the mainstay. Who can predict…Retro might bring back the 90s and millennial styles.
The BJP was in a dilemma regarding the Erode East Assembly bypoll in Tamil Nadu for a seat that became vacant with the death of Congress leader EVKS Elangovan. Having promised a seat to GK Vasan’s TMC, the party did not wish to go back on its word and take over the seat. At the same time, it was fearful of Vasan’s party being wiped out in the poll and finishing far behind Seeman’s NTK. A very poor performance by an ally would not have suited the national party either, which is why it decided not to contest and announcing it was following the AIADMK in boycotting the poll because the election would be fixed by the ruling DMK in bringing hordes of voters into nearby meeting places and then transporting them to the booths. AIADMK had decided to withdraw from the poll to give BJP the chance of putting up what could be a common candidate representing the opposition to the DMK in the state. The BJP boycott means the contest would be a walkover for the DMK that will face the only recognised party in the LTTE leader Prabhakaran-loving Tamil nationalist party NTK that has not won a single election so far. In any case, the seat will only be for a little more than a year as the Assembly elections to all 234 seats are to be held in the summer of 2026.
The suicide of Chandramouli Biswas, former bassist of the renowned Bengali band “Fossils”, has not only left Bengal’s music fraternity in shock but also opened a Pandora’s box about the challenges faced by Bengali musicians. Biswas was found hanging in his Kolkata residence and suicide note suggest the artist was battling depression. Sidhu, a member of the iconic band “Cactus,” lamented the lack of infrastructure in Bengal’s independent music scene. He noted that while the film industry has producers and structured promotion systems, independent musicians struggle to gain visibility. According to him, radio stations no longer play Bengali songs, and decisions about playlists are made by offices in Mumbai, sidelining local artists. Eminent singer Raghav Chattopadhyay added that the supply of music far exceeds the demand where gaining recognition in the music industry has become unpredictable, with some talented musicians struggling for opportunities while others achieve overnight fame without formal training. Another concern highlighted by contemporary musician Debdeep Mukhopadhyay is the lack of respect for instrumentalists. Chandramouli, according to his bandmate Mahul Chakraborty, was working on a new project, “Golok,” with plans to release an album before focusing on live performances. However, the lack of a producer and promotional support made the journey challenging. The lack of sustainable opportunities and acknowledgment for musicians has raised broader questions about the state of Bengal’s music industry. While legendary bands like “Fossils,” “Cactus,” and “Chandrabindu” paved the way, newer bands struggled to gain traction. The disparity between the thriving demand for international performances in Kolkata and the stagnation of local talent underscores the industry’s challenges.
A crucial meeting between RSS functionaries and BJP members of the Maharashtra cabinet in Mumbai will go a long way in charting the future path to be adopted by the state government led by chief minister Devendra Fadnavis. The two-day conference was attended by Fadnavis and state BJP president Chandrakant Bawankule, who is also the revenue minister. The ministers were told in no uncertain terms that their priority will be to serve the public and to maintain a clean image. Moreover, special arrangements should be in place to cater to the work connected with various individuals and organizations under the Sangh Parivar umbrella. The NDA’s unprecedented success in the state assembly election held recently is mainly attributed to the ground work done by RSS activists all over Maharashtra, especially to mobilise pro-Hindutva vote. Although the RSS has not taken any credit for this spectacular feat publicly, those working for the BJP candidly acknowledge the saffron organisation’s debt. A tentative agenda for the way ahead has been prepared for the ministers and discussed with them by top RSS representatives. Subsequently, it will be finalized as its importance will impact the local body elections, likely to be held in the near future. Like the assembly election, the BJP will dominate the candidate lists for the local bodies, too, it is expected. Accordingly, the two partners, the Shiv Sena led by deputy CM Eknath Shinde and the NCP under deputy Ajit Pawar, will have to be accommodated in the Mahayuti formula for the ensuring electoral bout, it is suggested.
In the absence of a leader of opposition in Maharashtra, the ruling Mahayuti’s dominant party, the BJP seems to have taken up the mantle of the Opposition’s role upon itself. Leading the attack against the lawlessness in Beed and raking up issues of corruption and extortion is none other than BJP’s own legislator, Suresh Dhas. Beed has been on the boil for weeks after a campaign against Dhananjay Munde and his aide Walmik Karad met up with large-scale violent reaction. Sanjay Raut (Uddhav Sena) has alluded that the entire Beed saga is a Fadnavis operation to cleanse the local political scene there. Local police officers have been transferred, gun licenses cancelled, corruption cases dug out as part of this operation. However, the central party leadership of the BJP particularly Amit Shah continues to be in the loop and maintains a hawk’s eye about the ongoing situation in the state. That the entire political situation playing out in Beed also has the Centre’s blessing is evident from the fact that leaders like Pankaja Munde and even Ajit Pawar, who have strong stakes in the local politics of Beed, have met and discussed the situation directly with Shah himself. The main accused Walmik Karad was slapped with the strong MCOCA Act, a day before the Prime Minister Narendra Modi visited Mumbai and briefed the state’s legislators. The man at the centre of the current political storm, NCP’s Dhananjay Munde was kept out of this crucial meeting with the PM. Though Munde has managed to retain his ministerial berth without resigning despite the controversy, he has been considerably weakened politically with his own leader Ajit Pawar disbanding his party’s entire team of office-bearers in Beed.
Nationalist Congress Party (NCP) chief Ajit Pawar has come under fire from firebrand leader Chhagan Bhujbal, who has lashed at the party’s ‘monopolistic’ style of functioning. Bhujbal’s outburst at the NCP’s Shirdi conclave and his distancing from Pawar by not even greeting him has sent warning signals within the party as the OBC proponent is among the senior most colleagues of Ajit. When veteran Sharad Pawar was attacked prior to the split in the NCP, it was Bhujbal who took up cudgels on behalf of Ajit and alleged that the latter was always sidelined. During the recent assembly election, Bhujbal’s importance was underscored following his spirited pro-OBC statements since it became evident that the OBCs had wholeheartedly voted for the NDA of which NCP(A) is a constituent. However, the picture suddenly changed when Bhujbal was not inducted in the government led by Devendra Fadnavis. The discord grew when Bhujbal maintained that Fadnavis wanted him in the cabinet but the NCP decided otherwise. So far, Ajit Pawar has not reacted at all to Bhujbal’s grievance even once. Hence, Bhujbal’s complaint that there was no collective decision making in the NCP is interpreted as a cautionary sign. NCP top leader Praful Patel has tried to quell it by announcing that internal talks will be held to exactly understand the issue. But this relief has not satisfied Bhujbal, who has declared that he will decide his course of action soon.
The latest news that the phlegmatic Sitanshu Kotak is likely to be the dedicated batting coach of the men in blue team starting from the five-match Twenty20 series against England has set tongues wagging about the need to equip the Twenty20 World Cup winning team with three ‘batting’ coaches — all left handers — under head coach Gautam Gambhir who himself is a left hander. Abhishek Nayar (assistant coach) is a left hander and so too is Kotak. The BCCI has not declared Kotak being added to the team that will meet in Kolkata for the first match. While India’s batters in general flunked against Australia in the Border-Gavaskar Trophy, the knee-jerk response from the BCCI — cannot say if the 116-Test veteran Dilip Vengsarkar, a 1983 World Cup winning star, a former Chairman of the senior national selection committee and an Apex Council member was consulted about the addition of a batting coach to the national team. And also Shubangi Kulkarni the second former cricketer in the Apex Council. Only the BCCI can reveal if Kotak is going to do the batting coach role across formats. More importantly to whom will the batters take their problems to — Gambhir, Nayar or Kotak who has not played for India in any format. Kotak (52) has played 130 first class matches and scored only 15 x 100s! He has been part of the National Cricket Academy set up for many years and has managed India A and junior teams. In addition the men in blue team has a second Assistant Coach in Ryan ten Doeschate, bowling coach Morne Morkel and fielding coach T Dilip, who was retained from the previous coaching staff under Rahul Dravid.
1st May 2025 is the release date of Kartik Subburaj’s Stone Bench Productions and Suriya’s 2 D Studios of their movie Retro. After the disaster of Kanguva, it’s widely talked about that Suriya must recover the lost ground via this new release directed by Subburaj himself. Suriya, it is learnt, was not keen to take any chance experimenting with new themes and avant garde story lines. Is that why they have hit upon the title Retro? The movie title is a bit mystifying and quaint for a romantic and action-filled movie whose teaser has set Suriya’s fans gushing over his talent for romance and action, a throwback to his highly acclaimed Kaakha Kaakha, Singam sequels, Pitamagan and Soorarai Pottru. Obviously, the team is not taking any chances. Suriya’s eager fans are rooting for a hit. Retro has to shine, shake and sell in the time frame when Ajith’s Good Bad Ugly and Dhanush’s much touted Idly Kadai will also draw eager fans to cinemas. Whatever the commercial and critical outcome, Suriya, Dhanush, Sivakarthikeyan are targeting that space left vacant by Vijay and Ajith. Vijay has launched his own political party. Ajith is getting more involved in racing events as he has launched his own team. He recently won third place at the popular 24H Dubai 2025 race and caused a flutter when his car did a top spin after hitting a barricade. Seasoned actor that he is, Suriya knows the intricacies of unravelling a story and living his role as the mainstay. Who can predict…Retro might bring back the 90s and millennial styles.
