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There is apparently a divergence of views in the DMK about raising a banner of revolt against Lok Sabha Speaker Om Birla as envisaged by LoP Rahul Gandhi. Many DMK MPs are keen to join the debate on the Union Budget, though some wanted to join Rahul Gandhi to sign no confidence against the Speaker. Apparently, there is a growing pressure on 23 DMK MPs in the Lok Sabha to raise TN issues in the House ahead of state polls. It is being said CM Stalin, who is also DMK Chief is not keen to nominate the seat sharing committee of his party to engage in negotiation with the Congress. Stalin is of the view that early seat-sharing discussions could divert attention from governance and key welfare initiatives of his Govt. Besides, he feels if the Congress wishes to walk out of the alliance, it is all very well. At least, the BJP in Delhi will be kind to the DMK. Tough stand of the DMK has made the Congress quite distraught. The Congress feels the DMK is behaving as if it wants the Congress to go out of the alliance. Meanwhile, it is being said financiers of TVK chief and superstar Vijay’s Jana Nayagan have become restless about the manner in which the film’s release has been held hostage by the CBFC. It is felt that the “political message” of the film has upset the BJP leadership. Sources say one of the financiers got in touch with top BJP leaders in Delhi and assured that Vijay will not “forge an alliance” with the Congress in TN. This only means that the Congress could end up as a pumpkin in TN politics. Ostracised, with no serious political player taking the party seriously!
Vishal Bhardwaj and Shahid Kapoor’s collaboration has been a beacon of artistic excellence in Bollywood, yet it consistently grapples with commercial underperformance. Their partnership began with the 2009 caper thriller Kaminey, a film that blended dark humour, gritty realism, and memorable music like the chart-topping Dhan Te Nan. It achieved moderate box office success, grossing around Rs 71 crore worldwide against Rs 35 crore budget, but its niche appeal limited broader mass acceptance. Bhardwaj’s signature style; complex narratives inspired by Shakespeare or real-life grit, often prioritizes intellectual depth over crowd-pleasing masala elements. This pattern persisted in Haider (2014), a haunting adaptation of Hamlet set against Kashmir’s turmoil. Critically acclaimed and award-winning, it earned Rs 70 crore in India on a Rs 24 crore budget. Rangoon (2017), their third outing, was a visual spectacle of wartime romance, yet it bombed spectacularly, collecting just Rs 38 crore against Rs 60 crore budget. Bhardwaj’s films are classy and intellectual, not “mainstream” blockbusters; they demand viewer engagement rather than passive entertainment, resulting in polarized reception. Shahid Kapoor’s choices often lean toward challenging roles, but recent ventures like Deva (2025), underscored this– earning a mere Rs 51.73 crore worldwide on a Rs 50 crore budget, deemed a flop due to weak openings and mixed reviews. Enter O’Romeo (2026), their fourth venture, an action thriller rooted in Mumbai’s underworld, releasing on February 13. Despite a stellar cast including Triptii Dimri and songs like Ishq Ka Fever and Aashiqon Ki Colony, the buzz remains subdued. The film lacks the “high-voltage drama” or explosive marketing hype of mass entertainers. Ultimately, this duo’s inability to deliver consistent hits stems from Bollywood’s long debate of art versus commerce. O’Romeo could break the cycle if word-of-mouth ignites, but without amplified excitement, it risks joining...
Mumbai may have got a new spanking Rs 19,650 crore airport at Navi Mumbai but it will in no way ease congestion at Chatrapati Shivaji Maharaj International Airport (CSMIA) or T2. Navi Mumbai International Airport (NMIA), operated by Adani (74%) and CIDCO (26%) under a PPP model, has decided to charge parking and landing charges which are double of CSMIA. Even user development fees (UDF) charged per passenger is higher at NMIA. This will see airlines sticking to CSMIA rather than shifting to the new airport. Moreover, with the Rs 22,862 crore metro connectivity between Mumbai and New Mumbai taking three to four years to complete, there is no incentive for passengers to head to the new airport. According to informed sources, since NMIA is a greenfield project with massive infrastructure costs to recoup, its operating fees are significantly higher than CSIA. The UDF, part of the overall air fare per passenger, is nearly 3.5 times higher than that of CSMIA. Domestic departure fee at CSMIA is Rs 175-207 while it is Rs 620 at NMIA. Likewise, international departures cost Rs 615-726 while it is Rs 1225 at NMIA. Experts say that the Airports Economic Regulatory Authority allows new airports to charge higher ad hoc tariffs during the first few years of operation. But the good news for users of CSMIA is the reduction in landing and parking charges by 35% introduced a couple of months back, thereby making it competitive with other international airports. India’s major airports used to charge 60% higher landing fees than Dubai/Singapore. Today Mumbai’s rates may not be lower but closer to Changi (Singapore) and Incheon (Seoul) rates. Since the Adanis took over CSMIA, the emphasis has been to shift the cost burden slowly from airlines to passengers like other international airports. Typically, 50-60% of airports’ revenue comes from non-aeronautical sources like shopping, dining, hotels, real estate rentals etc.
With Lok Sabha forced to adopt the Motion of Thanks to the President’s Address without the Prime Minister’s reply, the focus is now on former Army chief General Manoj Mukund Naravane (Retd), who led the Indian Army through one of its most testing periods in recent history. The Opposition has disrupted the proceedings as Leader of Opposition (LoP) Rahul Gandhi insisted on quoting from General Naravane’s unpublished memoir to target PM Narendra Modi and his govt over its handling of a standoff with the Chinese military in eastern Ladakh in August 2020. It will remain a mystery as to why the much decorated officer allowed his unpublished book to be used by Rahul Gandhi? The buzz is that he was upset for not being considered for the post of Chief of Defence Staff (CDS)–before his retirement. General’s unpublished book had sparked a row in Lok Sabha on February 2 after Rahul Gandhi tried to quote a line from an article about the book that appeared in The Caravan magazine. The article details the 2020 India-China conflict, beginning with the moment the Indian Army’s Northern Command received a call about the movement of Chinese tanks toward Rechin La in eastern Ladakh. The Defence Ministry is yet to clear his book because it contains too many military details. According to media reports, it is the only book that hasn’t been cleared by the MoD. No wonder the General was quite philosophical about the outcome of the fate of his literary effort. Meanwhile, FM Nirmala Sitharaman under whose tenure as Defence Minister Gen Navarane took over as Army Chief, also made it clear that the Govt had no issues with the officer. Interestingly, The Caravan team which first published excerpts from the book aired its grouse that the mainstream media wasn’t focussing enough on the General’s “disappointments”. Why would anyone bother when both Delhi and Beijing are mending fences!
PM Modi is apparently very happy that the 16th Finance Commission’s recommendations will put a full stop to Opposition-ruled States attacking him for not giving adequate Central funds. When Finance Minister Nirmala Sitharaman presented the Union Budget 2026, one sentence tucked in the fine print drew the attention of every CM in the country. It was that the Centre had accepted the 16th Finance Commission’s recommendation to keep states’ share in the divisible tax pool at 41%. At first glance, that looked like continuity. But beneath that headline figure lies a quiet revolution. The commission’s new horizontal formula keeps the overall share fixed but changes how it is sliced. For the first time, a state’s contribution to the national GDP carries formal weight—10% of the total formula. This single tweak tilts the balance towards the country’s south and west, where economic output per capita is high, compared to the populous but poorer Hindi-heartland states that had benefited from the old population-heavy criteria. Preliminary calculations suggest that Karnataka, Kerala, Gujarat, Haryana, Tamil Nadu and Maharashtra are the top six gainers. Karnataka alone may receive around Rs 7,300 crore more each year. In contrast, Madhya Pradesh, Uttar Pradesh, West Bengal, Bihar, Odisha and Jharkhand will see smaller shares; MP could lose nearly Rs 7,600 crore. Most losing states are either BJP or NDA-ruled, while the gainers are largely Opposition-governed. Since the first Finance Commission in 1951, the horizontal formula has revolved around the distances between population, area, and income. The 16th Finance Commission marks a clear break. Echoing Modi’s ideas, Panagariya’s logic: States must show improvement in fiscal discipline, transparency and service delivery to qualify for discretionary grants.
Veteran leader Sharad Pawar’s Rajya Sabha term ends on 2 April 2026. The present arithmetic in the Maharashtra legislative assembly is such that just one Opposition candidate can go to the upper house of Parliament if all these parties field a combined nominee. The NCP led by Sharad Pawar himself, the Congress and the Shiv Sena led by Uddhav Thackeray are the three major Opposition parties though their collective strength is just enough to win one seat. Provided that there is no cross-voting. Previous experience shows that Maharashtra CM Devendra Fadnavis can upset the Opposition apple cart as and when he wishes. It is not clear if he will use the same strategy against Pawar who is respected across the political spectrum. Pawar has declared repeatedly that he will not contest any future election. But it is viewed as an announcement by a politician and hence not taken at face value. Most of the earlier Rajya Sabha elections have been unopposed except for a few occasions. As of now, Opposition parties have not indicated their inclination. Hence, the rumour mill is quite active. Incidentally, Pawar’s health is a matter of concern, given that he is 86. His decision not to be present in Parliament when the Union budget was being presented has added to the speculation about his future plans. His nephew Ajit Pawar’s accidental demise has resulted in upsetting all previous equations and Pawar’s next move will prove crucial in that scenario. It is eagerly awaited.
Tamil superstar Vijay threw his hat in the Tamil Nadu political ring, convinced that he was Moses for whom the sea would split. His party – TVKs — every move, every utterance and strategy created tidal waves. But Vijay has painted himself into a corner, a much-maligned man used and manipulated by the rag tag of TN parties and the two major outfits –DMK and AIADMK. How is he planning to extricate from this Chakravyuh? Vijay is a great entertainer and bankable actor but he underestimated the manoeuvring and manipulations of those scrambling for a perch on the big bandwagons. Take Dr Anbumani Ramadoss who has broken away from the PMK family and fold; he persisted in using Vijay as bargaining chip, till the BJP wheedled him into the NDA. TTV Dinakaran went one step further with his pressure cooker tactics…the media was peppered with snippets of how Vijay was just waiting to open his heart and party. The BJP quickly caught him in their grip with the promise of 33 seats, Rajya Sabha post and a deputy CM post. The Congress too has been twisting DMK arms –using Vijay as bait –pushing for 28 seats. Premalatha, late Vijayakanth’s wife has built up her worth by playing an unmatched trapeze artist, notching up the suspense. Old man Ramadoss for his part says why should only the old parties aspire for TN? Why can’t a young man like Vijay rise? Again these “sympathisers” are not promoting Vijay…they just want to dent the DMK vote bank and then bargain. Maybe Vijay did not foresee so many Trojans he had to counter and contend with. A popular Tamil magazine has summed it up succinctly …Vijay has launched his super market…but no customers so far.
