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Developers in Mumbai owe pending rental dues worth over Rs 646 crore to slum dwellers whose houses have been taken up for redevelopment under the Slum Rehabilitation Authority (SRA) scheme. The pending rental dues had swelled upto Rs 1382.48 crore since 2022 of which the state helped recover Rs 735.67 crores till May, 2025. Defaulting on rents for slum dwellers of SRA projects has assumed such proportions that the government now insists developers deposit two years of rent in advance. The SRA also managed to get Rs 552 crore as advance rents from developers. In a bid to expedite stalled projects, the SRA has also served notices to 86 errant developers to facilitate their replacement and help these projects take off. About 1700 projects of SRA are currently ongoing in the city of Mumbai, out of which about 517 are stalled due to various reasons. In order to take such stalled projects off the ground, the Maharashtra government has also got government statutory bodies like the Maharashtra Housing and Area Development Authority (MHADA), Mumbai Metropolitan Regional Development Authority (MMRDA) and even the City Industrial Development Corporation (CIDCO) to intervene and get into the slum rehabilitation space. The Brihanmumbai Municipal Corporation (BMC) is also undertaking SRA in 64 of its own plots. Though the SRA was adjudged as the best performing department in the 100 days administrative reforms review by the Devendra Fadnavis government, activists are convinced that it continues to remain a developers’ domain.
There wasn’t much reaction in Telangana Congress when former cricketer Mohammed Azharuddin’s son, Asaduddin, also a cricketer, recently parachuted in and landed as a General Secretary of the Telangana Congress. A senior leader and a former MP dismissed the appointment as a non-event and routine. After a stint in cricket, Asaduddin expressed his desire to serve the public through politics, drawing inspiration from his father and Congress leader Rahul Gandhi. Describing his new role as a “big responsibility”, Asaduddin said he was committed to working for the party in line with its ideology. He praised Rahul Gandhi for fighting for the Congress’s values despite facing numerous challenges He also credited his father, who has been active in politics for over 15 years, as a major influence. Azharuddin, a former Lok Sabha MP from Moradabad, UP, contested and lost the 2023 Telangana Assembly elections from Jubilee Hills constituency. Asked why he quit cricket, Asaduddin remarked that a sports person’s career is short and timing plays a crucial role in success. Married to tennis star Sania Mirza’s sister, Anam Mirza, Asaduddin felt his time in cricket was over. In a post on X, Azharuddin wished his son and said he had seen his (Asaduddin) commitment to people, his passion for service, and his sincerity up close and hoped he would stay “grounded”. With his son’s debut in state politics, Azharuddin is now confident that he will once again be fielded for Jubilee Hills by-elections. He had lost the seat in 2023.
Having once been condemned by Sunil Gavaskar from the commentary box with a serial “Stupid. Stupid. Stupid” description, Rishabh Pant made the legend say “Superb,” three times in tribute to a century at Leeds. That was soon as he became the Indian wicket-keeper with most Test centuries (7) – not Dhoni (6), not Saha (3) nor any of the older greats. And he has kept this “all-rounder” status in his own unique way, rolling on his back not to collect stray wide balls from bowlers but to punt the ball over the ‘keeper’s head. And who else can conceptualise a virtual one-handed lofted shot to mid-wicket sailing beyond the ropes for a six to get to a century. After all, he is a batsman who opened his Test account with a six. Even Gavaskar, who has watched more cricket than many of the legends, may never have predicted such a fulfilling future for a plump youngster. And if he thanked God it may have been not only for the record-breaking century but also saving his life the night that he was involved in a car crash from which few gave him a good chance of survival. Maybe that is why Pant is determined not only to live every minute of a second chance at life but also enjoy it. Maybe, Pant has shown Sunil that despite all that madness that seizes him now and then while batting that he is perfectly capable of stringing together long Test innings. If there is one thing that has not left him may be a bit of spirited batting that in the eyes of critics may seem “Stupid.” Maybe, none will call him “stupid” again regardless of how adventurously he bats when the whim captures his mind.
