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Will Harmanpreet Kaur and Smriti Mandhana pull off a coup at the ICC Women’s T20 World Cup in the United Arab Emirates? The two stalwarts of the Indian team are the top two run-getters in the format for India and among the top three in the world. Kaur has played 153 innings from 173 matches, scored 3426 runs, and has featured in 92 wins, while Mandhana, 135 innings from 141, scored 3493 runs and has featured in 79 wins. Kaur has played all eight previous world cups, and Mandhana has five. But both have been erratic in the global competition which is reflected in Kaur’s average of 20.57 and Mandhana’s 22.45. That India is placed in a tough group along with six-time winners Australia, New Zealand, Pakistan, and Sri Lanka means that they cannot make a faltering start against New Zealand at the Dubai International Stadium on October 4. India has won 55.56% of its World Cup matches and has a 50% record against Australia and New Zealand (played 4 and 2 wins each), four wins against Sri Lanka out of five and five wins against Pakistan from seven matches. Since only two advance to the knockout from the preliminary stage, India starts its campaign with a pressure match against New Zealand. India has not played a single Twenty20 international in Dubai, as is the case with Australia. But Pakistan and Sri Lanka have. India has played 36 matches since January 1, 2023 and lost 10 including the Asia Cup final to Sri Lanka.
Maharashtra BJP is facing a quandary since the mass media is awash with reports about a purported internal survey conducted by the party in Vidarbha region. The reason – the prediction that neither the BJP nor the Mahayuti will fare well in the region. Although BJP leaders are yet to react to the news stories, the survey has reportedly said that the Mahayuti can win around 25 seats out of the total 62 in the BJP’s traditional stronghold. Vidarbha was once the Congress citadel and had stood by Indira Gandhi even after the post-emergency election in 1977. However, it has been a cakewalk for the BJP since 2014. The first jolt it received was the Lok Sabha election earlier this year as the Congress performed unexpectedly well, at the cost of the BJP. In 2019, the BJP-led saffron alliance had won 39 of the seats. However, after the splits in the Shiv Sena and the NCP, the configuration has undergone a sea change. In view of the Lok Sabha voting pattern and analysis, the Mahayuti will have no problem in remaining at the top but its dominance will be dented seriously, if one wishes to trust the so-called survey findings. According to the survey assessment, the BJP will be able to win 18 seats while the Sena (Shinde) will bag just five and the NCP under Ajit Pawar a token two. The overall tally of 25 for the Mahayuti will impact the alliance’s ambition of returning to power in the state in the election, most likely to occur in November this year.
Maharashtra deputy chief minister Ajit Pawar has finally rung down the curtains on the speculation surrounding the prestigious Baramati assembly constituency by giving out ample indications that he will contest the seat this time, too. Ajit took this decision after he was advised that his shaky stance could cost the NCP(A) heavily. Ajit has also scored over the two other Mahayuti partners – the BJP and the Shiv Sena (Shinde) — by finalising nearly two dozen assembly candidates. Both these parties are still to decide on their nominees. Internecine power struggle and past rivalry with each other are hindering the list finalisation. The picture on the Maha Vikas Aghadi is a little different. None of the MVA partners has so far declared any name of a prospective candidate. Against this backdrop, Ajit has overtaken all other parties in the state. Equally important is his willingness to enter the fray after dilly-dallying for a long time. The other names in Ajit’s list include former home minister Dilip Walse Patil, senior leader Chhagan Bhujbal and the legislative assembly’s deputy speaker Narahari Zirwal. Not to take a chance, Ajit’s team started combing the Baramati constituency much earlier. The contest will be a fierce one if Ajit’s nephew Yugendra Pawar decides to take on his uncle. Yugendra is groomed by NCP founder Sharad Pawar ever since Ajit broke away from the parent party. Whatever the outcome, the seat will remain with the Pawar family, which has been holding it for the past 55 years.
Even as Tamil Nadu chief minister MK Stalin signed off his U.S. sojourn with a “goodbye USA” post, there is still a lot of speculation about the real purpose behind his nearly month-long tour across America. Though the official reason being given is that he had gone there to talk up foreign investment for the state, but both his critics and well-wishers are not convinced that the kind of business meetings that Stalin had lined up with CEOs reveal foreign investment had driven the DMK leader to camp in the U.S. Sources close to Stalin say the real purpose of the CM staying away from Chennai was that he was advised by astrologers, consulted by wife Durga, that the CM must stay away from his home, preferably travel across seven seas for the sake of his well-being and future of his politics. That is why in view of the inauspicious times, he also put off elevating son Udhayanidhi as Deputy CM as he was not sure of its impact on senior DMK leaders His critics have been panning his U.S. trip in social media as a waste of public money.
The Communist Party of India (Marxist) in Bengal is grappling with a significant leadership void following the sudden demise of Sitaram Yechury, the party’s General Secretary since 2015. Known for his pivotal role in steering the CPI(M) through turbulent political waters, Yechury’s death has left a profound impact, particularly on the Bengal State Committee, with which he had close ties. His demise has now triggered discussions within the party regarding his successor, with sources close to Alimuddin Street indicating that the Bengal faction is seeking someone aligned with its interests. Among the names being floated for the interim general secretary position are Brinda Karat and Prakash Karat. However, sources close to the party’s leadership in Bengal suggest that Brinda Karat has the edge, primarily due to her past association with Bengal. She was nominated to the Rajya Sabha by CPI(M) Bengal secretary Anil Biswas, further solidifying her connection with the state’s leadership. As there are also whispers about Maryam Alexander Baby, a former Kerala minister, as a possible successor to Yechury, in the upcoming Central committee meeting, the state unit is likely to push hard for a leader with pro-Bengal sentiments to take up the national leadership role owing to Yechury’s Bengal connections. Mohammad Salim, the current Bengal State Secretary, is another figure whose name has been suggested for a possible elevation to the national level. If Salim were to step up, the Bengal unit would need to find a new state secretary..
Six months after he was first arrested in the liquor policy scam, Delhi chief minister Arvind Kejriwal got bail in the CBI case. The AAP chief will now walk out of Tihar jail having been granted interim bail in the ED’s money laundering case in June. Fifth leader to get bail after AAP leaders like Manish Sisodia and Sanjay Singh in the same case, Kejriwal’s release may help the AAP go full throttle in its campaign in Haryana — where it will be taking on both incumbent BJP as well as the Congress, which refused to ally with it. Haryana-born Kejriwal will also have the advantage of testing his acceptability in the state even as AAP rules adjoining Punjab. The bail conditions make it difficult for Kejriwal to return to Delhi CM’s office. It is likely that he may go for an interim CM, elevate wife Sunita. Legally, the bail verdict has cast the CBI in a poor light as one of the judges invoked “caged parrot” analogy of the coal scam era and dubbed CBI arrest as “unjustified” after Kejriwal had secured bail in the ED case. Lok Sabha MP Sheikh Abdul ‘Engineer’ Rashid, who had been incarcerated in a terror-funding case under PMLA for 5 years, was recently freed by a NIA court to take part in J&K polls. To his surprise, the man who had trounced former CM Omar Abdullah in Baramulla was shocked to find that only fewer people had turned up to listen to him as he addressed his first election rally in Baramulla. Will Kejriwal’s experience be different from Rashid’s?
Congress leader Rahul Gandhi’s meeting with U.S. lawmaker Ilhan Omar sparked controversy, with the ruling BJP accusing him of aligning with anti-India forces. “…He has become the first LoP from India who met with a declared anti-India MP Ilhan Omar notorious for speaking against our country,” said BJP leader Sudhanshu Trivedi. Ilhan Omar serves in the U.S. House of Representatives, representing Minnesota’s 5th Congressional District, which includes Minneapolis and nearby suburbs. Omar has introduced resolutions in the U.S. Congress that criticised India’s policies and spoke against India’s decision to revoke Article 370, which gave special status to J&K. In April 2022, she visited Pakistan, met with top Pakistani leaders, including former Prime Minister Imran Khan, and travelled to Pakistan-Occupied Kashmir (POK). India condemned the U.S. Congresswoman’s visit to POK. In June 2023, Omar boycotted PM Modi’s address to the U.S. Congress. In June 2023, she introduced a resolution calling on the US Secretary of State to designate India as a country of particular concern for alleged violations of religious freedom. BJP IT cell chief Amit Malviya accused Rahul Gandhi of siding with Ilhan Omar, whom he described as a Pakistan-sponsored anti-India voice. His reaction came a day after Rahul in an address to the diaspora, took a jab at the BJP, saying people are no longer afraid of PM Modi after Lok Sabha results. In the backdrop of J&K polls, it would be interesting to see how Rahul’s photo-op interaction with Ilhan Omar plays out in the UT.
Netflix India’s content head Monika Shergill met Union I&B Ministry officials answering summons over controversy surrounding Anubhav Sinha’s IC814 -– The Kandahar Hijack web series aired worldwide. The inadequate disclaimer tagged alongside the series was promptly rectified with additions reflecting, “During the hijacking of IC814 (Indian Airlines plane) terrorists used aliases, code names. The names of terrorists were: Ibrahim Athar (alias Chief), Shahid Akhtar Sayed (alias Doctor), Sunny Ahmed Qazi (alias Burger), Mistri Zahoor Ibrahim (alias Bhola), Shakir (alias Shankar).” While expected to bring closure to issue, BJP is livid at the selective advisory being aired limitedly on Netflix India while global feeds (aired through U.S.-based servers) continue depicting the old disclaimer. I&B Minister Ashwini Vaishnaw faces flak from within BJP for the limited clarification. “The Indian Hindu diaspora is a global phenomenon in every corner of the world. Why is disclaimer restricted to resident Indian audiences? I&B Minister must take issue with Netflix,” senior BJP leader Mahendra Jain says. Another leader states, “Vaishnaw knows the old disclaimer was amended to include fresh advisory to be put out globally to set the record straight. This is now akin to hijacking the clarification itself to suit Netflix’s convenience. When newspapers issue rejoinders over inaccurate facts, it’s not limited to one segment alone but carried across editions so all readers are well informed.” He added BJP’s former I&B minister Ravi Shankar Prasad lost his ministry over a smaller faux pas after being tasked by PM Narendra Modi for tackling X over pejorative content regularly tweeted. “Back then, Prasad’s own twitter account was suspended which did not go down well with the BJP higher ups and he lost his job. Vaishnaw must pull up his socks or else face a similar fate.”