The suicide of Chandramouli Biswas, former bassist of the renowned Bengali band “Fossils”, has not only left Bengal’s music fraternity in shock but also opened a Pandora’s box about the challenges faced by Bengali musicians. Biswas was found hanging in his Kolkata residence and suicide note suggest the artist was battling depression. Sidhu, a member of the iconic band “Cactus,” lamented the lack of infrastructure in Bengal’s independent music scene. He noted that while the film industry has producers and structured promotion systems, independent musicians struggle to gain visibility. According to him, radio stations no longer play Bengali songs, and decisions about playlists are made by offices in Mumbai, sidelining local artists. Eminent singer Raghav Chattopadhyay added that the supply of music far exceeds the demand where gaining recognition in the music industry has become unpredictable, with some talented musicians struggling for opportunities while others achieve overnight fame without formal training. Another concern highlighted by contemporary musician Debdeep Mukhopadhyay is the lack of respect for instrumentalists. Chandramouli, according to his bandmate Mahul Chakraborty, was working on a new project, “Golok,” with plans to release an album before focusing on live performances. However, the lack of a producer and promotional support made the journey challenging. The lack of sustainable opportunities and acknowledgment for musicians has raised broader questions about the state of Bengal’s music industry. While legendary bands like “Fossils,” “Cactus,” and “Chandrabindu” paved the way, newer bands struggled to gain traction. The disparity between the thriving demand for international performances in Kolkata and the stagnation of local talent underscores the industry’s challenges.
Come to think of it, one does not really see yesteryear popular stars like Reena Roy or Jaya Prada getting publicity…save for some guest appearances on reality shows. The same cannot be said of the 70-year old husky sexy popular star Rekha. From time to time she is visible in the social media space and makes dramatic appearances at the big event. The paparazzi loves her because she has struck a good chemistry with them…goes that extra mile to pose for them. But ironically, she is not friendly with any journalists. That’s why you only see her…don’t read her interview. An insider said, “She is a costly affair when she agrees to participate in an event or award function and goes into details like Amitabh Bachchan.” Rekha who has acted in more than 180 films is nostalgic, mystical and continues to have a big draw wherever she goes. Just recently she was spotted at Raj Kapoor’s 100th birthday celebration. Here too the actress pleased all the paps… even gave a photo of Raj Kapoor sweet kiss. Sources say she is keen to get back to acting. Any Bollywood producers listening?
Old timers may still reminisce about that 1964 runaway Tamil comedy hit, Kadhalikka Neramillai. Tamil audience is in for yet another namesake of this film, Kadhalikka Neramillai, directed by Kiruthiga Udhayanidhi, wife of Tamil Nadu deputy CM, to be distributed by husband’s Red Giant Movies. So when the film’s cute heroine Nithya Menen said in the music promo and trailer event, “I just don’t like the filmi world I am in. Just when I decided to quit and look for another career (pilot), destiny dropped the National Award for best female lead in Thiruchitrambalam, in my lap”. An award she richly deserves. Even as she goes from strength to strength as a bankable actress, she wonders why she continues … .no freedom to move, an image to be kept up. How many aspiring leading ladies would happily exchange places with her! Nithya comes from an agnostic family based in Bengaluru. But now she strongly believes that there is a “supreme power and destiny that presides over our lives”. She admits that she has turned into a believer. Is she practising the essence of Gita philosophy? Do your duty to the best of your ability, be detached and don’t depend on outcomes. She is sought after in all South Indian languages, delivers the best that a character demands. Her all-time favourite is the 2023 Kolaambi. O Kadhal Kanmani brought her many accolades. This sparkling lady is sure to find “kadhalikka neram” soon.
Sundar C’s Madh Gaja Raja, a project in the works for 12 long years is at last ready for release this Pongal. As if its jinxed image and optics were not enough to tarnish a good entertainer, hero Vishal attended the promo and audio launch event with high viral fever…a pitiable sight to watch his hands and voice trembling as he took the mic. MC Divya Dharshini had the presence of mind to make him sit along with Sundar, the Director and other members of the film unit. It was enough fodder for a news hungry social media and trolls to go after his reputation, and level all kinds of surmises. Vishal made his debut in 2004 with Chellamae, soon gave successive hits with Sandakozhi, Thimiru, Thaamirabharani, Malaikottai and other hits. An action hero with compelling talent and screen presence. But his aggressive and angry attitude soon came to the fore …keeping pace with his angry young man image. Tamil Film Producers Council charged big misappropriation which he stoutly denied. He took a potshot at the censor board for delay in release of his film Mark Antony. The personal life of this 47-year old star too was in turmoil, even as he acted in over 25 films. Every person has highs and lows …a film star is more vulnerable. His close friend actor Jeyam Ravi is confident that “Vishal will overcome this bad patch and get his lion-like stride back”. Till then Vishal needs empathy not brutal trolls.
As Hrithik Roshan completes 25 years in the films, another 8 star kids are set to enter Bollywood. Starting this month are Ajay Devgn’s nephew Aaman Devgn and Raveena Tandon’s daughter Rasha Thadani who is already a social media star even before her launch in Azaad. Saif Ali Khan’s son Ibrahim has been making news for dating Shweta Tiwari’s daughter Palak even before the release of his first film. Ibrahim who has assisted Karan Johar has three films that are under production and will see his debut in this year. One cannot miss Ishq co-stars Aamir Khan and Ajay Devgn at the launch party of director Indra kumar’s son Aman whose debut film Tera Yaar Hoon Main will be directed by Milap Zaveri. Sanjay Kapoor’s daughter Shanaya Kapoor who was to be launched by Karan Johar will have to wait longer as that movie has been put on hold but she will hit the big screen in Mohanlal starrer Vrushabha. She has been doing studio rounds for the last four years. Ananya Pandey’s cousin Ahan Pandey has been waiting in the wings to be launched by YRF and hopefully it will happen this year. Veer Pahariya, grandson of veteran Congress leader Sushil Kumar Shinde will be seen in Skyforce with Akshay kumar. Last year we saw star kids in Archies which was a disaster but both Khushi Kapoor and Vedang Raina have bagged movies. Khushi will be in Loveyappa with Junaid Khan, Aamir Khan’s son who made his debut in Maharaj. For star kids getting entry into Bollywood is easy. But, how many can make it big like Hrithik, Aamir, Kajol and Ranbir?
Suddenly Kollywood is facing an existential crisis after its 2024 stocktaking. A Telugu sequel, Pushpa 2 hauled in Rs 1500 crore in just a few weeks. But Kollywood is shell shocked and stunned by the math –it trotted up Rs 1,000 crore loss in 2024. Where did it go wrong? Of 241 films released, 223 were either flops or performed badly. Even as Malayalam films faced Rs 700 crore loss, Kollywood could reap only Rs 2,000 crore. Of its repertoire, 18 films satisfied big outlays and stars … Amaran, GOAT, Meiyazhagan, Aranmanai 4 and a few more. 186 small and medium budgets like Demonte Colony 2, Romeo, Andhagan, Vaazha, Lubber Pandu and Pechi did good business on modest outlays. Tamil Film Producers Council Secretary, K Rajan said “Of the 241 films released in 2024, only 7% have brought cheer to the producers and all other stakeholders. We need quality films backed by strong scripts and stories”. Looks like the much celebrated Kollywood factory seems to be facing a creativity hiatus. Can’t blame fickle audiences and non performing cast who earn astronomical remuneration. Actually, there are many conflicting pulls…OTT, attention deficit, lack of time to watch a film unravel for 2-plus hours, and myriad other digital distractions. Time to change according to the ecosystem. Nayakan, Thalapathi, Thillana Mohanambal, Sankarabharanam, Thevar Magan and past film hits underscore the creativity of Kollywood to give gripping films. Will Kollywood reinvent itself?
The year 2024 belonged to the horror comedy genre and the South Cinema which helped box office get respectable numbers. Trade analyst Atul Mohan says 2024 will go down as one where horror films emerged as the unlikely saviors of Bollywood. With movies like Shaitaan, Munjya, Stree 2 and Bhool Bhulaiyaa 3 collectively raking in Rs 1,200 crore — almost 50% of the year’s total box office collections — the genre proved its mettle in a challenging year for the industry. Prabhas and Allu Arjun films including some south films dominated the box office and it does seem like a trend that will go into 2025. `While the South Indian blockbusters Kalki and Pushpa 2 dominated the Hindi belt, Bollywood struggled to deliver consistent hits. The absence of the Khans from the big screen was conspicuous and some highly anticipated films like Bade Miyan Chote Miyan, Maidaan, Sarfira, Vedaa and Jigra fell short of expectations. Some of the big stars like Askhay Kumar, Ajay Devgn, Tiger Shroff, Alia Bhatt failed miserably at the box office clearly indicating that you cannot take your audience for granted. The Khans absence was clearly felt at the box office. However, the year wasn’t without its surprises. Films like Munjya, Crew and Madgaon Express turned out to be unexpected crowd-pleasers, providing a glimmer of hope amidst the gloom.
For Tamils, Pongal is the height of inviting prosperity into homes. It is also the time when wallets are thrown open generously for entertainment, especially movies. So along with the controversial Jallikattu (Bull taming), families eagerly await new film releases. This Pongal Ajith Kumar and his much delayed Vidaamuyarchi is the film that all his adoring fans are eagerly waiting for. Already, much news was aired about Ajith’s illness, the stop-start shooting schedules in Azerbaijan and the many challenges that director Magizh Thirumeni had to face in completing this film. With the ravishing Trisha as his co-star, recent first look pictures have been praised sky high…Arjun, and Regina Cassandra are also in the film which has been already snapped up by Netflix after its cinema run. At November end, Lyca Productions aired a silent teaser video, in which a trim, suited and booted Ajith and a slim and svelte Trisha hit the high notes, hand in hand. With his overwhelming competitor, Vijay out of the film world, the often acrimonious and acerbic competition for biggest following of both, no longer exists. Yes, outsider Sivakarthikeyan has gained huge strides after his rocking performance in Amaran and Ajith could be back again on that treadmill. But Ajit has a unique fan following for his suave looks, underplayed roles and a sophisticated aura no other South star has touched. Suddenly, out of the blue, director Aadik Ravichandran aired some first looks of another Ajith film, Good, Bad and Ugly. Serendipity…cheap copy of that classic Clint Eastwood cult spaghetti Western? Can Ajith pull off a hit with this and make it a double treat for Pongal?