Titagarh Rail Systems, one of India’s foremost manufacturers of rail wagons and coaches, is taking a strategic step to bolster its production capabilities through a new joint venture with Ramakrishna Forgings Ltd. The joint venture, named Ramkrishna Titagarh Rail Wheels Ltd, is setting up an advanced manufacturing facility in Gummidipoondi, located near Chennai. This state-of-the-art plant is designed to produce high-performance forged wheelsets, catering to the requirements of metros, freight wagons, and passenger railcars. The facility will have an annual production capacity of 220,000 wheels. As part of the venture, 80,000 of these wheels will be supplied to Indian Railways under a guaranteed offtake agreement, offering long-term business visibility. Each forged wheel is estimated to cost around Rs 1 lakh. The plant is expected to commence full-scale operations by Feb-Mar 2026.This initiative is crucial, especially after Titagarh faced a slowdown in wagon sales last fiscal due to a shortage of wheelsets from the Rail Wheel Factory. By building its own supply capability, the company aims to eliminate such supply chain disruptions in the future. With about 25% market share, Titagarh remains India’s largest freight wagon manufacturer, leveraging a vertically integrated model for operational resilience.
The name Prashant Tipirineni Nani may not stir recognition until you notice Nani. Oh yes, HIT: The Third Case or Hit 3 starring Nani in an electric turbo action role will immediately stir memories of that action thriller. Much talked about but given mixed reviews by critics. But redemption too…it is the third highest grosser Telugu film, collecting Rs 56 crore in 6 days of cinema run. The team of Nani, Srinidhi Shetty and Director Sailesh Kolanu were happy that HIT 3, third instalment in the series, had surpassed Nani’s earlier Hi Nanna, Saripodhaa Sanivaram and HIT 1 collection. But happiness and celebrations in this mercurial make-believe world of cinema is often short lived…ghosts from the past or ghosts who walk in due to bad Karma often wreck the party and the high of commercial success soon, nosedives. Allegations of story/plot plagiarism are hurled and more often than not, end up in court. Hit 3 has just been hit by allegations from Soniya Vimal (Vimalavalan) who has accused Nani of lifting most of her story, making a few changes here and there in the making of HIT 3. The writer is now demanding copyright compensation of 20% of the take. Vimal claims she had registered her story with the South Indian Film Writers Association in 2021, met with Nani and gave him an outline but got no response from the makers. After watching the first show, she could identify and record every spin of the story, her original. The only recourse was to go to the court. The Madras High Court has now posted the hearing for July 7.
For AAP chief Arvind Kejriwal winning MLAs in Gujarat by itself may not be a big deal; about half a dozen or so have won before. But none of the MLAs have stuck around. However, with AAP candidate Gopal Italia winning from Visavadar for the second time in a by-election, Kerjiwal has something to cheer about. In the backdrop of losing power in Delhi, AAP felt it had to make a song and dance about securing assembly seat in Gujarat by-election– where the BJP has been in power for 30 years –that too from a seat– Visavadar which the BJP has never won. In a post on X, Kejriwal bragged that his party won with nearly double the margin compared to the previous elections and claimed that “people of Punjab are very happy with the work of our government and have voted even more in favour of us than in 2022. The people of Gujarat are now fed up with the BJP and see hope in the AAP”. Italia shot to fame during the 2015 Patidar agitation in the state. The seat has been vacant since 2023 after the then AAP legislator Bhupendra Bhayani resigned and joined the BJP. BJP sources said Italia winning the seat wasn’t a surprise. Visavadar has been a traditional Congress seat. “BJP has never won from there. In 2012, Keshubhai Patel won from there as Parivartan Party candidate. Kesubhai later rejoined the BJP. Sources say more than Visavadar what is of significance for Gujarat politics is that BJP managed to win Kadi assembly seat, a reserved seat in Mehsana. BJP’s Rajendra Chavda won by a margin of over 39,000 votes in a triangular contest taking on both the Congress and the AAP.
Aamir Khan, hailed as one of Bollywood’s most bankable stars, has consistently pushed the boundaries of Indian cinema with his choice of diverse and thought-provoking roles. However, his latest film, Sitare Zameen Par, which garnered approximately Rs 10.70 crore on its opening day, raises critical questions about the viability of niche cinema in a commercial landscape dominated by mass appeal. While the film showcases Aamir’s commitment to storytelling that resonates with a more elite audience, its limited screen release and lack of mainstream entertainment elements have significantly hampered its box office potential. Unlike his contemporaries, Shah Rukh Khan and Salman Khan, who frequently deliver mass-centric blockbusters, Aamir’s foray into niche narratives may alienate the average moviegoer. The film’s intellectual depth and artistic merit, although commendable, do not cater to the broader audience base that thrives on high-octane entertainment and relatable themes. The expectation for Aamir Khan films to cross the Rs 100-crore mark within the first three days has become a benchmark of success in Bollywood. However, Sitare Zameen Par weekend collections appear to be around Rs35-40 crore, a figure that many industry insiders deem disappointing for a film featuring such a prominent star. This trend raises concerns about the sustainability of niche cinema in a market that increasingly favours commercial viability over artistic expression. As the film fraternity navigates this evolving landscape, it is imperative for stars like Aamir Khan to strike a balance between artistic integrity and audience engagement. While niche films have their place in cinema, the current climate suggests that a more mass-oriented approach may be necessary to foster the growth of Indian cinema as a whole.