The Chennai-headquartered Shriram Group has become a bone of contention between NCLT and IRDA. One of the largest financial services companies in the country underwent a series of reorganization in the not-so-distant past. Ostensibly, the objective was to un-clutter its cross-holdings to usher in a simplified structure. By doing so, it sought to consolidate its focus on its core business. The restructuring process also involved two group companies — Shriram Life Insurance Company Ltd and Shriram General Insurance Company Ltd. As part of the process, the separate investments of Shriram Capital in these two insurance ventures were demerged into two SPVs (special purpose vehicles) – Shriram LI Holdings and Shriram GI Holdings. These investments were described as businesses while setting in motion the demerger process. This was done mainly to address the taxation angle. Within a year or so of the formation of these two SPVs, a move was initiated to amalgamate these two with the Shriram Life Insurance Company Ltd and Shriram General Insurance Company Ltd. The NCLT in Jaipur (where Shriram General is headquartered) and NCLT in Hyderabad (where Shriram Life is headquartered) heard these cases for approval. Insurance regulator IRDA raised objections to the amalgamation at Jaipur NCLT. The IRDA insisted that it had sole powers to approve since the merger related to the insurance entity. The Jaipur NCLT, however, declared that a merger of a non-insurance company with the insurance firm falls within the purview of the Companies Act, and, hence, IRDA has no power. The NCLT Jaipur suggested that only transfer of shares would come under the Insurance Act. In this instance, the amalgamation will result in the issue of fresh shares only. Hence, the NCLT Jaipur is convinced that fresh share issue comes under its purview only. The amalgamation move, no doubt, has the NCLT nod. But the NCLT Jaipur order has a lot to ponder over for the IRDA. Consequent to the NCLT Jaipur...
Looks like the BJP government in Odisha is in a hurry to obliterate all things related to the previous Biju Janata Dal government headed by Naveen Patnaik. No sooner he took over as chief minister, BJP’s Mohan Charan Majhi renamed Naveen Patnaik’s 40 popular schemes. Seeing no resistance to this move seems to have emboldened the Union Education Minister Dharmendra Pradhan to go one step ahead by mooting the idea of renaming Odisha’s 156-year old prestigious Ravenshaw University, named after a Britisher Thomas Edward Ravenshaw who was Commissioner of Odisha in 1865. Pradhan’s idea seems to have backfired and created a major uproar across all classes of people in the state. Alumni members of Ravenshaw and Odisha’s intelligentsia have formed the Ravenshaw Heritage Forum to protest against this name change initiative. They say, there are two temples in Odisha, one is the Lord Jagannath Temple at Puri and the other one is Ravenshaw University and we will not allow name change of the university.. The BJP seems to have realised their folly and are now trying to back-peddle saying it was Pradhan’s personal opinion. Devdas Chottray, the first Vice Chancellor of Ravenshaw University said “University’s identity is related to its name representing both pre-modern and modern Odisha”. The university represents not just an institution of learning, but is an integral part of Odisha identity which produced eminent statesman like Biju Patnaik, Harekrushna Mahtab, Pratibha Ray, poet Jayant Mohapatra, Madhusudan Das, Gopabandhu Das and others. Former Indian Ambassador to Philippines Lalduhthlana Ralte who studied in Odisha said “Nothing wrong in having a colonial past, it reminds us to be resilient”.
Netflix India’s content head Monika Shergill met Union I&B Ministry officials answering summons over controversy surrounding Anubhav Sinha’s IC814 -– The Kandahar Hijack web series aired worldwide. The inadequate disclaimer tagged alongside the series was promptly rectified with additions reflecting, “During the hijacking of IC814 (Indian Airlines plane) terrorists used aliases, code names. The names of terrorists were: Ibrahim Athar (alias Chief), Shahid Akhtar Sayed (alias Doctor), Sunny Ahmed Qazi (alias Burger), Mistri Zahoor Ibrahim (alias Bhola), Shakir (alias Shankar).” While expected to bring closure to issue, BJP is livid at the selective advisory being aired limitedly on Netflix India while global feeds (aired through U.S.-based servers) continue depicting the old disclaimer. I&B Minister Ashwini Vaishnaw faces flak from within BJP for the limited clarification. “The Indian Hindu diaspora is a global phenomenon in every corner of the world. Why is disclaimer restricted to resident Indian audiences? I&B Minister must take issue with Netflix,” senior BJP leader Mahendra Jain says. Another leader states, “Vaishnaw knows the old disclaimer was amended to include fresh advisory to be put out globally to set the record straight. This is now akin to hijacking the clarification itself to suit Netflix’s convenience. When newspapers issue rejoinders over inaccurate facts, it’s not limited to one segment alone but carried across editions so all readers are well informed.” He added BJP’s former I&B minister Ravi Shankar Prasad lost his ministry over a smaller faux pas after being tasked by PM Narendra Modi for tackling X over pejorative content regularly tweeted. “Back then, Prasad’s own twitter account was suspended which did not go down well with the BJP higher ups and he lost his job. Vaishnaw must pull up his socks or else face a similar fate.”
The rape-murder of RG Kar hospital doctor has led to a wave of revelations in the Bengali film industry. Women across all levels have come forward with allegations of sexual harassment against influential figures, including directors and producers. In response to these allegations, the Federation of Cine Technicians and Workers of Eastern India (FCTWEI) recently announced the formation of a special 15-member committee, named ‘Suraksha Bandhu,’ aimed at safeguarding women in the industry. However, the formation of the committee has sparked controversy, with the Directors Association of Eastern India (DAEI) questioning the legitimacy of the new body. Director Sudeshna Roy representing DAEI criticized the FCTWEI for not adhering to a proper process when selecting committee members. She also challenged the Federation’s statement that claimed 60% of directors and 40% of producers were implicated in the complaints. Roy pointed out that the technician’s association is led by Swaroop Biswas, brother of state minister Aroop Biswas, and alleged that Swaroop made the sole decision to constitute the women’s protection committee without consulting other key stakeholders. She argued that the Federation is not the industry’s sole regulatory body and questioned its authority to unilaterally form such a committee. In contrast, DAEI has proposed the creation of a new committee, ‘Women’s Forum of Screen Workers Plus,’ which would be tasked with addressing complaints of sexual harassment. It may be recalled that celebrated director Arindam Sil was banned by the Directors Guild following multiple complaints of sexual harassment. The ban will remain in effect until Sil is proven innocent, signalling that the industry is taking the allegations seriously.
You say what’s in a name, it is what you make of yourself that finds your name in history. There is at least one mega star who would differ aggressively…actually the very name he shunned turned into the mega brand, loved and idolised. Many have wondered what the name Mammootty meant. For the past 50 odd years, it has shot into global popularity and respect. Mammootty who turned 73 on September 7 was born into a conservative family. His parents Ismail and Fathima ran a modest trade business in clothing and rice in Kerala. Mohammad Kutti, the eldest of their six children, dreamt of getting into films but family pressure saw him graduate from Ernakulam’s Maharaja College and forced him to study law so as to add the prefix Advocate to his name. Wanting to be known as Omar Sharif, the Egyptian killer star, Kutti hated his nickname Mammootty, the abbreviated choice of his friends and family. Now comes the filmy twist. One day the postman knocked on the Advocate’s door, asking “Who is Mammootty…I have a letter from MT Vasudevan Nair of Janasakti Films, addressed to Mammootty”. The rest is magical cinematic history. Mammootty , christened and chosen by the genius Vasudevan Nair went on to become the tallest Malayalam film star, with 420 films in his bag…a mix of good, bad and passable. In 2000, Mammootty hit the mother lode of four scorching hits —Narasimhan, Valletta, Dada Saheb and Kandukondein Kandukondein. With four National Awards and countless State Awards, at this age Mammootty still causes heart flutters in women. A nickname turned into a legend, and a guaranteed audience draw. Mammootty, destiny’s child is acclaimed by his son Dulquer Salman as a hard act to follow.
The pre-release hype and hoopla for top star high budget films are hard to ignore. But Archana Kalpathi, Creative Head of Kalpathi Films has more than swivelled 360 degrees to hit the target for Great Of All Time (GOAT) – superstar Vijay’s penultimate film. The usual suspense about extra shows ended when TN cinemas announced a special 9 am show. Kerala went a step further and had a 4 am show as crazed fans from Coimbatore and state border towns pole-vaulted to Kerala cinemas. The (unofficial) ticket cost of Rs 1000 shot up to 2k. Such is the hold of superstars and the besotted fans…a launch pad for politics that TN stars transit from formula films to politics with ease. Tamil news had snippets of who watched GOAT where …top heroine Trisha watched the movie with Archana, Director Venkat Prabhu preferred Kamala cinema. If the delirium surrounding Vijay was not already palpable, another snippet conveyed that Thala Ajit was one of the first to call, and wished Vijay all the best for his mega hit. The buzz about the AI and De-ageing technology used in the film to differentiate between father Vijay and his son is sure to kindle curiosity. The last few years had a rush of filmi gossip about Vijay’s estranged parents and wife Sangeeta, even son Sanjay’s rebellion. Suddenly, photos of the entire family bonding watching the film at this time were flashed in the media.Vijay’s newly minted party TVK is now planning the mother of all public gatherings to present Vijay as the new messiah of TN. Interestingly, throughout the film, Vijay drives a car with the number plate TN07 CM 2026! Talk about subtlety!
Controversy seems to be the middle name of this 38-year old Queen of Bollywood. Once again actor-director-politician Kangana Ranaut is making headlines over soon-to-be released movie, Emergency where she plays the role of Indira Gandhi. Even as she hops from news channel to news channel promoting her movie and giving her version of the story, the political parties like Congress, Shiromani Akali Dal (SAD) have sought a ban on the movie. Looks like she is a proxy for hitting the BJP. SAD, which has sent her a legal notice wants Kangana to delete a scene which shows Indira Gandhi being assassinated by Sikh security guard.. Surprisingly, even though her party BJP is backing her, the movie is yet to receive the go ahead from the Central Board of Film Certification. Most of her movies in the last few years have not done well. Nearly six of her movies like Katti Batti, Simran Panga and Tejas have not got big numbers at the box office. According to Trade Analyst, Girish Wankhede Emergency does not look strong enough to resurrect her career. Reportedly, she has decided to quit films after being elected from the Mandi Lok Sabha constituency. It is learnt that more than Rs 80-90 crore is riding on Emergency. A hardcore nationalist, Kangana who speaks her mind and not bothered of consequences has been told by her party to not to give comments on any issues.
