Has Christopher Nolan Kindled A Renaissance Of Greek Mythology?

It was the first day, first show of Christopher Nolan’s eagerly expected The Odyssey at the original showcase of Chennai, Sathyam Cinemas. For an afternoon show, the crowd was overwhelming…80% were young people, film buffs who had descended not just for a rediscovered theatre experience…but many other touch points that attract youth. Are you surprised that a 2800 years old Greek epic, The Odyssey has churned up so much enthusiasm for Greek Gods and Goddesses? Have the young had enough of streaming, now wanting to participate in tradition showcased, celebrate cinematic oeuvres by masters? These young enthusiasts sat through the 3 hours, no cat calls, no disparaging whistles…just an audience immersed in the talent of Christopher Nolan unfurling the epic features of the Greek civilisation. Those of us who were taught Greek history could identify the similarities of Homer’s saga with our own grand epics —The Ramayan and Mahabharata. The Odyssey is a gripping legend of war, the rise and fall of Greek supremacy, and the conflict between faith and human failures. Matt Damon as Odysseus, the colossus who leads his army to Troy, encounters human and monstrous powers, and fights his way back to his beloved Queen Penelope (Anne Hathaway) and his kingdom, Ithaca, plays the lead with restraint. Tom Holland as Telemachus, the son and heir to the throne is a fitting choice, as he persistently refuses to accept that his father is dead or lost. This film adaptation of Homer’s epic was made at a cost of $230 million …a scale and grandeur reflected in every frame …the Trojan Horse, the Blue Aegean Sea, the depiction of the Siren Song …are masterful skill. But the intense involvement of Nolan in his film has made it somewhat lengthy.