West Bengal Chief Minister Mamata Banerjee’s in-person appearance at the Supreme Court in the SIR matter has put her party Trinamool Congress on a strong footing. Her party leaders and workers see Didi’s Supreme Court intervention as scoring brownie points. It reinforces her as the principal face against the BJP in Bengal while squeezing CPM and Congress, rebuilding minority trust where resentment had emerged over Waqf amendments and new political formations, protecting base amid BJP polarisation. Since the Election Commission’s SIR drive to update West Bengal’s 7.62 crore elector rolls began, 58 lakh entries were removed due to relocation, duplication or death. Also, 1.26 crore individuals received notices for verification hearings over “logical inconsistencies” or missing 2002 SIR linkages, with nearly 60 lakh awaiting proceedings. Initially BJP stayed silent, adopting a wait-and-watch line and avoiding social media sarcasm, but later circulated clips of the court proceedings showing judges suggesting her senior lawyer argue and rejecting her claim. Bengal BJP leaders mocked Mamata’s courtroom conduct as political drama. Political analysts say appearance may hold no legal value but produces two effects. By cultivating a solitary fighter image, Didi strengthens core support. Repeated confrontations with central institutions sharpen her political identity. As a woman leader, she contrasts with the Centre’s pro-Hindutva posture, projecting a less aggressive image than a regional party like the TMC, hence Mamata brand is difficult to counter. By aligning her legal battles with voters dealing with discrepancy notices, Didi positions the 2026 election to focus less on governance outcomes and more on instinctive politics of protection.
Several major cities in Maharashtra have donned the saffron by electing BJP-led Mahayuti candidates as their mayor. Chief minister Devendra Fadnavis and the Shiv Sena-led by deputy CM Eknath Shinde have arrived at an understanding to install their candidates as mayor and deputy mayors. On February 6, the prestigious Nagpur municipal corporation came under the BJP rule once again. In Nasik, the pilgrimage town, the BJP had nominated Himgauri Adke after a lot of heat was generated between it and Shinde Sena. Finally, senior minister Girish Mahajan succeeded in forging an alliance, which ensured that the mayoral crown will remain with the Mahayuti. Other major cities where BJP mayors are in place are Jalgaon and Dhule in north Maharashtra and at Sambhaji Nagar, the capital of Marathwada. Till yesterday, fireworks were taking place regularly among the Mahayuti constituents. The most watched election will take in place in Mumbai where the BJP is all set to elect its mayor. In exchange, it has left Thane and Kalyan-Dombivali municipal corporations for Shinde Sena, given the clout of Shinde and his son Shrikant, MP. The proliferation of BJP-ruled civic bodies is described as a triple-engine formula success. Buoyed up by the success, Mahayuti leaders are hopeful that their parties will fare similarly well in the election for the Zilla Parishad and Panchayat Samiti bodies, to take place after a few days.
When PM Modi’s reply to Motion of Thanks to the President’s address in the Lok Sabha was hastily called off a little after 5 pm on Feb 5, the Opposition benches felt triumphant. The House had to be content with just passing a statement thanking the President without PM’s reply. It was as if the Congress strategy of deploying women MPs on PM Modi’s way into the House and his path upto his seat had paid off. The party felt it had chased away PM out of the Lok Sabha using its girl power — a gaggle of women MPs. However, the Congress’s devious plan was thoroughly exposed by Lok Sabha Speaker Om Birla as he declared that it was he who had advised PM to stay away from the House proceedings based on concrete inputs of an “unexpected/inappropriate incident” being planned by Congress MPs. Though details of the “indecent incident” that was planned are not available, it is quite clear it would have lowered the dignity of the House as well as the high office of the PM. Official sources confirmed that the Govt too had security concerns about allowing PM Modi, a SPG protectee, inside Lok Sabha. Since SPG can’t go inside House, it would have to rely on House marshals. Interestingly, when PM Modi addressed the Rajya Sabha, women marshals were in good number. In his address to the Rajya Sabha, PM Modi took on Rahul Gandhi for attacking his junior ministerial colleague Ravneet Singh Bittu. “What happened yesterday – the ‘Yuvraj’ of Congress who has ‘shaatir dimag’, called an MP of this House ‘traitor’…He did not call anyone else who has left the Congress a traitor. But he called the MP a traitor because he is a Sikh.” Firing salvo at the TMC, he said while developed nations are throwing out infiltrators, in India political parties are using it to protect infiltrators.
Tamil film superstar Vijay’s hunt for a venue for his party Tamil Vetri Katchi’s inauguration has been a tale of frustration that betrays the fear people have of being seen promoting a new player on the political scene. The hunt had led Vijay’s party members to several cities and towns in the state looking for a venue like an open ground that can accommodate around 10 lakh people who are expected to attend. Having looked at suitable venues in Trichy and Salem, the party had to cancel with the parties owning or controlling the venues pulling out for fear of getting into trouble with the powers. The party had then approached a private college management to lend their campus and ground in Vikravandi, a town about 120 kms south of Chennai. The venue may not be big enough if a million people get there for the inaugural slated for September 22. The party is said to be still trying for a more suitable venue even as preparations are on for releasing the party’s flag on August 23 so that supporters and fans can carry the flags to the venue on the inaugural day. The party is determined to get the party off the ground in a spectacular way in September. Vijay’s final film – The Greatest of All Time or GOAT –– before his political plunge will hit screens on September 5.
Ever since this film was announced, Thangalaan, with iconic actor Vikram in the lead, it has garnered media news by the ton. With good reason too…audience still recall KGF and its thrilling story, our very own Mackenna’s Gold. Who wouldn’t be hooked by the thrill of prospecting for gold? Thangalaan is now anticipated as another KGF. Directed by Pa Ranjith, the man who creates stunning visuals even as the hard hitting screenplay unfolds. But suddenly, a scary twist hit the film’s much-awaited release. A Division Bench of the Madras High Court decreed that the producer, KE Gnanavel Raja and Easwaran, stakeholders of Studio Green deposit Rs 1 crore by August 15 in the account of the official assignee representing the late creditor Arjunlal Sundardas who had pleaded insolvency before he died. Thangalaan faced the oft-repeated speed breaker in films, creditors who are as keen to get the money back as the producer to release his film made with blood, debt and tears.
There has always been a love-hate relationship between the Bollywood stars and scribes. Not to forget the paparazzi. A seasoned journalist covering the industry for over three decades was shocked and surprised to see the way stars are snapping at journos and their menacing tone these days. This seems more pronounced in the past few months. At the press conference of John Abraham-Sharvari starrer Vedaa, John was visibly annoyed when a reporter asked him whether he was playing safe by doing the same kind of roles. In the case of Akshay Kumar, he is avoiding giving interviews …and he is very selective to which journalist he will speak to. Before journos ask for consecutive failure of his films, Akshay preempts them and says “only five films” have flopped. But, he forgets the crores of rupees producers have lost. One producer had to put his office on the block to pay his entire crew. And the new trend is all stars are asking reporters to give questions in advance. Inspite of that Sanjay Dutt at a press conference over UK denying him visa made a boo-boo in one of the answers to a question, why he was signing for villain’s role these days? And it seems Ajay Devgn avoids promoting films and his latest movie with Tabu Auron Mein Kahan Dum saw a meagre collection of Rs 10 crore in the first eight days. Most of the Bollywood stars need to understand that they need to connect with the media to connect with their ‘audiences’. It is clear banning or shunning the media does not work for stars or scribes. In the eighties Big B had banned media for nearly a decade but finally smoked a peace pipe.
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They are no longer behind the scene players. The spotlight is on them too. A case in point is Shah Rukh Khan’s manager Pooja Dadlani, besides film dos she was seen with SRK in most IPL matches. In Bollywood, the role of secretary has metamorphosed into manager. The whole dynamics has changed with manager/professional agency handling stars. Film historian Dilip Thakur says, “Back then, the secretaries knew how the film industry functioned and worked in such a way that the entire industry benefited.” Today it seems a mercenary approach, the agencies are interested in seeing that stars fees are 40% of the budget of a film. This is one of the reasons many films are bombing. A few decades back, the star’s secretary played a different role. They ensured that their star bosses are projected well. They did not think of money. When Big B returned after quitting politics, his secretary Sheetal Jain managed to organise three muhurats in a day at Mehboob Studios. And the films were Hum, Agnipath and Luv Kush. For creating buzz around Amitabh all the credit goes to Sheetal. Rajesh Khanna’s secretary Gurnaam made sure he picked the right script; she had a role to play in his super stardom. After her death, Kaka’s career plunged. Rikku Rakesh Nath who made careers of Madhuri Dixit, Shilpa Shirodkar and Anil Kapoor also ensured that some of his star clients who had no films (read jobless) got one or two films. That speaks of his clout, commitment and dedication. Sridevi’s secretary Hari Singh went that extra mile to ensure she was presented well, bagged meaty roles, and managed to get her to the No 1 position at a time when Madhuri Dixit was ruling the roost. Today, many secretaries/managers have evolved further –turned producers albeit with the backing of the stars.
Tamil film popular star Vishal’s Sandakozhi (Fighter Cock) hit the headlines in 2005, swaying its audience for 210 straight days in cinemas. The pugnacious Vishal gained popularity as a saleable star and was signed up for more films. Soon he started Vishal Film Factory. And parallel to this he also turned bellicose and aggressive for both right and wrong causes. He became the Sandakozhi in his professional life, and has been in the news for many a contentious issue. Vishal also took on Udhayanidhi Stalin’s Red Giant Distribution house though indirectly as he feared his film Rathnam could be stymied by alleged monopoly and manipulative practices. Sometimes back, he talked about corrupt practices in the Central Board of Film Certification to get his film Mark Antony certified. But now things have hit a churning point. His venture, Vishal Film Factory had borrowed Rs 23 crore from financier GN Anbu Chezhiyan. But then Vishal had a cash flow problem. To bail him out Lyca Productions stepped in and took over his debt with a deal that all future releases would go through Lyca. Vishal allegedly reneged on the deal and Lyca took him to court. Vishal had to appear in the Madras High Court of Her Honour P T Asha on July 29. During the court proceedings, when he declined that he had signed a contract but had signed a blank paper. The Judge shot back, “You were supposed to settle all dues before Sandakozhi2 release. You think it is smart to deny your own signature”? Vishal interrupted the Judge and addressed her… “Boss”. The Judge, already irritated, countered “You can’t use Boss. Just say yes or no”.