Thrust the Malayalam film makers to rework things amidst the OTT boom, especially yesteryear producers/directors who are missing the present day boom. Malayalee film goers are queuing up to watch some of the yesteryear classics like Manichitrathazhu, Devadoothan, Spadikam etc first released 20 to 30 years back. The re-release boom is fast catching up with at least 15 to 20 old Malayalam classics being lined up for re-release. Film maker Sibi Malayil, who is behind the re-release of Devadoothan, says that “one thing we need to ensure is that the quality of the visuals and sound improves on re-releasing a movie. Better quality raw materials help in giving audiences a better theatre experience, he added. It costs about Rs 1 crore to rework an old movie to give a 4K experience. Devadoothan, a Mohanlal starrer was a colossal flop when it was released first, 24 years back. Today, after restoring the film, re-editing and removal of unnecessary scenes and even adding spice to some of the fight scenes, the film has grossed Rs 4 crore in two weeks at the theatres. The movie is still running full house in the third week. Movies being lined for re-release include Mohanlal’s Devasuram (1993), Araam Thampuran (1997), Mammoothy’s Oru Vadakkan Veeragatha (1989) and Palery Maanikyam Oru Pathira Kolapaathakathinte Katha (2009). But, theatre owner Liberty Basheer sounds a word of caution. “We cannot predict the audience. Most of these films are available on YouTube or have been telecast on TV. Not everyone would want to experience the 4K version. “Kerala of late has been witnessing huge footfalls at theatres following successful launches of new generation films like Manjummel Boys, Avesham, Premalu etc which have grossed theatre collections over Rs 100 crore.
Something very laudable is happening in Kollywood. Acclaimed film director Bala was all praise and laurels for a just released film Vaazhai, directed by Mari Selvaraj which would have easily passed into oblivion, as it has no glitzy stars nor high amp pre- promos. Just a cute story that unfolds and tugs at your heartstrings, the kind of film that the audience relegates as Festival types. A teary-eyed, highly talented director Bala hugged Mari Selvaraj and said, “We are surely and supremely on the road to global acclaim for Tamil cinema and artists”. Ace director Mani Rathnam too praised the film. Result: 60% of the theatre audience have watched this movie due to endorsements by these well-known directors. There is a big sea change happening, and a very essential change in the themes, treatment, cast and most telling in the budget. Sensible producers like Sivakarthikeyan and directors like Vinothraj have touched audience sensibilities that over the top budget and cast do not make a film watchable. Actor Sivakarthikeyan is glowing with pride that his just released Kottukkaali (fresh from its showing at the 74th Berlin Festival) has garnered rave reviews from peers and patrons. Soori, the film’s main protagonist/antagonist has risen like a colossus from his earlier avatar as a comedian, sidekick. Bollywood and its bean counters are sure to be wondering if it is not big money, then what is the secret sauce of such small budget films. Simple themes but powerful storytelling.
This 37–year old Bollywood actress quietly made a big splash. Shraddha Kapoor’s latest film Stree 2 has drowned both John Abraham’s Vedaa (Rs 10.5 crore) and Akshay Kumar’s Khel Khel Mein (Rs 9.95 crore) in the box office. In three days Stree 2’s collection was Rs 100 crore… Rs 150 crore on the fourth day. Movie critic and trade analyst Taran Adarsh tweets “Indeed, #Stree2 is rewriting the rules of the game”. Bollywood watchers say she can well be called the franchise queen. Shraddha, daughter of Shakti Kapoor, who has acted in over 38 films entered Bollywood in 2010 with Teen Patti followed it with her first leading role in the teen drama Luv Ka The End (2011). She is considered Alia Bhatt’s rival in a way. She has acted with all the big heroes. She was in Aashiqui 2 produced by Mahesh Bhatt, Street Dancer with her childhood crush Varun Dhawan and Baaghi with Tiger Shroff. In the last three–four years Shradda –– the second most–followed Indian actor on Instagram –– has made a big impression with her fans. It started with Stree (2018), Chhichhore (2019) and Tu Jhoothi Main Makkaar (2023) and the action thriller Saaho (2019). Besides acting, she, like Alia Bhatt has hummed quite a few numbers. One of India’s highest–paid actresses, she has been featured in Forbes India’s Celebrity 100 list since 2014. She endorses several brands and has her own line of clothing. Trade Analyst Girish Wankhede says Shraddha is at the top of the game with the stupendous success of Stree2. The franchise has rejuvenated her stardom after series of average hit films.
Tamil film superstar Vijay’s hunt for a venue for his party Tamil Vetri Katchi’s inauguration has been a tale of frustration that betrays the fear people have of being seen promoting a new player on the political scene. The hunt had led Vijay’s party members to several cities and towns in the state looking for a venue like an open ground that can accommodate around 10 lakh people who are expected to attend. Having looked at suitable venues in Trichy and Salem, the party had to cancel with the parties owning or controlling the venues pulling out for fear of getting into trouble with the powers. The party had then approached a private college management to lend their campus and ground in Vikravandi, a town about 120 kms south of Chennai. The venue may not be big enough if a million people get there for the inaugural slated for September 22. The party is said to be still trying for a more suitable venue even as preparations are on for releasing the party’s flag on August 23 so that supporters and fans can carry the flags to the venue on the inaugural day. The party is determined to get the party off the ground in a spectacular way in September. Vijay’s final film – The Greatest of All Time or GOAT –– before his political plunge will hit screens on September 5.
Ever since this film was announced, Thangalaan, with iconic actor Vikram in the lead, it has garnered media news by the ton. With good reason too…audience still recall KGF and its thrilling story, our very own Mackenna’s Gold. Who wouldn’t be hooked by the thrill of prospecting for gold? Thangalaan is now anticipated as another KGF. Directed by Pa Ranjith, the man who creates stunning visuals even as the hard hitting screenplay unfolds. But suddenly, a scary twist hit the film’s much-awaited release. A Division Bench of the Madras High Court decreed that the producer, KE Gnanavel Raja and Easwaran, stakeholders of Studio Green deposit Rs 1 crore by August 15 in the account of the official assignee representing the late creditor Arjunlal Sundardas who had pleaded insolvency before he died. Thangalaan faced the oft-repeated speed breaker in films, creditors who are as keen to get the money back as the producer to release his film made with blood, debt and tears.
There has always been a love-hate relationship between the Bollywood stars and scribes. Not to forget the paparazzi. A seasoned journalist covering the industry for over three decades was shocked and surprised to see the way stars are snapping at journos and their menacing tone these days. This seems more pronounced in the past few months. At the press conference of John Abraham-Sharvari starrer Vedaa, John was visibly annoyed when a reporter asked him whether he was playing safe by doing the same kind of roles. In the case of Akshay Kumar, he is avoiding giving interviews …and he is very selective to which journalist he will speak to. Before journos ask for consecutive failure of his films, Akshay preempts them and says “only five films” have flopped. But, he forgets the crores of rupees producers have lost. One producer had to put his office on the block to pay his entire crew. And the new trend is all stars are asking reporters to give questions in advance. Inspite of that Sanjay Dutt at a press conference over UK denying him visa made a boo-boo in one of the answers to a question, why he was signing for villain’s role these days? And it seems Ajay Devgn avoids promoting films and his latest movie with Tabu Auron Mein Kahan Dum saw a meagre collection of Rs 10 crore in the first eight days. Most of the Bollywood stars need to understand that they need to connect with the media to connect with their ‘audiences’. It is clear banning or shunning the media does not work for stars or scribes. In the eighties Big B had banned media for nearly a decade but finally smoked a peace pipe.
They are no longer behind the scene players. The spotlight is on them too. A case in point is Shah Rukh Khan’s manager Pooja Dadlani, besides film dos she was seen with SRK in most IPL matches. In Bollywood, the role of secretary has metamorphosed into manager. The whole dynamics has changed with manager/professional agency handling stars. Film historian Dilip Thakur says, “Back then, the secretaries knew how the film industry functioned and worked in such a way that the entire industry benefited.” Today it seems a mercenary approach, the agencies are interested in seeing that stars fees are 40% of the budget of a film. This is one of the reasons many films are bombing. A few decades back, the star’s secretary played a different role. They ensured that their star bosses are projected well. They did not think of money. When Big B returned after quitting politics, his secretary Sheetal Jain managed to organise three muhurats in a day at Mehboob Studios. And the films were Hum, Agnipath and Luv Kush. For creating buzz around Amitabh all the credit goes to Sheetal. Rajesh Khanna’s secretary Gurnaam made sure he picked the right script; she had a role to play in his super stardom. After her death, Kaka’s career plunged. Rikku Rakesh Nath who made careers of Madhuri Dixit, Shilpa Shirodkar and Anil Kapoor also ensured that some of his star clients who had no films (read jobless) got one or two films. That speaks of his clout, commitment and dedication. Sridevi’s secretary Hari Singh went that extra mile to ensure she was presented well, bagged meaty roles, and managed to get her to the No 1 position at a time when Madhuri Dixit was ruling the roost. Today, many secretaries/managers have evolved further –turned producers albeit with the backing of the stars.
Tamil film popular star Vishal’s Sandakozhi (Fighter Cock) hit the headlines in 2005, swaying its audience for 210 straight days in cinemas. The pugnacious Vishal gained popularity as a saleable star and was signed up for more films. Soon he started Vishal Film Factory. And parallel to this he also turned bellicose and aggressive for both right and wrong causes. He became the Sandakozhi in his professional life, and has been in the news for many a contentious issue. Vishal also took on Udhayanidhi Stalin’s Red Giant Distribution house though indirectly as he feared his film Rathnam could be stymied by alleged monopoly and manipulative practices. Sometimes back, he talked about corrupt practices in the Central Board of Film Certification to get his film Mark Antony certified. But now things have hit a churning point. His venture, Vishal Film Factory had borrowed Rs 23 crore from financier GN Anbu Chezhiyan. But then Vishal had a cash flow problem. To bail him out Lyca Productions stepped in and took over his debt with a deal that all future releases would go through Lyca. Vishal allegedly reneged on the deal and Lyca took him to court. Vishal had to appear in the Madras High Court of Her Honour P T Asha on July 29. During the court proceedings, when he declined that he had signed a contract but had signed a blank paper. The Judge shot back, “You were supposed to settle all dues before Sandakozhi2 release. You think it is smart to deny your own signature”? Vishal interrupted the Judge and addressed her… “Boss”. The Judge, already irritated, countered “You can’t use Boss. Just say yes or no”.
