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With Parliament back to business, Union ministers are busy and back on their toes. No one was found more diligent than Union Road Transport & Highways Minister Nitin Gadkari. He made it a point to field questions of his ministry during the Question Hour, notwithstanding the fact that it was a big day for the BJP in Maharashtra .The Devendra Fadnavis led government was to be sworn into office. But then questions had been lined up for the minister. Opposition MPs particularly from Rajasthan wanted to know why the Delhi- Mumbai national expressway, inaugurated by PM Modi in February 2023, had become accident prone and suffered from serious quality issues. In his defence, Gadkari explained that the expressway had reduced the distance between Delhi and Mumbai by 200 km and it was possible to travel to the cities either way within 12 hours. Built at the cost of Rs 1 lakh crore the expressway used for the first time a new technology of perpetual pavement with Stone Mastic Asphalt (SMA).”This technology is used in high-density corridors across the USA and Europe. It provides a superior riding quality to cement-concrete as an alternative,” Gadkari informed members. As for the potholes, the minister explained that his ministry had commissioned a study by IIT, Kharagpur and IIT, Gandhinagar. “Investigations have found that there were deficiencies in the SMA layer resulting in rutting”. He added that the contractors are responsible for fixing defects for the 10 years. As for the accidents, he talked about himself as a victim of road accidents. “I have been a victim myself. My leg was broken in four places when I was leader of the Opposition in Maharashtra.”
Discovery of wad of notes in the seat allotted to Congress MP Abhishek Manu Singhvi in the Rajya Sabha became a flash point of controversy between the BJP and Congress. As soon as Rajya Sabha chairman Jagdeep Dhankhar, informed the House that security officials found the cash from seat number 222 allotted to Singhvi during the anti-sabotage check after the adjournment of the House on December 5, Leader of the Opposition Mallikarjun Kharge protested naming of the MP. Springing to Singhvi’s defence, Kharge said he had no objection to the probe, but the Chair should not have named the MP since a probe was underway. An avant garde Supreme Court lawyer himself, Singhvi, may not need the Congress to defend him. He dismissed any link with the wad of notes found and insisted he “carries only Rs 500 to Rajya Sabha” He also pointed out that he was barely inside the House for 3 minutes — between 12.57 pm and 1 pm — when the House rose”. At the same time Singhvi called for a probe saying it was possible for “people to come and put anything anywhere in any seat.” This means the RS will be compelled to share more details. The matter sparked uproar with Leader of the House and BJP chief JP Nadda terming it an “insult” to the Rajya Sabha’s integrity. Backing Chairman, Union Minister Kiren Rijiju said there was nothing wrong in naming the person involved in the issue. The discovery of cash in the RS was a throwback to years ago when cash was brought to the Lok Sabha in 2008 to establish a cash for votes scam unleashed by the UPA government to survive a confidence vote.
With the Mahayuti government finally managing to better their own targeted victory in 2024 Maharashtra elections, the focus has now shifted on the flagship program — the Ladki Bahin Yojana scheme. The scheme, which was introduced just six months prior to elections to get a vantage advantage and tide over factors like agrarian distress, unemployment, caste reservation rift, anti-incumbency etc has clearly served the purpose and now it was time for reality check. In his very first press briefing post taking over, third time chief minister Devendra Fadnavis confirmed that 24.3 million beneficiaries would be scanned to prune out those ineligible, clearly hinting at a lax scrutiny followed earlier in the rush of electoral generosity. The BJP’s former finance minister Sudhir Mungatiwar had already said that the promised hike of stipend amount to Rs 2100 could happen only later in the fiscal year around Bhau beej. Fadnavis also said that financial assessment was in order before the promised stipend hike. Ex-CM Eknath Shinde, however, is determined that promises be kept and said that officials have been asked to disburse the December instalment. State bureaucrats have already been waiting for the election to get over to get into tighter fiscal discipline mode to face the reality of Rs 7.8 lakh crore of debts that Maharashtra currently faces. Babus fear that such largesse in welfare spendings could derail government spendings and functioning.
Amid escalating communal unrest in Bangladesh targeting Hindu minorities and the arrest of an ISKCON monk, the RSS-affiliated Swadeshi Jagran Manch (SJM) has announced a campaign to boycott Bangladeshi products in India, starting with West Bengal. The campaign involves street protests, door-to-door advocacy, and identifying Bangladeshi goods in the market. The Manch plans to rally members of Sangh-aligned organizations, including the BJP, before extending the boycott call to the general public. It also aims to pressure the central government to halt imports of Bangladeshi goods, particularly textiles, and restrict the export of cotton and other essential materials to Bangladesh. Additionally, the group demands suspension of medical visas for Bangladeshi citizens. Amlankusum Ghosh, the SJM’s eastern sector leader, emphasized the urgency of the movement, stating, “History shows that unrest in Bangladesh impacts Bengal significantly. Given the current persecution of Hindus, Bengali Hindus must lead the protests. We urge a total boycott of Bangladeshi products in Bengal.” The movement is gaining momentum. Opposition leader Suvendu Adhikari has demanded the closure of trade routes like Petrapole.
Pink-ball Tests will remain in the “corridor of uncertainty” for batters and bowlers. It is still at a very nascent stage, with the full members of the ICC reluctant to roster a pink-ball contest in a series featuring two to five Tests. It is just nine years old in a format seen as the ultimate test even by the multi-day competition’s seasoned campaigners. Having debuted at the charming Adelaide Oval in South Australia in November 2015 and in the form of a scrap between the Steve Smith-led home team and its Tasman rival led by Brendon McCullum, the pink-ball showed its bias with a pronounced unpredictable behaviour in the air and off the pitch. The fast bowlers and their ilk had a field day, with Australia’s Josh Hazlewood and New Zealand’s Trent Boult taking five-wicket hauls in the second innings. The team totals in the match were: New Zealand 202 and 208 and Australia 224 and 187 for 7. The low-scoring game ended in a three-wicket victory for Australia, which has played seven Tests of the pink-ball variety in Adelaide and maintained a clean record of seven wins. India lost the Adelaide Test match of 2020 by eight wickets, shot out for 36 in the second innings, with Hazlewood and Pat Cummins playing havoc. India has played four pink-ball Tests and won three, all at home in Kolkata, Ahmedabad and Bengaluru. After a spectacular win in the first Test in Perth, where Jasprit Bumrah was the big game-changer, India will have to cross the pink-ball hurdle to win the big points and enhance its chances of advancing to the ICC World Test Championship final.
The latest petition from the Tamil Film Producers’ Association, is perplexing. Justice S Sounthar refused to grant an interim stay adding that film criticisms are part of freedom of speech and expression that cannot be curtailed. It’s not hard to delve into why this gag order is sought legally. The recent disaster of Kanguva at the box office is probably the reason for this drastic demand. High stakes and high jinx political grandstanding. The sop…journos are invited for a press show before the release either in a preview theatre or regular ones. And the press note gives the synopsis, star cast etc. The reviews in print or digital are read by people who decide — given today’s looming OTT presence — whether they want to see it or wait for a week or two. …it seems most decide to wait. Amaran is yet to debut on OTT….5th December after much demand. Because the film is still running to decent shows not managed by incentives Amaran came quietly with a feel good heart touching theme all could relate to. Kanguva thundered “Audience will lap it up. Open mouthed”. We rest our case.
There was an inevitability to the ICC Champions Trophy going the way India (BCCI) wanted it to happen; a hybrid model with one group, with India in it, playing the preliminary stage at a neutral venue (most likely in Dubai or more venues in the UAE) and the second group with host Pakistan in it, playing at home. Being the host nation, the Pakistan Cricket Board (PCB) had to take the unbending position initially for public consumption at home. But after the latest round of ICC Board meetings, the PCB has been made to come around to a view that the hybrid model is the way forward to make possible the revival of the eight-team tournament last played in the English summer of 2017. One can surmise that the other cricket boards understood the sensitive situation better following the BCCI’s communication to the ICC that it would not risk sending its team to Pakistan, citing security concerns. India’s national cricket team has not toured Pakistan since 2008, and the Narendra Modi government has been steadfast in holding on to the call taken by the previous governments. It’s possible that the boards, the non-Asians would have aligned themselves with India’s position for a hybrid model. Pakistan won the last Champions Trophy at `The Oval’ in London in June 2017 and will be keen to give its best shot to defend the title. The PCB — pushed to the corner — wants a similar arrangement for the ICC events in the coming years thus throwing the ball in the ICC court!
