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Developers in Mumbai owe pending rental dues worth over Rs 646 crore to slum dwellers whose houses have been taken up for redevelopment under the Slum Rehabilitation Authority (SRA) scheme. The pending rental dues had swelled upto Rs 1382.48 crore since 2022 of which the state helped recover Rs 735.67 crores till May, 2025. Defaulting on rents for slum dwellers of SRA projects has assumed such proportions that the government now insists developers deposit two years of rent in advance. The SRA also managed to get Rs 552 crore as advance rents from developers. In a bid to expedite stalled projects, the SRA has also served notices to 86 errant developers to facilitate their replacement and help these projects take off. About 1700 projects of SRA are currently ongoing in the city of Mumbai, out of which about 517 are stalled due to various reasons. In order to take such stalled projects off the ground, the Maharashtra government has also got government statutory bodies like the Maharashtra Housing and Area Development Authority (MHADA), Mumbai Metropolitan Regional Development Authority (MMRDA) and even the City Industrial Development Corporation (CIDCO) to intervene and get into the slum rehabilitation space. The Brihanmumbai Municipal Corporation (BMC) is also undertaking SRA in 64 of its own plots. Though the SRA was adjudged as the best performing department in the 100 days administrative reforms review by the Devendra Fadnavis government, activists are convinced that it continues to remain a developers’ domain.
There wasn’t much reaction in Telangana Congress when former cricketer Mohammed Azharuddin’s son, Asaduddin, also a cricketer, recently parachuted in and landed as a General Secretary of the Telangana Congress. A senior leader and a former MP dismissed the appointment as a non-event and routine. After a stint in cricket, Asaduddin expressed his desire to serve the public through politics, drawing inspiration from his father and Congress leader Rahul Gandhi. Describing his new role as a “big responsibility”, Asaduddin said he was committed to working for the party in line with its ideology. He praised Rahul Gandhi for fighting for the Congress’s values despite facing numerous challenges He also credited his father, who has been active in politics for over 15 years, as a major influence. Azharuddin, a former Lok Sabha MP from Moradabad, UP, contested and lost the 2023 Telangana Assembly elections from Jubilee Hills constituency. Asked why he quit cricket, Asaduddin remarked that a sports person’s career is short and timing plays a crucial role in success. Married to tennis star Sania Mirza’s sister, Anam Mirza, Asaduddin felt his time in cricket was over. In a post on X, Azharuddin wished his son and said he had seen his (Asaduddin) commitment to people, his passion for service, and his sincerity up close and hoped he would stay “grounded”. With his son’s debut in state politics, Azharuddin is now confident that he will once again be fielded for Jubilee Hills by-elections. He had lost the seat in 2023.
Having once been condemned by Sunil Gavaskar from the commentary box with a serial “Stupid. Stupid. Stupid” description, Rishabh Pant made the legend say “Superb,” three times in tribute to a century at Leeds. That was soon as he became the Indian wicket-keeper with most Test centuries (7) – not Dhoni (6), not Saha (3) nor any of the older greats. And he has kept this “all-rounder” status in his own unique way, rolling on his back not to collect stray wide balls from bowlers but to punt the ball over the ‘keeper’s head. And who else can conceptualise a virtual one-handed lofted shot to mid-wicket sailing beyond the ropes for a six to get to a century. After all, he is a batsman who opened his Test account with a six. Even Gavaskar, who has watched more cricket than many of the legends, may never have predicted such a fulfilling future for a plump youngster. And if he thanked God it may have been not only for the record-breaking century but also saving his life the night that he was involved in a car crash from which few gave him a good chance of survival. Maybe that is why Pant is determined not only to live every minute of a second chance at life but also enjoy it. Maybe, Pant has shown Sunil that despite all that madness that seizes him now and then while batting that he is perfectly capable of stringing together long Test innings. If there is one thing that has not left him may be a bit of spirited batting that in the eyes of critics may seem “Stupid.” Maybe, none will call him “stupid” again regardless of how adventurously he bats when the whim captures his mind.