It almost seemed like a sisterly act of reaching out to each other. Both FM Nirmala Sitharaman and West Bengal CM Mamata Banerjee are continuously engaging each other in social media. After FM Sitharaman praised Mamata for attending the NITI Aayog meeting and later openly lauded her in the Lok Sabha, the TMC, in its official handle, reposted her praise on X. ‘A good Chief Minister and a fighter who has been leading the state for so many years!’ “FM@nsitharaman in a moment of honesty praises our Chairperson in Parliament. TRUTH CANNOT BE SUPPRESSED FOR LONG”! In her reply to the debate on Union Budget in the Lok Sabha on July 30, FM was particularly irked by TMC MP Prof Saugata Roy, who had remarked that he did not expect the “FM to be like Dr Manmohan Singh” as she was not a PhD from Oxford like Dr Singh not even like Chidambaram, who had got a management degree from Harvard. “She is from our own JNU. But the problem is, she is bereft of new ideas.” A somewhat peeved FM said “A lady who I respect a lot, who sits equally in the GST Council with me, who is the FM of West Bengal, studied in the University of Kolkata. She is not a Member of this House. She is the FM of West Bengal (Chandrima Bhattacharya) and studied in the University of Kolkata. Is she also bereft of new ideas? She makes wonderful contributions to the GST Council.” The CM of West Bengal is also from the colleges affiliated to the University of Kolkata. Does this mean that if you study in the Indian universities, you are bereft of ideas? In what way are we less than the Harvards of the world or the Oxfords of the world?
At 41, Dulquer Salmaan has an envious track record of big achievements –MBA from Purdue University, a Dubai stint in IT major, and then quitting this comfort zone to plunge into films to prove that just being legend Mammootty’s son would not put him in the orbit of pan India success. In 2012, when Dulquer wanted to act in films, the easiest thing for him would have been to latch on to the fame, name and star adulation of his father who at 73 continues to rock Malayalam cine world. But Mammootty made it clear that he would not call in any favours. Dulquer proved that he could build his own niche. He instinctively chose pan India films and themes in Telugu, Hindi, Tamil and Malayalam acutely aware that Dad was a hard act to follow in just Kerala cinema. A brilliant strategy that has won him a Filmfare Award and other trophies. Sita Ramam turned out to be both a creative and commercial hit, after his O Kadhal Kanmani (Mani Ratnam directed ) Kannum Kannum Kollai Adithal, King of Kotha, Karwaan and a host of projects that have built his star status, frame by frame. Dulquer runs profitable enterprises, and is brand ambassador too. His passion for bespoke cars is a luxury his star status brings. Recently when someone compared his rise to the likes of Shah Rukh Khan, an embarrassed Dulquer shot back and said please don’t insult Shah Rukh Khan. Not many star progeny have built the kind of sustained following Dulquer has carved out for himself.
One remembers Rishabh Shetty reacting to a question, if Kantara should be remade in Hindi. “Why should it be made in Hindi when I have already made it,” came the pat reply. Today, the success record of remakes in Hindi is only going down. Sarfira, Selfiee and Shehzada have flopped miserably. Why does Bollywood opt for remakes when there is so much original content waiting to be made? Once upon a time dubbing was not entertained with the theatre flocking audiences. Then, audiences accepted remakes and it became a hit. For example, Vinod Khanna-Shatrughan Sinha starrer Mera Apne was a remake of Bengali hit Apanjan. Rajesh Khanna-Hema Malini starrer Prem Nagar was a remake of Telugu movie Prema Nagar. Cut to the digital era, all movies are dubbed globally…and audiences have no reservations watching Bhojpuri or Telugu or Korean movies. According to Trade Analyst Girish Wankhede, there are four reasons why remakes of regional films do not work today. First, the OTT platform comprises the original content which is pushed on in all languages and its reach is mind-boggling. There is no novelty left when remakes are made. Tamil film Soorarai Pottru starring Suriya was a big hit and popular on OTT platforms too. When Bollywood made Sarfira’ majority of people had already watched it on OTT. Second, dubbed versions of South Indian blockbusters are shown on TV whose reach is astronomical. Audiences in the North are aware of the popularity of Jr NTR, Suriya, Prithviraj, Vikram and others. Third, no marketing of remakes. Fourth, sometimes the essence is lost in remakes. Marathi hit Sairat was remade in Hindi but the Hindi movie Dhadak dropped certain crucial parts as a result it flopped.
The Bengali film industry is seeing a faceoff between the Directors’ Guild and the Federation of Cinema Technician Workers of Eastern India (FCTWEA) leading to political interventions to resolve the issue. The trigger was a 3-month shooting ban on Tollywood director Rahool Mukherjee for commencing shoot without requisite permissions from Directors’ Guild and FCTWEA. Notably, FCTWEA is led by Swaroop Biswas, the brother of Trinamool Congress minister Aroop Biswas. The situation has intensified with several high-profile Tollywood figures speaking out against the ban. Directors Parambrata Chattopadhyay, Kamaleshwar Mukhopadhyay, and Kaushik Ganguly, along with TMC MLA and director Raj Chakraborty, and actor-turned-MP Dev, have condemned the restriction. On July 26, the Directors’ Guild gave green signal to Mukherjee to start shooting of his film starring Prosenjit Chatterjee and Anirban Bhattacharya. However, FCTWEA refused to lift the ban and permitted Mukherjee only to serve as a creative director. This decision led to a fiasco on July 27 when several technicians failed to show up for the scheduled shoot. Prosenjit pointed out that such a situation is detrimental for the Bengali film industry. Dev expressed strong disapproval of the Federation’s stance, while Parambrata Chattopadhyay accused Federation officials of leveraging their position to impose their own crew members, despite having sufficient staff already in place. The issue has stirred concerns about the influence of political figures on the film industry, with allegations of muscle-flexing by the Federation at the behest of Minister Aroop Biswas’s family. Director Rahool Mukherjee is keen that the whole situation is resolved amicably in the interest of Tollywood. Will the West Bengal chief minister Mamata Banerjee who enjoys a cordial relationship with Tollywood personalities intervene and resolve the conflict?
Just before the release of his own Rs 100-crore budget directorial film Raayan, Tamil film popular star Dhanush went through pre-release agony of doubt and fear… he needn’t have. The crowds exiting cinemas were full of praise and admiration…for not just his direction, but the gracious way of projecting every actor in his or her true worth, not casting himself in every frame, using the ultraviolent action theme to effectively convey the blood and gore story….all in his favour as director. On X, a fan tweeted “A Badshah for Dhanush” (putting him on par with Rajinikanth hit Badshah). With the release of Raayan the debate in Kollywood has now graduated to Dhanush’s directorial skill? Will he plunge full-fledged into direction or manage both acting and direction? His confidence in directing actors like Prakashraj, Kalidas Jayaram, SJ Surya and Sandeep is now evident that he is capable of 50 shades of Grey. Starting off as an average looker and hesitant actor in 2002 in Thulluvadho Ilamai, taking on a variety of films and roles in 23 years, Dhanush has pitched his talent tent, in the right spot, capably. Of course he has gathered much moss and unsavoury baggage in his rise…as star, superstars damaad, family discord, competitive strife with Sivakarthikeyan, media overdrive on so-called dalliance with co-stars. Dhanush who acted in the Hollywood The Grey Man is no longer the Grey Man…He is Atrangi Re.
Looks like the 56-year old Bollywood superstar Akshay Kumar is losing his Midas touch going by total collections of Rs 17 crore for his latest movie Sarfira. The film, a remake of Tamil movie Soraru Puttru, was based on the life of Captain Gopinath of Air Deccan fame. In fact, its budget was much less than Akshay Kumar’s film. Post Covid-19 pandemic the first Hindi film to be released was Akshay Kumar’s Sooryavanshi directed by Rohit Shetty with Ranveer Singh, Ajay Devgn in the star cast. It did well at the box office opening with Rs 25 crore. But after that Bachchan Pandey spelt disaster at the box office and opened with just Rs 13crore. From then on films like Samrat Prithviraj, Raksha Bandhan failed miserably. He bounced back with Ram Setu and OMG 2 which did decent business at the box office. OMG 2 which was a hit had Pankaj Tripathi in the main lead but the actor was appreciated for his role as Shiva. As a producer he had to battle with CBFC for release of the film as it had given it A certification.There were Selfie, Mission Raniganj which opened at Rs 2.80cr which was better than Sarfira. Mission Raniganj earned Rs 33 crore while Bade Miyan Chote Miyan’s failure almost shut Vashu Bhagnani’s office. Sources say Akshay has not signed any new films and has reduced his price by 50%. But, the actor has quite a few films in production. Khel Khel Mein is with Taapsee Pannu and Vani Kapoor and directed by Mudassar Aziz who does not have a great track record. The only hope for Akshay is Housefull 5. Maybe his South sojourn could salvage his career.
Tamil film fans are on a high …just salivating in anticipation of a star cine line-up. Keenly awaited is Lyca Productions’ thriller Vidaamuyarchi with Ajit and Trisha swinging to Anirudh’s merry music under Magizh Thirumeni’s direction. The news about Trisha taking on the director for some obscure issue and other roadblocks put the fear about Vidaamuyarchi becoming Vitta Muyarchi or effort abandoned. But all is well and Diwali is to be lit up by this film. Thangalan, the much talked about Kolar Gold Mines is a film that may take veteran Vikram to new heights in acting. This film, directed by PA Ranjit with music by GV Prakashkumar will be released on August 15. The very first song Minikki Minikki is already a hit for its rural beat, rustic voice and lyrics. Thangalan to be released worldwide in Tamil, Telugu, Kannada, Malayalam and Hindi is predicted to be a creative and cash hit on the lines of KGF and RRR. Dhanush and his 50th film Rayan with a promising story and solid acting line up — Selvaraghavan, SJ Surya, Kalidas and Aparna Balamurali. AR Rahman has tuned the lyrics written by Dhanush with SUN Pictures gearing up for July 26 show time. Suriya’s Ganguva in 3D tech, directed by Siruthai Siva with Disha Patani, Bobby Deol and others is an epic historical film that has been long delayed. No wonder Suriya announced its Fire Song to be out on his 49th birthday on July 23 to keep interest alive in Ganguva. There are several small budget modest films too. Who can predict which of these films will grab audience attention?