Shubman Gill has settled the No 4 position for himself in the New India batting order in Test cricket. The moment he was named the captain of the Test team for the five Test series in England, the grapevine was rife with pros and cons of his batting at No 4 with the MRF sticker bat. Just like his predecessors Sachin Tendulkar and Virat Kohli who batted at No 4 and the lithe right-hander from Punjab confirmed it after the fall of debutant Sai Sudharsan at the stroke of lunch on the first day of the Headingley Test. Gill batted with a lot of assurance and compiled an elegant 227-ball 147 with 19 hits to the pickets and one six on the onside. For 12 minutes short of six hours, Gill looked the master playing behind and beside the line against the England fast bowlers. It was Gill’s first time undertaking at No 4 and he and those who helped him take that call would be more than satisfied with his effort. Gill may have thrown away a chance to convert his knock into a double and much more had he not taken the chance against the off break bowler Shoaib Bashir and offered a high catch to Joshua Tongue in the deep. When the going was good, Gill could have really cashed it on, but his departure (430/4) triggered an India collapse to 471. The pitch aided the home team seamers who were also able to swing the ball, and Gill stood up to the task after Yashasvi Jaiswal scored a lovely hundred opening the innings after being put into bat. A great knock from Gill, but a rush of blood heave spelt his doom.
Maharashtra’s Mahayuti alliance achieved a thumping majority in the assembly election late last year. One important factor that ensured such a handsome mandate was the Mahayuti’s ‘Laadki Bahin’(Beloved Sister) scheme. Under this, each applicant woman was paid a monthly dole of Rs 1500. Though there were certain conditions for a beneficiary to be eligible, there was no scrutiny. As a result, even female government officials and those paying income tax also took advantage of the scheme. Some others came in their own cars to receive the cheques. Now, a thorough scrutiny is underway and thousands of names have been dropped, some of them voluntarily by the beneficiaries concerned themselves. Considering the local body elections due in the state after the monsoon, deputy chief minister Eknath Shinde has declared that a scheme called, “Laadki Soon” (Beloved Daughter in Law) will be launched by the government. There is a reason for the necessity of such a measure despite tall claims that Maharashtra is a progressive state. Time and again, harrowing stories of torture for dowry of newly wed girls surface in the media. In certain cases, the unfortunate girls are either killed or commit suicide. A few such instances that shook the state’s conscience over the past two months are believed to have caused Shinde’s announcement, which will be implemented soon. Incidentally, it was Shinde as the state CM who had introduced the Laadki Bahin Yojana last year.
In terms of absolute growth, the country’s mutual fund industry has grown at a scorching pace. Its AUM has grown from Rs 21 lakh crore in 2017 to Rs 72 lakh crore in 2025, monthly SIP from Rs 4,000 crore to Rs 26,600 crore and investor’s count has grown five times — from 1 crore to 5 crore. Yet, the investor’s numbers is poor given the size of the population. This poor investor number indicates low awareness and thereby poor penetration level. Though the industry’s Sahi Hai campaign has transformed the space from a high-net-worth niche to a retail-driven engine, more needs to be done. At the 17th ICC Mutual Fund Summit, regulator SEBI has urged the industry to use digital tools for wider access. To help the MF industry, SEBI has undertaken a comprehensive review of the sector’s regulations to ease business operations and introduce flexible scheme design, and recategorize schemes. SEBI feels that innovation and strong governance must go hand in hand, and any missteps would invite regulatory action. Interestingly, AMFI has positioned financial well-being — not just access—as the next frontier. However, AMFI lamented the fact that even though 33% of household disposable income is saved, 66% goes into gold and real estate and only 34% into financial assets. And mutual funds form a small portion of this, though their share of bank deposit equivalents has risen from 10% to 32%. India’s AUM-to-GDP ratio stands at 20%, compared to 65% globally and over 100% in developed markets. To deepen penetration, AMFI is expanding financial literacy drives in various states. Despite 80% general literacy, financial literacy remains at only 27%. This is the gap AMFI aims to close.