Salman Khan is undeniably one of the most iconic figures in the Indian film industry whose impact transcends mere box office statistics. With a career that spans over three decades, his films–regardless of critical reception — frequently surpass the Rs 100-crore mark signifying his extraordinary appeal and star power. Throughout his illustrious career, Salman Khan has found himself at the centre of numerous controversies and has come unscathed. With a net worth estimated at around Rs 2,900 crore, he is an immensely sought-after star for brand endorsements. However, in recent years, his forays into guest appearances in films such as Baby John, Singham Again, Godfather and Antim have not garnered the kind of response one might expect from the audience. While his cameo in Pathaan was well-received, his lead role in Kisi Ka Bhai Kisi Ki Jaan released on Eid, faced significant criticism and was largely snubbed by both critics and fans alike. Looking ahead, the anticipation surrounding his upcoming film Sikandar is palpable. Directed by AR Murugadoss, this film marks a significant moment in his career, as it will be his first mainstream lead release following Tiger 3. Sikandar represents a pivotal juncture in his career, especially after a series of mixed receptions for his recent projects. Rumours are rife that he is in talks with well-known south director Atlee. Despite his immense charisma and dedicated fan base, a pressing question lingers in the face of ongoing controversies, and the challenges posed by a rapidly evolving industry: whether Sallu bhai at 59 can still captivate the new generation of moviegoers?
For over a year now the social media has been on an overdrive about Aishwarya and Abhishek’s marriage. Mirroring this sentiment, shortpost.in on December 22, 2023 ran a story headlined “Aishwarya And Abhishek: Rocky Marriage Or Only Hiccups? Now, Aishwarya and Abhishek have shut the mouth of rumour mongers after the two were spotted together at their daughter’s Aaradhya birthday party. Then tongues started to wag that Aishwarya is having issues with her in-laws. What gave credence to this rumour is her solo appearances with her daughter at Ambani wedding and other events. So the Bachchans took the opportunity to clear the air with Amitabh Bachchan making it to Aaradhya’s annual school day function. The video that went viral shows Aishwarya all smiles when Amitabh Bachchan steps out of the car. But, many say that it was done for optics as grandmother Jaya Bachchan was missing from the scene. So too were Aaradhya’s cousins (Shweta Nanda’s children). All these clearly indicate all is still not well but amends are being made. The reports about fallout began when a news report said that the actress had walked out of the Bachchan’s Jalsa bungalow and moved into Amu which is in close vicinity. Although there was no official statement but once Abhishek showed his wedding ring to the media to indicate all is well. Sources say that Aishwarya is slowly getting back to doing more work. This should be music to ear for her diehard fan.
The massive success of Pushpa 2, has reignited the debate over screen allocation in West Bengal’s single-screen theatres. While the blockbuster continues to dominate the box office, its stronghold has created challenges for four Bengali films— Khadaan, Shontaan, Chaalchitro, and 5 No. Swapnamoy Lane—which targeted Christmas Day for their releases. The overlap has sparked a heated controversy over securing adequate slots in single-screen theatres, which remain a key audience base for Bengali cinema. Single-screen theatres across Bengal are grappling with the balancing act of accommodating these films while catering to the massive demand for Pushpa 2. Tollywood’s Christmas lineup has been significantly impacted, with producer-actor Dev expressing frustration on social media. He alleged that Khadan’s shows and advance bookings were disrupted due to the overwhelming presence of Pushpa 2. Arijit Dutta, owner of Priya Theatre, reported dividing slots among the films: Khadaan (two shows), Chaalchitro (one), 5 No. Swapnamoy Lane (one), and Pushpa 2 (one). However, veteran actor Mithun Chakraborty’s Shontaan was left out entirely, sparking outrage from its director Raj Chakraborty, who criticized the lack of consistent support for Bengali cinema. A distributor, speaking anonymously, blamed the simultaneous release of multiple Bengali films during the festive season, suggesting a lack of coordination among producers. He pointed to Bollywood’s strategy of staggering releases as a model Tollywood could emulate. Star Theatre owner Joydeep Mukherjee called for better planning within the Bengali film industry to avoid internal competition. Interestingly, allegations have resurfaced about Shontaan‘s producer, pressuring hall owners to prioritize its films. This history has led some distributors to side with independent producers in the current clash.
This video of Varun Dhawan’s interaction with the Union Home Minister Amit Shah at the Aaj Tak Agenda 2024 event has gone viral wherein he respectfully said people call Amit Shah “Chanakaya in politics but I would like to call Amit Shah, the Hanuman of country as he serves the nation selflessly.” Loud clap and applause followed and this is what the 37-year old actor is hoping that his Christmas release movie Baby John too will get at the theatres. According to Girish Wankhede, Trade Analyst, “For Varun the movie holds immense significance, marking a pivotal moment in his career.” The Christmas season release is a prestigious window for Bollywood which historically has been graced by all Khans — Aamir (Dangal, PK, Dhoom 3), Salman (Dabangg 2, Dabangg 3) and Shah Rukh Khan (Don 2, Dilwale). Varun who entered Bollywood in 2012 with Karan Johar’s Student Of The Year was lucky to have 11 consecutive box-office successes between 2012 and 2018. Post that he has faced numerous challenges. Despite his commendable cameos in films like Stree 2 and Munjya, his recent projects — such as Bhediya, Bawal and Jugjugg Jeeyo have struggled to make a significant impact at the box office. With a few flops like October and Sui Dhaaga in his filmography, it’s clear that he has not experienced a major hit since the successes of Badrinath Ki Dulhania and Judwaa 2. This makes the Christmas release of Baby John not just another film for Varun, but potentially a game-changing opportunity that could redefine his standing in the industry feels Wankhede.
It was something that the Congress couldn’t stomach easily. Perhaps the party was surprised that the Raj Kapoor family had chosen to interact with PM Modi. A day after the social media and TV channels were awash with PM Modi’s interaction with members of the Kapoor family, a very senior Congress leader ventured to put out a snarky social media post questioning the meeting. For some odd reason he completely chose to ignore the context of the meeting. “We have been asking PM Modi to visit Manipur. But he has instead found time to meet with Kareena Kapoor.” Soon good sense prevailed and he deleted his crude post. Guess he must have realised that his post was outright offensive. The Kapoor family had called on PM Modi on December 10 to invite him to the legendary actor-filmmaker’s Film Festival. The festival is to commemorate Raj Kapoor’s 100th birth anniversary, an iconic figure in Indian cinema who passed away in 1988. Ten Raj Kapoor films are going to be showcased across 40 cities in 135 cinemas .The Kapoor family, including actors Ranbir Kapoor, Riddhima Kapoor Sahni, Neetu Kapoor, Kareena Kapoor Khan, Alia Bhat and Saif Ali Khan met the PM. “This is a special day for us. We enjoyed the conversation. He spoke to us in a friendly manner. He made all of us feel very comfortable,” said actor Ranbir Kapoor. His cousin actor Kareena Kapoor Khan said that it was her dream to sit next to PM Modi and talk to him. “His energy is so positive and he is truly a global leader.” PM Modi inquired about the third generation of Kapoors — and autographed for Kareena’s children Tim and Jeh. December 14 marks the 100th birth anniversary of Raj Kapoor.
Reel heroes don’t care about the media. That’s what came to light at the recent episode where a phone of a senior journalist was snatched by security personnel of actor Allu Arjun and no apology was offered either by the actor or his PR team. One has to wait and watch whether the journalist Vibha Kaul Bhat of ABP News will take the fight forward. More. Recently at the trailer launch of Kanguva, the bouncers of Tamil film’s popular star Suriya pushed the media who were waiting for the actor for over two hours. But, here one must say the actor had decency to apologise. Ranbir Kapoor now enjoys a good equation with the paparazzi but it may be recalled that the same actor in the past had snatched the camera of a paparazzi. A few years back Kangana Ranaut sent a legal notice to the Entertainment Journalists Guild of India and the Press Club of India for supporting PTI journalist Justin Rao. There are stories and stories about Dharmendra, Anupam Kher and other stars how they got into fights with journalists. In recent times Shah Rukh Khan was mightily upset with paparazzi for staking out his house when his son Aryan was arrested in connection with a drug-on-cruise case. Their overdrive saw King Khan carrying a green umbrella to hide his face making it difficult for paps to shoot him. During Ambani’s wedding the film fraternity went that extra length to pose for the paparazzi. Ironically, while the entire fraternity including Big B has had problems with paparazzi, Sanjay Dutt and Jackie Shroff have been their darling since the time they entered Bollywood. Time for other stars to learn their mantras.
The latest petition from the Tamil Film Producers’ Association, is perplexing. Justice S Sounthar refused to grant an interim stay adding that film criticisms are part of freedom of speech and expression that cannot be curtailed. It’s not hard to delve into why this gag order is sought legally. The recent disaster of Kanguva at the box office is probably the reason for this drastic demand. High stakes and high jinx political grandstanding. The sop…journos are invited for a press show before the release either in a preview theatre or regular ones. And the press note gives the synopsis, star cast etc. The reviews in print or digital are read by people who decide — given today’s looming OTT presence — whether they want to see it or wait for a week or two. …it seems most decide to wait. Amaran is yet to debut on OTT….5th December after much demand. Because the film is still running to decent shows not managed by incentives Amaran came quietly with a feel good heart touching theme all could relate to. Kanguva thundered “Audience will lap it up. Open mouthed”. We rest our case.