The name of the game is marketing. The cinema business is all about hard-selling. The Indian II, a Kamal Haasan-starrer, is reportedly raking good collections at the Box Office despite a mixed review. That’s good news, no doubt, for the tinsel world. Is there a way to discover the exact collection? That could give a clue or two to the real appetite for a good movie. Well, the way forward is to go digital completely. Why not ticket sales be done only through online? For one, that could avoid the serpentine queue in front of the theatres to buy tickets. For another, it could provide visibility to stakeholders across the canvass on the revenue flow. That will go a long way in helping to devise a proper policy prescription to the cinema industry. An influential part of the cinema business is still not fully on-boarded into the formal system. Oftentimes, one is not sure if there is meaningful correlation between attendance at theatres and box office collections. Are we seeing the old style of accounting in the tinsel world? If the Railways could successfully run an online catering service to train travellers, why can’t a similar system be encouraged for sale of snacks and beverages at cinema theatres? The cinema industry has traversed quite long from a totally unorganised existence in the past. If the tinsel world is integrated into the formal system in every way, it will do a world of good to the industry, in general, and the national economy, in particular, if. That is easier said than done,however.
Even in an almost cameo role of Kamal Haasan in Kalki 2898 AD, it raked in the money and the laurels. But his full length sequel epic Indian 2 has turned into an embarrassment for all concerned – director S Shankar, Lyca Productions, Red Giant and cast. Hit in the solar plexus by a super long film that begs to be ignored. Especially brilliant director Shankar who has had many hits in his quiver and a reputation for big scale entertainment. In the high jinx, big money world of cinema many hits are quickly memory erased with one super flop. That’s exactly what has happened to wizard Shankar. But the long gestation period of Indian 2 brought an opportunity for him to sign up Ram Charan (fresh from the laurels of RRR and its near Oscar status) for directing Game Changer. Even as Telugu distributors, financiers and producers are shell shocked by the Indian 2 debacle, they have to scan the sky, hopefully for that rainbow. And appropriately enough it could be Game Changer with the suave Ram Charan. The political thriller written by Kartik Subburaj, features Kiara Advani, SJ Surya, Anjali and others. Ram Charan shared a collage of a helicopter that said, “The Game is about to Change … .Game Changer is all wrapped up. See you at the cinemas.” Cinema is mega money …it needs back to back game changers to survive.
It was the wedding of the century. And as usual the entire Bollywood made sure they marked their attendance at the Ambani wedding. All were there with their families and they really let their hair down. There are a few observations that one saw at the wedding. For starters, the paparazzi, who are often not treated well by the top stars, were pleasantly surprised by the respect accorded to them by Bollywood folks. It looked as though the Ambanis had told them to cooperate with the paparazzi. Shah Rukh Khan who was again seen with his green umbrella covering his face to avoid being papped the next day after the wedding had posed not once but twice at the wedding with the proper salaam to the members of the media. Amitabh Bachchan was spotted waiting for his turn to pose in front of the media while cricketer MS Dhoni posed. Someone like Madhuri Dixit danced to Choli Ke Peeche Kya Hai number. In fact, Salman who is very fond of Anant Ambani made sure even Shah Rukh Khan danced instead of standing and watching others dance. A photograph of Salman Khan and Arjun Kapoor together has gone viral as generally Sallu bhai prefers to stay away from Arjun. All said and done, almost all the top actors and actresses from the film industry participated in Ambani’s wedding whole-heartedly. In fact, all of them had blocked dates for the three Ambani events that took place in the last few months.
Sequels seem to be the current flavour of Tamil films. Even as Indian 2 is chugging along to mixed reactions, Ishari Ganesh and his production House Vel’s, announced the sequel to their 2020 fantasy mythology/ comedy ( new genres are creatively spun ) Mookkuthi Amman. Lady Superstar Nayanthara plays the Goddess. How did a fantasy theme steeped in Divine overtones inspire a sequel? The ways of films and the preferences of audiences are as elusive as The Scarlet Pimpernel. The first film Mookkuthi Amman could not get a cinema release due to Covid-19 pandemic. But the makers were not daunted …they managed a direct OTT release on Disney Hotstar, almost convinced it was due to the divine blessings of Goddess Amman. A beautiful Nayanthara got iconic welcome as the Nose Pin Goddess. RJ Balaji, the main character is also the director of the film. Mookkuthi Amman watches over the good people with her timely interventions and is lionised as the family “go to” deity. When story boards are as dry as a desert, film makers seek sequels — at least the essentials for the film are charted. Only a new story twist is needed. Nayanathara is an appropriate Mookkuthi Amman.
July 12 was a red flagged day for the much-anticipated and delayed release of Ulaga Nayakan Kamal Hassan’s magnum opus, Indian 2, sequel to that 1996 super hit that rocked global viewers for sheer scale, script and cinematic spectacle. Besotted Kollywood fans had almost given up on seeing Indian 2. Tamil film’s ace director S Shankar announced the sequel on January 15, 2019. A five years delay can be financially crippling in the film industry. What went wrong? Everything. At every step the film hit roadblocks. This string of unexpected hurdles could make for a standalone script for “The Making Of Indian 2”. A series of mishaps, infighting between the production house and the director, legal hurdles and an accident on the set — crane fell on the crew killing three workers. Kamal had to take care of the legal summons as he was in no way connected with the mishap. A prompt Rs 1 crore compensation to the deceased workers’s families pacified the crew. Then came Covid-19 pandemic. Indian 2 lost three of their best talents — top comedian Vivek, Manobala and Nedumudi Venu. Through all this Kamal worked in other films and also launched his own political party MNM. His Vikram, a super hit, turned the tide and Kamal’s confidence levels rose. Shankar, a mega scale director is not known to cut the cloth according to the coat. In 1996 Indian 1 made on Rs 9 crore budget earned Rs 30 crore, his Rajini starrer 2.0 made in 2018 with Rs 600 crore earned Rs 800 crore. Indian 2 made at a cost Rs 600 crore is expected to cross the Rs1000-crore mark.
Following Anusuya Sengupta’s acclaimed win as Best Actress in the ‘A Certain Regard’ category for her film ‘Shameless’ at the 77th Cannes Film Festival, questions have arisen concerning the notable absence of Indian Bengali cinema at prominent international film festivals like Cannes, Berlin, and Venice. Acclaimed Director Goutam Ghose, a recipient of numerous awards at prestigious global film festivals, highlighted a disparity in enthusiasm towards festivals among Bengali master filmmakers of yester years. While luminaries such as Satyajit Ray and Mrinal Sen actively engaged with these platforms, celebrated figures like Tarun Majumder and Tapan Sinha were less inclined, despite their films receiving recognition. Ghosh noted fluctuating preferences among festival organizers favouring films from different countries at different times, including periods where Iranian, Korean, and occasionally Indian cinema gained prominence. Film researcher and professor Sanjay Mukhopadhyay observed that films like Debaki Kumar Bose’s ‘Sita’ might have won accolades in Venice due to their westernised portrayal of Indian women. He acknowledged a decline in Bengali cinema’s international visibility post the era of Ray, Sen, and Ritwik Ghatak. Director Atanu Ghosh, whose works have been honoured at international festivals, acknowledged the current scarcity of Bengali films on the global stage. Interestingly, according to director Sekhar Das even Russian films are not being able to make their mark even with these famous directors like Tarkovsky or Sokurov. The same is true for Bengali movies.
Whoever watched Kalki 2898AD is all praise for Amitabh Bachchan …for his role as Ashwathama. And interestingly, the box office numbers prove that Big B is a big draw. Trade analyst Taran Adarsh tweeted that Kalki2898AD is the third Telugu film, dubbed in Hindi, after Baahubali2 and RRR to cross the Rs 200-crore mark in 10 days. Big B who has worked in over 248 films — 12 waiting to be released – hasn’t really got this kind of response to his films in recent times. In the last few years he acted in a number of multi-starrers like Unnchai, Goodbye, Runway 24 and Jhund but none of them impressed the audience save for Brahmastra. Bachchan, at 81, seems to be a big draw as he is constantly reinventing himself. At the peak of his career in the 70s, 80s, he with his angry young man image was a phenomenon; a one-man industry whose name drew the audience to theatres. Then on the advice of an investment banker he set up ABCL which drove him to bankruptcy. He got a lifeline from the late Subrata Roy of Sahara Group and a break in small screen to host Kaun Banega Crorepati? On TV Salman Khan may be getting bigger money than Bachchan but the kind of respect Big B commands after hosting KBC is unbelievable and it continues for two decades now. According to an election affidavit, he and his wife Jaya Bachchan’s combined net worth is Rs 1,578 crore. Industry observer Girish Wankhede says, “Mr Bachchan rewrote the history with his performance and the enormous box office numbers consolidate his eternal domination. He has been the king of box office in the past and with Kalki 2898AD, he is again back with the bang.” Big B has proved that age is just a number.
Tamil cinema’s popular star Dhanush unloaded a plethora of angst at the music launch of his 50th film, Raayan. But why? He has travelled from Kolly to Bolly to Hollywood in the span of 24 years, no mean feat for a guy who came from nowhere (literally), body shamed for his looks…thin, dark and passable visage, a far cry from matinee idol. But this hugely talented star had immense confidence in his ability and quickly made his place in the clawing competitive space of Tamil cinema. His acting talent was evident. Talking about his rise, popularity, star saleability and versatility Dhanush recalled those days …when he lingered in Poes Garden hoping to catch a glimpse of his hero..,his future father-in-law Rajinikanth. He idolised Superstar Rajini, craved and coveted his lavish house, its location; so too J Jayalalithaa’s iconic home and address. “I am going to get a home here in Poes Garden”, he vowed. And he did. He built his imposing home (Rs 100 plus crore) very near to the Superstar. While his professional life zoomed up as one of the most sought after cinematic talents …actor, director, script writer, singer, his personal life plunged into chaos. He separated from his wife Aishwarya and two sons. Dhanush reminisced about all this even when he should have proudly launched his 50th film, talked about maestro AR Rahman, ensemble cast. When Dhanush opened up about his regret for building this opulent home in Poes Garden, the overwhelming sense of emotional pain spilt out as angst.