The first week of May saw the release of six prominent films, each generating substantial buzz across various media platforms. The line-up includes two Hindi films featuring star power — Ajay Devgn’s Raid 2 and Sanjay Dutt’s The Bhootnii. The South Indian film industry saw three noteworthy entries: Retro a Tamil film starring Suriya, Tourist Family also a Tamil movie and Hit 3, a Telugu franchise film featuring the popular actor Nani. Among these films, Hit 3 is projected to perform exceptionally well at the box office, potentially raking in between Rs 90 to Rs 95 crore over its first weekend. This strong showing is indicative of the film’s popularity and the franchise’s established fan base. Meanwhile, Suriya’s Retro is also receiving positive reviews and expected to gross around Rs 80-85 crore in its opening weekend, further solidifying the trend of South Indian films capturing audience attention. Ajay Devgn starrer Raid 2 is expected to earn around Rs70-75 crore over the extended four-day weekend. Meanwhile Sunjay Dutt’s The Bhootni has not fared as well. It is struggling to surpass Rs 5 crore in its opening weekend; a major setback for the filmmakers. Turning to the Hollywood segment, Thunderbolts has also fallen short of expectations. Initial projections indicate it will earn between Rs 10-15 crore over the weekend, a figure that reflects a lukewarm reception from audiences. In summary, the first weekend of May has clearly demonstrated a prevailing trend: South Indian cinema is currently leading the box office race, with three of the six releases performing strongly. As the weekend progresses, it will be intriguing to observe how these films continue to perform and what this means for the future of Indian cinema as a whole.
Ajay Devgn’s recent trajectory at the box office has raised concerns about his ability to draw audiences to cinemas. While films like Shaitan achieved sleeper hit status, others, such as Auro Kahan Dham Tha were significant disappointments. The much-anticipated Maidan which faced numerous delays, also underperformed upon release, further complicating Devgn’s box office appeal. His filmography in recent years reveals a troubling pattern: while Singham was just average at the box office, it too fell short of expectations of the masses. As audiences increasingly gravitate towards larger-than-life spectacles like Pushpa, RRR or the Marvel franchise, there’s a growing sentiment that they prefer to experience such grand narratives on the big screen. In contrast, Raid 2, a sequel to a content-driven film, may struggle to capture the same level of excitement. The film, while part of a successful franchise, lacks the extravagant elements that draw crowds. Today’s viewers are more inclined to enjoy nuanced storytelling and character-driven narratives from the comfort of their homes on OTT platforms rather than making the effort to visit cinemas for films that don’t promise a spectacular experience. The current cinematic landscape is shifting, and Raid 2 may find it challenging to achieve the box office success that Ajay Devgn once enjoyed. The trailer, while satisfactory, does not evoke the mass appeal needed to draw large audiences. It seems that the class-driven appeal of such films may resonate more with multiplex audiences, but this demographic alone may not suffice to meet the financial expectations that filmmakers have for a big box office return.
In recent times, Bollywood has seen a noticeable shift, with many newcomers struggling to leave a lasting impression on audiences. This decline can be traced back to a variety of factors, including the selection of projects that fail to resonate with viewers. Gone are the days when iconic films like Betaab, which introduced Sunny Deol or Rocky which launched Sanjay Dutt, captivated audiences and launched the careers of these stars. So too Jackie Shroff with Hero. In contrast, today’s newcomers like Suraj Pancholi, Siddhant Kapoor and Sasha Agha find themselves lost in films that do not provide them with the platform to showcase their talents effectively. The recent film Azaad featuring Aaman Devgan and Rasha Thadani serves as a case in point. Aaman Devgn, nephew of Ajay Devgn has struggled to make a significant impact, while Raveena Tandon’s daughter Rasha Thadani managed to capture some attention with her performance. Many of the films do not offer the newcomers a fair opportunity to shine; often focusing more on star power than on storytelling. For instance, in Azaad, the narrative centres around the titular horse rather than the lead pair, which diminishes the impact of the human characters. This misalignment can lead to a lack of engagement from the audience, making it difficult for the actors to connect with viewers. Aaman’s performance, despite being camera-friendly, lacks the emotional depth and histrionics that are often necessary to truly engage the audience. In contrast, Rasha stands out with her strong screen presence and impressive dance moves, showcasing a talent that could potentially elevate her career. Ultimately, even when a film does not resonate with audiences, a standout performance can create opportunities for newcomers to prove themselves.