Making his appearance on a reality show Indian Idol the 50-year old Fardeen Khan, son of successful actor-producer Feroz Khan, looked boyish and subdued. Indeed, he has quietly made a comeback on the big screen and OTT after 14 years of self-imposed exile. Although he was signed by Sanjay Gupta for Visfot which took a really long time to release as there were no takers for Gupta’s films; Covid-19 was the main culprit. But it helped Fardeen who got a chance to work with one of the biggest OTT shows Heeramandi directed by Sanjay Leela Bhansali which signalled his comeback in 2024. This was followed by Khel Khel Mein with Akshay Kumar which didn’t do well. But Fardeen who played the role of gay man certainly impressed the audiences and critics in a big way. Fardeen made his debut in 1998 with Prem Aggan. Post that he signed up for several films. Overall his career graph did not pick up. In 2010 after the release of Dulha Mil Gaya he took a break from acting. During this long hiatus he worked on his craft. Fardeen who was married to yesteryear actor Mumtaz’s daughter Natasha now separated has a daughter and son. He often brings his children to the sets. Currently, he is working with Akshay Kumar in Housefull 6 which is set for 2025 release. He may have missed out on No Entry Mein Entry. Will Feroz Khan’s son make a big impact in his second innings?
Kolkata’s cultural calendar is abuzz as the 30th edition of the Kolkata International Film Festival (KIFF) approaches, set to run from December 4 to 11. However, this year’s celebration of cinema is overshadowed by controversies and protests within the Tollywood industry. The festival, showcasing 175 films from 41 countries with a spotlight on French cinema, has been relocated from the sprawling Netaji Indoor Stadium to the smaller Dhanodhanya Auditorium by chief minister Mamata Banerjee’s government. The shift in venue, coupled with a reduced guest list, reflects the tension brewing between Bengal’s film industry and TMC government. This uncurrent stems largely from the aftermath of the RG Kar hospital rape incident, which sparked a citizen’s movement involving many prominent Tollywood stars coming out in open against the government. Party insiders revealed that Didi expressed dissatisfaction with Tollywood, remarking that the stars’ involvement had fuelled public outrage. Adding to the friction, a faction of directors and producers is protesting against Swarup Biswas, president of the Federation of Cine Technicians & Workers of Eastern India, accusing him of running a “syndicate raj.” Legal disputes, including defamation cases have escalated tensions further alienating a significant section of the film industry. This year, a notable portion of Tollywood has reportedly boycotted the festival, marking a shift in its traditionally warm relationship with Didi. Over the years, Didi fostered strong ties with Tollywood, even nominating several actors to political office. Yet, the current unrest signals a growing rift, with critics suggesting the RG Kar protests lent momentum to public dissatisfaction with her administration. This has strained the once-strong bond between Didi and the industry.
The 55th edition of the International Film Festival of India (IFFI) held in Goa every year was bigger in scale and ambition. There were more venues for screenings. Besides Panjim there were places like Porvorim including beach screenings at Anjuna and Miramar. The 9-day celebration showcased over 200 films from 75 countries. But, the glamour quotient was missing. Telugu superstar Allu Arjun whose name was sent out by the media cell of the festival did not turn up instead asked his Pushpa 2 co-star Rashmika Mandanna to stand in for him. Although IFFI is about the convergence of cinema from all over the world, the perception is always made by the big Bollywood and international names attending. And this was not impressive. The only big names from Hollywood were Hugo Weaving and Chuck Russell who are no longer part of the mainstream cinema. Every year there are huge delegate queues waiting to watch films but that was missing this year, an indication that cinephiles are losing interest in the festival. A few complained that the booking app showed it was houseful but the reality was just the opposite. The Film Bazaar, the biggest marketplaces,a big attraction for young filmmakers and storytellers seems to have attracted less number of buyers — both Indians and foreigners. The Indian Express in its editorial said that various institutions “over the years, pumped in funds and energy into making the IFFI as prestigious as the Cannes Film Festival — as envisioned when Goa was selected as the festival’s permanent home in 2004. Yet, 20 years on, unlike its model on the French Riviera — whose selections and winners go on to dominate the international festival circuit and awards season — the IFFI is far from shaping global cinematic imaginations and sensibilities.”
Will Telugu sensation Allu Arjun do an encore? Pushpa 2 releases and the film trade is saying it will rewrite the box office history. It may be recalled that Pushpa: The Rise became a sensation and his mannerisms became very popular. It emerged as the highest-grossing Indian film in 2021 and ranked among the highest-grossing Telugu films of all time. The film also earned Arjun his first National Film Award. A clued-in trade analyst says that after KGF Chapter2 Allu Arjun’s Pushpa 2 will create the same type of buzz. Unlike RRR, this is a contemporary movie and more people can relate to it. Common man can relate to the character Pushpa, who rises from the bottom. It’s a masala story that’s bound to click. It is learnt that Allu Arjun is travelling all over to promote his film. His event at Patna has increased the curiosity amongst the audience in the Northern belt. The music of the film is already a big rage and the 42-year old star who has connect with the audience is definitely going to create a bigger market for his films and himself. Exhibitors like Girish Wankhede feel that the Hindi collection of Pushpa 2 is expected to be a major surprise. It has the potential to surpass the post COVID-era benchmark of Rs 66 crore on its opening day, with projections indicating that it could reach between Rs70-75 crore for its Hindi version. The total collections may exceed Rs 250 crore worldwide.
December 4th is a red letter day for the Hyderabadi glitterati. Nag Chaitanya and Shobhita Dhulipala are to solemnise their marriage at a lavish ceremony to be held at the Annapoorna Studios, the Akkineni family’s heritage studio named after the late Akkineni Nageswara Rao’s wife. Sentiment, scale, spend and super social event to mark this second wedding of 38-year old Nag Chaitanya, divorced from Samantha Ruth Prabhu in 2021. The talk is that 32-year old Shobitha has been gifted specially woven Kanjivaram saree and choli in gold lace and stunning jewellery befitting the Akkineni family. The ceremony is to run over 8 hours. The big buzz is that this gala event’s filming and exhibition rights have been sold to Netflix for Rs 50 crore! Rings a bell? Nayanthara and Vignesh Sivan’s wedding event and its OTT telecast. Even as the camera greedily laps up the stunning costumes and staggering jewellery on display, the long line of filmi invitees waiting to pose in their boast worthy bling are on view. And OTT streamers have their own original edited content. And the families earn back the money spent on the weddings. Business Schools have yet to teach this ROI. The only troubling thought …after all this, why are divorces taking place so often? Even as Nag Chaitanya and Shobitha Dhulipala soon to be streamed wedding events are making news, Dhanush and Aishwarya Rajinikanth are given the family court’s verdict. Divorced.
The Nayanthara-Vignesh Shivan wedding in 2022 was much talked about, kindled oodles of curiosity and news. Okay, Nayan is known as the Lady Superstar of Kollywood and this couple were newsmakers for a long time …speculations and guesswork rife over whether it was yet another Nayan dalliance in her longline of ditched paramours Prabhudeva, Simbu in that list. Finally the wedding was celebrated with pomp and style, Netflix signed a deal for OTT rights at an astronomical figure, no one could corroborate. Then, all concerned moved on … .Nayan is now mother to two cute boys. The wedding footage and other highlights of Nayan’s films were curated to make a biopic, Nayanthara, Beyond The Fairy Tale, and it went OTT live with many expectations that it would hit the high jinx for Nayan…actually it has not garnered much praise. But the Fairy Tale turned into a Horror Story when she was slapped with a notice to pay Rs 10 crore for a 3-second clip from her movie Naanum Rowdy Thaan, a hit movie from Dhanush’s home production. Nayan was livid. Adding insult to injury, Dhanush further insisted that the clip be deleted immediately. Currently Dhanush is directing Idli Kadai produced by Akash Bhaskar. His recent wedding attended by Sivakarthikeyan, Anirudh, Dhanush and Nayanthara, husband in tow turned viral worthy … .the angry vibes both conveyed made news. The protagonists were sitting poles apart and faces turned away. Karma, it is said, has a way of punching holes in egos.
A major controversy has erupted in Tollywood as over 233 directors from films, TV and independent media have filed a defamation suit against Swarup Biswas, president of the Federation of Cine Technicians and Workers of Eastern India. The Rs 23-crore lawsuit follows Biswas’s contentious remarks alleging rampant sexual harassment in the film industry, with 60% of complaints purportedly against directors and producer-directors. The hearing will take place on January 10. Swarup, the younger brother of Aroop Biswas, Bengal’s Power and Housing Minister and a close aide of chief minister Mamata Banerjee, finds himself at the centre of an unprecedented protest by Tollywood’s creative community. This is, perhaps, the first time that Tollywood has publicly challenged the Federation. Directors and producers have also criticized what they call “red-tapism” and “arbitrary demands” imposed by the Federation, including its control over unit sizes, pay scales, working hours, and technician selection. At the Eastern India Motion Picture Association’s (EIMPA) recent AGM, Swarup Biswas proposed that producers deposit Rs 5 lakh each as security to ensure timely technician payments, citing Rs 50 lakh in pending dues. Producers have outright rejected the demand, questioning the Federation’s accountability and EIMPA’s silence on the matter. Veteran actor-director Aparna Sen has publicly questioned Swarup Biswas’s credentials, asking for proof of his contributions to the industry. Biswas holds an assistant director’s card, which is reportedly issued only to those involved in at least two films. Actor-politician Roopa Ganguly also criticized the Federation, accusing it of politicizing the industry and questioning why filmmakers often seek the CM’s intervention during crises.