Trisha Krishnan and Thalapathy Vijay were the best-selling Tamil cinema on-screen pair in the mid-2000s. Their first film, Ghilli, Rs 50 crore hit, still draws repeat audiences for bubbly entertainment and a fast moving story. Four back to back films including Kuruvi naturally lead to cotton candy talk of the two getting serious. The pairing stopped. Only when Lokesh Kanakaraj announced Leo, Trisha came back to the Vijay pairing after a gap of 15 years. Lokesh, Vijay and Trisha alchemy is expected to sizzle at the boxoffice. Parallel to cinema happenings, Vijay is super busy and super present in the news for the launch of his party Tamizhaga Vettri Kazhagam. Social media is full of news about his “powerful and planned “thrust into politics, with all kinds of imaginary status about his marital life, parental non proximity, even his son rising as a challenge. What about his love life? Ah, this is where it becomes hot and humid. The infamous Suchitra leaks hit Vijay and Trisha with hot Saravana Bhavan rasam like spice. For those who are not in the know, Suchitra, a former singer and now suffering from delusional disorders puts out the most atrocious claims on the life, liaisons and love of filmi denizens. A birthday wish picture on Vijay’s 50th on Trisha’s Insta set the cats screeching. Suchitra wrote: “Trisha is a parasite. She is preying on Vijay’s loneliness in the absence of Sangeeta, pushing her way closer to fulfil her own political ambitions through Vijay. I am warning Vijay”.
Bollywood’s successful producer Vashu Bhagnani is cash-strapped and has put one of his properties on the block. Reportedly, he has not paid Rs 65 lakhs to his crew who worked in three of his films. Besides has also not paid the stars like Akshay Kumar who has agreed to wait. Incidentally, most of his films in recent times starring Akshay Kumar and Tiger Shroff have bombed at the box office. In the case of Akshay, all his four films with Vashu have done badly. Industry insiders say a film bombs because of poor script or high cost of stars or lavish production cost. It is an open secret that some of the popular stars take about 40% of the cost of production of the film. Vashu Bhagnani who entered Bollywood in 1995 has given a series of superhits, so it’s surprising he landed in a financial mess. He invested about Rs 1,000 crore in Bade Miyan Chhote Miyan Mission Raniganj, Ganpath and Cutputli. But earnings have been very poor. Also, signing big stars does not guarantee box office success. In the past Raj Kapoor landed in financial trouble after Mera Naam Joker flopped; Prakash Mehra after Bal Brahmachari and Zindagi Ek Jua and Manmohan Desai after Anmol and Toofan. But, these producers failed not because of the high cost of stars but because the audience did not like their stories. In the case of Bhagnani’s high cost of stars is also one of the reasons. There is surround sound that actors should cut their price. Will they?
In his career spanning over 40 years, the 67-year old Anil ‘Jhakas’ Kapoor has smartly kept out of controversy. But, in recent times found himself dragged into two controversies. He is being trolled for agreeing to host Bigg Boss OTT, a reality show which has become synonymous with Salman Khan. Bhai’s fans are mightily upset that Anil has replaced Sallu Bhai in one of the most controversial reality shows. Anil is not perturbed by criticisms and trolls. Meanwhile, he seems to be in the news for other reasons — fallout with his elder brother Boney Kapoor. Sources say that producer Boney has decided to cast his son Arjun Kapoor in the sequel No Entry Mein Entry without informing Anil and this has upset him. But when some reporters quizzed Anil, he quickly responded “Ghar Ki Baat Ghar mein hi rehne do”. Anil, one of the non-controversial actors in Bollywood, has acted in over 100 films and his career graph, like Dharmendra, Jeetendra, has been steady. The actor is constantly reinventing himself to keep in sync with changing times. He is identified for some of the interesting roles he essayed in Hindi films like Mr India, Mashaal, Tezaab, Ram Lakhan, Nayak, Welcome, English movie Slumdog Millionaire and English TV serial 24. As regards to his producer brother, he has worked with him in over nine films and has acted opposite Sridevi, his sister in law in eight films.
Tamil film’s well known director, 37-year old Arun Kumar (aka) Atlee has moved into the big league. His star trek which began in 2013 with Raja Rani got a leg up thanks to Thala Vijay. He directed Vijay in three superhits Theri, Mercel and Bigil. Like many super hits, Atlee guided his hits with more razzmatazz and gloss, a page taken from his mentor Shankar. Kollywood producers quickly realised that Atlee was building his own brand with way over budget films. Kalaipuli Thanu, a name to reckon in the Tamil Film Producers Guild cracked the whip…Tamil movies did not seek Atlee and when he tried to move to Telugu…he drew a blank. It seems Telugu and Hindi film producers are hard nuts to crack where finance is concerned. He has been lucky though. When Bollywood was down in the trenches and needed a hit badly to pull it out of the tailspin, Atlee delivered Jawan for SRK. Made on a Rs 370-crore budget, it raked in Rs 1200 crore. But Atlee was criticised for the way Jawan’s extravagance gnawed at the profits. Atlee has just made it known that his salary would now be Rs 100 crore plus profit sharing. Atlee announced his next movie with Allu Arjun. But call it destiny. The Andhra Pradesh government has changed and the new Czar Chandra Babu Naidu is unlikely to forget that Allu Arjun had campaigned for his rival Jagan Mohan Reddy. The latest buzz is that the prestigious project has been shelved. Allu is waiting for the release of Pushpa 2.
Thirty-seven year old popular Bollywood star Sonakshi Sinha is being trolled for getting married to her Muslim boyfriend. Reportedly, her family also does not seem very happy about her marriage to Zaheer Iqbal, an actor who was launched by Salman Khan but did not make it big in the tinsel world. Incidentally, Sonakshi was also launched by Salman Khan in Dabangg. Actually, her family’s reaction is surprising because the news she was dating Iqbal has been mentioned in the media off and on.. Be that as it may. But nothing will stop Sonakshi from marrying the man who she has been dating for seven years now. Media reports claim that her father Shatrughan Sinha and brothers were taken by surprise about the wedding date and they have blessed her through the media. But Sonakshi is not the first or the last actress to rebel against their parents. In the past too stars have rebelled or eloped and got married. The Maine Pyaar Kiya girl Bhagyashree married Himalaya Dasani as her parents did not approve of him. Bhagyashree comes from a royal family and the family felt the status did not match. Aamir Khan and Reena Dutta had a quiet marriage as their families did not approve of the relationship. Gurmeet Chaudhary and Debina only had friends who attended their wedding and kept it under wraps for many years. And not many know that Jennifer Kendall left her family to be with Shashi Kapoor and later had a traditional Hindu wedding.
Forty-six year old Vijay Sethupathi, who predominantly works in Tamil cinema, is an actor who never fails his fans. This director’s delight, bankable hero has none of that “chikna charm” of a stereotype film hero — brawn, Greek God profile, towering personality and a deejay’s baritone. But he comes alive on screen as a wholesome, dependable artist who carries off the entire film with his performance. Those who have seen his debut movie Thenmerku Paruvakaatru in 2010 remember his goatherd character to this day. Sethupathi has crossed many milestones and is confident that his 50th movie, Maharaja will get acclaimed just like his earlier hits Vikram Vedha, Sundarapandian, Pizza, 96 to name a few. His calm and controlled nature rarely kicks up cinematic storms…though recently he refused to co-star with Krithi Shetty for DSP. Reason: “In an earlier movie Krithi acted as my daughter. I made her feel really secure…even told her to think I am your real father. So I am not going to act with her as my female lead,” he said. In the film 96, which was a hit, he was paired with Trisha and critics did talk about a winsome youthful Trisha teaming up with an overweight Sethupathi as a classmate. His Vikram Vedha with Madhavan and Naanum Rowdy Dhaan with the lady superstar Nayanthara zoomed up the charts. Sethupathi has none of that ham handed heaviness in his portrayals. Fifty films old Vijay Sethupathi is as genuine as American Apple pie or South Indian Filter Coffee …no glamour but guarantee.
Celebrated author-writer-filmmaker Amish Tripathi, Bollywood star Nawazuddin Siddiqui and actor-producer-author Vani Tripathi Tikoo are meeting in London to participate at the Manoj Ladwa-led Indian Global Forum’s Pathways To A Limitless Future to be held between 24-28 June. The 3rd Culture & Creativity Forum at IGF London will draw leading voices from film & TV, fashion, literature, sports, economy and more. What new pathways for growth can creative innovation unlock? How can culture help organizations diversify their reach? How can we revitalize the global creative economy are some of the topics the brightest minds converging in London will debate, discuss and deliberate. It is learnt that Amish Tripathi while in London will use this opportunity to announce his creative tie-up with Lord Jeffrey Archer, a successful novelist who has written scores of best-sellers like Kane And Abel, Only Time Will Tell, The Prodigal Daughter to name a few. Kane and Abel remains one of the best-selling books in the world, with an estimated 34 million copies sold worldwide. All his novels put together have sold more than 320 million copies worldwide. Tripathi’s best kept secret project with Lord Archer will be unveiled on June 24.
The just released Malayalam comedy movie Guruvayoor Ambala Nadayil’ has raked in Rs 50 crore in one week and Rs 85 crore in just 18 days. Of this, it raked Rs 43 crore in Kerala alone. A big percentage of Kerala’s population of nearly 3.46 crore work in the Middle East. For them a movie with Mammootty, Mohanlal and Prithviraj Sukumaran is the best treat. The Kerala film industry has done very well albeit with dramatic transformation from “art film, realism and simplistic presentation” Malayalam movies have emerged as entertainment winners. Simultaneously, stars too have hit the sweet spot of success. Prithiviraj Sukumaran, almost super star, producer, script writer and even singer is at the peak of success. In Guruvayoor Ambala Nadayil’ as a comic lead which is a totally divergent role from his recent cult classic Aadujeevitham that garnered Rs 160 crore. Prithvi fans are on a high, but the star himself is careful not to make ripples in the star ecosystem where Mammootty and Mohanlal reign supreme. Prithviraj fell in love with the famed BBC journalist Supriya Menon Aren Mumbai and married her. The couple run a very profitable partnership. Not that he has no challenges in his starscape…Fahad Fasil, Joju George and others are fast catching up. The recent mega hit Manjummel Boys, Falimy (a quirky spell), Padmini and Bro Daddy succeeded though the prevailing crime and police films that dominated for quite some time. OTT has brought realism to the home viewer. Malayalam cinema is the new flavour of entertainment.