Will the ego clash destroy the fate of the two Big Diwali releases this year? So it seems. Singham Again, directed by Rohit Shetty, a multi-starrer starring Ajay Devgn, Ranveer Singh, Akshay Kumar has been dragged to the Competition Commission of India (CCI) for unfair business practice by the producers of Bhool Bhulaiyaa 3 alleging that they are not being allowed to take single screen as Singham Again producers have booked all screens. Bhool Bhulaiyaa 3 directed by Aneez Bazmee has also got a good star cast comprising Kartik Aaryan,Vidya Balan, Madhuri Dixit and Triptii Dimri. It may be recalled that Ajay Devgn had dragged Shah Rukh Khan to CCI for unfair business practices during the release of his movie Son of Sardar which coincided with SRK’s Jab Tak Hain Jaan. Even then it was a Diwali clash. Here one can’t help but talk about Om Shanti Om which was released on Diwali along with Sanjay Leela Bhansali’s Saawariya. The clash between two titans almost sacrificed the careers of two newcomers Ranbir Kapoor and Sonam Kapoor; it had Salman Khan who wasn’t on good terms with SRK. Similarly, SRK and Rakesh Roshan were locked in a release battle during the release of Kaabil and Raees and both films suffered. Both Shah Rukh and Hrithik Roshan have a history as when the latter became a superstar with Kaho Na Pyar Hai and SRK’s Phir Bhi Dil Hai Hindustani flopped. Critics were talking about Hrithik replacing SRK. At that point in time SRK cleverly used a Pepsi Ad to mock Hrithik’s super star status.
There has always been a love-hate relationship between the Bollywood stars and scribes. Not to forget the paparazzi. A seasoned journalist covering the industry for over three decades was shocked and surprised to see the way stars are snapping at journos and their menacing tone these days. This seems more pronounced in the past few months. At the press conference of John Abraham-Sharvari starrer Vedaa, John was visibly annoyed when a reporter asked him whether he was playing safe by doing the same kind of roles. In the case of Akshay Kumar, he is avoiding giving interviews …and he is very selective to which journalist he will speak to. Before journos ask for consecutive failure of his films, Akshay preempts them and says “only five films” have flopped. But, he forgets the crores of rupees producers have lost. One producer had to put his office on the block to pay his entire crew. And the new trend is all stars are asking reporters to give questions in advance. Inspite of that Sanjay Dutt at a press conference over UK denying him visa made a boo-boo in one of the answers to a question, why he was signing for villain’s role these days? And it seems Ajay Devgn avoids promoting films and his latest movie with Tabu Auron Mein Kahan Dum saw a meagre collection of Rs 10 crore in the first eight days. Most of the Bollywood stars need to understand that they need to connect with the media to connect with their ‘audiences’. It is clear banning or shunning the media does not work for stars or scribes. In the eighties Big B had banned media for nearly a decade but finally smoked a peace pipe.
Kollywood gave her a special place as an artist who bloomed late. When Jyotika starred in her first Tamil film Vaali in 1999, with a plump, almost girl next door look, she was nowhere as well-known as her more trending sister Nagma. But Jyotika did justice to every role and soon emerged as a bankable actor. More than her films, her romantic link with Kollywood heartthrob Suriya were tracked by film buffs. And it finally happened…the movie that starred them as the pivotal pair, Kakka Kaakha whizzed into film annals as one of the most watched and liked. With on screen chemistry crackling, Jyotika and Suriya married in 2006, and father-in-law, thespian Shivakumar and family’s initial fears later transformed into acceptance. Jyotika’s 50th Tamil film Udanpirappe was praised but her box office status seemed to have plateaued. And the need to seek new environs for Suriya and herself became a compulsive need. She moved to Mumbai, her original home, claiming better education for her kids, and more film prospects for the pair. Of course, the murmur of family discord could be heard too. Jyotika it seems wanted to revive her career and relaunch herself and Suriya in Bollywood. Shaitaan, the Hindi horror with Ajay Devgn and Madhavan did not do much for her. But suddenly, and most unwittingly Jyotika, caught the attention of netizens for her dress choice at the Filmfare awards. A group trolled her brutally for showing off her inner wear. Jyotika and her style statement got her the attention she craved. Will film offer flow?
