Just fresh from the resignation of a cabinet minister, and despite fissures within the ruling coalition, the Opposition in Maharashtra has failed to seize the opportunity that has presented itself before them. The resignation of Ajit Pawar aide Dhananjay Munde was not the result of any Opposition campaign but rather it was the result of inter-coalition disputes within the ruling alliance coming to the fore. Munde’s resignation was a result of a strong sustained campaign led by the BJP legislator Suresh Dhas meant to undermine the Ajit Pawar camp. The fodder for the accusation, that the irrigation department was being run on the whims of Fadnavis associate Mohit Kambhoj, was also said to be provided by intra-party elements within the BJP. That the Opposition could not even present a united picture during the traditional post-budgetary press conference was telling about the state of the Opposition in Maharashtra. Uddhav Thackeray addressed it all alone with the Congress missing in action and their senior leaders restricting themselves to issuing statements while Sharad Pawar’s NCP representative Jayant Patil stuck to the TV debates. Uddhav’s decision to go alone in the forthcoming BMC elections, seems to have particularly peeved his coalition partners. Uddhav seems to have lost patience with his alliance partners. In the case of NCP, it seems to be busy dealing with its own internal schism between Rohit Pawar and Jayant Patil that had led to the party yet to declare its leader of legislative party. While Congress seems lost in its internal factionalism with strong leaders refusing to work with the new appointee state party president Harshavardhan Sapkal. Unlike the lacklustre Opposition, the ruling allies, in contrast, are actively working against each other, unsettling the majority Devendra Fadnavis 2.0 government.  

BJP MLC Ranjitsinh Mohite Patil’s son Vijayibhav Vishwatjejsinh wed the daughter of UdaySinh Rameshrao Chikli, K Shivanshika at Akluj, Malshiras taluka in Solapur on March 8. While a lakh people attended the holy matrimony to include Maharashtra’s royalty, Rajaharshi Shahu Maharaj, Chhatrapati Sambhaji Maharaj, Chhatrapati Shivendra Raje, Maloji Raje Bhonsale (Kolhapur), Nagpur’s Sangram Sinh Raje Bhosale and the Mewad Rajput clan and yet, no BJP leaders showed up. Maharashtra CM Devendra Fadnavis, deputy CMs Ajit Pawar and Eknath Shinde missed the do. Maharashtra’s political history reveals 52 years old Ranjitsinh’s own wedding attended by over a lakh plus people and, even his father, former deputy CM Vijaysinh Mohite Patil’s wedding ceremony way back in 1971 witnessed one lakh people in attendance along with politicians from across the political lines. The lakh plus attendance at the three marriage ceremonies was maintained despite being familial affairs and non-political. When former DCM Vijaysinh Mohite Patil tied the knot with Nandini Devi (Mai Saheb) in 1971 criticism emanated over the sheer opulence exhibited when every well in Akluj (a water scarcity hit region) was filled with slabs of ice in every household to ensure free flow of water. Vijaysinh’s father Shankarrao Mohite Patil (Maharashtra’s founding Minister of Cooperation) simply explained, “Every family invitee to my son’s wedding has hosted me earlier and outside whose house I have washed my hands (had a meal). At my own son’s wedding ceremony, I invited each of them.” The Maharashtra minister is also famously cited for organizing free helicopter flights in his hometown for local farmers who he insisted would easily afford flights upon attaining their true potential as agriculturists.

Rohit Sharma’s bad luck with the toss continued in the ICC Champions Trophy. He lost the fifth continuous toss in the tournament — against Bangladesh, Pakistan, New Zealand, Australia and again in the final against New Zealand. It was also the 12th straight time the toss went against him and the 15th against India in a row. Though Sharma lost the toss, India won the matches while posting a total and chasing 264 against Australia in the semi-final. The toss makes a big difference to the fortunes of a team, in Test matches in particular. One may say Sharma has been quite unlucky at the toss, one of the most intriguing parts of a cricket match at any level. Sharma’s captaincy in one-day internationals started on November 19, 2023. In the toss-loss matches, he has won seven matches, four of them in the Champions Trophy at the Dubai International Stadium. Other India captains who have lost consecutive tosses – six — are Mohammed Azharuddin, Mahendra Singh Dhoni and Sourav Ganguly. In contrast Sharma has won 10 ODI matches in two months from October to November 2023, all during the ICC World Cup. Sharma has won only four tosses in a row; in February-July 2022. Azharuddin has won a maximum of nine tosses among India captains. Captains call at the toss and also wait for the outcome after the rival captain has called. In Sharma’s case his call went wrong on four occasions. In the final of the Champions Trophy, New Zealand skipper Mitchell Santner called correctly at the toss and chose to bat. The final was Sharma’s 56th match as captain.