Titagarh Rail Systems, one of India’s foremost manufacturers of rail wagons and coaches, is taking a strategic step to bolster its production capabilities through a new joint venture with Ramakrishna Forgings Ltd. The joint venture, named Ramkrishna Titagarh Rail Wheels Ltd, is setting up an advanced manufacturing facility in Gummidipoondi, located near Chennai. This state-of-the-art plant is designed to produce high-performance forged wheelsets, catering to the requirements of metros, freight wagons, and passenger railcars. The facility will have an annual production capacity of 220,000 wheels. As part of the venture, 80,000 of these wheels will be supplied to Indian Railways under a guaranteed offtake agreement, offering long-term business visibility. Each forged wheel is estimated to cost around Rs 1 lakh. The plant is expected to commence full-scale operations by Feb-Mar 2026.This initiative is crucial, especially after Titagarh faced a slowdown in wagon sales last fiscal due to a shortage of wheelsets from the Rail Wheel Factory. By building its own supply capability, the company aims to eliminate such supply chain disruptions in the future. With about 25% market share, Titagarh remains India’s largest freight wagon manufacturer, leveraging a vertically integrated model for operational resilience.
The name Prashant Tipirineni Nani may not stir recognition until you notice Nani. Oh yes, HIT: The Third Case or Hit 3 starring Nani in an electric turbo action role will immediately stir memories of that action thriller. Much talked about but given mixed reviews by critics. But redemption too…it is the third highest grosser Telugu film, collecting Rs 56 crore in 6 days of cinema run. The team of Nani, Srinidhi Shetty and Director Sailesh Kolanu were happy that HIT 3, third instalment in the series, had surpassed Nani’s earlier Hi Nanna, Saripodhaa Sanivaram and HIT 1 collection. But happiness and celebrations in this mercurial make-believe world of cinema is often short lived…ghosts from the past or ghosts who walk in due to bad Karma often wreck the party and the high of commercial success soon, nosedives. Allegations of story/plot plagiarism are hurled and more often than not, end up in court. Hit 3 has just been hit by allegations from Soniya Vimal (Vimalavalan) who has accused Nani of lifting most of her story, making a few changes here and there in the making of HIT 3. The writer is now demanding copyright compensation of 20% of the take. Vimal claims she had registered her story with the South Indian Film Writers Association in 2021, met with Nani and gave him an outline but got no response from the makers. After watching the first show, she could identify and record every spin of the story, her original. The only recourse was to go to the court. The Madras High Court has now posted the hearing for July 7.
For AAP chief Arvind Kejriwal winning MLAs in Gujarat by itself may not be a big deal; about half a dozen or so have won before. But none of the MLAs have stuck around. However, with AAP candidate Gopal Italia winning from Visavadar for the second time in a by-election, Kerjiwal has something to cheer about. In the backdrop of losing power in Delhi, AAP felt it had to make a song and dance about securing assembly seat in Gujarat by-election– where the BJP has been in power for 30 years –that too from a seat– Visavadar which the BJP has never won. In a post on X, Kejriwal bragged that his party won with nearly double the margin compared to the previous elections and claimed that “people of Punjab are very happy with the work of our government and have voted even more in favour of us than in 2022. The people of Gujarat are now fed up with the BJP and see hope in the AAP”. Italia shot to fame during the 2015 Patidar agitation in the state. The seat has been vacant since 2023 after the then AAP legislator Bhupendra Bhayani resigned and joined the BJP. BJP sources said Italia winning the seat wasn’t a surprise. Visavadar has been a traditional Congress seat. “BJP has never won from there. In 2012, Keshubhai Patel won from there as Parivartan Party candidate. Kesubhai later rejoined the BJP. Sources say more than Visavadar what is of significance for Gujarat politics is that BJP managed to win Kadi assembly seat, a reserved seat in Mehsana. BJP’s Rajendra Chavda won by a margin of over 39,000 votes in a triangular contest taking on both the Congress and the AAP.