Are the re-runs slowly becoming a revenue model both for producers and exhibitors who have been grappling to bring back the audiences to cinema halls? Diwali turned out to be decent but then again we are gone back to re-release of films. Shah Rukh Khan’s Veer Zara re-release has been appreciated. Rakesh Roshan plans a re-release of Karan Arjun with a huge number of screens after 30 years of its release. This again has Shah Rukh Khan and Salman Khan coming together for the first time on screen. SRK’s Kal Ho Naa Ho and Pardes too are re-releasing in cinemas. Those in the trade feel that re-release of Tumbbad, Rehna Hai Tere Dil Mein and Laila Majnu have given courage to producers to cash on re-runs. The re-runs have stirred both excitement and curiosity. Traditionally, re-releases were reserved for timeless classics, but now more recent films are being revived, prompting questions: Is this trend purely nostalgic, or is there a deeper strategy at play? According to Trade Analyst Saurabh Varma, the re-release phenomenon is benefiting the cinema industry in multiple ways. For producers, re-releasing films is a cost-effective option. The marketing and distribution expenses are far lower than for new releases. Re-releases tap into the large fan bases of iconic films, giving long-time fans a chance to relive their favourite stories on the big screen. Furthermore, these revivals provide a unique opportunity for younger viewers who may have missed these films during their initial release. The combination of nostalgia and iconic music resonates deeply with audiences.
Tamil film producers and their financial backers are now rethinking this model — big money, big stars, big projects but no guarantee that it will reap profits. So the new strategy…safe and secure than spend thrift and sorry. Can small budget films do big business? A resounding yes to three of 2024s baby budget films that warmed the cockles of producers’ hearts. Three films of this year, Lover, Lubber Pandhu and Vaazhai have pulled in amazing profits and massive margins. Lover’s budget was a mere Rs 5 crore, and plus other expenses added the total cost to Rs 6 crore. Hold your breath! It made a profit of Rs 13 crore. But Lubber Pandhu (Rubber Ball), a title that would have gone unnoticed, made the biggest rake in for Prince Pictures who earned Rs 35 crore in TN gross alone — 300% profit. Vaazhai was no sneeze over either…it brought Rs 12 crore profits in TN. Film making costs and exhibition/promo expenses can zoom up dangerously, and after paying the incredible star salaries, if the film’s overflow is modest, stakeholders have no insurance cover to fall back on. Small is big is fast becoming the new open sesame for Kollywood to stay safe.
Popular Tamil star Suriya’s much-awaited Kanguva said to be made at a cost of Rs 200 crore faced public wrath. Suriya had done intense promos and marketing even claiming that the film would rake in Rs 2000 crore. The most cringeworthy claim was “audience would lap it up, open mouthed”. The first day’s take was pegged at RS.60 crore. In fairness to Suriya those in the know claim that it was just a concerted effort to throw the baby out with the bath water. There were other stars who too had disappointed so why pick on Suriya? For those seeking the truth, Suriya and wife Jyotika had made some public utterances about religious worship …why spend money in temples and other religious places? Why not use that money to help underprivileged kids to get educated? There is talk that the family moved to Mumbai from Chennai in order to seek better career prospects and make the home production company more profitable. Interesting to note that there were claims and memes by the prickly audience asking Suriya “you could have spent Rs 200 crore on philanthropy. But no, you wanted to spin it to Rs 2,000 crore”. No one is sure till now whether Kanguva is a rotten tomatoes failure or it would survive the vicious backlash. But a leading Tamil magazine Vikatan in its review has appropriately summed it up …”Suriya set out to save the Truth. But who is going to save Kanguva’s weak script”. There is a saying in Hindi, Ek Chup, Sau Sukh. Discretion is the better part of valour.
Vidya Balan struck Bollywood like a tornado in Parineeta having debuted in 2003 with a Bengali film Bhale Thaco …this South Indian star raved by audiences for her acting and beauty struck a chord. Another Hema, Rekha, Padmini, Vyjayantimala? Vidya has her unique magnetism and left behind her signature in every role. Then it happened …actually it had been building up kilo by kilo …her weight gain overshadowed all else. Though she faced body shaming with determination, even as she claimed that she had overwhelming hormonal issues. But in a super charged fashion and style world where the Manish Malhotras and Tarun Tahilianis who designed for super trim beauties, Vidya had to regain her trim figure. And you know how she lost weight, leading to OMG gasps and wonderment? As stylishly as she handled an on stage fall, oops moment while performing a dance number with Madhuri Dixit for the promo of Bhool Bhulaiya 3. Even as Vidya performed intricate Bharata Natyam steps, she just fell…and raised herself stylishly and carried on, almost as if it was a dance move. Vidya now basks in admiration for her weight loss which was through the diet change that she credits — Anura, a health center that helped her to identify her particular “inflammation” prone body response to sluggish metabolism. The born again Vidya is chirpy and cheerful and fans are going to see a lot more of the new Vidya.
Tamil Nadu political parties put up a brave face after watching the response to Vijay’s entry into their charmed circle. While some minor players were dismissive of the actor, the ruling DMK tried to convey the message that it was business as usual. Except that they too are worried not even about the zeitgeist of young people seemingly attracted to the fresh player on the scene. What bothers the DMK the most is its rival AIADMK would be able to tie up with Vijay, in which case they sense a more formidable rival may be at hand to threaten the future of the mostly family concern that the DMK is. The AIADMK, sensing an opportunity, has asked its leaders and cadre not to attack Vijay in the media as they sense a soulmate in the greenhorn who mostly toed the AIADMK line when Vijay spelt out some of his political ideologies and plans. In boldly putting forth his views on the corruption in the DMK, he has become most attractive to the AIADMK. They sense that Vijay, a Christian, may not fit the BJP plans and hence believe they are in a better position to woo him into an alliance for the 2026 Assembly polls. The DMK is, however, happy at the arrival of a new player who can further split the public vote if his Tamilaga Vettri Kazhagam is to contest the polls alone and not in any alliance. The 2026 Assembly polls of Tamil Nadu are going to be fun and games.
It’s a tricky tightrope walk when a true life event and sacrifice is transferred on to the medium of cinema … .the creation has to more than match the extraordinary bravery of an army Major, his supreme sacrifice and the family’s sorrow filled pride in him. Kamal Haasan and his Raaj Kamal Films International production house has hit the high emotional spot with Sivakarthikeyan as Amaran. The film, applauded by both audience and critics, raked in Rs 42.3 crore worldwide on Day One. And deservingly. Amaran is the rendition of late Major Mukund Varadarajan leading the Rajasthan Rifles in Shopian, who fell to terrorist bullets while defending his team and the country –he was just 31. Even as people exited the cinemas, many were shedding tears and paying heartfelt emotional salaams to this brave son of India. Rajkumar Periasamy, trained in the creative environs of Kamal’s cinema, has done faithful research on the life of Major Mukund, and created his character for compelling screen performances. Sivakarthikeyan, according to Kamal has raised himself to a new cinematic level that is bound to leapfrog his status as an actor. But it is Sai Pallavi, as the hero’s wife Indu Rebecca who has garnered equal admiration as the “iron” army wife who does not shed tears of weakness but carries her head high, saluting her husband’s bravery. Good cinema is still appreciated amidst the cacophony and glitz of mindless offerings aimed at padding up jaded stars.
Kollywood has set the trend for many traditions, especially festivals. Diwali tops the list for the Tamilian film buff — crack of dawn oil baths, new clothes finery, gorging on sweets and savoury, crackers, and of course a must see “film”. Producers too play by this unstoppable sentiment and release their movies on Diwali Day with great expectations about audience storming cinemas and opening their wallets. This year’s line up — Amaran, Brother, Bloody Beggar and Lucky Baskhar are all set to sashay sassily on the ramp and raise hopes for which film gains the most …money wise. Starring Sivakarthikeyan and Sai Pallavi Amaran produced by Kamal Haasan and Sony Pictures International, directed by Rajkumar Periasamy has raised the expectations bar. Jeyam Ravi has not had much cinematic popularity to talk about after Ponniyin Selvan. His movie Brother directed by M Rajesh is touted as an all-round entertainer with comedy heading the mix…Harris Jeyaraj has scored the hit number Makkamishi. In the case of Bloody Beggar, an entertainer that hinges on a poor man as an impersonator in a rich man’s mansion. It is backed by Nelson the director of Jailer who has trusted his assistant M Sivabalan to bring the best of acting talent from Kavin seen as the millennial favourite. Perhaps all three films are at best seen as counterfoils to Dulquer Salmaan’s Lucky Baskhar, a Telugu film that has quickly turned out pan India in Tamil, Malayalam and Hindi. Vaathi fame director Venkat Atluri has directed this film as a period piece.
Will the ego clash destroy the fate of the two Big Diwali releases this year? So it seems. Singham Again, directed by Rohit Shetty, a multi-starrer starring Ajay Devgn, Ranveer Singh, Akshay Kumar has been dragged to the Competition Commission of India (CCI) for unfair business practice by the producers of Bhool Bhulaiyaa 3 alleging that they are not being allowed to take single screen as Singham Again producers have booked all screens. Bhool Bhulaiyaa 3 directed by Aneez Bazmee has also got a good star cast comprising Kartik Aaryan,Vidya Balan, Madhuri Dixit and Triptii Dimri. It may be recalled that Ajay Devgn had dragged Shah Rukh Khan to CCI for unfair business practices during the release of his movie Son of Sardar which coincided with SRK’s Jab Tak Hain Jaan. Even then it was a Diwali clash. Here one can’t help but talk about Om Shanti Om which was released on Diwali along with Sanjay Leela Bhansali’s Saawariya. The clash between two titans almost sacrificed the careers of two newcomers Ranbir Kapoor and Sonam Kapoor; it had Salman Khan who wasn’t on good terms with SRK. Similarly, SRK and Rakesh Roshan were locked in a release battle during the release of Kaabil and Raees and both films suffered. Both Shah Rukh and Hrithik Roshan have a history as when the latter became a superstar with Kaho Na Pyar Hai and SRK’s Phir Bhi Dil Hai Hindustani flopped. Critics were talking about Hrithik replacing SRK. At that point in time SRK cleverly used a Pepsi Ad to mock Hrithik’s super star status.