Tamil film’s ace director S Shankar and Ulaga Nayakan Kamal Haasan are all set to unveil Indian 2 with a big bang music launch event. Indian of 1996 which is still etched in cinephiles memory as a blockbuster was long awaiting a sequel. Kamal instinctively felt box office history could be created, yet again. Though his busy political and cinematic persona clashed and caused some stress to all concerned in his innermost circles, the Indian 2 is ready for a July release. Lyca Productions and Red Giant Movies are expected to hype marketing and media profile, to screen this extravaganza. One factor the audience is sure of is that even if the storyline does not punch at optimum weight, Kamal is sure to grab admiration with his acting as an old man. When Shankar is at the head of the table, one can anticipate extraordinary action and performances from his band of actors….an ensemble cast with Siddharth, Kajal Aggarwal, SJ Surya, Rakul Preet Singh and Bobby Simha. The music director Anirudh and two singles Para and Neelothpal have not disappointed their fans. The music launch at Nehru Stadium, a venue that portends hits, and besotted fans are not about to miss the event. When Kamal, Shankar and Anirudh hit the stage, the sound of music hits the high notes. And the Box office jingles.
The BJP government’s Information and Broadcasting Ministry, mandated to rectify pejorative and false narratives of Hinduism peddled through (mostly Hindi) commercial cinema by Prime Minister Narendra Modi since 2014, has almost finalized its CEO for the Central Board of Film Certification (CBFC) to censor films before release. IRS (customs) officer Kundan Yadav’s appointment file is pending approval of the Election Commission of India. More recently, Yadav was seen poking fun at Sanatana dharma, the Sunder Kand and Maha Mrityunjay Mantra while also taking potshots at Brahmanism and the Manu Smriti texts while using self-composed poetry on a public platform in Jaipur. “Even while drafted for election duty, this JNU product openly denounced the BJP giving speeches regarding his single-minded efforts against the national party. Is it merely enough that he possesses a doctorate (PhD) to be appointed the CBFC CEO? What happened to the 360-degree-SWOT analysis, assessment of his knowledge on the craft of film-making?” asks a senior BJP leader in anguish. Yadav’s stay at JNU was subsidized by his seniors in his first year, when he failed to secure hostel accommodation. Thereafter, this brilliant student, despite needing two terms to complete his HSC board examinations, became a topper of his class, even securing a teaching tenure in the USA on scholarship. One of his JNU professors did pull him up once for not having collected funds allocated to him through yet another scholarship he had been bestowed with for inordinately long. Some guys have all the luck!
Aamir Khan’s son Junaid Khan makes his debut with Maharaja that will be released on OTT. Guess what, Junaid already has completed shooting for his second film even before his debut film releases. Clearly, those are the perks of being a star kid. Both the films that Junaid has worked in have been produced by outside banners — Yash Raj Films and Phantom Studio have a good equation with Aamir Khan. Junaid hasn’t really been trolled for being Aamir Khan’s son. Probably because he is well behaved on the sets and with Paps. Reportedly, Sanjay Leela Bhansali’s niece Sharmin Segal got trolled for bagging the central part in Heeramandi series. Tongues were wagging that she landed the role because of being Bhansali’s niece. But, the truth is she did go for an audition and screen test. In politics, business or films nepotism is the uncomfortable truth — it happens openly or subtly. Yes, it makes easy entry possible but post that he/she has to prove their mettle. Suhana Khan is all set to make her debut with her father Shah Rukh Khan to be directed by Sujoy Ghosh. Sanjay Kapoor’s daughter, Shanaya Kapoor is a big social media influencer even though she signed her first film. Saif Ali Khan’s son Ibrahim Khan who has two films seems to be throwing his weight if one goes by what Paps have to say. In the case of Rajesh Roshan, niece Pashmina Roshan, a good dancer, makes her debut in Ishk Vishk Rebound. Producer Ramesh Taurani has clarified that he chose Pashmina purely on merit with three other fresh faces. He says Rajesh Roshan, the music composer with whom his relationship goes back in time, did not call to push his niece’s case. Sounds good.
The year 1997, an exotic pairing of Kajol, the creole beauty and Prabhudeva, India’s undisputed King of contemporary dance took the audience to a new level of entertainment. The film, Minsara Kanavu ( Electric Dreams) directed by Rajiv Menon, with music by AR Rahman danced away with four national awards — Best Music Director, Best Singers both male and female and Best Dance Director. Arvind Swami added histrionic weight to the narrative. The film not only entertained but inspired a comic slogan to the Tamilians (talented word crafters) who suffered frequent power cuts. They came up with the taunt “Minsarame Kanavu ( for us electricity is itself a dream ).This exotic pair are now coming together after 27 years for a Telugu film, directed by CharanRaj Upplipatt, with able support by Naseeruddin Shah and Samyukta Menon. The production house has announced that the first phase of this thriller filming is complete and the teaser is to be out soon. The song Vennilave Vennilave Vinnai thandi varuvaya is still remembered. Will Kajol and Prabhudeva electrify the audience yet again?
At 81, Ilayaraja remains the emperor of melodies. But of late he has painted his incomparable talent and self into a controversial corner. Recently SUN Pictures released the trailer of their upcoming Rajnikanth potboiler, Coolie with Anirudh composing music. Ilayaraja was angry to hear his composition from Thanga Magan, in a digital garb used in the trailer. He promptly sent a legal notice. This side of a gentle genius irritated film folks, with filmdom abounding in instances of copyright infringement. In the midst of this controversy this Rajya Sabha MP had the time and talent to announce the completion of a full scale symphony he composed in just 35 days. His talent and stature is so high, and some detractors are saying, does it behove his standing to send legal notice? Music borrowing, plagiarism or theft, call what you may, is a global phenomenon; Arabian belly dance tunes, African drum beats , tribal taals, from the great Indian music composers, Saint Thyagaraja, Annamiah etc are freely lifted. Often turning melodious music into cacophony. Ilayaraja, known fondly as Isaignanai (sage of music) has compiled over 7000 film songs, scored music for over 1000 films and performed in 20,000 concerts. He is a music composer, conductor, orchestrator, multi- instrument player, lyricist and singer who has no equal. Recently, the famous music duo sisters Ranjani and Gayatri performed on stage with Ilayaraja sitting in the front row. They drew repeated applause for the Thyagaraja composition in Raga Charumati, Mari Mari Ninne which Ilayaraja immortalised as his base for the hit song Paatu ariyen, padippariyen, pallikoodam thaan ariyen in the film Sindhu Bhairavi. Ilayaraja, your kind of genius is rare and immortal. Think of plagiarism as the best adulation.
Salman Khan has got Ranbir Kapoor’s Animal heroine for his next film Sikandar. Yes, Rashmika Mandanna is going to play his love interest in the film that goes on the floor next month. It came as a surprise for a lot of people in the trade as the names of other heroines were floating around before Animal heroine was signed for the role. Historically, Salman Khan has been choosy of signing up a heroine unless he is in a comfort zone with them. Katrina Kaif holds the record having worked with Salman in eight films. Well, earlier he and Madhuri Dixit worked in six films; it was because they were contemporaries…that’s all. But, stars like Jacqueline Fernandez got on like a house on fire. She has worked with Salman in about three films and reportedly during lockdown spent a long time at his farmhouse. Waluscha De Sousa who was also a kind of favourite of the actor; she worked in two films — Time to Dance and Antim: The Truth. With Sonakshi Sinha also twice. Interestingly, Salman Khan and Aishwarya Rai whose romance is well known worked with each other only in one film Hum Dil De Chuke Sanam. Likewise Twinkle Khanna, Urmila Matondkar and Sonali Bendre. Salman Khan has worked with Katrina Kaif even if he didn’t like her brief involvement with Ranbir Kapoor. There has been a chemistry issue between him and Ranbir since then. But, looks like Alia Bhatt may just play a role to bring Kapoor and Khan together. If one recalls, Ranbir Kapoor had mentioned in the Kapil Sharma show that Salman Khan had chipped in during his sister Riddhima Kapoor’s wedding by taking care of the bar.
Just when we thought that the Aamir Khan episode saved The Great Indian Kapil Show comes the news that the team has wrapped up Season One of the show after six episodes. An avid show watcher was very critical and said, “I am not surprised. It was bound to wrap up…how can anyone eat a dhokla that has been served like pizza?” The show ever since it went to Netflix did not seem to have the same draw, stickiness and buzz like it was on Sony TV during weekends. The general feedback is that there is no novelty or freshness; even Sunil Grover who returned to show after a gap of seven years failed to regale the audience. His earlier avatar as Guthi was better than current one as Dafli. Even Krushna Abhishek and Kiku Sharda who have emotional bonding with the audiences and guests seemed to have lost their zing. Also, missing from the show are Chandan Prabhakar, Sunil Lahiri and Sumona Chakraborty. Essentially, the show failed to deliver the punch for which it was famous for. Is it because OTT caters to a different audience while TV channels are watched by the entire family? Kapil Sharma started his comedy show in 2016 and it was getting very good traction. But soon he had a fall out with his team mates like Sunil Grover. Post that he shifted the show to Sony TV and got Salman Khan to bank roll it. Now, the quick wrap of Season One has raised eyebrows but Netflix has quickly reacted saying that Season Two with seven episodes will feature celebrities like Ed Sheeran, Anil Kapoor, Sonakshi Sinha and Sania Mirza. Only Ed Sheeran is a new catch, the rest of the guests are usual suspects. Season Two will effectively spell out which way Kapil Sharma and his show is going.
Now that the election Punch and Judy show is over in Tamil Nadu, south India’s biggest director Mani Ratnam is seriously back to shooting Thug Life. For those who may not recall why Mani Ratnam wants to get back to Thug Life, Raj Kamal Movies, Red Giant Movies and Madras Talkies announced their joint venture creation with a marquee star lineup. Kamal Haasan heads the cast, Trisha, Dulquer Salmaan, Jeyam Ravi, Aishwarya Lekshmi to name a few. The elections came as a speed breaker, with Kamal campaigning for the DMK. The shooting was also paused as Dulquer and Jeyam Ravi opted out as they could not accommodate the delayed call sheets. After much debate, Simbu was signed up for Dulquer’s role and Aravind Swamy in place of Jeyam Ravi. It is interesting to note that all these stars have worked with Mani Ratnam, a comfort level both share. Simbu had given the hit Cheka Sivanda Vaanam. Recently a schedule with Kamal, Simbu, Abirami and Nasser was shot in Delhi. Simbu coming on board was marked by glimpse video teasers, especially the one which shows a huge dust drift kicked up presumably by a car driven by him titled “A New Thug in Town “. Mani Ratnam and his iconic treatment of every storyline he films is pure cinematic genius. His muse could be a Thug, Saint or the Devil himself. The audience is waiting impatiently to watch his thuggery.