In an tell-all podcast, Figuring Out with Raj Shamani, the London resident Lalit Modi bared his soul before revealing why he left India abruptly on the night of IPL-3 final in 2010. The cricket czar fashioned the cricketainment package of the limited-overs game, big biz and Bollywood buzz into the biggest money spinner in pro sport. He was hounded out of India with a combination of people against him, including the Congress party, its HQ at 10 Janpath, N Srinivasan who went on to rule world cricket on Modi’s exit and the betting mafia under Dawood Ibrahim’s D Company. Congress and the Gandhis were against him because he resisted Shashi Tharoor’s girlfriend Sunanda Pushkar being a sweat equity partner in an IPL team bid from Kochi until he was blackmailed into permitting it, with disastrous consequences, of course. In taking IPL-2 to South Africa and out of India at poll time, he ran headlong into ruling party versus opposition politics of the worst kind. Congress wanted him out for daring to take the game away after contemplating playing it only in BJP-ruled states. The Establishment threatened to withdraw the security cover he was given as IPL Commissioner and with serious death threats hanging over him, he made an exit from India under the eyes of the ruling party which could not stop him at the airport gates. He had set the IPL on the path to its greatest glory showering BCCI coffers with billions of dollars but the founder who thought it up had to find a home outside India. His story, regardless of whether he is a fugitive or not, is believable.
The auspicious day December 5, 2024, was scheduled by BJP for the swearing in function of Maharashtra’s next chief minister Devendra Fadnavis, without awaiting erstwhile Shiv Sena CM Eknath Shinde’s decision to enjoin with the government. Meanwhile, consternation is brewing in New Delhi over Shinde’s recalcitrance to formally announce his party’s stand like Nationalist Congress Party (NCP) Chief Ajit Pawar has done. Friday (Nov 29) night’s meeting with Union Home Minister Amit Shah was marked by Shinde making a solo appearance even as Pawar was flanked by Praful Patel, Sunil Tatkare and three four other party colleagues. Shinde’s apparent reluctance to enjoin formally has not gone down well with the BJP leadership despite his family doctor announcing that Shinde was under the weather set to improve over two days of medical treatment. The first discord before the new government is formed relates to Shinde’s insistence upon being accorded the same status as erstwhile DCM Fadnavis who enjoyed full control over the Home department. This fell foul of the BJP template of always holding crucial portfolios to include Home, Rural Development, Revenue and even Finance as a thumb rule. This equation was altered only to accommodate Ajit Pawar who was handed over the Finance department. Highly placed sources indicate that Shinde may be contemplating offering outside support to the BJP led government.
Making his appearance on a reality show Indian Idol the 50-year old Fardeen Khan, son of successful actor-producer Feroz Khan, looked boyish and subdued. Indeed, he has quietly made a comeback on the big screen and OTT after 14 years of self-imposed exile. Although he was signed by Sanjay Gupta for Visfot which took a really long time to release as there were no takers for Gupta’s films; Covid-19 was the main culprit. But it helped Fardeen who got a chance to work with one of the biggest OTT shows Heeramandi directed by Sanjay Leela Bhansali which signalled his comeback in 2024. This was followed by Khel Khel Mein with Akshay Kumar which didn’t do well. But Fardeen who played the role of gay man certainly impressed the audiences and critics in a big way. Fardeen made his debut in 1998 with Prem Aggan. Post that he signed up for several films. Overall his career graph did not pick up. In 2010 after the release of Dulha Mil Gaya he took a break from acting. During this long hiatus he worked on his craft. Fardeen who was married to yesteryear actor Mumtaz’s daughter Natasha now separated has a daughter and son. He often brings his children to the sets. Currently, he is working with Akshay Kumar in Housefull 6 which is set for 2025 release. He may have missed out on No Entry Mein Entry. Will Feroz Khan’s son make a big impact in his second innings?
Shah Rukh Khan’s Jawan is creating records at the box office. The audience has connected with the film as it has raised all the relevant points that the Opposition parties have been asking the Modi government. A WhatsApp message has gone viral saying how the movie is a campaign for the Congress party. Jawan was released at a time when the whole world was busy with the G20 Summit. To avoid any backlash like Pathaan, SRK played it smart by congratulating PM Modi for the success of G20 Summit. Those in the trade feel it is too late for politicians to do anything now as Jawan has turned out to be a tsunami at the box office. The Badshah of Bollywood has made a big comeback and is not going anywhere for the next 10 years. The kind of subject he has chosen gives him ample scope like Rajnikanth who continues to rule the roost at 72. On a personal level, SRK is a hurt man after what happened to his son Aryan Khan in the drug case and the way the media hounded him. Post that he has kept the media at arm’s length. Of late, he prefers to connect with his audience through appearances at Mannat and social media. In the case of Jawan his move to get an accomplished South director, Atlee has enabled him to create an impact in the South.
While the Khans are seen all over the media we have Hrithik Roshan, one of the last actors to get superstar tag, shooting quietly for his next film Fighter. The 49-year old actor who has worked with Siddharth Anand in War wants to work with him even more especially after Fighter. In the pipeline is Krish 4 but nothing has been finalised. Hrithik, one of the highest paid stars, is an insider both from paternal and maternal sides but he started from the bottom to eventually become a superstar. He formally entered Bollywood in 2000 with Kaho Naa Pyaar Hai. Post that he has had one too many hits like Fiza, Kabhi Khushi Kabhie Gham, Koi Mil Gaya, Zindagi Na Milegi Dobara sequels Krrish, Dhoom. Hrithik who has had his own share of controversies both personal and professional is known to be shy; he avoids parties preferring to spend more time with his children and girlfriend Saba Azad. Besides, he is also deeply involved with his father Rakesh Roshan’s banner. Maybe he is toying with the idea of becoming a director. Trade circle says that Hrithik is definitely one of the most dependable stars who has carved his own place by not being part of any camps. He is also quietly growing his HRX brand by opening gyms and eateries serving healthy food.
Bollywood seems to have got its mojo back. After a series of flops, sequels seem to have given Bollywood a new lease of life. Sunny Deol’s Gadar 2 is a runaway hit, earning close to Rs 450 crore thus surpassing KGF 2 collection’s record. Interestingly, Sunny Deol travelled around promoting Tara Singh, the character and not himself… and that worked. In the case of Akshay Kumar, now an Indian citizen, he has finally got a hit after a string of flops. OMG 2 has earned Rs 120 crore till date and counting. And for Ayushmaan Khurrana Dream Girl 2 got the biggest opening of his career. All these three hits indicate its boom time for Bollywood. Audience is back to theatres. And what is also giving the leg up to the whole industry is the OTT platform. Some of the characters like Vartika played by Shefali Shah in Delhi Crime, Kaalen Bhaiya by Pankaj Tripathi in Mirzapur have made them a household name. No wonder they are thriving on Season 2, 3…Earlier, Bollywood which thrived on remakes of Malayalam, Telugu and Tamil movies is now encashing on sequels. Some of the successful sequels were: Munnabhai by Raju Hirani, Krrish by Rakesh Roshan, Singham, Phir Hera Pheri by Firoz Nadiadwala. Get ready to see Salman Khan’s Tiger 3 this Diwali and also in the pipeline is the confrontation between two Khans in Tiger Vs Pathaan. Happy days are here again!
There is no stopping this 66-year old Deol who has in a way created history at the box office for Bollywood. Sunny Deol is not stopping the promotion, and is city hopping post release of Gadar 2 which is only adding to the collection numbers. Gadar 2 has crossed the Rs 200-crore mark and is not stopping at that. Trade pundits are betting that it may surpass SRK’s Pathaan collections. Interestingly, the weekend in the metro cities also saw his father’s film Rocky aur Rani ki Prem Kahaani getting Housefull boards in the multiplexes. The legendary actor Dharmendra received maximum applause when he came on screen. The 87-year old actor has signed a couple of more films. Younger brother Bobby Deol, who could not carve a niche for himself on the big screen, is one of the most sought after OTT stars. Gadar 2 also saw the public appearance of Hema Malini daughters – Esha and Ahana — with the Deol brothers. The sisters and mother were not seen at the marriage of Sunny’s son Karan and an apologetic tweet by Dharmendra just confirmed it. Esha also is an OTT star. And the third generation of Deols are already here; Sunny’s eldest son Karan is two films old while younger one Rajveer is making his debut with Rajshri Productions.
Karan Johar’s Rocky Aur Rani Ki Prem Kahaani seems to be the game changer for Bollywood which has been a series of flops in the first half of 2023. The film has crossed the Rs 100-crore mark at the box office and continues to rake in the moolahs. More good news. Akshay Kumar’s OMG 2 and Sunny Deol’s Gadar 2 are only looking at adding big business to the Bollywood’s box office. The trade pundits feel that good times are ahead for Hindi films and the month of August has franchisees that definitely promise a decent opening at the box office. The trade has also given thumbs up Dream Girl 2.If August has franchisees then SRK returns with Atlee’s Jawan in September which trade feels may have a bigger opening than his previous film Pathaan. And Salman Khan who has not had a great run in the recent past is strongly depending on Tiger 3 which has a strong recall value and will see Katrina and Salman Khan come together and mind you there is Pathaan in a special appearance which is going to be the highlight of the film. Ranbir Kapoor too returns with Animal, one of the most anticipated films of Sandeep Vanga Reddy followed by Vicky Kaushal’s Sam Bahadur. The month of December is expected to end on a high note with Merry Christmas that will see Katrina Kaif in a different role with Vijay Sethupathi.