It almost seemed like a sisterly act of reaching out to each other. Both FM Nirmala Sitharaman and West Bengal CM Mamata Banerjee are continuously engaging each other in social media. After FM Sitharaman praised Mamata for attending the NITI Aayog meeting and later openly lauded her in the Lok Sabha, the TMC, in its official handle, reposted her praise on X. ‘A good Chief Minister and a fighter who has been leading the state for so many years!’ “FM@nsitharaman in a moment of honesty praises our Chairperson in Parliament. TRUTH CANNOT BE SUPPRESSED FOR LONG”! In her reply to the debate on Union Budget in the Lok Sabha on July 30, FM was particularly irked by TMC MP Prof Saugata Roy, who had remarked that he did not expect the “FM to be like Dr Manmohan Singh” as she was not a PhD from Oxford like Dr Singh not even like Chidambaram, who had got a management degree from Harvard. “She is from our own JNU. But the problem is, she is bereft of new ideas.” A somewhat peeved FM said “A lady who I respect a lot, who sits equally in the GST Council with me, who is the FM of West Bengal, studied in the University of Kolkata. She is not a Member of this House. She is the FM of West Bengal (Chandrima Bhattacharya) and studied in the University of Kolkata. Is she also bereft of new ideas? She makes wonderful contributions to the GST Council.” The CM of West Bengal is also from the colleges affiliated to the University of Kolkata. Does this mean that if you study in the Indian universities, you are bereft of ideas? In what way are we less than the Harvards of the world or the Oxfords of the world?
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At 41, Dulquer Salmaan has an envious track record of big achievements –MBA from Purdue University, a Dubai stint in IT major, and then quitting this comfort zone to plunge into films to prove that just being legend Mammootty’s son would not put him in the orbit of pan India success. In 2012, when Dulquer wanted to act in films, the easiest thing for him would have been to latch on to the fame, name and star adulation of his father who at 73 continues to rock Malayalam cine world. But Mammootty made it clear that he would not call in any favours. Dulquer proved that he could build his own niche. He instinctively chose pan India films and themes in Telugu, Hindi, Tamil and Malayalam acutely aware that Dad was a hard act to follow in just Kerala cinema. A brilliant strategy that has won him a Filmfare Award and other trophies. Sita Ramam turned out to be both a creative and commercial hit, after his O Kadhal Kanmani (Mani Ratnam directed ) Kannum Kannum Kollai Adithal, King of Kotha, Karwaan and a host of projects that have built his star status, frame by frame. Dulquer runs profitable enterprises, and is brand ambassador too. His passion for bespoke cars is a luxury his star status brings. Recently when someone compared his rise to the likes of Shah Rukh Khan, an embarrassed Dulquer shot back and said please don’t insult Shah Rukh Khan. Not many star progeny have built the kind of sustained following Dulquer has carved out for himself.
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One remembers Rishabh Shetty reacting to a question, if Kantara should be remade in Hindi. “Why should it be made in Hindi when I have already made it,” came the pat reply. Today, the success record of remakes in Hindi is only going down. Sarfira, Selfiee and Shehzada have flopped miserably. Why does Bollywood opt for remakes when there is so much original content waiting to be made? Once upon a time dubbing was not entertained with the theatre flocking audiences. Then, audiences accepted remakes and it became a hit. For example, Vinod Khanna-Shatrughan Sinha starrer Mera Apne was a remake of Bengali hit Apanjan. Rajesh Khanna-Hema Malini starrer Prem Nagar was a remake of Telugu movie Prema Nagar. Cut to the digital era, all movies are dubbed globally…and audiences have no reservations watching Bhojpuri or Telugu or Korean movies. According to Trade Analyst Girish Wankhede, there are four reasons why remakes of regional films do not work today. First, the OTT platform comprises the original content which is pushed on in all languages and its reach is mind-boggling. There is no novelty left when remakes are made. Tamil film Soorarai Pottru starring Suriya was a big hit and popular on OTT platforms too. When Bollywood made Sarfira’ majority of people had already watched it on OTT. Second, dubbed versions of South Indian blockbusters are shown on TV whose reach is astronomical. Audiences in the North are aware of the popularity of Jr NTR, Suriya, Prithviraj, Vikram and others. Third, no marketing of remakes. Fourth, sometimes the essence is lost in remakes. Marathi hit Sairat was remade in Hindi but the Hindi movie Dhadak dropped certain crucial parts as a result it flopped.
The Bengali film industry is seeing a faceoff between the Directors’ Guild and the Federation of Cinema Technician Workers of Eastern India (FCTWEA) leading to political interventions to resolve the issue. The trigger was a 3-month shooting ban on Tollywood director Rahool Mukherjee for commencing shoot without requisite permissions from Directors’ Guild and FCTWEA. Notably, FCTWEA is led by Swaroop Biswas, the brother of Trinamool Congress minister Aroop Biswas. The situation has intensified with several high-profile Tollywood figures speaking out against the ban. Directors Parambrata Chattopadhyay, Kamaleshwar Mukhopadhyay, and Kaushik Ganguly, along with TMC MLA and director Raj Chakraborty, and actor-turned-MP Dev, have condemned the restriction. On July 26, the Directors’ Guild gave green signal to Mukherjee to start shooting of his film starring Prosenjit Chatterjee and Anirban Bhattacharya. However, FCTWEA refused to lift the ban and permitted Mukherjee only to serve as a creative director. This decision led to a fiasco on July 27 when several technicians failed to show up for the scheduled shoot. Prosenjit pointed out that such a situation is detrimental for the Bengali film industry. Dev expressed strong disapproval of the Federation’s stance, while Parambrata Chattopadhyay accused Federation officials of leveraging their position to impose their own crew members, despite having sufficient staff already in place. The issue has stirred concerns about the influence of political figures on the film industry, with allegations of muscle-flexing by the Federation at the behest of Minister Aroop Biswas’s family. Director Rahool Mukherjee is keen that the whole situation is resolved amicably in the interest of Tollywood. Will the West Bengal chief minister Mamata Banerjee who enjoys a cordial relationship with Tollywood personalities intervene and resolve the conflict?
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Just before the release of his own Rs 100-crore budget directorial film Raayan, Tamil film popular star Dhanush went through pre-release agony of doubt and fear… he needn’t have. The crowds exiting cinemas were full of praise and admiration…for not just his direction, but the gracious way of projecting every actor in his or her true worth, not casting himself in every frame, using the ultraviolent action theme to effectively convey the blood and gore story….all in his favour as director. On X, a fan tweeted “A Badshah for Dhanush” (putting him on par with Rajinikanth hit Badshah). With the release of Raayan the debate in Kollywood has now graduated to Dhanush’s directorial skill? Will he plunge full-fledged into direction or manage both acting and direction? His confidence in directing actors like Prakashraj, Kalidas Jayaram, SJ Surya and Sandeep is now evident that he is capable of 50 shades of Grey. Starting off as an average looker and hesitant actor in 2002 in Thulluvadho Ilamai, taking on a variety of films and roles in 23 years, Dhanush has pitched his talent tent, in the right spot, capably. Of course he has gathered much moss and unsavoury baggage in his rise…as star, superstars damaad, family discord, competitive strife with Sivakarthikeyan, media overdrive on so-called dalliance with co-stars. Dhanush who acted in the Hollywood The Grey Man is no longer the Grey Man…He is Atrangi Re.
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Looks like the 56-year old Bollywood superstar Akshay Kumar is losing his Midas touch going by total collections of Rs 17 crore for his latest movie Sarfira. The film, a remake of Tamil movie Soraru Puttru, was based on the life of Captain Gopinath of Air Deccan fame. In fact, its budget was much less than Akshay Kumar’s film. Post Covid-19 pandemic the first Hindi film to be released was Akshay Kumar’s Sooryavanshi directed by Rohit Shetty with Ranveer Singh, Ajay Devgn in the star cast. It did well at the box office opening with Rs 25 crore. But after that Bachchan Pandey spelt disaster at the box office and opened with just Rs 13crore. From then on films like Samrat Prithviraj, Raksha Bandhan failed miserably. He bounced back with Ram Setu and OMG 2 which did decent business at the box office. OMG 2 which was a hit had Pankaj Tripathi in the main lead but the actor was appreciated for his role as Shiva. As a producer he had to battle with CBFC for release of the film as it had given it A certification.There were Selfie, Mission Raniganj which opened at Rs 2.80cr which was better than Sarfira. Mission Raniganj earned Rs 33 crore while Bade Miyan Chote Miyan’s failure almost shut Vashu Bhagnani’s office. Sources say Akshay has not signed any new films and has reduced his price by 50%. But, the actor has quite a few films in production. Khel Khel Mein is with Taapsee Pannu and Vani Kapoor and directed by Mudassar Aziz who does not have a great track record. The only hope for Akshay is Housefull 5. Maybe his South sojourn could salvage his career.
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Tamil film fans are on a high …just salivating in anticipation of a star cine line-up. Keenly awaited is Lyca Productions’ thriller Vidaamuyarchi with Ajit and Trisha swinging to Anirudh’s merry music under Magizh Thirumeni’s direction. The news about Trisha taking on the director for some obscure issue and other roadblocks put the fear about Vidaamuyarchi becoming Vitta Muyarchi or effort abandoned. But all is well and Diwali is to be lit up by this film. Thangalan, the much talked about Kolar Gold Mines is a film that may take veteran Vikram to new heights in acting. This film, directed by PA Ranjit with music by GV Prakashkumar will be released on August 15. The very first song Minikki Minikki is already a hit for its rural beat, rustic voice and lyrics. Thangalan to be released worldwide in Tamil, Telugu, Kannada, Malayalam and Hindi is predicted to be a creative and cash hit on the lines of KGF and RRR. Dhanush and his 50th film Rayan with a promising story and solid acting line up — Selvaraghavan, SJ Surya, Kalidas and Aparna Balamurali. AR Rahman has tuned the lyrics written by Dhanush with SUN Pictures gearing up for July 26 show time. Suriya’s Ganguva in 3D tech, directed by Siruthai Siva with Disha Patani, Bobby Deol and others is an epic historical film that has been long delayed. No wonder Suriya announced its Fire Song to be out on his 49th birthday on July 23 to keep interest alive in Ganguva. There are several small budget modest films too. Who can predict which of these films will grab audience attention?