Aamir Khan, hailed as one of Bollywood’s most bankable stars, has consistently pushed the boundaries of Indian cinema with his choice of diverse and thought-provoking roles. However, his latest film, Sitare Zameen Par, which garnered approximately Rs 10.70 crore on its opening day, raises critical questions about the viability of niche cinema in a commercial landscape dominated by mass appeal. While the film showcases Aamir’s commitment to storytelling that resonates with a more elite audience, its limited screen release and lack of mainstream entertainment elements have significantly hampered its box office potential. Unlike his contemporaries, Shah Rukh Khan and Salman Khan, who frequently deliver mass-centric blockbusters, Aamir’s foray into niche narratives may alienate the average moviegoer. The film’s intellectual depth and artistic merit, although commendable, do not cater to the broader audience base that thrives on high-octane entertainment and relatable themes. The expectation for Aamir Khan films to cross the Rs 100-crore mark within the first three days has become a benchmark of success in Bollywood. However, Sitare Zameen Par weekend collections appear to be around Rs35-40 crore, a figure that many industry insiders deem disappointing for a film featuring such a prominent star. This trend raises concerns about the sustainability of niche cinema in a market that increasingly favours commercial viability over artistic expression. As the film fraternity navigates this evolving landscape, it is imperative for stars like Aamir Khan to strike a balance between artistic integrity and audience engagement. While niche films have their place in cinema, the current climate suggests that a more mass-oriented approach may be necessary to foster the growth of Indian cinema as a whole.
Shubman Gill has settled the No 4 position for himself in the New India batting order in Test cricket. The moment he was named the captain of the Test team for the five Test series in England, the grapevine was rife with pros and cons of his batting at No 4 with the MRF sticker bat. Just like his predecessors Sachin Tendulkar and Virat Kohli who batted at No 4 and the lithe right-hander from Punjab confirmed it after the fall of debutant Sai Sudharsan at the stroke of lunch on the first day of the Headingley Test. Gill batted with a lot of assurance and compiled an elegant 227-ball 147 with 19 hits to the pickets and one six on the onside. For 12 minutes short of six hours, Gill looked the master playing behind and beside the line against the England fast bowlers. It was Gill’s first time undertaking at No 4 and he and those who helped him take that call would be more than satisfied with his effort. Gill may have thrown away a chance to convert his knock into a double and much more had he not taken the chance against the off break bowler Shoaib Bashir and offered a high catch to Joshua Tongue in the deep. When the going was good, Gill could have really cashed it on, but his departure (430/4) triggered an India collapse to 471. The pitch aided the home team seamers who were also able to swing the ball, and Gill stood up to the task after Yashasvi Jaiswal scored a lovely hundred opening the innings after being put into bat. A great knock from Gill, but a rush of blood heave spelt his doom.
Maharashtra’s Mahayuti alliance achieved a thumping majority in the assembly election late last year. One important factor that ensured such a handsome mandate was the Mahayuti’s ‘Laadki Bahin’(Beloved Sister) scheme. Under this, each applicant woman was paid a monthly dole of Rs 1500. Though there were certain conditions for a beneficiary to be eligible, there was no scrutiny. As a result, even female government officials and those paying income tax also took advantage of the scheme. Some others came in their own cars to receive the cheques. Now, a thorough scrutiny is underway and thousands of names have been dropped, some of them voluntarily by the beneficiaries concerned themselves. Considering the local body elections due in the state after the monsoon, deputy chief minister Eknath Shinde has declared that a scheme called, “Laadki Soon” (Beloved Daughter in Law) will be launched by the government. There is a reason for the necessity of such a measure despite tall claims that Maharashtra is a progressive state. Time and again, harrowing stories of torture for dowry of newly wed girls surface in the media. In certain cases, the unfortunate girls are either killed or commit suicide. A few such instances that shook the state’s conscience over the past two months are believed to have caused Shinde’s announcement, which will be implemented soon. Incidentally, it was Shinde as the state CM who had introduced the Laadki Bahin Yojana last year.