Varun Dhawan and Janhvi Kapoor starrer Bawaal directed by Nitesh Tiwari of Dangal fame is a direct OTT release. The trade feels that producer Sajid Nadiadwala took a wise decision on this front as its trailer is unimpressive. But, Nadiadwala has defended his decision by saying that the film needs global reach and OTT is the best platform in today’s time. But nobody is buying it. Thirty-six year old Varun, son of the well-known director David Dhawan and one of the highest paid Bollywood stars (Rs 20 crore), has not had a big hit for quite some time now. His last two releases Jugjugg Jeeyo was an average film while Bhediya a disaster. Ironically, the star who had 11 consecutive box-office successes between 2012 and 2018 (Rajesh Khanna had seven) is finding it difficult to draw audiences to his movies of late. Clearly, Varun seems to be having a bad run. And he is trying to make up for it. He has signed up for Bhediya 2 and the Indian version of Citadel. Besides, he is also donning the producer’s hat and for that project he has roped in the renowned Tamil film director Atlee. It is rumoured that Janhvi may be paired opposite him. People in the trade feel that Varun should focus more on commercial cinema not on OTT platform.
Om Raut’s film Adipurush seems to have disappointed Bahubali Prabhas’ fans. There are conflicting reports about collections and footfalls in the theatres even as Prabhas tweeted “Adipurush continues its roaring success at the box office! With a mind boggling collection of Rs 375 crore (sic)”. But movie critic Taran Adarsh tweeted “Disappointing”. So how does the future look for the first pan India star Prabhas? Not bright, feel some trade analysts. They say it is his third flop after Saaho and Radhe Shyam. Adipurush ran into controversy from Day One when the trailer was released and for its poor dialogues after release. Son of a Telugu film producer, the 43-year old Prabhas entered the Telugu film industry in 2002 and all his seven films were hit. What changed his life and catapulted him into the big league –making him the highest paid star in the south — was the title role he bagged in SS Rajamouli’s Bahubali and its sequel grossing. The film was an all time hit and the rest is history. Prabhas has a couple of projects in the pipeline; one with Deepika Padukone and Big B. Also releasing this year is action thriller Salaar. Interestingly, like Salman Khan even Prabhas is the most eligible bachelor… and heart broken. Anushka Shetty turned down his marriage proposal and the latest grapevine he is dating Adipurush co-star Kriti Sanon.
BJP’s Mumbai president Ashish Shelar held a special screening of The Kerala Story at Gaiety- Galaxy in Bandra which was well attended by BJP party workers and others. What made it special was that the movie’s lead actress, co-stars, producer and director were present at the screening and they shared their experiences with the audience. Union Minister for Information & Broadcasting Anurag Singh Thakur, said that the film exposes the sinister nexus of religious conversions which “Every sister and daughter must watch”. When was the last time we saw a political party openly promoting a film? Earlier, we have seen protests for Shah Rukh Khan’s Pathaan, Sanjay Leela Bhansali’s Padmvat and for the trailer of Om Raut’s Adipurush. It may be recalled that Vivek Agnihotri’s The Kashmir Files too was promoted by the BJP government to indicate that they empathised with Kashmiri Pandits. Interestingly, both the movies have made big money at the box office. During Emergency Gulzar’s Aandhi starring Suchitra Sen and Sanjeev Kumar was banned by the Congress regime. Generally, the government’s way of supporting a movie is to give it a tax break. Now, all eyes are on Adipurush. Its music was launched at Ayodhya. It is widely rumoured that some filmmakers who are aligned with the ruling establishment’s ideology have been commissioned to do movies on certain subjects that will show the ruling party in good light.
Generally, all film stars prefer to release their movies on an important festival day. But Shah Rukh Khan is different; he has chosen a non-festival day to release Jawan, his second release this year. Those close to the actor feel that he didn’t want to upset those who have already announced release dates of their movies in the third quarter of the year which includes Ranbir Kapoor’s Animal and Ajay Devgn’s Maidaan. It is probably after Fan which was released in April 2016, the actor has chosen a non-festival release date – Janmasthami, which is not a big ticket film day as far as exhibitors are concerned. But they are fine as SRK’s Pathaan released on Republic Day was a runaway hit creating box office history. Those in the trade feel that releasing films on festivals became fashionable in the nineties after globalization, and Indian movies becoming favourites of the Indian diaspora. A senior trade person said, “Earlier, Shah Rukh Khan had regular releases in between the Diwali releases as he used to work in many films but once he cut down on his films Diwali became synonymous with Shah Rukh, Eid with Salman Khan and Christmas with Aamir Khan. ” Coming back to Jawan the real reason for SRK delaying the release from June 2 to September 7 is the film is still not complete and the film is VFX heavy and after the success of Pathaan he does not want to take a chance.
Rumour mills are doing the rounds that superstar Shah Rukh Khan may do a repeat of Pathaan. That is, keeping media at bay during the release of his forthcoming film Jawan directed by Atlee. The action film which releases in June has just been wrapped up and the heroine of the film Nayanthara was in Mumbai for dubbing and surprisingly did not oblige the waiting paparazzi with poses as is generally the practice. All stars including those from south are always cooperative with paps. It may be recalled that King Khan has distanced himself from the media for quite some time for two reasons. First, there was no film release, and second, he is quite disturbed by the fact that media literally hounded his son Aryan Khan when he was arrested by the Narcotics Control Bureau in a drug case. The way media mishandled the case upset him. Although the actor has stopped covering his face with an umbrella but he refuses to pose for the media. This was evident at Congress leader Baba Siddiqui’s Iftaar party where he refused to stop even for a minute. The moot point is how long can SRK shun the media?
Compared to his own standard Salman Khan’s Eid release Kisi Ka Bhai Kisi Ki Jaan was ordinary, exactly as trade had predicted. They say the Rs 15.81 cr opening collection is the actor’s star power and Eid numbers going by his past track record could have been better. In a way his fans saved the day with collections on the first three days touching Rs 78.34 cr. His well-wishers feel that Sallu bhai is being misled by the mutual admiration society around him. They praise his film even though the content is not upto the mark like Kisi Ka Bhai Kisi Ki Jaan. And he easily trusts and believes people around him. Analysts say that post Covid-19 Pandemic the viewers have become very discerning. Thanks to OTT they don’t just walk into a theatre because of star power. The content has to be top gun like RRR, Pushpa etc. King Khan’s Pathaan seems to be an aberration, maybe because of controversy surrounding its release. Salman has always had a decent opening on Day 1 with all his Eid releases. Dabangg (2010) Rs 14.50 cr, Bodyguard (2011) Rs 21.60 cr, Ek Tha Tiger (2012) Rs 32.93 cr, Kick (2014) Rs 26.4 cr, BajrangiBhaijaan (2015) Rs 27.25 cr, Sultan (2016) Rs 36.54 cr, Tubelight (2017) Rs 21.15 cr, Race3 (2018) Rs 29.17 cr and Bharat (2019) Rs 42.3 cr. Although the trade is disappointed with KKBKKJ there is hope for Salman this Christmas with Tiger 3.
Bollywood’s powerful producer-director-host Karan Johar was spotted at a Juhu venue meeting the busiest star Kartik Aaryan. The meeting has led to speculations whether it was a peace-making deal or professional meeting to revive Dostana 2 which was 40% shot. Those close to the Gen-Next star say it was just a professional meeting. One wonders if Karan is keen to revive the project after all around Rs 20 crore has already been spent on the film. The other speculation doing the rounds is that he is likely to sign on the bankable star for a new film. It may be recalled that the outspoken actress Kangana Ranaut has been vociferously defending “outsiders” and has been targeting Karan for being unfair to outsiders including the late Sushant Singh Rajput and Kartik Aaryan. When Karan, one of the most influential filmmakers, dropped Kartik from Dostana 2 even Shah Rukh Khan and Anand L Rai dropped Kartik from their projects. But, 32-year-old Kartik was lucky as the “outsider” gang of producers supported him; today he is one of the most sought after actors commanding a price of Rs 30 crore which is almost at par with Varun Dhawan and other senior stars of Bollywood. His guest appearance in Ranbir Kapoor’s film is a clear hint that Kartik has a big fan following. So it will not be surprising if Karan Johar announces the revival of Dostana 2.
Priyanka Chopra (PeeCee) has revived the topic of victimization of outsiders in Bollywood. The actress who is promoting her global spy series Citadel, admitted why she was forced to leave Bollywood and go to Hollywood. “I’m not a nepo baby. I didn’t have the kind of support that exists in a big way in Bollywood movies,” she said on an episode of Armchair Expert with Dax Shepard. Many are attributing her raking “outsider” issue to promote her spy series. Some have supported her. Kangana Ranaut and writer Apurva Asrani said that the insider camps don’t allow those who want to work on their own terms. Kangana tweeted: “…This is what @priyankachopra has to say about bollywood, people ganged up on her, bullied her and chased her out of the film industry, a self-made woman was made to leave India. Everyone knows Karan Johar had banned her (sic).” She further added, “Media wrote extensively about her fall out with Karan Johar because of her friendship with SRK and movie mafia Cruella who is always looking for vulnerable outsiders saw a perfect punching bag in PC and went all out in harassing her to a point where she had to leave India.” Shekhar Suman and his son Adhyayan who are also victims tweeted: “Priyanka Chopra’s sensational revelation has not come as a shocker. It is well known the way the cabal within the film industry functions. It will oppress, suppress and persecute you till you are finished. It happened with SSR.”