Candidly speaking, it’s a hard to follow act for the children of cinematic Icons…especially if you are the progeny of global icon, superstar Rajinikanth. His daughters Aishwarya and Soundarya have been under the constant filmi microscope of public view. The sisters have lived through rocky lives –both personal and professional. Both have tried their hand at cinema production and direction. With a few films produced and directed by her, much was expected of Aishwarya’s recent film Lal Salaam with a bespoke cameo by Rajinikanth himself. Lal Salaam did not do well at the box office. Other sister Soundarya is still smarting with the huge financial loss of her films Kochadayan and Goa. For 10 years she stayed away from the filmi world. Then Amazon Prime’s web series, Gangs Kuruthi Punal came her way as producer, an opportunity she must have coveted. But midway through the shoot in Puducherry, things started going south, and it overshot the budget. Her director Nova came in for criticism and things turned sour with him being blamed for not having better control. With Sathyaraj and Nasser heading the series, the production could have succeeded but when the money flow was stopped, Soundarya was cornered once again. Then came the announcement by Amazon Prime that a course correction would be in order. Can Soundaraya salvage the series?
Popular Tamil film hero Suriya’s career zoomed with Soorarai Pottru in 2022 and its ace director Sudha Kongara Prasad walked away with the Filmfare Award for best film, her second after Irudi Suttru in 2020. Soorarai Pottru traversed that thin line where a biography straddles a documentary and a gripping drama of a self-driven entrepreneur, Captain Gopinath who took wings with Deccan Airways.The film’s huge success in both cinemas and OTT was as much due to the inspired direction of Sudha Kongara as to Suriya’s compelling performance. The duo’s next film Puranaanooru naturally raised high expectations. Suddenly rumours flew thick and fast about differences between Sudha and Suriya, who was also producing this film under his home production 2 D films. First, there were speculations about Suriya’s dates’ availability; the film had to be shot extensively in colleges in south India during the vacation but because of election fever it was difficult to get a suitable venue. Set in the sixties Puranaanooru needed huge outlay — around Rs 60 crore to replicate that period. To scotch the rumours, a joint statement was issued by them which stated that the film is postponed. Meanwhile, it is learnt that Sudha has moved on to her next film with Dhruv Vikram in the lead. Who knows Suriya’s loss could be Dhruv’s gain!
Thirty-eight year old Bollywood star Jacqueline Fernandez has gone below the radar ever since her link to the conman Sukesh Chandrashekhar hit national headlines. She religiously avoids media, ducks from paparazzi and avoids socialising too. The conman link has cost her dearly — personally and professionally. Though she is fighting Sukesh in the court but because of his obsession with her, she prefers to keep quiet and work hard. What has damaged her reputation and put her on the backfoot is the intimate pictures released by Sukesh. Not surprisingly, the film industry and friends have not openly supported her in terms of sympathy or contracts but there are well wishers like Sonu Sood who signed her for Fateh which is ready for release. She does not have many projects but has two big films, Welcome to the Jungle with Firoz Nadiadwala and Housefull 5 which is yet to go on floors. Jacqueline does manage to get court permission to go abroad for shoots. Akshay Kumar, Sajid Nadiadwala and Salman Khan are her friends who still support her but not in the public. From a rank outsider, Jacqueline’s rise in Bollywood was meteoric. The Sri Lankan model-turned actor, who entered Bollywood in 2006, has acted in over 25 films already. In 15 years she has starred opposite top heroes. Her northbound career graph was halted when news of her involvement with conman Sukesh who was arrested for extortion and money laundering came out in open. She claims Sukesh lured her with Bollywood offers even as he showered her with costly gifts, even a high end car.
Historically, the Hindi film industry has been dominated by north Indian heroes and south Indian heroines. Now, a new trend is emerging. In the last three-four years it seems to be the hegemony of south films. Witness this, in the first four months of 2024, the traditional north Indian heroes Akshay Kumar, Hrithik Roshan, Ajay Devgn seem to have come a cropper going by the box office collections. Reportedly, total collection is less than Rs 800 crore. To make matters worse, Khans are conspicuous by their absence. Salman Khan’s ritual — Eid release was missing this season. Given this scenario, one is seeing the south stars coming to the rescue of Bollywood big time. For instance, Allu Arjun’s film Pushpa 2 is learnt to have got a commitment of Rs 1,000 crore before its release on August 15. It is expected to break all kinds of records. Then there is multi-starrer Kalki showing Amitabh Bachchan in a teaser promo. This movie which is a perfect example of cross-pollination of stars is speculated to garner Rs 100 crore on Day One of its release. Trade Analyst Girish Wankhede says, “The line up of South Indian films is a mix of class and mass. It has its focus on larger than life entertainment which works for celluloid. They are not spoilt for OTT choices and are more inclined to make mass entertainment.” The momentum in this year was started with Hanuman which scored big on the box office followed by Manjummel Boys and The Goat Life winning great critical acclaim. The upcoming slate looks super impressive with Kamal Haasan’s Indian 2 and Rajnikanths’s Vettaiyan. Besides, Devara, the movies in the pipelines are: Kanguva, Thangalaan and Mr Bachchan.
Sixty-one year old yesteryear’s superstar Govinda is back in the news, well not for signing a big budget film but for re-entering politics by joining Shiv Sena led by the Maharashtra chief minister Eknath Shinde. Govinda has made it clear that he will not be contesting any elections. It may be recalled that he won the 2004 Lok Sabha election on a Congress ticket. Then, what’s his compulsion to re-enter politics? Does he feel that if he is part of a political party, then movies will come his way? Not really. A seasoned insider says that Govinda has been trying to make a comeback to films since 2015 but strangely, this exceptionally talented and accomplished star has not been able to win the faith of the producers to bet on him, once again. His past seems to have caught up with him; not reporting to the set on time has got the goat of producers, directors and co-stars. Says another source, lack of work for Govinda is not because the industry has lost faith in him but he has developed a trust deficit with them. His superstitious nature has made filmmakers uncomfortable. Both David Dhawan and Salman Khan did give Govinda a second chance. But, Govinda has this feeling that the world is against him. Recently, he overreacted to a comment by Vashu Bhagnani on his late coming on the sets of his films. Govinda who has acted in more than 165 Hindi and language films can become the favourite of producers and directors once again only if he reinvents himself.
Tamil Nadu is probably the most star and film crazy state. Here, films and politics mesh and meld. Even on polling day, watching these superheroes and the media feeding frenzy they generated was evident at the polling booths. TN is probably one of the best organised states in terms of election logistics and arrangements, meticulously planned and executed for hassle-free voting. But such well-oiled execution often gets overshadowed, even unacknowledged, by the entry of stars, with the media in droves praising the star for casting his vote. Stella Maris College and Eldams Road polling stations garnered much attention as the two superstars descended to cast their votes. Action, camera and buzz levels rose, though it must be said that these two took their turns in the line to get their fingers inked and ballot papers verified. Apart from Kamal and Rajini, Karthik, Vijay, Ajit, Vijay Sethupathi, Vikram, Suriya Trisha and a host of stars made a splash today by turning up early in the day. Surprisingly, most of them were dressed in white? Except Kamal who came in a white and teal green T or Vijay Sethupathi. The penny dropped when a media smart said, “They wanted to avoid speculations about party affiliations. So white was the best option”. The terrible heat and overwhelming humidity could well have been the reason for cool white. Does it matter what the stars wore..it was not a fashion ramp …just your neighbourhood polling booth.
Akshay Kumar may be one of the few actors in Bollywood who completes his films in record time. Ironically, his record of flops seems to be beating that. The ‘Khiladi’ Kumar’s latest film Bade Miyan Chote Miyan has opened to lukewarm response at the box office despite the fact it was released on Eid. The Day 1 collection was Rs 16.07 crore. Movie critic Taran Adarsh commented on X: “With a dream cast + lavish making + holiday factor + aggressive promotions + terrific track record of its director, #BMCM should’ve opened anywhere between Rs 25 cr and Rs 30 cr [even higher] on Day 1.” Trade pundits feel that Akshay Kumar’s poor numbers at the Box Office both pre- and post-Covid has in a way dented his bankable star image. It is likely that filmmaker makers will definitely think twice before signing him. The films that have not worked for Akshay Kumar are Selfie, Mission Raniganj, Samrat Prithviraj, Ram Setu, Cutputli and Bachchan Pandey. Trade Analyst Girish Wankhede says, “This sixth flop in a row is a sorry state for Akshay kumar, who has been the favourite of producers. His over exposure or the choice of films, or his experimentation with various genre could be some of the reasons for his films not finding takers. He was always a bankable star, but with several flops, his filmography seems to be losing its sheen.” The trade will be closely watching how his films like Skyforce, Housefull 5, Welcome To The Jungle and JollyLLB 3 fare.
TRENDS & VIEWS
Editor’s Note: Big Punch In Small Pack
It is the Third Anniversary of Short Post and as a news media startup launched during the Covid-19 pandemic it certainly feels better than good to find ourselves where we are today. Here, I must cite the unstinted support of our seasoned contributors, all senior editors in the country, who brought a great degree of maturity and sagacity to the Short Post newsroom. But for them, our tagline “Authentic Gossip”, an Oxymoron, would not have matured viably. Our user numbers may be small but our stories have created the desired impact among people who matter — decision makers and influencers. We offer a big punch in a small pack and Short Post with its 225-word stories has been punching above its weight category. Having posted close to 3,000 stories in the last 36 months, Short Post, I feel, is an idea whose time has come.
And this is vindicated by our two marquee advertisers – IDFC FIRST Bank and ICICI Lombard. Both believed in our story and have supported us from Day one. A big thank you to both.
If you look at the media landscape – print, TV and digital — it is a mixed bag. There are job losses as some outfits have closed down while a lucky few were bailed out by large corporate houses. Yes, there is a lot of action in the digital space. However, the entry of corporate houses has raised the question of independence of news media outfits. Sadly, there are just a handful of independent media outfits in the country that are highly respected for their neutrality. At Short Post, our credo is not to take sides, prejudge issues or be biased but, informing readers of behind-the-scenes happenings. In essence, Short Post strives to be a neutral editorial platform — neither anti-establishment nor pro-establishment.
As I said last year, disruptions in the media world are moving at a fast and furious pace. Technology is playing a very big role in how content is generated and consumed. But, we are neither alarmed nor perturbed as it is all a part of the evolution process. What gives us comfort is that AI is unable to create original gossipy content. And that is the news arena where we have achieved a distinction.