They may have gone their separate ways. That has not stopped them from finding themselves in news pages. A quiet consolidation is happening around different constituents of the erstwhile TVS Group. Latest action is coming from Gopal Srinivasan (brother of Venu Srinivasan)-led branch of the erstwhile TVS Group. TVS Investments Private Ltd and TVS Electronics are to amalgamate, signalling a consolidation.  The National Company Law Tribunal (NCLT) has initiated the merger process by directing the company to seek the shareholders’ approval. TVS Investments is a holding company of TVS Electronics. In March last year, three listed companies of Venu Srinivasan group — TVS Motor Company, TVS Holdings Ltd and Sundaram Clayton Ltd — had filed identical communication with the stock exchanges on an arrangement between family members — Venu Srinivasan, his wife Mallika, their son Sudarshan and daughter Lakshmi. Though it was a non-compete pact between them, it signalled succession planning.  In the middle of last month, Sundaram–Clayton announced that its board has approved a proposal to sell its aluminium die-casting business at its Hosur plant in Tamil Nadu to third-party purchasers.  Post family separation, myriad branches within the larger erstwhile TVS are charting their own business strategies. Indeed, each one is unleashing a new energy. Lots more to look out for in the coming days, it appears.

A year ahead of Tamil Nadu elections, every statement or utterance by political leaders is being micro analysed to see the impact on alliances on the ground. Well that is what happened when Tamilaga Vetri Kazhagam (TVK)’s special political advisor Prashant Kishor stated that the party will contest the Tamil Nadu 2026 Assembly elections independently and will not form an alliance with the AIADMK, Tamil Nadu’s principal opposition party. Kishor, who had shared the dais with actor Vijay at a TVK event, also claimed that Vijay’s on-screen popularity would ensure the party’s victory in the Assembly polls. Kishor’s remarks came amidst reports that AIADMK and TVK talks for a potential alliance to challenge the DMK in the crucial 2026 elections seemed headed in a deadlock. That was because AIADMK refused to give any edge to the new party and insisted on contesting a majority of the 234 assembly seats. TVK’s general secretary (election campaign management) Aadhav Arjuna clarified that Vijay didn’t launch the new party just to settle for 40 or 45 seats. Did actor Vijay enter politics — on behalf of the DMK only to divide anti-incumbency votes against it? Kishor has had a history of working with the DMK. On his part, Kishor has been trying to keep himself away from the anti-Hindi politics of TVK. Like a grounded Bihari leader he had refused to sign a petition against the New Education Policy of the Centre) at the TVK event. Elaborating on Vijay’s potential to go alone in TN, Kishor said that “…If he goes alone, he stands a very good chance.” Left without an ally, AIADMK is once again looking to fall back on holding hands with BJP which along with its allies had polled 18% votes in 2024 Lok Sabha polls going alone.

The recent release Mere Husband Ki Biwi has bombed at the box office, collecting less than Rs 5 crore in its opening three days against a hefty making cost of around Rs 60 crore. This underwhelming performance marks yet another flop for producer Vashu Bhagnani. Bhagnani, once celebrated for his successful films, has seen a string of failures such as Ganpat, Mission Raniganj and Bellbottom. He has faced financial setbacks with projects like Bade Miya Chhote Miya and is currently embroiled in a legal dispute with its director. The direction of Mere Husband Ki Biwi was helmed by Mudassar Aziz, known for his earlier works like Khel Khel Mein, Pati Patni Aur Woh and Happy Phirr Bhag Jayegi. The film’s lead actor, Arjun Kapoor, has struggled to find success as a solo performer, with his recent projects—including The Lady Killer, Kuttey and Bhoot Police — failing to make a mark at the box office. Similarly, the leading actresses, including the likes of Bhumi Pednekar, have also faced a streak of underwhelming films like The Lady killer, Afwaah, Bheed, and Rakshabandhan and thus making it difficult for Mere Husband Ki Biwi to generate excitement among viewers. Rakul Preet Singh is known for other disappointments like Thank God, Doctor G, Runway 34, Attack and Marjaawan. With a cast and crew associated with a series of unsuccessful films, the expectations from Mere Husband Ki Biwi were understandably low. Despite attempts to engage audiences with remixed songs, the film has failed to captivate, illustrating that audiences are no longer willing to watch films that lack compelling narratives and star power.

The Union Health Minister JP Nadda seems gung-ho to eradicate TB from India by the end of this year, 2025. He made this statement recently at a health summit held in Puri, Odisha. To meet this objective, he said he will include aspirational districts and blocks under the TB campaign. What makes Health Minister Nadda confident to eliminate TB from India in 2025 — five years ahead of the global target 2030. This is because India has not diluted its TB eradication target so far. This is evident because India’s TB spread which tops 30 countries with high TB cases has now shown an impressive decline of 17.7% covering 2015-2023 compared to global average decline of 8.3%. Also during the same period the TB mortality has also decreased substantially. As per WHO Global Report, TB incidence in India has been reduced from 237 per 100,000 population in 2015 to 195 in 2023. Now this figure has shown a quantum jump in 2024, sources say. A head honcho from the Pharma industry says “It is wishful thinking at the moment”. Implying there are multiple challenges ahead wherein 64% symptomatic cases avoid seeking medical help or give up taking medicines. Giving way to drug resistant TB cases.  Industry sources say Nadda will succeed only if he ropes in industry bodies, incentivises the pharma players, conducts educational campaigns and conducts house-to-house surveys to identify TB cases. Pharma players government should rope in companies like Lupin which has done commendable work both in production of anti-drugs and educational campaigns for decades now.