Is Kapil Sharma losing his charm? It certainly seems like from the kind of guests invited to his shows these days. Most of them are friends like Ajay Devgn and Akshay Kumar, and singers who are easily accessible to him. The show which started in 2016 had a good mix of comedians like Krushna Abhishek, Bharati Singh, Sudesh Lehri and Sunil Grover. In its latest avatar all the above artists have left. The only saving grace is Kiku Sharda but his appearance time has been reduced. It is learnt that even the creative team has been reshuffled which is clear from the script of the show. The general feedback is that people love Kapil but are not quite happy with the programme mix. His constant flirting with female stars, poking fun at Archana Puran Singh seems to be getting repetitive and predictable. And this is reflected in its TRP. According to BARC ratings in March 2023 (Week 12) Rupali Ganguly-led Anupamaa topped the TRP list with a 2.9 rating while at 1.1 rating The Kapil Sharma Show ranked 18. In 2019 it ranked No 2. Apparently, to boost its rating, Kapil had tried to reach out to Shah Rukh Khan during the release of Pathaan but King Khan declined the offer. Unless he calls back some of the comedians and rejigs his offerings, the show will find less and less takers.
Bollywood queen Kangana Ranaut has the art of staying in the news. Recently when the Khalistan movement played up in Punjab she took to social media to say she had predicted this problem two years ago. A hardcore Modi supporter, she has been nursing political ambitions and reportedly made it known that she was not averse to standing for elections from her home state, Himachal Pradesh. Her outspokenness cost the 35-year old actor dearly when the Maharashtra Vikas Aghadi government headed by Uddhav Thackeray gave orders to demolish her house. Even her reel life role has been reflecting her political ambition, the kind of role she cherry picks or produces. She has played the role of modern leaders like Indira Gandhi and Jayalalithaa. Besides, she has also donned the role of legendary and religious characters in movies like Manikarnika 2, Sita: The Incarnation. Kangana is now busy shooting for Chandramukhi 2, a sequel to Rajnikanth’s horror comedy directed by P Vasu. Of late, she is more focused towards the south film industry. In Bollywood where she is known for not mincing words, she gets along with people who are right-winger like Anupam Kher; but one was surprised to see her making fun of Selfiee which had Akshay Kumar. And another surprising factor was her support for Nawazuddin Siddiqui and it may be because she is working with him. After fighting courting too many battles including a defamation suit filed by Javed Akhtar, Kangana, according to industrywallahs is now careful and measured in her talks and social media message. Is it?
Celebrities across the world have to put up with pesky paparazzis. Bollywood is no different. Recently, a freelance Paps clicked Aliya Bhatt sitting by the window in her house. It was not scandalous but Alia raised ‘the right to privacy’ stink and it became a headline. Interestingly, sometimes back when Alia told Paps to avoid taking photos of her daughter they readily agreed. But Anushka Sharma was not that lucky, her child’s photo went viral. And everybody knows Jaya Bachchan’s aversion for Paps. Do Bollywood stars have love-hate relations with paparazzis? In Bollywood there are two kinds of Paps: professional, organized ones and freelancers (mobile phone wielding ones). The organised ones are officially tipped by the PR guys about film stars’ schedules like visits to malls, theatres, restaurants or airports. But, freelancers are not part of this loop. Since they are paid only if they deliver. And their KRA is how far you can go to get those exclusive photos/videos. This sheer fight for survival to take money home sees them break barriers of decency; at times pass lewd remarks against female stars. Basically, they lack etiquettes and manners. In the last three years, especially after Covid-19 pandemic, some of these freelancers have crossed the Laxman-Rekha and have intruded into the star’s privacy. This has irked many female stars.
Bollywood’s most successful star Akshay Kumar is experiencing failures; all his releases in the last two years have bombed badly. His latest Selfiee collected just Rs 20 cr in the first four days of its release instead of earning at least Rs 20 cr per day. Selfiee made at a cost of Rs 150 cr and shot in 40 days could perhaps be Akshay’s biggest flop of his career. Shah Rukh Khan’s Pathaan in spite of controversy collected around Rs 70 cr per day to touch Rs 509 crore in 36 days. Earlier, Kartik Aaryan’s Bhool Bhulaiyaa2 broke the Bollywood jinx by grossing over Rs 200 cr. In comparison Akshay’s figures are: Bachchhan Paandey Rs 52 cr, Samrat Prithviraj Rs 68cr, Bell Bottom Rs 32 cr and Raksha Bandhan Rs 48 cr. Says an industry insider, Akshay Kumar needs to reinvent himself. Most of his choices of subjects have been super flops. Basically, his fans are showing him the mirror. But is he looking at it? In spite of back-to-back flops, the 55-year old is not being written off by the producers. He has a couple of big projects in the pipeline — Hera Pheri 4 (promo shot), Bade Miyan Chhote Miyan with Tiger Shroff, Capsule Gill completed in the UK, a remake of Sorarai Pottaru (under production). Currently, he has taken a short break for a show in the USA with four glamorous stars. Reportedly, the New Jersey show has been cancelled.
It is a big setback for the bankable star of Bollywood Kartik Aaryan. His latest release Shehzada has bombed at the box office and this has raised concerns in the film trade whether Shah Rukh Khan’s movie Pathaan was an aberration. Its collection has crossed the Rs 500-crore mark. The weekend collection for Shehzada was around Rs 20 crore and the reason for poor footfall is that film music has not appealed to his fans. Also, last minute postponement of its release also affected the collections. Surprisingly, there were takers for Pathaan’s marketing strategy; it reduced ticket price to Rs200 but when Shehzada offered one ticket free on buying one ticket the audience did not lap it up. A worried Bollywood fraternity is hoping that Akshay Kumar’s Selfiee does well. Though the early numbers is around Rs 5 crore. The trade feels it is going to be difficult for Akshay who has had a series of flops to get a good opening even though the old song ‘Tu anari mein khiladi’ has gone viral. Now all eyes are on Ranbir Kapoor’s Tu Jhoothi Main Makkaar, Ajay Devgn’s Bholaa. But, of course, the biggest expectations will be from Salman Khan’s Kisi Ka Bhai Kisi Ki Jaan that will be released on Eid day. That will be a real acid test.
Finally, Shah Rukh Khan’s controversial movie Pathaan has broken the Bollywood jinx. It’s a runaway hit with collections crossing the Rs 475-crore mark. But for Pathaan the last two years have been a disaster for the Hindi film industry with all movies involving top actors like Akshay Kumar, Tiger Shroff, Ranveer Singh, Rajkummar Rao bombing at the box office. The only saving grace was Kartik Aaryan’s Bhool Bhulaiyaa 2. Has the success of Pathaan emboldened producers to announce new projects? Not really. No producer is confident to invest in Hindi films because here, the stars walk away with a major portion of the budget by way of their fees. It may be recalled that the Telugu Film industry went through a similar phase; they hit the pause button, did some introspection followed by correction. Now, they are up and running. In the case of Bollywood, producers have hit the pause button and hoping there will be correction. Seeing the writing on the wall a worried Karan Johar while hosting Bigg Boss – Season 16 made off the cuff remark requesting young actors from Kartik Aaryan to Varun Dhawan to Ranbir Kapoor to cut their fees. Will they? Meanwhile, statistics show that there has been a significant drop in the number of new films announced in the last one year; those films released in 2023 are only backlogs. Clearly, it’s a wakeup call for Bollywood stars.
Once upon a time in Bollywood it would have meant hara-kiri. Not anymore. At the peak of their career Kiara Advani and Sidharth Malhotra got married. This seems to be the new trend in Bollywood. Most of the actors and actresses are not really working on their image post marriage; it is simply because the audience and the fans continue to follow and fantasise about their stars. According to social media expert there is so much of them out in the public domain that fans are fine with marriage and even children (Kareena Kapoor). The mysticism of the stars of the earlier days used to generate curiosity and fans fanaticised about them and these worked in the favour of the actors those days. Then stars had to project a certain image – they are single. Age, marriage and children were taboo. Then popular heroes or heroines were not seen with their families in public function or filmy event. For instance, both Juhi Chawla and Aamir Khan hid their marriage. But times have changed; Bollywood topguns have got married – Ranveer Singh-Deepika Padukone, Anushka Sharma-Virat Kohli, Ranbir Kapoor-Aliya Bhatt and Vicky Kaushal-Katrina Kaif. Those in the trade feel that it is only working in favour of the married celebrities as they get more opportunities for endorsements, ground events and even films and other projects.