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The name of the game is marketing. The cinema business is all about hard-selling. The Indian II, a Kamal Haasan-starrer, is reportedly raking good collections at the Box Office despite a mixed review. That’s good news, no doubt, for the tinsel world. Is there a way to discover the exact collection? That could give a clue or two to the real appetite for a good movie. Well, the way forward is to go digital completely. Why not ticket sales be done only through online? For one, that could avoid the serpentine queue in front of the theatres to buy tickets. For another, it could provide visibility to stakeholders across the canvass on the revenue flow. That will go a long way in helping to devise a proper policy prescription to the cinema industry. An influential part of the cinema business is still not fully on-boarded into the formal system. Oftentimes, one is not sure if there is meaningful correlation between attendance at theatres and box office collections. Are we seeing the old style of accounting in the tinsel world? If the Railways could successfully run an online catering service to train travellers, why can’t a similar system be encouraged for sale of snacks and beverages at cinema theatres? The cinema industry has traversed quite long from a totally unorganised existence in the past. If the tinsel world is integrated into the formal system in every way, it will do a world of good to the industry, in general, and the national economy, in particular, if. That is easier said than done,however.
Even in an almost cameo role of Kamal Haasan in Kalki 2898 AD, it raked in the money and the laurels. But his full length sequel epic Indian 2 has turned into an embarrassment for all concerned – director S Shankar, Lyca Productions, Red Giant and cast. Hit in the solar plexus by a super long film that begs to be ignored. Especially brilliant director Shankar who has had many hits in his quiver and a reputation for big scale entertainment. In the high jinx, big money world of cinema many hits are quickly memory erased with one super flop. That’s exactly what has happened to wizard Shankar. But the long gestation period of Indian 2 brought an opportunity for him to sign up Ram Charan (fresh from the laurels of RRR and its near Oscar status) for directing Game Changer. Even as Telugu distributors, financiers and producers are shell shocked by the Indian 2 debacle, they have to scan the sky, hopefully for that rainbow. And appropriately enough it could be Game Changer with the suave Ram Charan. The political thriller written by Kartik Subburaj, features Kiara Advani, SJ Surya, Anjali and others. Ram Charan shared a collage of a helicopter that said, “The Game is about to Change … .Game Changer is all wrapped up. See you at the cinemas.” Cinema is mega money …it needs back to back game changers to survive.
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It was the wedding of the century. And as usual the entire Bollywood made sure they marked their attendance at the Ambani wedding. All were there with their families and they really let their hair down. There are a few observations that one saw at the wedding. For starters, the paparazzi, who are often not treated well by the top stars, were pleasantly surprised by the respect accorded to them by Bollywood folks. It looked as though the Ambanis had told them to cooperate with the paparazzi. Shah Rukh Khan who was again seen with his green umbrella covering his face to avoid being papped the next day after the wedding had posed not once but twice at the wedding with the proper salaam to the members of the media. Amitabh Bachchan was spotted waiting for his turn to pose in front of the media while cricketer MS Dhoni posed. Someone like Madhuri Dixit danced to Choli Ke Peeche Kya Hai number. In fact, Salman who is very fond of Anant Ambani made sure even Shah Rukh Khan danced instead of standing and watching others dance. A photograph of Salman Khan and Arjun Kapoor together has gone viral as generally Sallu bhai prefers to stay away from Arjun. All said and done, almost all the top actors and actresses from the film industry participated in Ambani’s wedding whole-heartedly. In fact, all of them had blocked dates for the three Ambani events that took place in the last few months.
Sequels seem to be the current flavour of Tamil films. Even as Indian 2 is chugging along to mixed reactions, Ishari Ganesh and his production House Vel’s, announced the sequel to their 2020 fantasy mythology/ comedy ( new genres are creatively spun ) Mookkuthi Amman. Lady Superstar Nayanthara plays the Goddess. How did a fantasy theme steeped in Divine overtones inspire a sequel? The ways of films and the preferences of audiences are as elusive as The Scarlet Pimpernel. The first film Mookkuthi Amman could not get a cinema release due to Covid-19 pandemic. But the makers were not daunted …they managed a direct OTT release on Disney Hotstar, almost convinced it was due to the divine blessings of Goddess Amman. A beautiful Nayanthara got iconic welcome as the Nose Pin Goddess. RJ Balaji, the main character is also the director of the film. Mookkuthi Amman watches over the good people with her timely interventions and is lionised as the family “go to” deity. When story boards are as dry as a desert, film makers seek sequels — at least the essentials for the film are charted. Only a new story twist is needed. Nayanathara is an appropriate Mookkuthi Amman.
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July 12 was a red flagged day for the much-anticipated and delayed release of Ulaga Nayakan Kamal Hassan’s magnum opus, Indian 2, sequel to that 1996 super hit that rocked global viewers for sheer scale, script and cinematic spectacle. Besotted Kollywood fans had almost given up on seeing Indian 2. Tamil film’s ace director S Shankar announced the sequel on January 15, 2019. A five years delay can be financially crippling in the film industry. What went wrong? Everything. At every step the film hit roadblocks. This string of unexpected hurdles could make for a standalone script for “The Making Of Indian 2”. A series of mishaps, infighting between the production house and the director, legal hurdles and an accident on the set — crane fell on the crew killing three workers. Kamal had to take care of the legal summons as he was in no way connected with the mishap. A prompt Rs 1 crore compensation to the deceased workers’s families pacified the crew. Then came Covid-19 pandemic. Indian 2 lost three of their best talents — top comedian Vivek, Manobala and Nedumudi Venu. Through all this Kamal worked in other films and also launched his own political party MNM. His Vikram, a super hit, turned the tide and Kamal’s confidence levels rose. Shankar, a mega scale director is not known to cut the cloth according to the coat. In 1996 Indian 1 made on Rs 9 crore budget earned Rs 30 crore, his Rajini starrer 2.0 made in 2018 with Rs 600 crore earned Rs 800 crore. Indian 2 made at a cost Rs 600 crore is expected to cross the Rs1000-crore mark.
Following Anusuya Sengupta’s acclaimed win as Best Actress in the ‘A Certain Regard’ category for her film ‘Shameless’ at the 77th Cannes Film Festival, questions have arisen concerning the notable absence of Indian Bengali cinema at prominent international film festivals like Cannes, Berlin, and Venice. Acclaimed Director Goutam Ghose, a recipient of numerous awards at prestigious global film festivals, highlighted a disparity in enthusiasm towards festivals among Bengali master filmmakers of yester years. While luminaries such as Satyajit Ray and Mrinal Sen actively engaged with these platforms, celebrated figures like Tarun Majumder and Tapan Sinha were less inclined, despite their films receiving recognition. Ghosh noted fluctuating preferences among festival organizers favouring films from different countries at different times, including periods where Iranian, Korean, and occasionally Indian cinema gained prominence. Film researcher and professor Sanjay Mukhopadhyay observed that films like Debaki Kumar Bose’s ‘Sita’ might have won accolades in Venice due to their westernised portrayal of Indian women. He acknowledged a decline in Bengali cinema’s international visibility post the era of Ray, Sen, and Ritwik Ghatak. Director Atanu Ghosh, whose works have been honoured at international festivals, acknowledged the current scarcity of Bengali films on the global stage. Interestingly, according to director Sekhar Das even Russian films are not being able to make their mark even with these famous directors like Tarkovsky or Sokurov. The same is true for Bengali movies.
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Whoever watched Kalki 2898AD is all praise for Amitabh Bachchan …for his role as Ashwathama. And interestingly, the box office numbers prove that Big B is a big draw. Trade analyst Taran Adarsh tweeted that Kalki2898AD is the third Telugu film, dubbed in Hindi, after Baahubali2 and RRR to cross the Rs 200-crore mark in 10 days. Big B who has worked in over 248 films — 12 waiting to be released – hasn’t really got this kind of response to his films in recent times. In the last few years he acted in a number of multi-starrers like Unnchai, Goodbye, Runway 24 and Jhund but none of them impressed the audience save for Brahmastra. Bachchan, at 81, seems to be a big draw as he is constantly reinventing himself. At the peak of his career in the 70s, 80s, he with his angry young man image was a phenomenon; a one-man industry whose name drew the audience to theatres. Then on the advice of an investment banker he set up ABCL which drove him to bankruptcy. He got a lifeline from the late Subrata Roy of Sahara Group and a break in small screen to host Kaun Banega Crorepati? On TV Salman Khan may be getting bigger money than Bachchan but the kind of respect Big B commands after hosting KBC is unbelievable and it continues for two decades now. According to an election affidavit, he and his wife Jaya Bachchan’s combined net worth is Rs 1,578 crore. Industry observer Girish Wankhede says, “Mr Bachchan rewrote the history with his performance and the enormous box office numbers consolidate his eternal domination. He has been the king of box office in the past and with Kalki 2898AD, he is again back with the bang.” Big B has proved that age is just a number.
Tamil cinema’s popular star Dhanush unloaded a plethora of angst at the music launch of his 50th film, Raayan. But why? He has travelled from Kolly to Bolly to Hollywood in the span of 24 years, no mean feat for a guy who came from nowhere (literally), body shamed for his looks…thin, dark and passable visage, a far cry from matinee idol. But this hugely talented star had immense confidence in his ability and quickly made his place in the clawing competitive space of Tamil cinema. His acting talent was evident. Talking about his rise, popularity, star saleability and versatility Dhanush recalled those days …when he lingered in Poes Garden hoping to catch a glimpse of his hero..,his future father-in-law Rajinikanth. He idolised Superstar Rajini, craved and coveted his lavish house, its location; so too J Jayalalithaa’s iconic home and address. “I am going to get a home here in Poes Garden”, he vowed. And he did. He built his imposing home (Rs 100 plus crore) very near to the Superstar. While his professional life zoomed up as one of the most sought after cinematic talents …actor, director, script writer, singer, his personal life plunged into chaos. He separated from his wife Aishwarya and two sons. Dhanush reminisced about all this even when he should have proudly launched his 50th film, talked about maestro AR Rahman, ensemble cast. When Dhanush opened up about his regret for building this opulent home in Poes Garden, the overwhelming sense of emotional pain spilt out as angst.