In terms of absolute growth, the country’s mutual fund industry has grown at a scorching pace. Its AUM has grown from Rs 21 lakh crore in 2017 to Rs 72 lakh crore in 2025, monthly SIP from Rs 4,000 crore to Rs 26,600 crore and investor’s count has grown five times — from 1 crore to 5 crore. Yet, the investor’s numbers is poor given the size of the population. This poor investor number indicates low awareness and thereby poor penetration level. Though the industry’s Sahi Hai campaign has transformed the space from a high-net-worth niche to a retail-driven engine, more needs to be done. At the 17th ICC Mutual Fund Summit, regulator SEBI has urged the industry to use digital tools for wider access. To help the MF industry, SEBI has undertaken a comprehensive review of the sector’s regulations to ease business operations and introduce flexible scheme design, and recategorize schemes. SEBI feels that innovation and strong governance must go hand in hand, and any missteps would invite regulatory action. Interestingly, AMFI has positioned financial well-being — not just access—as the next frontier. However, AMFI lamented the fact that even though 33% of household disposable income is saved, 66% goes into gold and real estate and only 34% into financial assets. And mutual funds form a small portion of this, though their share of bank deposit equivalents has risen from 10% to 32%. India’s AUM-to-GDP ratio stands at 20%, compared to 65% globally and over 100% in developed markets. To deepen penetration, AMFI is expanding financial literacy drives in various states. Despite 80% general literacy, financial literacy remains at only 27%. This is the gap AMFI aims to close.
Deepika Padukone has acquired significant sass after motherhood. Naturally when she has overtaken all female leads in Bollywood, is the brand ambassador to many snazzy brands and is now able to call the shots and crack the whip, she is a true Diva. Was she shown the door by Sandeep Vanga from the film Spirit or did she toss her regal mane and walk out? Now the buzz is she has walked out of Kalki 2 also? So, what are the reasons for this huff and puff? After the success of Jawan, it is rumoured Deepika has set the base remuneration of Rs 25 crore plus10 % share in profit, and working time restricted to 8 hours. Next…Spirit demanded some risqué scenes and she was not agreeable, so chose to walk out. And walked into SUN Pictures Pan World, under production …#AA 22xA6 (sounds like a rocket out of NASA) directed by Attlee. The lead is iconic star Allu Arjun, a name that has carpetbagged crazy global fans and dizzy fanfare after the twin Pushpas. This blend of mega scale, lead popularity and now Deepika’s electric presence is expected to bring big money to SUN and Kalanithi Maran, he of the gilded golden goose touch. One cannot but help ponder over the pole-vaulting success dynamics of stars …when a lead is unknown, an able director with a strong script and a production house that wagers big money on the project go all out for a hit film. Three or four such hits, the unknown turns Diva…the scales turn, equations spin upside down. This happens so often in cinema …the chronicler of fantasy. Till the next Deepika Padukone.
It couldn’t have come at a more inappropriate time than this. The day when the entire national media was riveted on the Parliament debates commemorating 75 years of Constitution of India and newly-elected Wayanad MP Priyanka Vadra Gandhi was making her debut speech in the House. For some odd reason the Telangana Police chose to arrest Telugu star Allu Arjun, protagonist in the Rs 1000-crore plus grosser Pushpa 2: The Rule. He was arrested in connection with the stampede incident at Hyderabad’s Sandhya Theatre, which resulted in the death of a woman. On December 4, a massive crowd gathered at Sandhya Theatre to see Allu Arjun, resulting in a tragic stampede. Revathi, a 39-year-old woman, died due to asphyxiation, and her 8-year-old son was hospitalised. While granting interim bail to Allu Arjun, the Telangana High Court affirmed Arjun’s right to life and liberty, stating that he cannot be deprived of these fundamental rights. While leaders cutting across the political spectrum came out in support of the actor, Telangana BJP leader and Union Minister Bandi Sanjay described the arrest of a National Award-winning actor as having been done to steal the spotlight. “Drama over delivery, diversion over governance — that’s the Telangana Congress government for you!” Arjun’s uncle and Andhra deputy CM Pawan Kalyan rushed to rally support for him. In the meanwhile, it will be interesting to see how Priyanka Vadra herself responds to the ham-handed manner CM Revanth Reddy handled the situation. He had after all managed to divert attention from her debut performance in the Lok Sabha to an avoidable law & order incident in Hyderabad.