The heroes of the 90s are making a comeback in a big way. Ajay Devgn started the return trip to the box office with Drishyam 2 which grossed Rs 343 crore worldwide and is still running in cinemas. His arch-rival and Badshah of Bollywood has broken records with Pathaan’s worldwide collection crossing the Rs 600 crore mark and is still counting. Shah Rukh Khan who had a super flop like Zero is back with super dialogue hitting out at the newer stars who think they have replaced them. Pathaan’s popularity is affecting new releases. Kartik Aaryan’s Shehzaada was to release on February 10 but has now been postponed. Does it signify solidarity? Though the makers say it is out of respect for SRK, it seems more out of concern for Kartik who has taken himself to be a ‘Shehzada’ of the industry. Likewise Salman Khan had a big flop in Antim is returning with Kisi Kaa Bhai Kisi Ki Jaan on Eid. Trade is saying it will open to about Rs 40 crore on day one. Akshay Kumar who had strings of flops has about 10 films in the pipeline. His film Selfie, a remake of the South film Driving Licence, looks interesting and could be a box office hit. Aamir Khan has taken a back seat as an actor and is now focusing on production and knowing the man he is definitely going to make a comeback in a big way.
After a gap of nearly 10 years Bollywood’s super hit director Rajkumar Santoshi is on a comeback trail and that too with a vengeance. That was obvious at the various media interactions he has had. The 66-year old Santoshi, is in throes of controversy, over his latest movie Gandhi Godse Ek Yudh with a non-star cast film. The only star is AR Rahman who scores music for the film. Santoshi has been struggling to make Gandhi Godse for a long time but had no takers; even finance remained an issue. He managed to convince Rahman and that set the ball rolling. Rahman calls Santoshi courageous for making the film. Santoshi’s daughter Tanisha makes debut in the film which seemed unconventional for a celebrity kid. Santoshi has directed over 16 films and most of them have been big hit. His first film Ghayal in 1990 starring Sunny Deol and Meenakshi Seshadri was a runaway success. So too his film Damini whose dialogue “tarek pe tarek” became famous. He was besotted by Meenakshi Seshadri and wanted to marry her but she decided otherwise, packed her bags and settled down in the U.S. Similarly, he seems to have had fallout with several people including Big B and Sunny Deol. With Sunny it was after Damini. But now they have patched up and will be making a film together titled Lahore 1947. So will the second innings of this maverick filmmaker better his first one?
At a recent healthcare company’s Press Conference, John Abraham seemed irritable when scribes asked him questions about ‘Pathaan’ again and again. His answer: “next question”, “next question”. Finally, he got up and left rather angrily. Why is the 50-year old actor- producer-scriptwriter behaving in this fashion? Some say he didn’t want to speak about a film at a health event. Perfect. But, not once did he talk in favour of Shah Rukh Khan who was being hemmed in from all sides over Pathaan. To this, those who know John said he wants the film to do the talking; that’s what he said after he was trolled and called arrogant. Has his relationship with SRK soured? Nobody knows. Industry insiders say he has had a fallout with Salman during a world tour and both have not come together. John who has been in Bollywood for nearly two decades has not made many friends in the industry. Many say, he also take things personally; he closes communication channels with the directors if the film flops. Inspite of acting in over 20 films his strike rate in box office is poor. People remember him for Jism, Dhoom, Shootout At Wadala. Of late everybody is jumping on the OTT bandwagon but not John. Reason: He does not want to be available at Rs 299. That’s being gutsy.
The Central Board Of Film Certification (CBFC) is said to be an autonomous body. But it isn’t. It has always been influenced by the ruling dispensation. Recall Gulzaar’s movie Aandhi which was banned in 1975 as it was based on the life of Indira Gandhi. Censor board now CBFC always had members who were political appointees. One remembers Mahesh Bhatt saying that the board objected to the word “randi” (prostitute) in his movie Arth, decades later it was beeped in Raaz but during Murder 2 the word stayed in the film. Looks like the board is slowly turning into a toothless body. There have been umpteen times when objections have been taken after the film was cleared by the CBFC. Prakash Jha faced it. At the time of Aarakshan his office was vandalised. He went to the court and got an order in the industry’s favour. In this social media age the board seems to be getting influenced/pressured by the trolls and Pathaan is a case in point. So much so chairman of CBFC Prasoon Joshi, a government appointee, had to issue a statement defining the role of the board. Despite the beeps, replacement and cuts the trailer of Pathaan rocks. Now, it is learnt that the government will come out with new guidelines that will give the CBFC chief power to withdraw a film even after certification. Very tricky days ahead for Bollywood?
She is one of the sought-after heroines. Thirty-seven year old Deepika Padukone who entered Bollywood in 2007 and made quite a mark, seems to be courting controversies these days. The right wing has called for a boycott of her soon-to-be-released Pathaan starring superstar Shah Rukh Khan. Earlier it was Padmavat. And in both the cases she has remained unfazed. During Padmavat release when a section of the saffron brigade threatened to cut her nose, she wasn’t really scared. In fact, at the height of student’s agitation, Deepika landed up at JNU to show her solidarity with the student’s union. In fact, her visit had nothing to do with the release of her film Chhapaak based on acid attack survivor. The film bombed because of a boycott by right wing or bad execution of script nobody knows. The actress hasn’t really had a good run at the box office in the recent past. Chhapaak, Gehraiyan, 83, Cirkus all failed to draw audiences. One of the top paid actresses, Deepika also seems to be fighting gender bias. Reportedly, for Baiju Bawra she asked Sanjay Leela Bansali for more fee than Ranveer Singh. He quietly signed up Alia Bhat. According to Duff & Phelps 2022 report, Deepika’s brand value stood at $ 51.6 mn. As of now, Deepika has five films in the pipeline which includes Pathaan, Fighter with Hrithik Roshan and Rohit Shetty’s Singham 3.
There is a lot of surround sound over the release of Shah Rukh Khan starring Pathaan with right wingers protesting over Deepika Padukone’s saffron coloured skimpy dress. Yet, the trade is very optimistic and feels irrespective of the controversy and boycott Pathaan will be a huge hit at the box office. In fact, King Khan and Salman Khan together have four films releasing in 2023 and looking at the fan followings, and the crowd outside their homes, it clearly indicates their popularity has not waned on the contrary it is on the rise. SRK has Atlee directed Dunki while Sallu Bhai has Kisi Ka Bhai Kisi Ki Jaan and Tiger 3. These movies will log at least 15% revenue growth via theatres because people will flock to movie halls to watch larger than life movies like Avatar and Black Panther: Wakanda Forever and this will be Advantage SRK as he is known to make larger than life movies. OTT will co-exist with content driven space. It will be more on experimental content and stories from small towns — they will thrive on pulp fictions like Good Luck Jerry and Darlings. It won’t be a challenge as the cinema will cater to MCU (Marvel Cinematic Universe) and action-packed world. Trade feel, Rohit Shetty’s Cirkus failed because it was due to poor content but the Khans will resurrect Bollywood in a big way.
Poor response to Rohit Shetty’s latest film Cirkus seems to have shocked the Bollywood fraternity. Generally his movies generate Rs 100 crore in the first week of release but Cirkus managed only Rs 21 crore in the first three days. It is a setback, perhaps for the first time, for the man known for his Midas touch. Forty-eight year old Rohit known for his action, comedy and masala films has worked with all top stars and given hits like Golmaal, Singham... Sure, he has his favourites – Ajay Devgn with whom he has done 10 films. So what went wrong with Cirkus? Analysts say that Rohit went wrong with the trailer; the audience did not like it so decided not to watch the film. Movie critic Taran Adarsh who gave it two stars rating, tweeted “Cirkus: Outdated”. Sure, one flop does not damage the equity of a large-hearted filmmaker like Rohit Shetty. He shot Cirkus deliberately during the lockdown so that hundreds of technicians, junior artistes could keep their kitchen fire going. Joint Commissioner of Mumbai Police Vishwas Nangare-Patil has gone on record saying Rohit paid off the hospital bill totaling Rs 97 lakh of policemen who were being treated for Covid-19. Cirkus has failed but it is a minor blip in Rohit’s illustrious career. Given the goodwill he enjoys across all classes of people Brand Rohit is here to stay for a long time.
Recently, Bollywood’s new sensation Kartik Aaryan was seen at Mumbai’s Siddhivinayak temple. It is quite commonplace to see film stars visiting religious places before the release of their movies. Amitabh Bachchan is an ardent devotee of the famous Siddhivinayak temple. He has walked nearly 12 km from his home in Juhu to this temple in Prabhadevi. He has donated a big silver rat and lent his voice for mantras and aartis for Bappa. In the early eighties when he was battling for his life special aartis were conducted at the Siddhivinayak temple. Producer-actor Jeetendra is a big devotee of Tirupati Balaji so much so in the mid-eighties when his career was down he went to Tirupati and got tonsured. Soon followed hits like Himmatwala, Tofa and since then he has never looked back. In fact, he has named his company Balaji Telefilms. Jeetendra is also a great believer of Vaishno Devi and often greets people with “Jai Mata Di”. Shah Rukh Khan visited Vaishno Devi secretly along with the director of Pathaan Siddharth Anand. His religious side surfaced only recently. Superstar Rajinikanth is a great bhakt of Raghavendra Swamy and visits the mutt located at Mantralayam, Andhra Pradesh very often. Even SS Rajamouli of Bahubali fame visits this mutt. Katrina Kaif, Govinda, Sanjay Dutt and Ajay Devgn often visit Ajmer Sharif. Actor Manoj Kumar is known to be an ardent Sai Baba follower.