This year’s biggest grosser Stree 2 has found its place in the numbers book as pure entertainment riding a spooky plot. This film’s highlight is Tamannaah Bhatia enticing fans with her Aaj ki Raat item number, bringing in repeat audiences just to see her dance. Her earlier film Jailor item number Noovu kaavalaa is still rocking the audience. Tamannaah has her place as a saleable star who raises no controversies, does her work and moves on. But she may not have realised the deep trouble she was getting into by signing on as Brand ambassador for the Mahadev HPZ Token App, which has now become a legal nightmare for its owner Saurabh Chandrakar. His App and role in the alleged illegal broadcast of the IPL competition has turned into a Rs 5000 crore lawsuit, with Viacom claiming Rs 100 crore loss. Tamannaah is alleged to be part of the promos and events and now the ED is determined to question all those connected with the scam. Travelling to Guwahati with her parents, the ravishing film star was subjected to 5 hours of questioning. It is not known how this captivating lady withstood the ED grilling (or how the ED faced her voltage). But her visit to the famous Mahashakti’s Tantric power temple of Kamakhya, dressed in a white kurta accompanied by her parents, made more news.
Sixty-year old popular star Jayaram Subramaniam has created a soft and stylish spot for himself in Kerala films despite Mammootty and Mohanlal’s reigning supreme as evergreens. His performance in the hit period drama Ponniyin Selvan (as Alwar Kadian Nambi, the articulate comic Brahmin) was as much the highlight of this epic drama as the pivotal characters of Ponni and Karikala Chozhan. His 26-year old son Kalidas Jayaram has created a niche for himself in the film industry. Recently he was cast in the Dhanush film Raayan, and showed his mettle in the Tamil OTT anthology Pava Kadaigal in which he played a transgender. Kalidas is all set to marry Tarini Kalingarayan, a former Miss Tamil Nadu 2019, well known model and alumnus of MOP Vaishnav College. Jayaram and wife Parvathy had just celebrated daughter Malavika’s wedding in grand style , and it came as no surprise that they announced Kalidas ‘ wedding too in quick succession. The only surprise was that Jayaram, Parvathy and Kalidas honoured MK Stalin, TN CM with the first invite. Not surprising it created a buzz as why had he not given the first invitation to the Kerala CM Pinarayi Vijayan? In the world of politics and cinema events occur not according to the logic of mundane society. Celebrities have their own exalted status or political predilections. Superstar Mammootty’s son Dulquer Salmaan’s was an arranged marriage in 2011 to Amal Sufiya whose family is from North India. Mohan Lal’s son, Pranav Mohanlal’ marriage with Kalyani Priyadarshan has remained an enigmatic topic.
The Hema Committee Report, revealing tales of sexual exploitation and inhuman working conditions in the Malayalam film industry, has raked up the #MeToo movement in Mollywood leading to many prominent actors, directors named by their co-stars. In Hyderabad it has taken its first toll; choreographer Shaik Jani Basha, popularly known as Jani Master who works in Telugu, Tamil, Kannada and Hindi films saw the I&B ministry withdrawing its invitation to 70th National Film Awards in New Delhi but also suspending his National Award amid sexual assault allegations. Jani who is out on bail. And the person who complained against him is worried if she would lose both work and face in the film industry. Close on the heels of Hollywood, in India the MeTooMovement gathered steam in late 2018 when actress Tanushree Dutta accused actor Nana Patekar of sexual harassment. Then many more female stars and professionals from Bollywood came forward. Music director Anu Malik, director Sajid Khan paid the price; they were dropped from reality shows initially. But it seemed a temporary halt almost like lip-service. One could see singers Alisha Chinai and Sonal Mahapatra raising howls of protests via social media every time they saw Anu Malik judging reality shows. In the case of director Sajid Khan, he kept out of public glare initially and was almost out of work as several actresses accused him of exploitation. When things cooled down he was given an opportunity to participate in Bigg Boss reality show to clear his image. Some of the actresses seeing there is no harsh punishment for people in Bollywood who have exploited female stars, technical assistants, choreographers, makeup artists are wondering the cost of being outspoken.
Ace Tamil film director Lokesh Kanakaraj currently directing Rajinikanth’s 171st movie Coolie, is a hunted man trying his utmost to convince the crazed Super star fans that he was in no way responsible for Thalaiva’s sudden illness. Rajini had just completed a 40-day stint for Coolie at Vizag. He was taken ill with belly pain and unease, immediately rushed to the Apollo Hospital, Chennai where a team of top cardiologists and other consultants took charge. Rajini came home after a stent was put and advised rest for three weeks. The Tamil media spelt the stent as “stunt” in their news bulletins. In any other 73-year old, it would just pass off as an age related issue and not unusual. (Rajini has a transplanted kidney and was on immune suppressants). Here we are talking of a phenomenon who reigns over a huge legion of fans who go crazy just for a glimpse. So the overwhelming vigil outside the hospital was expected, happening every time a political VIP/celebrity gets into Apollo. Not just the media but the hundreds of me too YouTubers floated opinions, prayers, surmises and misplaced criticism of the director Kanakaraj. Various theories floated around and blame was pinned on the director. With Vettaiyan set to release on October 10 and mega marketing promos needed, Rajini had much to deal with. The talk was that he was paid Rs 100 crore while Big B paid Rs 7 crore ( for guest appearance ). Vettaiyan could benefit from the huge publicity generated by Thalaiva.
Thirty-seven year old Samantha Ruth Prabhu was married to Nag Chaitanya, Telugu film’s enduring star Nagarajuna’s son for just 4 years before the couple filed for divorce in 2021. Already Nag Chaitanya’s closeness to fast rising Shobhita Dhulipalia is buzzing around. But it is Samantha who has been hit the hardest in the past few years, despite her rise to stardom in both Tamil and Telugu films. The OTT series Family Man brought her much acclaim. But her personal life was hit in a serious way when she was diagnosed with myositis, a medical condition that has punched her psyche hard, understandably. But Samantha was not prepared for the latest turbulence in her life…Telangana Minister for Environment and Forestry, Konda Surekha recently made downright derogatory remarks about the cause of Samantha’s divorce ….alleging that BRS leader KT Rama Rao is the cause for the rift and divorce. Surekha further insinuated that this BRS leader has a knack of intervening and interfering in the lives of celebrities. Telugu cineworld has erupted in anger at this kind of malicious loose talk, and superstars Chiranjeevi, Allu Arjun, Jr.NTR, Nagarajuna have condemned the Congress leader for this unsavoury talk. KTR of course has warned this minister to apologise immediately and retract her slanderous allegation or face a defamation case. The Minister has tended an instant apology on X, especially to Samantha that she had no intention of dragging her into the muck…she just wanted to vent her venom on politicians for their derogatory attitude to women. Samantha may be rueing her bad times…stars too have to cope with Star struck times.
As Durga Puja, the most anticipated festive season in West Bengal, approaches, the Bengali music industry finds itself in a precarious position, haunted by memories of the Covid-19 pandemic. The recent RG Kar Medical College incident has sparked a wave of concern, resulting in the widespread cancellation of events and programmes. Several prominent singers, music bands, and musicians have voiced their worries as the festive period, usually a time of high earnings, now faces a grim scenario. One of the key voices from the industry, renowned singer Jojo, expressed her anguish over the unfolding situation. According to her, people often think that musical events are merely entertainment, not realizing that these shows provide income to a wide array of people—from backstage crew members to sound engineers and support staff. Echoing her sentiment, celebrated singer Lopamudra Mitra highlighted the impact on young musicians who often accompany established artists during live performances. She further mentioned that many budding talents rely on the festive season to showcase their skills and gain exposure. Veteran singer Rupankar Bagchi raised concerns about the inconsistency in policies, where television productions are continuing uninterrupted, with channels banking on new content for the festive period, but music and cultural shows are being singled out. It’s not just the music industry that’s bearing the brunt. The local theatre industry, popularly known as “Jatra,” is also witnessing a steep decline in sponsorship and participation. The Bengali music and cultural community is now grappling with the fallout of these developments, fearing long-term repercussions.
The oft debated question, can meaningful cinema entertain? Or intended pure entertainment be meaningful? Suriya and Jyotika’s home production 2 D Entertainment‘s just released Meiyazhagan is sure to raise this debate all over again till the next Mega extravagant film comes along to zap film buffs with the scale of spend. Director Premkumar has taken 6 long years after the super success of 96, a Trisha and Vijay Sethupathi led, literally one night stand when they meet and relive their now ended love story. Meiyazhagan is the one night story of Arulmozhi( Arvind Swami in a riveting, unforgettable performance ) who travels home in the Needamangalam bus, to his native village from where he was unexpectedly hounded out when his ancestral home was willed to his sisters. The trip is made memorable by meeting Karthi the hail fellow well met, cheer and bonhomie maker. Malayalam cinema’s “almost there” super star Tovino Thomas feels Meiyazhagan is the leitmotif of meaningful cinema that touches viewers and lingers as emotional super glue. Arvind Swami and Karthi share the powerful impact of a common story that appeals in uncommon ways. Incidentally, Karthi, still under the spell of his role as influencer was an inch away from trouble. At a press meet for movie’s promotion, he was asked about the Tirupati Laddu issue. In his usual way he tried humour. Pawan Kalyan came down heavily on his flippant attitude and soon Karthi had to apologise. Sensible otherwise, the Telugu version of Meiyazhagan would have suffered.