Reel heroes don’t care about the media. That’s what came to light at the recent episode where a phone of a senior journalist was snatched by security personnel of actor Allu Arjun and no apology was offered either by the actor or his PR team. One has to wait and watch whether the journalist Vibha Kaul Bhat of ABP News will take the fight forward. More. Recently at the trailer launch of Kanguva, the bouncers of Tamil film’s popular star Suriya pushed the media who were waiting for the actor for over two hours. But, here one must say the actor had decency to apologise. Ranbir Kapoor now enjoys a good equation with the paparazzi but it may be recalled that the same actor in the past had snatched the camera of a paparazzi. A few years back Kangana Ranaut sent a legal notice to the Entertainment Journalists Guild of India and the Press Club of India for supporting PTI journalist Justin Rao. There are stories and stories about Dharmendra, Anupam Kher and other stars how they got into fights with journalists. In recent times Shah Rukh Khan was mightily upset with paparazzi for staking out his house when his son Aryan was arrested in connection with a drug-on-cruise case. Their overdrive saw King Khan carrying a green umbrella to hide his face making it difficult for paps to shoot him. During Ambani’s wedding the film fraternity went that extra length to pose for the paparazzi. Ironically, while the entire fraternity including Big B has had problems with paparazzi, Sanjay Dutt and Jackie Shroff have been their darling since the time they entered Bollywood. Time for other stars to learn their mantras.
The 55th edition of the International Film Festival of India (IFFI) held in Goa every year was bigger in scale and ambition. There were more venues for screenings. Besides Panjim there were places like Porvorim including beach screenings at Anjuna and Miramar. The 9-day celebration showcased over 200 films from 75 countries. But, the glamour quotient was missing. Telugu superstar Allu Arjun whose name was sent out by the media cell of the festival did not turn up instead asked his Pushpa 2 co-star Rashmika Mandanna to stand in for him. Although IFFI is about the convergence of cinema from all over the world, the perception is always made by the big Bollywood and international names attending. And this was not impressive. The only big names from Hollywood were Hugo Weaving and Chuck Russell who are no longer part of the mainstream cinema. Every year there are huge delegate queues waiting to watch films but that was missing this year, an indication that cinephiles are losing interest in the festival. A few complained that the booking app showed it was houseful but the reality was just the opposite. The Film Bazaar, the biggest marketplaces,a big attraction for young filmmakers and storytellers seems to have attracted less number of buyers — both Indians and foreigners. The Indian Express in its editorial said that various institutions “over the years, pumped in funds and energy into making the IFFI as prestigious as the Cannes Film Festival — as envisioned when Goa was selected as the festival’s permanent home in 2004. Yet, 20 years on, unlike its model on the French Riviera — whose selections and winners go on to dominate the international festival circuit and awards season — the IFFI is far from shaping global cinematic imaginations and sensibilities.”
Will Telugu sensation Allu Arjun do an encore? Pushpa 2 releases and the film trade is saying it will rewrite the box office history. It may be recalled that Pushpa: The Rise became a sensation and his mannerisms became very popular. It emerged as the highest-grossing Indian film in 2021 and ranked among the highest-grossing Telugu films of all time. The film also earned Arjun his first National Film Award. A clued-in trade analyst says that after KGF Chapter2 Allu Arjun’s Pushpa 2 will create the same type of buzz. Unlike RRR, this is a contemporary movie and more people can relate to it. Common man can relate to the character Pushpa, who rises from the bottom. It’s a masala story that’s bound to click. It is learnt that Allu Arjun is travelling all over to promote his film. His event at Patna has increased the curiosity amongst the audience in the Northern belt. The music of the film is already a big rage and the 42-year old star who has connect with the audience is definitely going to create a bigger market for his films and himself. Exhibitors like Girish Wankhede feel that the Hindi collection of Pushpa 2 is expected to be a major surprise. It has the potential to surpass the post COVID-era benchmark of Rs 66 crore on its opening day, with projections indicating that it could reach between Rs70-75 crore for its Hindi version. The total collections may exceed Rs 250 crore worldwide.