He knows how to market himself and emote with his audience. That’s what makes superstar Shah Rukh Khan very special. But at 57 he is battling on several fronts. His movie Pathaan to be released on January 25, has been dragged into controversy over the saffron-colored bikini worn by Deepika. The right wing has called for a boycott of the movie. And to make matters worse, the media has been going whole hog reporting it. Why not? SRK has been avoiding the media like a plague. Reason, he feels the entire tribe went overboard while reporting on his son Aryan Khan’s drug case. Now, he feels he could do without them. It may be recalled that in the eighties Big B was banned by the media but it made no difference to his career. SRK does not have that luxury. He needs a box office hit. So he is using different ways to reach his audience. At the Kolkata International Film Festival the actor spoke about the social media negativity that put spotlight on his film. He also visited Mecca and then Vaishnodevi. He has kept pushing the envelope. He landed at Sports18 studio just before Argentina-France final kick off. Besides, he is talking to social media influencers like Faye Dsouza to put his points across to the audience. In the past inclusion of Pakistani cricketers almost led to the ban of his film My Name is Khan. Now, all eyes on January 25.
The general impression was Pathaan was the comeback ticket for superstar Shah Rukh Khan. But, it seems to happen the other way round. Like it or not Deepika Padukone seems to be all over, grabbing headlines not King Khan. Deepika has not only been getting bad press but also heavily trolled for ‘Besharam song’ promo from soon-to-be released Pathaan movie. The so-called right wing moral police has labelled Deepika ‘besharam’. In fact, her action has stumped everybody? Insiders feel that Deepika is one of the top actresses of Bollywood who has proved her skills and does not have to cavort in skimpy clothes like a newcomer. Is Deepika feeling insecure? Is she doing this to project herself as an international star? Insiders are saying that Alia Bhatt, Katrina Kaif are not showing their skin to prove their stardom so why is Deepika an established successful star doing this? Her hubby Ranveer’s full monty was not appreciated at all. Just a few days back, her fans appreciated her song in Cirkus and now they are thrashing her. For now Deepika has two films Fighter, an action packed drama and Rohit Shetty’s cop series where she plays female Singham on her plate. But, going by the backlash of Besharam song she certainly needs to revisit her PR strategy.
The denizens of the Bollywood would be heaving a sigh of relief as 2022 draws to close. It has been a bad year for most producers, directors and actors. There was great expectation from Rohit Shetty’s Cirkus which releases at the end of the year. But early reports based on its trailer says it has got mixed reviews and as of now it is tracking Rs 15 crore. The saving grace could be Avatar. There is no denying the fact that the confidence of Hindi film industry is shaken. Barring two or three films like Bhool Bhulaiyaa 2, Brahmastra, Drishyam 2 other films have bombed. A trade source said, “2022 has been a losing year. We are almost 1000 crore down as an industry. If you want to single out then this year has been favorable for Ranbir Kapoor and Kartik Aaryan. Particularly the year has not gone well for Ayushmann Khurrana. Because he was on a huge high before the pandemic. And after that his films have not done well.” The year actually belonged to the films more than the stars as two franchisees worked and another franchisee in the making was Brahmastra. The source says that 2023 could be Shah Rukh Khan’s year as the actor has three big releases. Although he is shunning the media but is making sure his presence is felt even if it is at religious places.
Is Malaika Arora trying to create buzz around her so that her new show on OTT ‘Moving In With Malaika’ gets good traction? Recently, she was all over with stories about her pregnancy, why she parted ways with Arbaaz Khan, or trolled on social media for wearing a Balenciaga dress — the brand which was in controversy over its ad campaign. The pregnancy story was denied by her family. But, those in the trade feel that Malaika gets publicity even while walking her dog out or for her yoga session. Forty-seven year old fitness freak, single mom, carved a distinct place in Bollywood with her item numbers. She has confessed she is avoiding acting roles in the films. But insiders feel she should focus on acting as the new item girl of Bollywood is Nora Fatehi and she is here to stay. But there is no denying that Malaika’s latest item number “Aap Jesa Koi” in Action Hero has resonated well with the audience. Right now one is overdosed with her plug-ins of the show in which confesses about marrying Arjun Kapoor and several other confessions but one is waiting to hear from her about how she dropped the Khan surname and indirectly took on Salman Khan by posing and parading with Arjun Kapoor. But one interesting observation by a colleague is that she has moved on from one AK to another AK.
Actress-model-dancer Nora Fatehi got upset with the waiting photographers as she stepped out of the Enforcement Directorate’s office after her interrogation in the Sukesh Chandrashekhar money laundering case. She is the same Nora who is ever ready to oblige eager paparazzi but this time it was different. She is a witness in the case in which actress Jacqueline Fernandez is an accused. Thirty-year old Nora, a Canadian citizen, has made waves in Bollywood as an item girl. She is invited to reality TV shows either as a judge or as a guest. So what’s her claim to fame? According to insiders, she is considered to be the hot favorite of a music baron and he has signed her for any number of item songs and music albums. She started with item numbers in south Indian films and then moved to Hindi films. Luckily for her all her item songs have been a hit and that was used to draw audiences to theatres. But, her rounds of ED’s office and her name dragged into the Sukesh money laundering controversy could be a temporary setback for her career. Many may not sign her for the fear of shooting dates clashing with her hearings. Incidentally, Jacqueline is still not out of trouble but has not vented her anger with the media who has been tailing her day in and day out.
Being an insider Varun Dhawan always had a foot in the door. Son of Bollywood’s most successful director David Dhawan, he worked with Karan Johar as an assistant director before he was launched in Student Of The Year by Karan Johar in 2012. Lady Luck was benevolent; he had 11 consecutive box-office successes between 2012 and 2018 but close industry watchers are saying that the 35-year old star may lose his edge given the kind of films he is signing these days. Says an insider, the kind of films he is choosing is not really working in his favour. His latest outing Bhediya has been appreciated by the critics but hasn’t really translated into big numbers. His well-wishers feel that he needs to reinvent himself; focus on the kind of cinema his father is known for. Remake of Judwaa, Coolie No 1 was liked as one saw a Govinda in him. Varun is a sincere and emotional actor and is keen to do something out of the box and that has not worked in his favour. Badlapur was good but October failed and in the case of Bhediya his fans don’t really want to see him playing those kinds of roles. They are looking for a Govinda in Varun. Varun, darling of the media, needs to buckle up as newcomers like Kartik Aaryan, signed by his own brother Rohit Dhawan, have raced ahead of him. About time Varun does introspection.
One thing was loud and clear at the 53rd edition of the International Film Festival of India (IFFI) held in Goa from November 20, 2022 that the crowd is thinning. The craze and eagerness among film buffs to attend such festivals seem to be waning. So this raises the question: Is digital viewing killing the film festival market? According to one of the film enthusiasts seen in this circuit, “I have been attending film festivals for ages now, and I can say that this year the crowds were less. Some of the regulars were missing too.” The opening day didn’t have much of the enthusiasm one has seen in the past. Has the pandemic changed everything for the festival? Another regular at these festivals says “The magic has gone out of the festival. Netflix and others seemed to have kept quite a few cinema-goers away. Why would anyone come to the festival when they can see it at home?” Also, the focus at IFFI has now shifted to marketing India as a shooting destination and not about the experience of cinemas. One could see a huge pavilion which had stalls of countries like Russia, France and others trying to sell their country as a “shooting destination”. It seems to have become a B2B marketplace not a place to showcase talent and creativity. This year’s edition of the film fiesta showcased a collection of 280 films from 79 countries.
The billion rupee question everybody in Bollywood is asking: Can Ranveer Singh and Rohit Shetty recreate the magic at the box office this Christmas? Forty-eight year old director-producer-TV host Rohit Shetty is one of the most successful filmmakers who has had a 90% success ratio at the box office with his movies like Singham and Golmaal series. But this Christmas he returns with a period comedy that is reportedly inspired from the 1982 comedy movie Angoor directed by Gulzar starring Sanjeev Kumar and Deven Varma. But, Rohit denies it. One of the highest paid stars, 37-year old Ranveer Singh has been signed for Cirkus. It may be recalled Ranveer Singh’s Jayesh Bhai Jordaar was a disaster and the trade is a little sceptical about him currently, but has full faith in Shetty who seems to have a Midas touch. Those in the trade say that all said and done Cirkus and YRF’s Pathaan starring Shah Rukh Khan are two films that the exhibitors and the entire trade is banking on and hoping that these two films will revive Bollywood. A trade pundit said that both the films come with a good mix of star power and entertainment value and SRK and Ranveer Singh are the last of the superstars the film industry has and there may not be another after them.