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Trisha Krishnan and Thalapathy Vijay were the best-selling Tamil cinema on-screen pair in the mid-2000s. Their first film, Ghilli, Rs 50 crore hit, still draws repeat audiences for bubbly entertainment and a fast moving story. Four back to back films including Kuruvi naturally lead to cotton candy talk of the two getting serious. The pairing stopped. Only when Lokesh Kanakaraj announced Leo, Trisha came back to the Vijay pairing after a gap of 15 years. Lokesh, Vijay and Trisha alchemy is expected to sizzle at the boxoffice. Parallel to cinema happenings, Vijay is super busy and super present in the news for the launch of his party Tamizhaga Vettri Kazhagam. Social media is full of news about his “powerful and planned “thrust into politics, with all kinds of imaginary status about his marital life, parental non proximity, even his son rising as a challenge. What about his love life? Ah, this is where it becomes hot and humid. The infamous Suchitra leaks hit Vijay and Trisha with hot Saravana Bhavan rasam like spice. For those who are not in the know, Suchitra, a former singer and now suffering from delusional disorders puts out the most atrocious claims on the life, liaisons and love of filmi denizens. A birthday wish picture on Vijay’s 50th on Trisha’s Insta set the cats screeching. Suchitra wrote: “Trisha is a parasite. She is preying on Vijay’s loneliness in the absence of Sangeeta, pushing her way closer to fulfil her own political ambitions through Vijay. I am warning Vijay”.
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Bollywood’s successful producer Vashu Bhagnani is cash-strapped and has put one of his properties on the block. Reportedly, he has not paid Rs 65 lakhs to his crew who worked in three of his films. Besides has also not paid the stars like Akshay Kumar who has agreed to wait. Incidentally, most of his films in recent times starring Akshay Kumar and Tiger Shroff have bombed at the box office. In the case of Akshay, all his four films with Vashu have done badly. Industry insiders say a film bombs because of poor script or high cost of stars or lavish production cost. It is an open secret that some of the popular stars take about 40% of the cost of production of the film. Vashu Bhagnani who entered Bollywood in 1995 has given a series of superhits, so it’s surprising he landed in a financial mess. He invested about Rs 1,000 crore in Bade Miyan Chhote Miyan Mission Raniganj, Ganpath and Cutputli. But earnings have been very poor. Also, signing big stars does not guarantee box office success. In the past Raj Kapoor landed in financial trouble after Mera Naam Joker flopped; Prakash Mehra after Bal Brahmachari and Zindagi Ek Jua and Manmohan Desai after Anmol and Toofan. But, these producers failed not because of the high cost of stars but because the audience did not like their stories. In the case of Bhagnani’s high cost of stars is also one of the reasons. There is surround sound that actors should cut their price. Will they?
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In his career spanning over 40 years, the 67-year old Anil ‘Jhakas’ Kapoor has smartly kept out of controversy. But, in recent times found himself dragged into two controversies. He is being trolled for agreeing to host Bigg Boss OTT, a reality show which has become synonymous with Salman Khan. Bhai’s fans are mightily upset that Anil has replaced Sallu Bhai in one of the most controversial reality shows. Anil is not perturbed by criticisms and trolls. Meanwhile, he seems to be in the news for other reasons — fallout with his elder brother Boney Kapoor. Sources say that producer Boney has decided to cast his son Arjun Kapoor in the sequel No Entry Mein Entry without informing Anil and this has upset him. But when some reporters quizzed Anil, he quickly responded “Ghar Ki Baat Ghar mein hi rehne do”. Anil, one of the non-controversial actors in Bollywood, has acted in over 100 films and his career graph, like Dharmendra, Jeetendra, has been steady. The actor is constantly reinventing himself to keep in sync with changing times. He is identified for some of the interesting roles he essayed in Hindi films like Mr India, Mashaal, Tezaab, Ram Lakhan, Nayak, Welcome, English movie Slumdog Millionaire and English TV serial 24. As regards to his producer brother, he has worked with him in over nine films and has acted opposite Sridevi, his sister in law in eight films.
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Tamil film’s well known director, 37-year old Arun Kumar (aka) Atlee has moved into the big league. His star trek which began in 2013 with Raja Rani got a leg up thanks to Thala Vijay. He directed Vijay in three superhits Theri, Mercel and Bigil. Like many super hits, Atlee guided his hits with more razzmatazz and gloss, a page taken from his mentor Shankar. Kollywood producers quickly realised that Atlee was building his own brand with way over budget films. Kalaipuli Thanu, a name to reckon in the Tamil Film Producers Guild cracked the whip…Tamil movies did not seek Atlee and when he tried to move to Telugu…he drew a blank. It seems Telugu and Hindi film producers are hard nuts to crack where finance is concerned. He has been lucky though. When Bollywood was down in the trenches and needed a hit badly to pull it out of the tailspin, Atlee delivered Jawan for SRK. Made on a Rs 370-crore budget, it raked in Rs 1200 crore. But Atlee was criticised for the way Jawan’s extravagance gnawed at the profits. Atlee has just made it known that his salary would now be Rs 100 crore plus profit sharing. Atlee announced his next movie with Allu Arjun. But call it destiny. The Andhra Pradesh government has changed and the new Czar Chandra Babu Naidu is unlikely to forget that Allu Arjun had campaigned for his rival Jagan Mohan Reddy. The latest buzz is that the prestigious project has been shelved. Allu is waiting for the release of Pushpa 2.
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Thirty-seven year old popular Bollywood star Sonakshi Sinha is being trolled for getting married to her Muslim boyfriend. Reportedly, her family also does not seem very happy about her marriage to Zaheer Iqbal, an actor who was launched by Salman Khan but did not make it big in the tinsel world. Incidentally, Sonakshi was also launched by Salman Khan in Dabangg. Actually, her family’s reaction is surprising because the news she was dating Iqbal has been mentioned in the media off and on.. Be that as it may. But nothing will stop Sonakshi from marrying the man who she has been dating for seven years now. Media reports claim that her father Shatrughan Sinha and brothers were taken by surprise about the wedding date and they have blessed her through the media. But Sonakshi is not the first or the last actress to rebel against their parents. In the past too stars have rebelled or eloped and got married. The Maine Pyaar Kiya girl Bhagyashree married Himalaya Dasani as her parents did not approve of him. Bhagyashree comes from a royal family and the family felt the status did not match. Aamir Khan and Reena Dutta had a quiet marriage as their families did not approve of the relationship. Gurmeet Chaudhary and Debina only had friends who attended their wedding and kept it under wraps for many years. And not many know that Jennifer Kendall left her family to be with Shashi Kapoor and later had a traditional Hindu wedding.
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Forty-six year old Vijay Sethupathi, who predominantly works in Tamil cinema, is an actor who never fails his fans. This director’s delight, bankable hero has none of that “chikna charm” of a stereotype film hero — brawn, Greek God profile, towering personality and a deejay’s baritone. But he comes alive on screen as a wholesome, dependable artist who carries off the entire film with his performance. Those who have seen his debut movie Thenmerku Paruvakaatru in 2010 remember his goatherd character to this day. Sethupathi has crossed many milestones and is confident that his 50th movie, Maharaja will get acclaimed just like his earlier hits Vikram Vedha, Sundarapandian, Pizza, 96 to name a few. His calm and controlled nature rarely kicks up cinematic storms…though recently he refused to co-star with Krithi Shetty for DSP. Reason: “In an earlier movie Krithi acted as my daughter. I made her feel really secure…even told her to think I am your real father. So I am not going to act with her as my female lead,” he said. In the film 96, which was a hit, he was paired with Trisha and critics did talk about a winsome youthful Trisha teaming up with an overweight Sethupathi as a classmate. His Vikram Vedha with Madhavan and Naanum Rowdy Dhaan with the lady superstar Nayanthara zoomed up the charts. Sethupathi has none of that ham handed heaviness in his portrayals. Fifty films old Vijay Sethupathi is as genuine as American Apple pie or South Indian Filter Coffee …no glamour but guarantee.
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Celebrated author-writer-filmmaker Amish Tripathi, Bollywood star Nawazuddin Siddiqui and actor-producer-author Vani Tripathi Tikoo are meeting in London to participate at the Manoj Ladwa-led Indian Global Forum’s Pathways To A Limitless Future to be held between 24-28 June. The 3rd Culture & Creativity Forum at IGF London will draw leading voices from film & TV, fashion, literature, sports, economy and more. What new pathways for growth can creative innovation unlock? How can culture help organizations diversify their reach? How can we revitalize the global creative economy are some of the topics the brightest minds converging in London will debate, discuss and deliberate. It is learnt that Amish Tripathi while in London will use this opportunity to announce his creative tie-up with Lord Jeffrey Archer, a successful novelist who has written scores of best-sellers like Kane And Abel, Only Time Will Tell, The Prodigal Daughter to name a few. Kane and Abel remains one of the best-selling books in the world, with an estimated 34 million copies sold worldwide. All his novels put together have sold more than 320 million copies worldwide. Tripathi’s best kept secret project with Lord Archer will be unveiled on June 24.
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The just released Malayalam comedy movie Guruvayoor Ambala Nadayil’ has raked in Rs 50 crore in one week and Rs 85 crore in just 18 days. Of this, it raked Rs 43 crore in Kerala alone. A big percentage of Kerala’s population of nearly 3.46 crore work in the Middle East. For them a movie with Mammootty, Mohanlal and Prithviraj Sukumaran is the best treat. The Kerala film industry has done very well albeit with dramatic transformation from “art film, realism and simplistic presentation” Malayalam movies have emerged as entertainment winners. Simultaneously, stars too have hit the sweet spot of success. Prithiviraj Sukumaran, almost super star, producer, script writer and even singer is at the peak of success. In Guruvayoor Ambala Nadayil’ as a comic lead which is a totally divergent role from his recent cult classic Aadujeevitham that garnered Rs 160 crore. Prithvi fans are on a high, but the star himself is careful not to make ripples in the star ecosystem where Mammootty and Mohanlal reign supreme. Prithviraj fell in love with the famed BBC journalist Supriya Menon Aren Mumbai and married her. The couple run a very profitable partnership. Not that he has no challenges in his starscape…Fahad Fasil, Joju George and others are fast catching up. The recent mega hit Manjummel Boys, Falimy (a quirky spell), Padmini and Bro Daddy succeeded though the prevailing crime and police films that dominated for quite some time. OTT has brought realism to the home viewer. Malayalam cinema is the new flavour of entertainment.