Tamil film’s well known director, 37-year old Arun Kumar (aka) Atlee has moved into the big league. His star trek which began in 2013 with Raja Rani got a leg up thanks to Thala Vijay. He directed Vijay in three superhits Theri, Mercel and Bigil. Like many super hits, Atlee guided his hits with more razzmatazz and gloss, a page taken from his mentor Shankar. Kollywood producers quickly realised that Atlee was building his own brand with way over budget films. Kalaipuli Thanu, a name to reckon in the Tamil Film Producers Guild cracked the whip…Tamil movies did not seek Atlee and when he tried to move to Telugu…he drew a blank. It seems Telugu and Hindi film producers are hard nuts to crack where finance is concerned. He has been lucky though. When Bollywood was down in the trenches and needed a hit badly to pull it out of the tailspin, Atlee delivered Jawan for SRK. Made on a Rs 370-crore budget, it raked in Rs 1200 crore. But Atlee was criticised for the way Jawan’s extravagance gnawed at the profits. Atlee has just made it known that his salary would now be Rs 100 crore plus profit sharing. Atlee announced his next movie with Allu Arjun. But call it destiny. The Andhra Pradesh government has changed and the new Czar Chandra Babu Naidu is unlikely to forget that Allu Arjun had campaigned for his rival Jagan Mohan Reddy. The latest buzz is that the prestigious project has been shelved. Allu is waiting for the release of Pushpa 2.
There was a time in the eighties when South Indian stars like Kamal Haasan, Rajnikanth tried their luck in Bollywood – they bought a house in Mumbai and learnt Hindi too. But, sadly they could not survive because of Bollywood politics; they were bullied and finally went back to Chennai. Maybe the producers were not willing to take risks because of their south Indian accent, skin tone and average height. But not anymore. Today, South stars like Ram Charan, NTR Jr, Allu Arjun are bigger than the Khans; their fan base is bigger than all the three khans put together. Most stars from the south are money making machines. Reacting to the way Shah Rukh Khan said “Idli Ram Charan” at Anant Ambani and Radhika Merchant pre-wedding celebration at Jamnagar, a Bollywood insider said, “Ram Charan does not dance to anybody’s tune and nobody dares address him the way Shah Rukh Khan did…” Ram’s associate Zeba found it insulting and expressed her displeasure by walking out. On the contrary, Ram Charan did not react negatively, he was cool. But the fans of Ram Charan have been trolling King Khan. Today, the tables have turned, south actors are not desperate to shift lock, stock and barrel to Mumbai. They are signing up films on their terms which is breaking records in the Hindi belt. Surely, SRK who is always politically right and measured in his talks must have said it in a lighter vein but this seems to have not gone well with South Indian audiences.
Malayalam star Dulquer Salmaan seems to have made quite an impression in the latest Telugu movie Sita Ramam, also dubbed in Hindi. Son of Malayalam super star Mammootty, this 36-year old actor who predominantly works in Malayalam, Tamil and Telugu movies is another star from the south who is expected to storm Bollywood with his next film Chup. The movie, an ode to Guru Dutt in which Dulquer plays the lead, is directed by R Balki. Dulquer is not a larger than life hero like Allu Arjun and Ram Charan but more of a romantic hero often seen in solo hero films which has won him appreciation. Dulquer is also like Prithviraj Sukumaran who is making sure that Malayalam film industry continues to make good cinema. Dulquer definitely has the potential to make a place for himself in Bollywood as his Hindi accent is much better than the big heroes of Telugu and Tamil film industry. His debut film in Hindi was Karwaan, a small budget film directed by Akarsh Khurana. Sita Ramam is definitely setting a trend of sleeper hit films. In the entertainment industry, sleeper hits are films or series that were not expected to do very well because of low budget, lack of promotion. But gradually the movie becomes a talking point, garners media attention which in turn increases its box office collections.