Looks like the 56-year old Bollywood superstar Akshay Kumar is losing his Midas touch going by total collections of Rs 17 crore for his latest movie Sarfira. The film, a remake of Tamil movie Soraru Puttru, was based on the life of Captain Gopinath of Air Deccan fame. In fact, its budget was much less than Akshay Kumar’s film. Post Covid-19 pandemic the first Hindi film to be released was Akshay Kumar’s Sooryavanshi directed by Rohit Shetty with Ranveer Singh, Ajay Devgn in the star cast. It did well at the box office opening with Rs 25 crore. But after that Bachchan Pandey spelt disaster at the box office and opened with just Rs 13crore. From then on films like Samrat Prithviraj, Raksha Bandhan failed miserably. He bounced back with Ram Setu and OMG 2 which did decent business at the box office. OMG 2 which was a hit had Pankaj Tripathi in the main lead but the actor was appreciated for his role as Shiva. As a producer he had to battle with CBFC for release of the film as it had given it A certification.There were Selfie, Mission Raniganj which opened at Rs 2.80cr which was better than Sarfira. Mission Raniganj earned Rs 33 crore while Bade Miyan Chote Miyan’s failure almost shut Vashu Bhagnani’s office. Sources say Akshay has not signed any new films and has reduced his price by 50%. But, the actor has quite a few films in production. Khel Khel Mein is with Taapsee Pannu and Vani Kapoor and directed by Mudassar Aziz who does not have a great track record. The only hope for Akshay is Housefull 5. Maybe his South sojourn could salvage his career.
Historically, the Hindi film industry has been dominated by north Indian heroes and south Indian heroines. Now, a new trend is emerging. In the last three-four years it seems to be the hegemony of south films. Witness this, in the first four months of 2024, the traditional north Indian heroes Akshay Kumar, Hrithik Roshan, Ajay Devgn seem to have come a cropper going by the box office collections. Reportedly, total collection is less than Rs 800 crore. To make matters worse, Khans are conspicuous by their absence. Salman Khan’s ritual — Eid release was missing this season. Given this scenario, one is seeing the south stars coming to the rescue of Bollywood big time. For instance, Allu Arjun’s film Pushpa 2 is learnt to have got a commitment of Rs 1,000 crore before its release on August 15. It is expected to break all kinds of records. Then there is multi-starrer Kalki showing Amitabh Bachchan in a teaser promo. This movie which is a perfect example of cross-pollination of stars is speculated to garner Rs 100 crore on Day One of its release. Trade Analyst Girish Wankhede says, “The line up of South Indian films is a mix of class and mass. It has its focus on larger than life entertainment which works for celluloid. They are not spoilt for OTT choices and are more inclined to make mass entertainment.” The momentum in this year was started with Hanuman which scored big on the box office followed by Manjummel Boys and The Goat Life winning great critical acclaim. The upcoming slate looks super impressive with Kamal Haasan’s Indian 2 and Rajnikanths’s Vettaiyan. Besides, Devara, the movies in the pipelines are: Kanguva, Thangalaan and Mr Bachchan.
Once again Bollywood’s two big stars Ajay Devgn and Akshay Kumar are going to clash at the box office. And the film trade is not at all surprised as it is not the first time their films are releasing on the same day – it is the fourth time. When it comes to business they are strong rivals even though both have worked together in three films together. They worked in Suhaag, Insaan and Khakee. Insiders say it was after Khakee Ajay blamed Akshay Kumar for chopping his role. Post Ajay’s comment, Akshay Kumar in one of the award functions took a jibe at Ajay indirectly by saying that he is being called the “editor” of the film. Ajay almost got his film Golmaal 4 to be released the same day as Robot and Aamir Khan’s Secret Superstar; but Robot got postponed at the last minute due to VFX. Once again, both Ajay and Akshay were making a film on the same subject — Battle of Saragarhi. Ajay announced the film first but Akshay got Karan Johar to break the news about the movie. Salman Khan was co-producing the film with Karan but Ajay, it is learnt, convinced him to opt out of the project. If Akshay Kumar got Vipul Shah to screen Action Replay to coincide with Golmaal 3 release then Ajay got his Toonpur Ka Superman to coincide with Akshay Kumar’s Tees Maar Khan. Not many know that Ajay Devgn wanted the movie rights of Jaswant Gill on whose life the film Raniganj was made with Akshay Kumar as the lead. Now one needs to see what happens with Bade Miyan Chhote Miyan and Maidaan both releasing on Eid.