Tamil film’s ace director S Shankar and Ulaga Nayakan Kamal Haasan are all set to unveil Indian 2 with a big bang music launch event. Indian of 1996 which is still etched in cinephiles memory as a blockbuster was long awaiting a sequel. Kamal instinctively felt box office history could be created, yet again. Though his busy political and cinematic persona clashed and caused some stress to all concerned in his innermost circles, the Indian 2 is ready for a July release. Lyca Productions and Red Giant Movies are expected to hype marketing and media profile, to screen this extravaganza. One factor the audience is sure of is that even if the storyline does not punch at optimum weight, Kamal is sure to grab admiration with his acting as an old man. When Shankar is at the head of the table, one can anticipate extraordinary action and performances from his band of actors….an ensemble cast with Siddharth, Kajal Aggarwal, SJ Surya, Rakul Preet Singh and Bobby Simha. The music director Anirudh and two singles Para and Neelothpal have not disappointed their fans. The music launch at Nehru Stadium, a venue that portends hits, and besotted fans are not about to miss the event. When Kamal, Shankar and Anirudh hit the stage, the sound of music hits the high notes. And the Box office jingles.
The BJP government’s Information and Broadcasting Ministry, mandated to rectify pejorative and false narratives of Hinduism peddled through (mostly Hindi) commercial cinema by Prime Minister Narendra Modi since 2014, has almost finalized its CEO for the Central Board of Film Certification (CBFC) to censor films before release. IRS (customs) officer Kundan Yadav’s appointment file is pending approval of the Election Commission of India. More recently, Yadav was seen poking fun at Sanatana dharma, the Sunder Kand and Maha Mrityunjay Mantra while also taking potshots at Brahmanism and the Manu Smriti texts while using self-composed poetry on a public platform in Jaipur. “Even while drafted for election duty, this JNU product openly denounced the BJP giving speeches regarding his single-minded efforts against the national party. Is it merely enough that he possesses a doctorate (PhD) to be appointed the CBFC CEO? What happened to the 360-degree-SWOT analysis, assessment of his knowledge on the craft of film-making?” asks a senior BJP leader in anguish. Yadav’s stay at JNU was subsidized by his seniors in his first year, when he failed to secure hostel accommodation. Thereafter, this brilliant student, despite needing two terms to complete his HSC board examinations, became a topper of his class, even securing a teaching tenure in the USA on scholarship. One of his JNU professors did pull him up once for not having collected funds allocated to him through yet another scholarship he had been bestowed with for inordinately long. Some guys have all the luck!
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Aamir Khan’s son Junaid Khan makes his debut with Maharaja that will be released on OTT. Guess what, Junaid already has completed shooting for his second film even before his debut film releases. Clearly, those are the perks of being a star kid. Both the films that Junaid has worked in have been produced by outside banners — Yash Raj Films and Phantom Studio have a good equation with Aamir Khan. Junaid hasn’t really been trolled for being Aamir Khan’s son. Probably because he is well behaved on the sets and with Paps. Reportedly, Sanjay Leela Bhansali’s niece Sharmin Segal got trolled for bagging the central part in Heeramandi series. Tongues were wagging that she landed the role because of being Bhansali’s niece. But, the truth is she did go for an audition and screen test. In politics, business or films nepotism is the uncomfortable truth — it happens openly or subtly. Yes, it makes easy entry possible but post that he/she has to prove their mettle. Suhana Khan is all set to make her debut with her father Shah Rukh Khan to be directed by Sujoy Ghosh. Sanjay Kapoor’s daughter, Shanaya Kapoor is a big social media influencer even though she signed her first film. Saif Ali Khan’s son Ibrahim Khan who has two films seems to be throwing his weight if one goes by what Paps have to say. In the case of Rajesh Roshan, niece Pashmina Roshan, a good dancer, makes her debut in Ishk Vishk Rebound. Producer Ramesh Taurani has clarified that he chose Pashmina purely on merit with three other fresh faces. He says Rajesh Roshan, the music composer with whom his relationship goes back in time, did not call to push his niece’s case. Sounds good.
The year 1997, an exotic pairing of Kajol, the creole beauty and Prabhudeva, India’s undisputed King of contemporary dance took the audience to a new level of entertainment. The film, Minsara Kanavu ( Electric Dreams) directed by Rajiv Menon, with music by AR Rahman danced away with four national awards — Best Music Director, Best Singers both male and female and Best Dance Director. Arvind Swami added histrionic weight to the narrative. The film not only entertained but inspired a comic slogan to the Tamilians (talented word crafters) who suffered frequent power cuts. They came up with the taunt “Minsarame Kanavu ( for us electricity is itself a dream ).This exotic pair are now coming together after 27 years for a Telugu film, directed by CharanRaj Upplipatt, with able support by Naseeruddin Shah and Samyukta Menon. The production house has announced that the first phase of this thriller filming is complete and the teaser is to be out soon. The song Vennilave Vennilave Vinnai thandi varuvaya is still remembered. Will Kajol and Prabhudeva electrify the audience yet again?
At 81, Ilayaraja remains the emperor of melodies. But of late he has painted his incomparable talent and self into a controversial corner. Recently SUN Pictures released the trailer of their upcoming Rajnikanth potboiler, Coolie with Anirudh composing music. Ilayaraja was angry to hear his composition from Thanga Magan, in a digital garb used in the trailer. He promptly sent a legal notice. This side of a gentle genius irritated film folks, with filmdom abounding in instances of copyright infringement. In the midst of this controversy this Rajya Sabha MP had the time and talent to announce the completion of a full scale symphony he composed in just 35 days. His talent and stature is so high, and some detractors are saying, does it behove his standing to send legal notice? Music borrowing, plagiarism or theft, call what you may, is a global phenomenon; Arabian belly dance tunes, African drum beats , tribal taals, from the great Indian music composers, Saint Thyagaraja, Annamiah etc are freely lifted. Often turning melodious music into cacophony. Ilayaraja, known fondly as Isaignanai (sage of music) has compiled over 7000 film songs, scored music for over 1000 films and performed in 20,000 concerts. He is a music composer, conductor, orchestrator, multi- instrument player, lyricist and singer who has no equal. Recently, the famous music duo sisters Ranjani and Gayatri performed on stage with Ilayaraja sitting in the front row. They drew repeated applause for the Thyagaraja composition in Raga Charumati, Mari Mari Ninne which Ilayaraja immortalised as his base for the hit song Paatu ariyen, padippariyen, pallikoodam thaan ariyen in the film Sindhu Bhairavi. Ilayaraja, your kind of genius is rare and immortal. Think of plagiarism as the best adulation.
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Salman Khan has got Ranbir Kapoor’s Animal heroine for his next film Sikandar. Yes, Rashmika Mandanna is going to play his love interest in the film that goes on the floor next month. It came as a surprise for a lot of people in the trade as the names of other heroines were floating around before Animal heroine was signed for the role. Historically, Salman Khan has been choosy of signing up a heroine unless he is in a comfort zone with them. Katrina Kaif holds the record having worked with Salman in eight films. Well, earlier he and Madhuri Dixit worked in six films; it was because they were contemporaries…that’s all. But, stars like Jacqueline Fernandez got on like a house on fire. She has worked with Salman in about three films and reportedly during lockdown spent a long time at his farmhouse. Waluscha De Sousa who was also a kind of favourite of the actor; she worked in two films — Time to Dance and Antim: The Truth. With Sonakshi Sinha also twice. Interestingly, Salman Khan and Aishwarya Rai whose romance is well known worked with each other only in one film Hum Dil De Chuke Sanam. Likewise Twinkle Khanna, Urmila Matondkar and Sonali Bendre. Salman Khan has worked with Katrina Kaif even if he didn’t like her brief involvement with Ranbir Kapoor. There has been a chemistry issue between him and Ranbir since then. But, looks like Alia Bhatt may just play a role to bring Kapoor and Khan together. If one recalls, Ranbir Kapoor had mentioned in the Kapil Sharma show that Salman Khan had chipped in during his sister Riddhima Kapoor’s wedding by taking care of the bar.
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Just when we thought that the Aamir Khan episode saved The Great Indian Kapil Show comes the news that the team has wrapped up Season One of the show after six episodes. An avid show watcher was very critical and said, “I am not surprised. It was bound to wrap up…how can anyone eat a dhokla that has been served like pizza?” The show ever since it went to Netflix did not seem to have the same draw, stickiness and buzz like it was on Sony TV during weekends. The general feedback is that there is no novelty or freshness; even Sunil Grover who returned to show after a gap of seven years failed to regale the audience. His earlier avatar as Guthi was better than current one as Dafli. Even Krushna Abhishek and Kiku Sharda who have emotional bonding with the audiences and guests seemed to have lost their zing. Also, missing from the show are Chandan Prabhakar, Sunil Lahiri and Sumona Chakraborty. Essentially, the show failed to deliver the punch for which it was famous for. Is it because OTT caters to a different audience while TV channels are watched by the entire family? Kapil Sharma started his comedy show in 2016 and it was getting very good traction. But soon he had a fall out with his team mates like Sunil Grover. Post that he shifted the show to Sony TV and got Salman Khan to bank roll it. Now, the quick wrap of Season One has raised eyebrows but Netflix has quickly reacted saying that Season Two with seven episodes will feature celebrities like Ed Sheeran, Anil Kapoor, Sonakshi Sinha and Sania Mirza. Only Ed Sheeran is a new catch, the rest of the guests are usual suspects. Season Two will effectively spell out which way Kapil Sharma and his show is going.
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Now that the election Punch and Judy show is over in Tamil Nadu, south India’s biggest director Mani Ratnam is seriously back to shooting Thug Life. For those who may not recall why Mani Ratnam wants to get back to Thug Life, Raj Kamal Movies, Red Giant Movies and Madras Talkies announced their joint venture creation with a marquee star lineup. Kamal Haasan heads the cast, Trisha, Dulquer Salmaan, Jeyam Ravi, Aishwarya Lekshmi to name a few. The elections came as a speed breaker, with Kamal campaigning for the DMK. The shooting was also paused as Dulquer and Jeyam Ravi opted out as they could not accommodate the delayed call sheets. After much debate, Simbu was signed up for Dulquer’s role and Aravind Swamy in place of Jeyam Ravi. It is interesting to note that all these stars have worked with Mani Ratnam, a comfort level both share. Simbu had given the hit Cheka Sivanda Vaanam. Recently a schedule with Kamal, Simbu, Abirami and Nasser was shot in Delhi. Simbu coming on board was marked by glimpse video teasers, especially the one which shows a huge dust drift kicked up presumably by a car driven by him titled “A New Thug in Town “. Mani Ratnam and his iconic treatment of every storyline he films is pure cinematic genius. His muse could be a Thug, Saint or the Devil himself. The audience is waiting impatiently to watch his thuggery.