After a noteworthy career as a Tamil Film heroine from 1995 to 2005, Simran Bagga is happily settled in Gurgaon with her husband and children. When she is offered a role she accepts but in her own words “I don’t hanker after roles as co-star to top heroes,” insisting she is content with her achievements in South films having worked with all leading heroes — Vijay, Suriya, Ajit and others. She was referred to as “Slimran” a compliment given by her directors and media for her slim figure and pleasant looks. There were the usual stories that were cooked up to add Masala to her film promotions. But the recent media stories linking her to Vijay especially that she asked Vijay if he would agree to work in her production have lit much anger in her. Vijay is supposed to have turned down her offer, claiming “my movies always roll with controversy…I can’t say from where the problems come.” Simran is aghast that such a claim is making the rounds. “STOP this kind of loose talk, linking me to top actors. I value my self-esteem and self-respect.” From her first Tamil film Nerukku Ner, through many a hit with Ajit and Vijay, Simran has traversed a steady career. And would like to be left out of controversy, not of her making.
Thirty-eight year old actor-director-politician Kangana Ranaut has been courting controversy on both political and professional front ever since she was elected BJP MP from Mandi in Himachal Pradesh. Her directorial venture Emergency where she plays the role of Indira Gandhi faces flak from both the Sikh community over depiction of Operation Blue Star and the Congress party over her portrayal of Indira Gandhi. The film, where she has a producer sunk a lot of money, is yet to get clearance from the Central Board of Film Certification as CBFC has received too many legal notices over the movie’s release. This delay is taking a toll on her finances. Apparently, she had mortgaged her properties to produce this film, and release delay has resulted in her selling one of her bungalows in the upscale Bandra suburb. The actress who does not have support from the fraternity needs a hit which has been eluding her for some time. Her last nine films have done well at the box office. People who have seen rushes of Emergency say the movie will do well. Meanwhile, politician Kangana seems to have irked her party leaders by speaking against the farmers twice in the last four months. So much so, BJP spokesperson Gaurav Bhatia commented, “Kangana Ranaut is not authorised to make such a statement on behalf of BJP and it doesn’t depict BJP’s view on the farm bills. We disapprove of this statement.” And falling in line, she too tweeted, “My views on farmer’s laws are personal and they don’t represent the party’s stand on those Bills.”
Sai Pallavi, the actor who has a big fan following for her films, is a doctor by profession. She is also known as one of the best dancers, her hit number with Dhanush “Rowdy Baby” still remembered for its sizzle and sass. For the engagement ceremony of sister Pooja Kannan to Vineet held in January, Sai and Pooja danced to the hit Marathi song “Apsara Ali”, a riot of energy and fun. But Sai Pallavi turned serious at Pooja Kannan’s wedding, held in true Badaga style in the cool environs of Ooty. The Badagas have unique traditions and culture and weddings too are celebrated in true Badaga style. The bride’s party reaches the grooms place early in the morning for the ceremony, which starts with the “Thali” (mangalsutra) tying at the Hethai Amman temple, then wend their way to the groom’s place for the sumptuous feast, Madhuve Hittu. Sai officiated as the sister bridesmaid at every turn, looking ethereal in a monochrome outfit that matched her sister’s. Sai is soon to be seen as Sita in epic Ramayana with Ranbir Kapoor as Ram …the divine chemistry to unfold the oft told epic story …Sunny Deol, Bobby Deol, Yash and Vijay Sethupathi are to provide plot movers. Sai also has Amaran with Sivakarthikeyan in the lead.
Even as film fans across the country are wildly speculating about divorce in the Bachchan’s family comes the news from Kollywood that Jayam Ravi, one of the most dependable performers (the standout star of Ponniyin Selvan) dropped a bombshell on his 44th birthday (Sept 9) that he is seeking divorce from wife Aarti after 15 years of marriage. The couple have two children. A shell shocked Aarti, a successful entrepreneur in her own right, said “Ravi did not consult me, nor was I aware that he is about to drop this bombshell on me and the kids. This unilateral announcement never gave me a chance …much as I tried to talk to him.” Coincidentally, Ravi’s first hit, M.Kumaran S/O Mahalakshmi was a film that touched the hearts of many. It is about a single mother who brings up her son with no help from a husband who walked out on the marriage. Ironically, Ravi asking for divorce will see Aarti face a similar predicament. Aarti is the daughter of successful TV serial producer Sujatha Vijayakumar. Has Ravi come to the end of his tether because of perceived interference of his in-law? Inspite of his busy schedule, Ravi has always given quality time for his family says sources. No one is aware of the real reason for Ravi’s ultimate break decision. But the way he has done it made Aarti lament, “My grace and individuality have been knocked out by the media speculations.” She still hopes for a rapprochement. Marriages are made in heaven, but hit the rocks in this fantasy world of tinsel make believe.
Netflix India’s content head Monika Shergill met Union I&B Ministry officials answering summons over controversy surrounding Anubhav Sinha’s IC814 -– The Kandahar Hijack web series aired worldwide. The inadequate disclaimer tagged alongside the series was promptly rectified with additions reflecting, “During the hijacking of IC814 (Indian Airlines plane) terrorists used aliases, code names. The names of terrorists were: Ibrahim Athar (alias Chief), Shahid Akhtar Sayed (alias Doctor), Sunny Ahmed Qazi (alias Burger), Mistri Zahoor Ibrahim (alias Bhola), Shakir (alias Shankar).” While expected to bring closure to issue, BJP is livid at the selective advisory being aired limitedly on Netflix India while global feeds (aired through U.S.-based servers) continue depicting the old disclaimer. I&B Minister Ashwini Vaishnaw faces flak from within BJP for the limited clarification. “The Indian Hindu diaspora is a global phenomenon in every corner of the world. Why is disclaimer restricted to resident Indian audiences? I&B Minister must take issue with Netflix,” senior BJP leader Mahendra Jain says. Another leader states, “Vaishnaw knows the old disclaimer was amended to include fresh advisory to be put out globally to set the record straight. This is now akin to hijacking the clarification itself to suit Netflix’s convenience. When newspapers issue rejoinders over inaccurate facts, it’s not limited to one segment alone but carried across editions so all readers are well informed.” He added BJP’s former I&B minister Ravi Shankar Prasad lost his ministry over a smaller faux pas after being tasked by PM Narendra Modi for tackling X over pejorative content regularly tweeted. “Back then, Prasad’s own twitter account was suspended which did not go down well with the BJP higher ups and he lost his job. Vaishnaw must pull up his socks or else face a similar fate.”
The rape-murder of RG Kar hospital doctor has led to a wave of revelations in the Bengali film industry. Women across all levels have come forward with allegations of sexual harassment against influential figures, including directors and producers. In response to these allegations, the Federation of Cine Technicians and Workers of Eastern India (FCTWEI) recently announced the formation of a special 15-member committee, named ‘Suraksha Bandhu,’ aimed at safeguarding women in the industry. However, the formation of the committee has sparked controversy, with the Directors Association of Eastern India (DAEI) questioning the legitimacy of the new body. Director Sudeshna Roy representing DAEI criticized the FCTWEI for not adhering to a proper process when selecting committee members. She also challenged the Federation’s statement that claimed 60% of directors and 40% of producers were implicated in the complaints. Roy pointed out that the technician’s association is led by Swaroop Biswas, brother of state minister Aroop Biswas, and alleged that Swaroop made the sole decision to constitute the women’s protection committee without consulting other key stakeholders. She argued that the Federation is not the industry’s sole regulatory body and questioned its authority to unilaterally form such a committee. In contrast, DAEI has proposed the creation of a new committee, ‘Women’s Forum of Screen Workers Plus,’ which would be tasked with addressing complaints of sexual harassment. It may be recalled that celebrated director Arindam Sil was banned by the Directors Guild following multiple complaints of sexual harassment. The ban will remain in effect until Sil is proven innocent, signalling that the industry is taking the allegations seriously.
You say what’s in a name, it is what you make of yourself that finds your name in history. There is at least one mega star who would differ aggressively…actually the very name he shunned turned into the mega brand, loved and idolised. Many have wondered what the name Mammootty meant. For the past 50 odd years, it has shot into global popularity and respect. Mammootty who turned 73 on September 7 was born into a conservative family. His parents Ismail and Fathima ran a modest trade business in clothing and rice in Kerala. Mohammad Kutti, the eldest of their six children, dreamt of getting into films but family pressure saw him graduate from Ernakulam’s Maharaja College and forced him to study law so as to add the prefix Advocate to his name. Wanting to be known as Omar Sharif, the Egyptian killer star, Kutti hated his nickname Mammootty, the abbreviated choice of his friends and family. Now comes the filmy twist. One day the postman knocked on the Advocate’s door, asking “Who is Mammootty…I have a letter from MT Vasudevan Nair of Janasakti Films, addressed to Mammootty”. The rest is magical cinematic history. Mammootty , christened and chosen by the genius Vasudevan Nair went on to become the tallest Malayalam film star, with 420 films in his bag…a mix of good, bad and passable. In 2000, Mammootty hit the mother lode of four scorching hits —Narasimhan, Valletta, Dada Saheb and Kandukondein Kandukondein. With four National Awards and countless State Awards, at this age Mammootty still causes heart flutters in women. A nickname turned into a legend, and a guaranteed audience draw. Mammootty, destiny’s child is acclaimed by his son Dulquer Salman as a hard act to follow.