If 2023 belonged to Shah Rukh Khan whose three films grossed around Rs 3,000 crore then there are every chances that 2024 could see the return of Akshay Kumar. The 56-year old actor has three big releases including Bade Miyan Chote Miyan directed by Ali Abbas Zafar. The movie with Tiger Shroff is not a comedy but an action-packed film that could be a big draw. Kumar also has Skyforce and a multi-starrer Welcome to the Jungle to be released in December 2024. It may be recalled that Lady Luck had been eluding actor-producer Akshay Kumar for the last two-three years; he had series of flops. But, Trade Analyst Girish Wankhede says, “With nearly Rs 1,000 crore riding on Akshay Kumar …the total earnings of his four releases could cross the Rs 4000-crore mark.” The first to hit the big screen will be Bade Miyan Chote Miyan in Eid in April with an approximate landing cost of 300 crore. This will be followed by Singham Again’ in August wherein he has a cameo along with Ajay Devgn and Ranveer Singh. It is Rohit Shetty’s cop universe which is unlikely to fail with an estimated budget of 350 crore. His third release, Skyforce will be in October. Its cost is around Rs 150-200 crore. And Akshay’s big release of 2024 — Welcome to the Jungle, will happen during the Christmas season. This multi-starrer movie budgeted around Rs 300 crore is expected to do well.
Is Kapil Sharma losing his charm? It certainly seems like from the kind of guests invited to his shows these days. Most of them are friends like Ajay Devgn and Akshay Kumar, and singers who are easily accessible to him. The show which started in 2016 had a good mix of comedians like Krushna Abhishek, Bharati Singh, Sudesh Lehri and Sunil Grover. In its latest avatar all the above artists have left. The only saving grace is Kiku Sharda but his appearance time has been reduced. It is learnt that even the creative team has been reshuffled which is clear from the script of the show. The general feedback is that people love Kapil but are not quite happy with the programme mix. His constant flirting with female stars, poking fun at Archana Puran Singh seems to be getting repetitive and predictable. And this is reflected in its TRP. According to BARC ratings in March 2023 (Week 12) Rupali Ganguly-led Anupamaa topped the TRP list with a 2.9 rating while at 1.1 rating The Kapil Sharma Show ranked 18. In 2019 it ranked No 2. Apparently, to boost its rating, Kapil had tried to reach out to Shah Rukh Khan during the release of Pathaan but King Khan declined the offer. Unless he calls back some of the comedians and rejigs his offerings, the show will find less and less takers.
It is a big setback for the bankable star of Bollywood Kartik Aaryan. His latest release Shehzada has bombed at the box office and this has raised concerns in the film trade whether Shah Rukh Khan’s movie Pathaan was an aberration. Its collection has crossed the Rs 500-crore mark. The weekend collection for Shehzada was around Rs 20 crore and the reason for poor footfall is that film music has not appealed to his fans. Also, last minute postponement of its release also affected the collections. Surprisingly, there were takers for Pathaan’s marketing strategy; it reduced ticket price to Rs200 but when Shehzada offered one ticket free on buying one ticket the audience did not lap it up. A worried Bollywood fraternity is hoping that Akshay Kumar’s Selfiee does well. Though the early numbers is around Rs 5 crore. The trade feels it is going to be difficult for Akshay who has had a series of flops to get a good opening even though the old song ‘Tu anari mein khiladi’ has gone viral. Now all eyes are on Ranbir Kapoor’s Tu Jhoothi Main Makkaar, Ajay Devgn’s Bholaa. But, of course, the biggest expectations will be from Salman Khan’s Kisi Ka Bhai Kisi Ki Jaan that will be released on Eid day. That will be a real acid test.
The heroes of the 90s are making a comeback in a big way. Ajay Devgn started the return trip to the box office with Drishyam 2 which grossed Rs 343 crore worldwide and is still running in cinemas. His arch-rival and Badshah of Bollywood has broken records with Pathaan’s worldwide collection crossing the Rs 600 crore mark and is still counting. Shah Rukh Khan who had a super flop like Zero is back with super dialogue hitting out at the newer stars who think they have replaced them. Pathaan’s popularity is affecting new releases. Kartik Aaryan’s Shehzaada was to release on February 10 but has now been postponed. Does it signify solidarity? Though the makers say it is out of respect for SRK, it seems more out of concern for Kartik who has taken himself to be a ‘Shehzada’ of the industry. Likewise Salman Khan had a big flop in Antim is returning with Kisi Kaa Bhai Kisi Ki Jaan on Eid. Trade is saying it will open to about Rs 40 crore on day one. Akshay Kumar who had strings of flops has about 10 films in the pipeline. His film Selfie, a remake of the South film Driving Licence, looks interesting and could be a box office hit. Aamir Khan has taken a back seat as an actor and is now focusing on production and knowing the man he is definitely going to make a comeback in a big way.