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Candidly speaking, it’s a hard to follow act for the children of cinematic Icons…especially if you are the progeny of global icon, superstar Rajinikanth. His daughters Aishwarya and Soundarya have been under the constant filmi microscope of public view. The sisters have lived through rocky lives –both personal and professional. Both have tried their hand at cinema production and direction. With a few films produced and directed by her, much was expected of Aishwarya’s recent film Lal Salaam with a bespoke cameo by Rajinikanth himself. Lal Salaam did not do well at the box office. Other sister Soundarya is still smarting with the huge financial loss of her films Kochadayan and Goa. For 10 years she stayed away from the filmi world. Then Amazon Prime’s web series, Gangs Kuruthi Punal came her way as producer, an opportunity she must have coveted. But midway through the shoot in Puducherry, things started going south, and it overshot the budget. Her director Nova came in for criticism and things turned sour with him being blamed for not having better control. With Sathyaraj and Nasser heading the series, the production could have succeeded but when the money flow was stopped, Soundarya was cornered once again. Then came the announcement by Amazon Prime that a course correction would be in order. Can Soundaraya salvage the series?
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Popular Tamil film hero Suriya’s career zoomed with Soorarai Pottru in 2022 and its ace director Sudha Kongara Prasad walked away with the Filmfare Award for best film, her second after Irudi Suttru in 2020. Soorarai Pottru traversed that thin line where a biography straddles a documentary and a gripping drama of a self-driven entrepreneur, Captain Gopinath who took wings with Deccan Airways.The film’s huge success in both cinemas and OTT was as much due to the inspired direction of Sudha Kongara as to Suriya’s compelling performance. The duo’s next film Puranaanooru naturally raised high expectations. Suddenly rumours flew thick and fast about differences between Sudha and Suriya, who was also producing this film under his home production 2 D films. First, there were speculations about Suriya’s dates’ availability; the film had to be shot extensively in colleges in south India during the vacation but because of election fever it was difficult to get a suitable venue. Set in the sixties Puranaanooru needed huge outlay — around Rs 60 crore to replicate that period. To scotch the rumours, a joint statement was issued by them which stated that the film is postponed. Meanwhile, it is learnt that Sudha has moved on to her next film with Dhruv Vikram in the lead. Who knows Suriya’s loss could be Dhruv’s gain!
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Thirty-eight year old Bollywood star Jacqueline Fernandez has gone below the radar ever since her link to the conman Sukesh Chandrashekhar hit national headlines. She religiously avoids media, ducks from paparazzi and avoids socialising too. The conman link has cost her dearly — personally and professionally. Though she is fighting Sukesh in the court but because of his obsession with her, she prefers to keep quiet and work hard. What has damaged her reputation and put her on the backfoot is the intimate pictures released by Sukesh. Not surprisingly, the film industry and friends have not openly supported her in terms of sympathy or contracts but there are well wishers like Sonu Sood who signed her for Fateh which is ready for release. She does not have many projects but has two big films, Welcome to the Jungle with Firoz Nadiadwala and Housefull 5 which is yet to go on floors. Jacqueline does manage to get court permission to go abroad for shoots. Akshay Kumar, Sajid Nadiadwala and Salman Khan are her friends who still support her but not in the public. From a rank outsider, Jacqueline’s rise in Bollywood was meteoric. The Sri Lankan model-turned actor, who entered Bollywood in 2006, has acted in over 25 films already. In 15 years she has starred opposite top heroes. Her northbound career graph was halted when news of her involvement with conman Sukesh who was arrested for extortion and money laundering came out in open. She claims Sukesh lured her with Bollywood offers even as he showered her with costly gifts, even a high end car.
Historically, the Hindi film industry has been dominated by north Indian heroes and south Indian heroines. Now, a new trend is emerging. In the last three-four years it seems to be the hegemony of south films. Witness this, in the first four months of 2024, the traditional north Indian heroes Akshay Kumar, Hrithik Roshan, Ajay Devgn seem to have come a cropper going by the box office collections. Reportedly, total collection is less than Rs 800 crore. To make matters worse, Khans are conspicuous by their absence. Salman Khan’s ritual — Eid release was missing this season. Given this scenario, one is seeing the south stars coming to the rescue of Bollywood big time. For instance, Allu Arjun’s film Pushpa 2 is learnt to have got a commitment of Rs 1,000 crore before its release on August 15. It is expected to break all kinds of records. Then there is multi-starrer Kalki showing Amitabh Bachchan in a teaser promo. This movie which is a perfect example of cross-pollination of stars is speculated to garner Rs 100 crore on Day One of its release. Trade Analyst Girish Wankhede says, “The line up of South Indian films is a mix of class and mass. It has its focus on larger than life entertainment which works for celluloid. They are not spoilt for OTT choices and are more inclined to make mass entertainment.” The momentum in this year was started with Hanuman which scored big on the box office followed by Manjummel Boys and The Goat Life winning great critical acclaim. The upcoming slate looks super impressive with Kamal Haasan’s Indian 2 and Rajnikanths’s Vettaiyan. Besides, Devara, the movies in the pipelines are: Kanguva, Thangalaan and Mr Bachchan.
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Sixty-one year old yesteryear’s superstar Govinda is back in the news, well not for signing a big budget film but for re-entering politics by joining Shiv Sena led by the Maharashtra chief minister Eknath Shinde. Govinda has made it clear that he will not be contesting any elections. It may be recalled that he won the 2004 Lok Sabha election on a Congress ticket. Then, what’s his compulsion to re-enter politics? Does he feel that if he is part of a political party, then movies will come his way? Not really. A seasoned insider says that Govinda has been trying to make a comeback to films since 2015 but strangely, this exceptionally talented and accomplished star has not been able to win the faith of the producers to bet on him, once again. His past seems to have caught up with him; not reporting to the set on time has got the goat of producers, directors and co-stars. Says another source, lack of work for Govinda is not because the industry has lost faith in him but he has developed a trust deficit with them. His superstitious nature has made filmmakers uncomfortable. Both David Dhawan and Salman Khan did give Govinda a second chance. But, Govinda has this feeling that the world is against him. Recently, he overreacted to a comment by Vashu Bhagnani on his late coming on the sets of his films. Govinda who has acted in more than 165 Hindi and language films can become the favourite of producers and directors once again only if he reinvents himself.
Tamil Nadu is probably the most star and film crazy state. Here, films and politics mesh and meld. Even on polling day, watching these superheroes and the media feeding frenzy they generated was evident at the polling booths. TN is probably one of the best organised states in terms of election logistics and arrangements, meticulously planned and executed for hassle-free voting. But such well-oiled execution often gets overshadowed, even unacknowledged, by the entry of stars, with the media in droves praising the star for casting his vote. Stella Maris College and Eldams Road polling stations garnered much attention as the two superstars descended to cast their votes. Action, camera and buzz levels rose, though it must be said that these two took their turns in the line to get their fingers inked and ballot papers verified. Apart from Kamal and Rajini, Karthik, Vijay, Ajit, Vijay Sethupathi, Vikram, Suriya Trisha and a host of stars made a splash today by turning up early in the day. Surprisingly, most of them were dressed in white? Except Kamal who came in a white and teal green T or Vijay Sethupathi. The penny dropped when a media smart said, “They wanted to avoid speculations about party affiliations. So white was the best option”. The terrible heat and overwhelming humidity could well have been the reason for cool white. Does it matter what the stars wore..it was not a fashion ramp …just your neighbourhood polling booth.
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Akshay Kumar may be one of the few actors in Bollywood who completes his films in record time. Ironically, his record of flops seems to be beating that. The ‘Khiladi’ Kumar’s latest film Bade Miyan Chote Miyan has opened to lukewarm response at the box office despite the fact it was released on Eid. The Day 1 collection was Rs 16.07 crore. Movie critic Taran Adarsh commented on X: “With a dream cast + lavish making + holiday factor + aggressive promotions + terrific track record of its director, #BMCM should’ve opened anywhere between Rs 25 cr and Rs 30 cr [even higher] on Day 1.” Trade pundits feel that Akshay Kumar’s poor numbers at the Box Office both pre- and post-Covid has in a way dented his bankable star image. It is likely that filmmaker makers will definitely think twice before signing him. The films that have not worked for Akshay Kumar are Selfie, Mission Raniganj, Samrat Prithviraj, Ram Setu, Cutputli and Bachchan Pandey. Trade Analyst Girish Wankhede says, “This sixth flop in a row is a sorry state for Akshay kumar, who has been the favourite of producers. His over exposure or the choice of films, or his experimentation with various genre could be some of the reasons for his films not finding takers. He was always a bankable star, but with several flops, his filmography seems to be losing its sheen.” The trade will be closely watching how his films like Skyforce, Housefull 5, Welcome To The Jungle and JollyLLB 3 fare.
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This happens, frequently in Bolly, Kolly or any wood, when top stars suddenly face a drought. Salman Khan has lived through it for nearly three years. Popular Tamil film hero Suriya Sivakumar seems to be going through a similar predicament. He has had no new outings after the super success of Soorarai Pottru (Sudha Kongara directed biopic on Captain GR of Air Deccan fame). Then was followed by Jai Bhim in 2022, also critically acclaimed but politically a sensitive theme that brought unease to Suriya. His highly publicised Kanguva is under post production. Meanwhile Suriya had another setback. The much expected second Sudha Kongara creation, Puranaanuru has been shelved. So when Suriya and Karthik Subburaj jointly announced a new venture under Suriya’s home production 2D, it raised the excitement levels of his fans. Suriya and Subburaj have agreed to work for free and will share profit once the film does well at the box office. Subburaj is said to have written the story for Vijay originally, but many say it was scripted keeping Suriya as the hero in that suave and strong role that he excels in …will it be another Kaakha Kaakha or the Shaolin, Ezhaam Arivu? Suriya and his wife Jyotika have endured much gossip lately, when they shifted out of Chennai to Mumbai. In-laws issue? No, insists Jyotika, it’s just for kids’ schooling and her professional needs. Jyotika has resurrected her career in a big way. Can Suriya do likewise?