The pre-release hype and hoopla for top star high budget films are hard to ignore. But Archana Kalpathi, Creative Head of Kalpathi Films has more than swivelled 360 degrees to hit the target for Great Of All Time (GOAT) – superstar Vijay’s penultimate film. The usual suspense about extra shows ended when TN cinemas announced a special 9 am show. Kerala went a step further and had a 4 am show as crazed fans from Coimbatore and state border towns pole-vaulted to Kerala cinemas. The (unofficial) ticket cost of Rs 1000 shot up to 2k. Such is the hold of superstars and the besotted fans…a launch pad for politics that TN stars transit from formula films to politics with ease. Tamil news had snippets of who watched GOAT where …top heroine Trisha watched the movie with Archana, Director Venkat Prabhu preferred Kamala cinema. If the delirium surrounding Vijay was not already palpable, another snippet conveyed that Thala Ajit was one of the first to call, and wished Vijay all the best for his mega hit. The buzz about the AI and De-ageing technology used in the film to differentiate between father Vijay and his son is sure to kindle curiosity. The last few years had a rush of filmi gossip about Vijay’s estranged parents and wife Sangeeta, even son Sanjay’s rebellion. Suddenly, photos of the entire family bonding watching the film at this time were flashed in the media.Vijay’s newly minted party TVK is now planning the mother of all public gatherings to present Vijay as the new messiah of TN. Interestingly, throughout the film, Vijay drives a car with the number plate TN07 CM 2026! Talk about subtlety!
Controversy seems to be the middle name of this 38-year old Queen of Bollywood. Once again actor-director-politician Kangana Ranaut is making headlines over soon-to-be released movie, Emergency where she plays the role of Indira Gandhi. Even as she hops from news channel to news channel promoting her movie and giving her version of the story, the political parties like Congress, Shiromani Akali Dal (SAD) have sought a ban on the movie. Looks like she is a proxy for hitting the BJP. SAD, which has sent her a legal notice wants Kangana to delete a scene which shows Indira Gandhi being assassinated by Sikh security guard.. Surprisingly, even though her party BJP is backing her, the movie is yet to receive the go ahead from the Central Board of Film Certification. Most of her movies in the last few years have not done well. Nearly six of her movies like Katti Batti, Simran Panga and Tejas have not got big numbers at the box office. According to Trade Analyst, Girish Wankhede Emergency does not look strong enough to resurrect her career. Reportedly, she has decided to quit films after being elected from the Mandi Lok Sabha constituency. It is learnt that more than Rs 80-90 crore is riding on Emergency. A hardcore nationalist, Kangana who speaks her mind and not bothered of consequences has been told by her party to not to give comments on any issues.
Thrust the Malayalam film makers to rework things amidst the OTT boom, especially yesteryear producers/directors who are missing the present day boom. Malayalee film goers are queuing up to watch some of the yesteryear classics like Manichitrathazhu, Devadoothan, Spadikam etc first released 20 to 30 years back. The re-release boom is fast catching up with at least 15 to 20 old Malayalam classics being lined up for re-release. Film maker Sibi Malayil, who is behind the re-release of Devadoothan, says that “one thing we need to ensure is that the quality of the visuals and sound improves on re-releasing a movie. Better quality raw materials help in giving audiences a better theatre experience, he added. It costs about Rs 1 crore to rework an old movie to give a 4K experience. Devadoothan, a Mohanlal starrer was a colossal flop when it was released first, 24 years back. Today, after restoring the film, re-editing and removal of unnecessary scenes and even adding spice to some of the fight scenes, the film has grossed Rs 4 crore in two weeks at the theatres. The movie is still running full house in the third week. Movies being lined for re-release include Mohanlal’s Devasuram (1993), Araam Thampuran (1997), Mammoothy’s Oru Vadakkan Veeragatha (1989) and Palery Maanikyam Oru Pathira Kolapaathakathinte Katha (2009). But, theatre owner Liberty Basheer sounds a word of caution. “We cannot predict the audience. Most of these films are available on YouTube or have been telecast on TV. Not everyone would want to experience the 4K version. “Kerala of late has been witnessing huge footfalls at theatres following successful launches of new generation films like Manjummel Boys, Avesham, Premalu etc which have grossed theatre collections over Rs 100 crore.
Something very laudable is happening in Kollywood. Acclaimed film director Bala was all praise and laurels for a just released film Vaazhai, directed by Mari Selvaraj which would have easily passed into oblivion, as it has no glitzy stars nor high amp pre- promos. Just a cute story that unfolds and tugs at your heartstrings, the kind of film that the audience relegates as Festival types. A teary-eyed, highly talented director Bala hugged Mari Selvaraj and said, “We are surely and supremely on the road to global acclaim for Tamil cinema and artists”. Ace director Mani Rathnam too praised the film. Result: 60% of the theatre audience have watched this movie due to endorsements by these well-known directors. There is a big sea change happening, and a very essential change in the themes, treatment, cast and most telling in the budget. Sensible producers like Sivakarthikeyan and directors like Vinothraj have touched audience sensibilities that over the top budget and cast do not make a film watchable. Actor Sivakarthikeyan is glowing with pride that his just released Kottukkaali (fresh from its showing at the 74th Berlin Festival) has garnered rave reviews from peers and patrons. Soori, the film’s main protagonist/antagonist has risen like a colossus from his earlier avatar as a comedian, sidekick. Bollywood and its bean counters are sure to be wondering if it is not big money, then what is the secret sauce of such small budget films. Simple themes but powerful storytelling.
This 37–year old Bollywood actress quietly made a big splash. Shraddha Kapoor’s latest film Stree 2 has drowned both John Abraham’s Vedaa (Rs 10.5 crore) and Akshay Kumar’s Khel Khel Mein (Rs 9.95 crore) in the box office. In three days Stree 2’s collection was Rs 100 crore… Rs 150 crore on the fourth day. Movie critic and trade analyst Taran Adarsh tweets “Indeed, #Stree2 is rewriting the rules of the game”. Bollywood watchers say she can well be called the franchise queen. Shraddha, daughter of Shakti Kapoor, who has acted in over 38 films entered Bollywood in 2010 with Teen Patti followed it with her first leading role in the teen drama Luv Ka The End (2011). She is considered Alia Bhatt’s rival in a way. She has acted with all the big heroes. She was in Aashiqui 2 produced by Mahesh Bhatt, Street Dancer with her childhood crush Varun Dhawan and Baaghi with Tiger Shroff. In the last three–four years Shradda –– the second most–followed Indian actor on Instagram –– has made a big impression with her fans. It started with Stree (2018), Chhichhore (2019) and Tu Jhoothi Main Makkaar (2023) and the action thriller Saaho (2019). Besides acting, she, like Alia Bhatt has hummed quite a few numbers. One of India’s highest–paid actresses, she has been featured in Forbes India’s Celebrity 100 list since 2014. She endorses several brands and has her own line of clothing. Trade Analyst Girish Wankhede says Shraddha is at the top of the game with the stupendous success of Stree2. The franchise has rejuvenated her stardom after series of average hit films.
Tamil film superstar Vijay’s hunt for a venue for his party Tamil Vetri Katchi’s inauguration has been a tale of frustration that betrays the fear people have of being seen promoting a new player on the political scene. The hunt had led Vijay’s party members to several cities and towns in the state looking for a venue like an open ground that can accommodate around 10 lakh people who are expected to attend. Having looked at suitable venues in Trichy and Salem, the party had to cancel with the parties owning or controlling the venues pulling out for fear of getting into trouble with the powers. The party had then approached a private college management to lend their campus and ground in Vikravandi, a town about 120 kms south of Chennai. The venue may not be big enough if a million people get there for the inaugural slated for September 22. The party is said to be still trying for a more suitable venue even as preparations are on for releasing the party’s flag on August 23 so that supporters and fans can carry the flags to the venue on the inaugural day. The party is determined to get the party off the ground in a spectacular way in September. Vijay’s final film – The Greatest of All Time or GOAT –– before his political plunge will hit screens on September 5.
TRENDS & VIEWS
Editor’s Note: Big Punch In Small Pack
It is the Third Anniversary of Short Post and as a news media startup launched during the Covid-19 pandemic it certainly feels better than good to find ourselves where we are today. Here, I must cite the unstinted support of our seasoned contributors, all senior editors in the country, who brought a great degree of maturity and sagacity to the Short Post newsroom. But for them, our tagline “Authentic Gossip”, an Oxymoron, would not have matured viably. Our user numbers may be small but our stories have created the desired impact among people who matter — decision makers and influencers. We offer a big punch in a small pack and Short Post with its 225-word stories has been punching above its weight category. Having posted close to 3,000 stories in the last 36 months, Short Post, I feel, is an idea whose time has come.
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If you look at the media landscape – print, TV and digital — it is a mixed bag. There are job losses as some outfits have closed down while a lucky few were bailed out by large corporate houses. Yes, there is a lot of action in the digital space. However, the entry of corporate houses has raised the question of independence of news media outfits. Sadly, there are just a handful of independent media outfits in the country that are highly respected for their neutrality. At Short Post, our credo is not to take sides, prejudge issues or be biased but, informing readers of behind-the-scenes happenings. In essence, Short Post strives to be a neutral editorial platform — neither anti-establishment nor pro-establishment.
As I said last year, disruptions in the media world are moving at a fast and furious pace. Technology is playing a very big role in how content is generated and consumed. But, we are neither alarmed nor perturbed as it is all a part of the evolution process. What gives us comfort is that AI is unable to create original gossipy content. And that is the news arena where we have achieved a distinction.