Fifty three year old Ajay Devgn is one of the busiest actors in Bollywood. The actor–director-producer has four films in the pipeline; one just released this Diwali. Ajay is not really a Diwali hero as most of the time it has been the Khans who time their movie release with Diwali. And if Ajay has released his film on Diwali it has been a clash most of the time with Shah Rukh Khan; he does not really enjoy a rapport with SRK although his wife Kajol hits off with him both on screen and off screen. Ajay Devgn has been a consistent-intense actor who works at his pace and is not in the rat race. With more than 100 films under his belt, he has won national accolades for his contribution to cinema. He has worked with well- known directors like Prakash Jha, Rajkumar Santoshi and Ramgopal Varma but it was Rohit Shetty who gave him the angry Singham stamp. And the same Shetty’s Midas touch has made Ajay’s poker faced comedy a huge box office hit in the Golmaal series. The actor is also a director and Raju Chacha was his first venture. In recent times Ajay has directed Shivaay and Runway 24 the latter starring Big B. The politically correct devoid of controversy actor has several projects on hand — Thank God has just been released. It will be followed by Drishyam 2, Maidaan and Bhola.
Every producer-director suffers pre-release jitters. Ajay Devgn has also caught anxiety before the release of Runway 34 in the wake of South Indian movies, dubbed in Hindi, smashing box office records and newer audiences veering towards OTT. So, he apparently courted controversy over Hindi with Kannada star Kichha Sudeep. There is little doubt he reaped good publicity too but, Devgn could not anticipate fresh controversy to emanate from another quarter. The Federation of Indian Pilots has thrown turbulence his way and stated, “The profession of airline pilots was unrealistically portrayed in the movie and may create apprehensions in the minds of nervous fliers. While we all enjoy being entertained and appreciate the artistic licence of a movie director, a thrilling tale should not be perceived as a true depiction.” Cinema buffs saw through Devgn’s story content, for stark similarities it bears to two acclaimed aviation dramas. The Captain, a 2019 film, portrayed the real-life drama of Sichuan Airline Flight 8633 which made an emergency landing at Chengdu Shuagliu International Airport after its cockpit windshield crashed. The other is the 2009 Clint Eastwood production Sully starring Tom Hanks. The flight from LaGuardia, was hit by a flock of geese forcing an emergency landing on the Hudson river with 155 lives on board. Sully was grilled by the National Aviation Safety Board while Devgn faced baritone Bachchan.
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Editor’s Note: Short Post Noticed By People Who Matter
Four years have zipped by and we are crossing another milestone on 31st January 2025 – it’s our 4th Anniversary. It feels good.
Looking back at the 1460 days, I must say Short Post has made its mark with people who matter via 4000 stories published in the areas of politics, business, entertainment and sports. All made possible by the unflinching commitment and dedication of our senior editors, most of whom have been part of this journey from Day One.
Small pack, big impact is in essence the story of Short Post which was launched at the height of the Covid-19 pandemic in 2021. It shows our conviction. In all humility, I can say, we have created a new niche in the news segment space like Hindustan Unilever which created a new segment, when it launched CloseUp Gel.
Yes, we have created a brand (in a limited sense), created demand (readers) and created supply (senior journalists). But we are facing teething problems like all start-ups. What makes us happy and confident is the recognition of our efforts. For instance, we have an arrangement with the OPEN Magazine, part of the $4.5 billion Kolkata-based Sanjiv Goenka-RPG Group. This arrangement sees around 10 Short Post stories posted on OPEN Magazine website every week. This arrangement is testimony that our content has been well received! Also, I may add that the Maharashtra government has recognised Short Post and has allowed our senior editor to cover the Assembly sessions. Ditto: Odisha.
Our goal is to ensure that Short Post becomes a habit. I would like people to keep checking their smartphones to know the latest Authentic Gossip. As regards AI and the fear of it disrupting all businesses including media. On that, personally, I have no such fear as I am confident AI cannot smell news particularly Authentic Gossip. That’s the place we are well entrenched.