Rajshri’s high profile star cast movie Unnchai released with a slow start but saw a jump on the second day of its release. Sooraj Barjatya, the filmmaker who is known to make family films has this time returned with a film that is outside his comfort zone but has the underline thread of friendship Rajshri style. Those in the trade would not like to criticize Barjatya’s film but those who have watched say it is not an extraordinary story. Yes, his name gives them a reason to not run it down and this has translated into a cash register ringing. A visit to Barjatya’s office, Rajshri which is India’s leading film, TV, music and digital studio set up in 1947, gives you the feeling that cinema is still alive and their functioning reminds us of the Indian values. All what he shows in his films is from families around him. For him to show the stars drinking in a song was full of reluctance. He is a gentleman director of the film industry who never raises voice or gets upset with any actors or people around him. Only once he lost his cool by his own admission with Abhishek Bachchan and Kareena Kapoor. He is humility personified. Nobody likes to hurt him. Salman Khan is one of his best friends and looks like he will return in his film as Prem very soon.
It has never happened before in Bollywood. Three actresses-led films releasing simultaneously. Katrina Kaif’s Phone Bhoot was the highest scorer at the box office in last week’s release of women-centric films. Katrina’s film earned about Rs 10 crore; the other two films Janhavi Kapoor’s Mili and Huma Qureshi-Sonakshi Sinha’s Double XXL had dismal collections. According to a trade pundit, the audiences are becoming increasingly discerning and don’t enter the cinema hall unless it’s a family fare and has a fun quotient like Phone Bhoot. Mili was a remake and although Janhvi worked hard the audience didn’t want to see her in a freezer. Her last film Goodluck Jerry was appreciated but it was on OTT and people didn’t have to pay for it. Huma Qureshi and Sonakshi Sinha chose a subject close to their heart; but the subject is passe as today‘s girls are not embarrassed by their bodies and nobody wanted to spend money to watch them in cinemas. Most of the films that are now released in cinemas could’ve been released on OTT directly but the OTT platforms now want the producers to release their films in cinemas and only after that they are picking up those films at their cost. The last women-centric film that did well at the box office was Alia Bhatt’s Gangubai Kathiawadi and it was because of the songs and it was larger-than-life cinema.
Another popular yesteryear actress is keen to make a comeback. Fifty-nine year old Meenakshi Sheshadri is keen to get back to acting. Interestingly, most of the top actresses of the past are making their comeback statement by appearing on popular reality shows like the Indian Idol, The Kapil Sharma Show Or KBC. So too Meenakshi, she chose the Indian Idol show. She looked fit. Her dancer’s grace and poise for all to see. For the uninitiated Meenakshi is trained in four Indian classical dance forms — Bharata Natyam, Kuchipudi, Kathak, and Odissi. In the early 90s she was dating singer Kumar Sanu but Ghayal director Rajkumar Santoshi was very keen to marry her. She shocked and surprised her fans by abruptly giving up her acting career and moved to the U.S. around 1996 after finding her life partner. Meenakshi is not the only actress of the 80s and 90s who is making a comeback. Neetu Singh Kapoor did it after 26 years via a Karan Johar film. Now she is busy with a web series. Bhagyashree of Maine Pyar Kiya fame made a quiet comeback; she was seen in Thalaivi but it was Super Moms that got her noticed. Earlier, we saw the dhak dhak girl Madhuri Dixit coming back to India landing film roles, doing reality shows and endorsing many products.
After Fitoor it is probably for the first time Katrina Kaif will be seen headlining a film Phone Bhoot that releases this week. The 39-year old actress, who has acted in over 50 films, has been one of the top three actresses in Bollywood charging a hefty fee of Rs 10 crore per film. Phone Bhoot is a horror comedy that co-stars not so popular Ishaan Khattar and Siddhant Chaturvedi. Katrina is the big name here and a lot depends on how the audience reacts to the film. Phone Bhoot is Katrina’s first release after her marriage to Vicky Kaushal who has been involved in the promotion of the film. Of course her ex-flame Salman Khan has not been far behind, he was promoting it on Bigg Boss. Interestingly, there are three releases this week — Mili, Double XXL and Phone Bhoot — and all three are driven by women. Trade analysts feel Katrina’s film will get a good opening of Rs 4 crore. Till date Katrina hasn’t really got noticed for her acting skills but is remembered for item songs like Chikni Chameli. In fact, she has had some of the best songs to her credit and that makes her hugely popular. Katrina has worked opposite all the top Bollywood actors. The actress who has overcome her Hindi language barrier is now focusing on her acting skills and getting choosy about her roles. Looks like Kat will walk the talk.
These days Shah Rukh Khan carries an umbrella. Reason: he wants to make sure that paparazzi don’t get a glimpse of him. SRK who was once very friendly with journos is miffed with the entire tribe for going overboard while reporting on his son Aryan Khan’s drug case. He is also angry with the media for publicizing his personal life. But, does hiding behind an umbrella ensure that the media will stop reporting on him or his son? Senior journalists say that SRK cannot complain as every time they tried to reach out to him or his legal team, they were stone-walled. Given this situation they could do nothing but file stories after talking to reliable sources. For Bollywood this is not a new phenomenon. In the eighties, Amitabh Bachchan and Rekha had banned the media for publishing their alleged relationship. They neither gave interviews nor allowed journalists on their sets. Big B broke his 10-year ban and has now become the darling of the media. In the case of Salman Khan it is a love-hate relationship. It came to the fore during his affair with Aishwaryaa Rai. In fact, a leading film magazine, much to his annoyance, stopped writing about him after he misbehaved with their photographer. Now Sallu bhai is a changed man but occasionally the old Salman Khan does surface. Meanwhile, Aryan Khan continues to carry an umbrella and refuses to oblige the waiting paparazzi.
Fifty three year old Ajay Devgn is one of the busiest actors in Bollywood. The actor–director-producer has four films in the pipeline; one just released this Diwali. Ajay is not really a Diwali hero as most of the time it has been the Khans who time their movie release with Diwali. And if Ajay has released his film on Diwali it has been a clash most of the time with Shah Rukh Khan; he does not really enjoy a rapport with SRK although his wife Kajol hits off with him both on screen and off screen. Ajay Devgn has been a consistent-intense actor who works at his pace and is not in the rat race. With more than 100 films under his belt, he has won national accolades for his contribution to cinema. He has worked with well- known directors like Prakash Jha, Rajkumar Santoshi and Ramgopal Varma but it was Rohit Shetty who gave him the angry Singham stamp. And the same Shetty’s Midas touch has made Ajay’s poker faced comedy a huge box office hit in the Golmaal series. The actor is also a director and Raju Chacha was his first venture. In recent times Ajay has directed Shivaay and Runway 24 the latter starring Big B. The politically correct devoid of controversy actor has several projects on hand — Thank God has just been released. It will be followed by Drishyam 2, Maidaan and Bhola.
She is the insider who made it big in Bollywood with her extraordinary talent. Alia Bhatt, who is in the family way, is all over the place – print, TV, internet — endorsing all kinds of products. And her spontaneity, innate talent and charm seems to be emoting well with her audience. Once upon a time marriage or pregnancy were considered a taboo. Not anymore. In fact, stars are cashing on it. Kareena, Anushka and Dia have all done it. The trend of pregnant celebrities endorsing products is increasing by the day. Reportedly, Kareena Kapoor Khan earned around Rs 12 crore via endorsements during her pregnancy. In the case of Alia, she has already endorsed over 23 products. She also features with her husband Ranbir Kapoor in Spotify ads done during the promotion of Brahmastra. Experts from the adworld say there’s a correlation between brands, and ad recalls of products endorsed by the celebrities during their pregnancy as for a large number of women these stars are their idols. And social media has given more heft to these celebrities. According to Duff & Phelps (now Kroll) Celebrity Brand Valuation Report, Alia’s brand value stood at $ 68.1 million in 2021. That’s huge for the 29-year old actress who entered Bollywood 10 years ago. No wonder she is wearing several hats — model, actor, producer and promoter.
She is one unique actress who was called as woman of change but these days we have been seeing her making reels on Instagram and not really doing the kind of work we would want to see from Vidya Balan. Not that she is not doing a good job in the reels in fact she is putting in as much effort as one would working in a commercial film. But those in the trade feel that Vidya Balan is one actress who does not believe in racing for the top actress spot but is focusing on what she likes doing. Vidya was last seen in Jalsa with Shefali Shah and her performance was appreciated. Currently, she has two films in the pipeline. The 43-year old actress who made her mark in a popular TV serial Hum Paanch entered Bollywood in 2005 with Parineeta. It was a hit. Since then she has worked in films that are female-led or has done path breaking roles in movies like Lage Raho Munna Bhai, Bhool Bhulaiyaa, The Dirty Picture No One Killed Jessica, Shakuntala Devi and Kahaani. Vidya who always got bad Press for her dressing sense did try to do a glamorous role in Kismat Konnection but that was not well received. Those in the trade feel that OTT is an ideal platform for her. Is that the reason why she is focusing on social media?