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Once again Bollywood’s two big stars Ajay Devgn and Akshay Kumar are going to clash at the box office. And the film trade is not at all surprised as it is not the first time their films are releasing on the same day – it is the fourth time. When it comes to business they are strong rivals even though both have worked together in three films together. They worked in Suhaag, Insaan and Khakee. Insiders say it was after Khakee Ajay blamed Akshay Kumar for chopping his role. Post Ajay’s comment, Akshay Kumar in one of the award functions took a jibe at Ajay indirectly by saying that he is being called the “editor” of the film. Ajay almost got his film Golmaal 4 to be released the same day as Robot and Aamir Khan’s Secret Superstar; but Robot got postponed at the last minute due to VFX. Once again, both Ajay and Akshay were making a film on the same subject — Battle of Saragarhi. Ajay announced the film first but Akshay got Karan Johar to break the news about the movie. Salman Khan was co-producing the film with Karan but Ajay, it is learnt, convinced him to opt out of the project. If Akshay Kumar got Vipul Shah to screen Action Replay to coincide with Golmaal 3 release then Ajay got his Toonpur Ka Superman to coincide with Akshay Kumar’s Tees Maar Khan. Not many know that Ajay Devgn wanted the movie rights of Jaswant Gill on whose life the film Raniganj was made with Akshay Kumar as the lead. Now one needs to see what happens with Bade Miyan Chhote Miyan and Maidaan both releasing on Eid.
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Twenty-two years after her debut in 2002 in Tamil movie Maunam Pesiyade, Trisha Krishnan has proved that her staying power is awesome. A fine blend of looks, talent and guts, Trisha, Mani Rathnam’s muse in the much-talked about Ponniyin Selvan has moved into the number one slot so far held by Nayanthara. Her character Kundavai was as much talked about as Aishwarya Rai’s Ponni in the magnum opus, skyrocketing her popularity. Today, Trisha has over 12 movies in Tamil, Telugu, Malayalam and Hindi. She stars with Salman Khan in the The Bull. The list of her to be released movies would turn any top heroine envious. Thug Life, VidaMuyarchi, GOAT, Saduranga Vettai all with top actors like Vijay, Ajit, Kamal and now Salman. Naturally, it has pitchforked her remuneration to 12 crore per film. Nayanthara and Samantha were getting around Rs 8-10 crore. Once seen as Rana Dagubatti’s significant other, she broke up with him, and walked into two much talked about engagements; then she walked out of it at the last minute from both, raising her hellion reputation to more highs. She has led her personal life very much the way she desired, not afraid of reputation smears. Media has chronicled her midnight beach escapades with chosen friends, in spirited states. But when it comes to work, she adheres punctiliously to form and meets her director’s expectations, a trait that the volatile world of films really values. Without doubt Trisha is riding high.
The Carnatic music world is caught in a huge controversy. The decision of The Music Academy of Madras to confer the prestigious Sangita Kalanidhi title on vocalist TM Krishna has not gone well with veteran artistes and music patrons. And social media has gone on overdrive. The latest to jump into it is Karnataka Classical Music Confederation Trust (KCMCT), which has sent out a strong missive to The Music Academy. Krishna, the rebel Carnatic musician has always been courting controversy for his stand. KCMCT in a communication to The Music Academy said “The recent decision to confer recognition upon an individual whose actions have caused considerable anguish among our fraternity of musicians is a matter of profound consternation. We are compelled to express our dismay at the choice to honour an individual whose conduct and pronouncements have engendered substantial discord and disunity among Karnataka musicians.” Krishna, after winning the Magsaysay award, has positioned himself as a social reformer. The Academy became his instant target. Accusing it of caste bias and discriminatory practices, Krishna boycotted its festival for several seasons. Aghast at its choice for Sangita Kalanidhi title, RaGa sisters (Ranjani-Gayatri) have chosen to pull out of the December festival of the Academy. Since then, the opposition to Krishna is escalating by the day with political parties such as DMK and BJP pitching in with their views. By honouring a rebel, the Academy has now managed to create an army of rebels. The tune set by the Academy headed by N Murali, owner of The Hindu group of publications, appears to have gone woefully awry. A lot of jarring notes are emanating from the Carnatic music world.
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So the popular standup comedian Kapil Sharma has moved from TV to OTT. His comedy show with a new title The Great Indian Kapil Show is on Netflix. Will the gamble of moving to a new platform work for Kapil Sharma and his team? His entire gang is part of the new show save for his friends Chandan and Bharti Singh. But a big surprise was the return of Sunil Grover. Both friends had fallen apart. Sources say that Kapil Sharma has got a bigger budget but the script, going by the first episode featuring Ranbir Kapoor and his mother Neetu Kapoor, lacked the usual Kapil’s punch. Kapil, it is learnt, is wooing top stars like Aamir Khan to appear on his show. It will be the first time Aamir will be on a reality show. But trade experts say that Aamir may not have much impact as he is not known for one-liners or witty comments. It is a known fact that when his show was on Sony TV, he had a free hand but Netflix may have its own sets of rules and regulations as they are catering to a wider global audience. This may be one of the reasons that the first episode lacked the usual Kapil Sharma punch. Interestingly, the comedy space attracts high TRP and Kapil moving out, saw Sony TV launch a new show Madness Macheyenge: India Ko Hasayenge hosted by star Huma Qureshi. Now on air for over a month it seems like a dry laughter show; it lacks timing, punch and humour. The first week TRP was too low. Will this laughter show become a bitter medicine for the channel?
The election fever seems to have divided Tollywood over movie release dates. The next 60 days will see intense polling activities across West Bengal but some of the Tollywood producers-directors are not worried about it; they feel it will not affect the footfalls. The much-awaited Bengali film Mirza by Ankush Hazra of one of the top mainstream actors will stick to its pre-declared Eid release date of April 10. Ankush pointed out that the film gets 10 days before the first phase of the election which starts on April 19. He further added that the response to the film will be known in the first week itself hence polling will not affect the release. Echoing similar views, director duo Shiboprasad Mukherjee-Nandita Roy’s new venture Amar Boss which will see the comeback of veteran actress Raakhee Gulzar in Bengali after almost 20 years. Shibu is targeting the month of May for the release. The confident director mentioned that his previous releases such as Ramdhanu was released during 2014 polls and Kantha in 2019 elections and both were superhits hence he sees no reason to fear. National-award winning director Srijit Mukherji’s much awaited movie Padatik, a tribute to masterclass director Mrinal Sen on his birth centenary is slated to release on May 14. Producer Firdousul Hasan is unwilling to back down with the release date since maximum moviegoers are not workers from political parties. But some are not taking chances. Like Superstar Jeet, his movie Boomerang’s release has been pushed from May to June 7 release. Similarly, actor director Arna Mukhopadhyay’s movie Athoi has shifted the release from April to June.
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The news of Big B admitted to a city hospital went viral on WhatsApp and a news website of a TV channel and a news aggregator carried the story. In fact, Amitabh Bachchan called his health scare news, a fake. Nobody knows who started this rumour mongering but needless to say, it did worry people who are betting on Big B. If a star gets married or is hospitalised it does derail all the schedules leading to cost overruns. Mercifully everybody can relax. Eighty-one year old Bachchan is a complete workaholic and going by the IMDB report there are 14 films in the pipeline — some of them Aankhen 2 and Hasmukh Pighal Gaya are on hold. Meanwhile, he is busy shooting with south actors like Prabhas, Rajnikanth. With Deepika Padukone he is doing The Intern. It may be recalled that Amitabh Bachchan’s sign off note after the last season of KBC was looked at his exit from the show but then Sony Television quickly issued a statement that Bachchan is definitely going to be there in the next season—so to his millions fans and well-wishers Amitabh Bachchan is not going anywhere at least for now. You will see Big B on the small screen and on the big screen.
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In this election year not one but several films with political themes will hit the screens. Yami Gautam starrer Article 370, a real life story on abrogation of Article 370 seems to have created enough ripples to keep the cash register ringing. Now, ready to be released is Randeep Hooda’s Swatantra Veer Savarkar which could well be driving the BJP’s agenda and work-in-progress is The Sabarmati Report. Do these patriotic themes help filmmakers and politicians? Actually, patriotic films have been made off and on – Manoj ‘Bharat’ Kumar was a pioneer. But in recent times Vivek Agnihotri’s The Kashmir File created controversy that saw him making big money –Rs 350 crore. So did The Kerala Story which did well at box office. With audiences craving for more such movies, filmmakers are going full blast. Most of these films generate controversies which helps these films to create curiosity and the much-needed publicity. In March 2024, one will see almost 3-4 films based on the political subject released. Accident Or Controversy? Godhra, which was to release on 15th March has been postponed by a week or two. Swatantra Veer Savarkar is releasing on 22nd March and is already in news owing to its innovative marketing strategies. Bastar: The Naxal Story, another political drama, is releasing soon. Most of them will be released before elections are over. According to Girish Wankhede, Film Trade Expert, “Anything pertaining to the film’s issue can feed the much-needed controversy for these films which in turn will help them to generate eyeballs and eventually footfalls.” For the filmmakers it is a pure business decision; they may be or may not be aligned with the ruling party.
TRENDS & VIEWS
Editor’s Note: Short Post Is Here To Stay…
Time, they say, flies—and how true that is. Here we are celebrating our 5th Anniversary. Five years ago, when Covid-19 was wreaking havoc across the globe, I took a leap of faith and launched Short Post, India’s first website for Authentic Gossip. That was on January 31, 2021. I was convinced there was a clear gap in the market for gossip that was credible, sharp, and impactful—especially if told in just 250 words.
In this, I was fortunate. Scores of senior editors across diverse verticals bought into the idea and, in the process, gave wings to my dream. Quite honestly, Short Post could not have crossed these milestones without the unflinching support of its contributing editors. Like all start-ups, we have seen our share of ups and downs, but these editors have stood by us like a rock. I take this opportunity to doff my hat to them.
Thanks to their commitment, we have published close to 5,000 stories spanning politics, business, entertainment, and sports. I say this with pride: we made our mark as people who matter read us. “Small packs, big impact” truly captures the essence of Short Post.
We all know that Covid-19 has reset businesses worldwide, and the media sector is no exception. In the post-Covid era, investors have become more cautious and selective—and advertisers too. To compound matters, the entry of AI has disrupted the media landscape in equal measure. So far, we have managed to hold our ground, hopeful that some angel investors will take a shine to us.
What gives me confidence is this: AI cannot smell news—especially the gossipy kind. In other words, AI cannot churn out Short Post-type stories, no matter the prompt. That puts us in a safe zone. As someone rightly said, “AI is a co-pilot, not a pilot.”