Indians are compulsorily global now …travel, gourmet food, curated art, Boston Brahmin lifestyles, wine connoisseurs and of course elevating music crowned by symphonies and operas. This maestro is 82, has composed music for 1,000 films in nine languages and is considered as the Kohinoor of music. Ilaiyaraaja is our national treasure and his own pride and exhilaration was hard to hide as he spoke to the press on his way to London to record and launch his first symphony, Valient on 8th March. It is not an effort to denigrate pop and filmi music but composing a symphony puts him in that elite list of iconic names starting with Joseph Hayden (who created his first symphony in 1700), Beethoven, Brahms, Tchaikovasky and Mahler; legends who took this very structured and elevated creation to heights that few could emulate. Tamil Nadu chief minister MK Stalin called on the genius composer at his home to congratulate him on this achievement. Indeed, it is a matter of pride that India can boast of such a genius. For those of us who want to know why a symphony is special, systemised and soothing. It has four large pieces or “movements”, the first is the Sonata, the highlight of this structured music creation. The second, Scherzo is a slow and gentle exposition that calms your mind. The third is a dance, light and lively, preparing the audience for the fourth …the Finale, an exuberant crescendo culminating with high notes. At the recording, the emcee and music interpreter called Valient “a texturally brilliant piece of music”. Play the video and participate in the creation of Ilaiyaraaja.

Oppressor emperor Aurangzeb continues to haunt Maharashtra politics. Even as a storm is raging about his bloody reign owing to the praise heaped upon him by Samajwadi party MLA Abu Azmi, a demand to demolish his tomb near Chhatrapati Sambhaji Nagar in the state has started making ripples. The demand has been made by BJP MP Udayan Raje Bhosale, a direct descendant of Chhatrapati Shivaji Maharaj. He was livid because of Azmi’s statements. Already, sentiments against Aurangzeb have been inflamed after the release of Chhaava, a blockbuster movie. Bhosale’s demand is another angry reaction but is important due to his lineage. Maharashtra chief minister Devendra Fadnavis has said that though Bhosale has articulated everyone’s feelings, the government needs to proceed according to law. Moreover, the tomb has been declared as a protected monument by the ASI during the previous Congress rule, he has pointed out. Aurangzeb died on 3 March 1707 at Bhingar near Ahilya Nagar in north Maharashtra. Respecting his last wishes, he was cremated at Khuldabad in Marathwada near Chhatrapati Sambhaji Nagar. While Rs.6.5 lakh has been expended for the tomb over the past 13 years, an insignificant amount has been spent for a memorial to Chhatrapati Shivaji Maharaj, according to Hindu Janajagruti Samiti’s Sunil Ghanwat. The Congress party has adopted a cautious stand. Its leader Vijay Wadettiwar has felt that the government should take a proper decision in this regard. However, it is wrong to create a rift in society over a religious matter, he has warned.

Despite the release of contemporary Bengali films, audiences in Kolkata are gravitating towards the re-released classics of Satyajit Ray. Mahanagar and Nayak, restored and re-released by RD Bansal Productions, have drawn huge crowds to theatres across Kolkata, Delhi, Mumbai, and Bengaluru. Uttam Kumar and Sharmila Tagore starring Nayak originally released on May 6, 1966, was Ray’s second original screenplay after Kanchenjungha (1962). Mahanagar, first released in 1963, offers a powerful depiction of Kolkata’s transition into a capitalistic society. The restored versions, presented in 2K and 4K, have not only enhanced their visual appeal but also reaffirmed their timeless relevance, attracting both nostalgic viewers and first-time audiences. In contrast, the re-release of Chander Pahar (2013), directed by Kamaleswar Mukherjee and starring Dev, saw a lukewarm response despite commemorating the 130th birth anniversary of author Bibhutibhushan Bandyopadhyay. Similarly, Shudhu Tomari Jonyo, a multi-starrer romantic drama produced by SVF, failed to garner significant attention. The success of Ray’s films has reignited interest in classic Bengali cinema, with discussions underway for re-releases of Joi Baba Felunath and other masterpieces. Meanwhile, Saat Pake Bandha (1963), starring Suchitra Sen and Soumitra Chatterjee and later adapted into Kora Kagaz (1974), is undergoing restoration. The resurgence of Mahanagar and Nayak in cinemas underscores the lasting impact of Ray’s storytelling, proving that masterful filmmaking continues to captivate audiences across generations.