Richa Chadha who has been tom-tomming about her marriage to Ali Fazal for years has finally tied the knot. Now, the next marriage on the horizon seems to be that of the 37-year old actor Arjun Kapoor with 49-year old actress-TV personality Malaika Arora. Will he or won’t he marry her seems to be the question that’s doing the rounds as they have been dating for a long while now. It did take Arjun quite a few years to openly walk hand-in-hand with his girlfriend Malaika and it is learnt there is little bit of reluctance on his part to take her to his family dos. Malaika being a former Khan Bahu could be the reason the two are taking time to formalise the relationship. It is definitely not their 12-year age gap. Malaika who married Arbaaz Khan in 1998 and now legally separated has a college going son Arhaan who now seems comfortable with Arjun. It has definitely not been easy for Arjun but slowly everybody is accepting the two. His father Boney Kapoor, an accomplished film producer, is part of the fraternity and very close friend of Salman Khan and all these may be part of the concern. But, one thing is loud and clear: Arjun takes a lot of pride in Malaika being his girlfriend. That’s encouraging, so will the wedding bells ring soon?
Her father’s towering presence in Bollywood and politics perhaps made it possible for Sonakshi Sinha to have a dream launch as a heroine opposite Salman Khan in Dabangg in 2010. The role not only won her Filmfare award but her dialogue “Thappad Se Darr Nahi Lagta Sahab made her even more famous. This 35-year old touch-me-not actress, daughter of Shatrughan Sinha, has done over 50 films. Insiders say her traditional look was in a way disadvantageous. But, to her credit Sonakshi managed her career quite well by choosing the right role. Sonakshi who has had no releases in the last two years is now working with Sanjay Leela Bhansali in the web series Heera Mandi. Here, she surprised everybody by choosing Bhansali over Sooraj Barjatya and Amitabh Bachchan for Unncha. More. She is now confronting issues like body shaming in Double XXL. Like all stars, she too has had her share of link-ups with co-stars. A video of her and Salman Khan went viral that led to speculation of her tying knots with the actor. Currently she is dating Zaheer Iqbal, a protege of Salman Khan who has fallen out with him after he walked out of Bhaijaan. Recently, while shooting a teaser for Case Toh Banta Hai Sonakshi slapped comedian Paritosh Tripathi after challenging him to say her dialogue “Thappad se….” Once he said it, Sonakshi gave him a tight slap, and asked “Nahi lagta?”
Once upon a time in Bollywood it was typical of a heroine to ask the producer who the hero of the film was before signing on the dotted line. Well-known heroines would never agree to act opposite a hero who was a newcomer. Since the glamour quotient of the heroines were high the producers were eager to oblige them. The entry of OTT has reset the entertainment industry. It has changed the mindset and approach; heroines are looking for a good script with a strong character and the conventional running around the trees and getting wet in the rain. Parineeti Chopra is doing a film with Hardy Sandhu. Earlier we saw Alia Bhatt cast opposite Vijay Varma in Darlings and in Gangubai Kathiawadi her hero was Shantanu Maheshwari. But the biggest shocker was Katrina Kaif agreeing to do a film with South star Vijay. Today’s actresses are looking at content and do not want to do dolled-up roles opposite a big star. In soon to be released Vikram Vedha the female lead is Radhika Apte and not any glamour girl opposite Saif Ali Khan. Analysts say that both actors and actresses are not keen to be heroes and heroines but characters in a film that wins them audience appreciation vis a vis keep the cash register ringing. Clearly, this trend has begun all thanks to the OTT boom.
Malayalam star Dulquer Salmaan seems to have made quite an impression in the latest Telugu movie Sita Ramam, also dubbed in Hindi. Son of Malayalam super star Mammootty, this 36-year old actor who predominantly works in Malayalam, Tamil and Telugu movies is another star from the south who is expected to storm Bollywood with his next film Chup. The movie, an ode to Guru Dutt in which Dulquer plays the lead, is directed by R Balki. Dulquer is not a larger than life hero like Allu Arjun and Ram Charan but more of a romantic hero often seen in solo hero films which has won him appreciation. Dulquer is also like Prithviraj Sukumaran who is making sure that Malayalam film industry continues to make good cinema. Dulquer definitely has the potential to make a place for himself in Bollywood as his Hindi accent is much better than the big heroes of Telugu and Tamil film industry. His debut film in Hindi was Karwaan, a small budget film directed by Akarsh Khurana. Sita Ramam is definitely setting a trend of sleeper hit films. In the entertainment industry, sleeper hits are films or series that were not expected to do very well because of low budget, lack of promotion. But gradually the movie becomes a talking point, garners media attention which in turn increases its box office collections.
Finally, Salman Khan agrees to host the reality show Bigg Boss for the 12th time. The actor, it is learnt, was not too keen to host it because of his film commitments and of course fee has always been a bone of contention. In the end the producer, actor seemed to have found the middle ground. The actor quietly shot the promo of the show in between the shoot of his home production Kisi Ka Bhai Kisi Ki Jaan at the Mumbai’s Film City studio. The actor who keeps threatening to leave the show manages to get a fee hike in each season. Last year, it is rumoured he was paid a hefty Rs 350 crore and this year — Bigg Boss Season 16 – the fee is bound to be more, say people in the know. The actor who shot the promo of the show said there will be no rules this season and that gave rise to speculations of people who could be selected. Thus, names of controversial stand up Munnawar Farooqui, model-actress Poonam Pandey, TV serial actor Paras of Anupama fame were doing the rounds. The reason audiences love Salman as a host of Bigg Boss is because he does not follow the script and often ends up making controversial remarks on the show. And his fans adore him for that.
Does the Indian audience have reservations when real life couples are paired on screen? Take for example Brahmastra which got a big opening but on the screen chemistry between Ranbir Kapoor and Alia Bhatt does not seem to work. Their romance seems forced as the general feeling among the audience. Interestingly, married couples have not clicked on the silver screen. It happened with Dilip Kumar and Saira Banu. After their marriage they worked together in Gopi. This movie did well, maybe it was an initial curiosity. But, it was followed by spate of flops like Bairaag Sagina, Duniya. Post that producers did not take the chance of pairing them together. Dharmendra-Hema Malini were a hit pair before the marriage but after marriage they stopped working together. In the case of Big B and Jaya it seems slightly different. Before marriage both worked together in Zanjeer, Abhimaan, Ek Nazar, Bansi Birju. After marriage it was in Silsila, Chupke Chupke, Milli, Sholay but not as the main cast. Then they stopped working together. Rishi Kapoor-Neetu Singh were a hit pair but after marrying Rishi she stopped working. Saif Ali Khan and Kareena Kapoor worked in Tashan where the romance began. After marriage they came together for Agent Vinod and Kurbaan, both bombed, post that they have decided not to work together.
Cuttputtli’s release on OTT was actually a face saving for Akshay Kumar who has had series of flops like Laxxmi, Bell Bottom, Bachchan Pandey, Samrat Prithviraj Chauhan and Raksha Bandhan. Each of those films that bombed had a budget of around Rs 100 crore. Personally, it was no loss for Akshay as he charges fees and not percentage of profits as is the practice with some big stars. Trade experts feel that seasoned producer Vashu Bhagnani’s decision to release Cuttputtli on OTT was indeed a smart move. So is OTT a safe platform? Not really. Even Akshay, at the announcement of Cuttputtli‘s OTT streaming, said that this platform too needs audience approval. And he was bang on. There is a mixed reaction to the film on the OTT platform although the decision to go straight to OTT is economically safe for the makers. According to trade circles, the loser in this streaming deal of Akshay film is the OTT because a sub-standard film has been sold to them with makers and actors insulating themselves. Akshay Kumar has six to seven films in the pipeline and hopes he has realized that Ab thukpatti ka kaam nahi chalega. Trade experts have been saying that the 55-year old actor needs to carefully choose his subject and get into the skin of his character.
TRENDS & VIEWS
Editor’s Note: Big Punch In Small Pack
It is the Third Anniversary of Short Post and as a news media startup launched during the Covid-19 pandemic it certainly feels better than good to find ourselves where we are today. Here, I must cite the unstinted support of our seasoned contributors, all senior editors in the country, who brought a great degree of maturity and sagacity to the Short Post newsroom. But for them, our tagline “Authentic Gossip”, an Oxymoron, would not have matured viably. Our user numbers may be small but our stories have created the desired impact among people who matter — decision makers and influencers. We offer a big punch in a small pack and Short Post with its 225-word stories has been punching above its weight category. Having posted close to 3,000 stories in the last 36 months, Short Post, I feel, is an idea whose time has come.
And this is vindicated by our two marquee advertisers – IDFC FIRST Bank and ICICI Lombard. Both believed in our story and have supported us from Day one. A big thank you to both.
If you look at the media landscape – print, TV and digital — it is a mixed bag. There are job losses as some outfits have closed down while a lucky few were bailed out by large corporate houses. Yes, there is a lot of action in the digital space. However, the entry of corporate houses has raised the question of independence of news media outfits. Sadly, there are just a handful of independent media outfits in the country that are highly respected for their neutrality. At Short Post, our credo is not to take sides, prejudge issues or be biased but, informing readers of behind-the-scenes happenings. In essence, Short Post strives to be a neutral editorial platform — neither anti-establishment nor pro-establishment.
As I said last year, disruptions in the media world are moving at a fast and furious pace. Technology is playing a very big role in how content is generated and consumed. But, we are neither alarmed nor perturbed as it is all a part of the evolution process. What gives us comfort is that AI is unable to create original gossipy content. And that is the news arena where we have achieved a distinction.