Rashmika Mandana who has acted in Telugu, Kannada and Tamil films is already a popular household name in North India thanks to all-time hit Pushpa. Known as Srivalli in the movie, Rashmika seems to be a favourite of the paparazzi because unlike some young Bollywood actresses she never disappoints them; ever ready to pose for them. This 26-year old star who entered Bollywood in 2022 with Goodbye has signed several interesting Hindi movies. She will be closely working with Amitabh Bachchan in a movie directed by Vikas Bahl. Besides, she has already been signed for Pushpa 2 with Allu Arjun and has been cast opposite Siddharth Malhotra in Mission Majnu. According to a trade pundit, Rashmika is one of the most sought after actresses in Bollywood and has a huge draw even before her first Hindi film hit the big screen. There is a dearth of talent in Bollywood and a south addition was much needed. Down south Rashmika is a big star and her romance with another heart-throb Vijay Deverakonda only added to her popularity. Rashmika is the same actress who was trolled for doing Macho innerwear ad film that featured Vicky Kaushal. Looks like trolling has turned to her advantage as she appears in one too many ad films. The other southern sirens who are on Bollywood producer’s hot lists are: Samantha and Nayanthara.
The Hindi language was a barrier for yesteryear superstars from down south like Kamal Haasan, Chiranjeevi, Venkatesh and Arvind Swamy; they did not gain a foothold in Bollywood. Some lost out because of south Indian looks and returned to doing regional films after acting in a few Hindi films. But, the new crop of popular stars are defying conventional wisdom. Allu Arjun, Rock Star Yash, and Prabhas have proved that you don’t really need to move lock, stock and barrel to Mumbai to make a mark in Bollywood. The movie can be dubbed or, simultaneously shot in two languages Telugu/Tamil and Hindi and it will fly. By doing so, they have crossed over virtually through their movies and have become mainstream heroes of Bollywood. Trade pundits feel although Bahubali restarted the trend of the return of the south stars, it was Pushpa that showed that language was no barrier to woo audiences; Allu Arjun literally took over the throne of cross-over from Prabhas. Now our very own indigenous Akira Kurusawa, SS Rajamouli, with RRR has introduced two more megastars to Bollywood — Ram Charan and Jr NTR, with the inconspicuous presence of Alia Bhatt and Ajay Devgn. Meanwhile, in an interesting development, Kannada superstar Rockstar Yash, Malayalam superstar Prithviraj and Karan Johar are working towards the amalgamation of Kollywood, Tollywood into Bollywood – a la Hollywood style.
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Editor’s Note: Short Post Noticed By People Who Matter
Four years have zipped by and we are crossing another milestone on 31st January 2025 – it’s our 4th Anniversary. It feels good.
Looking back at the 1460 days, I must say Short Post has made its mark with people who matter via 4000 stories published in the areas of politics, business, entertainment and sports. All made possible by the unflinching commitment and dedication of our senior editors, most of whom have been part of this journey from Day One.
Small pack, big impact is in essence the story of Short Post which was launched at the height of the Covid-19 pandemic in 2021. It shows our conviction. In all humility, I can say, we have created a new niche in the news segment space like Hindustan Unilever which created a new segment, when it launched CloseUp Gel.
Yes, we have created a brand (in a limited sense), created demand (readers) and created supply (senior journalists). But we are facing teething problems like all start-ups. What makes us happy and confident is the recognition of our efforts. For instance, we have an arrangement with the OPEN Magazine, part of the $4.5 billion Kolkata-based Sanjiv Goenka-RPG Group. This arrangement sees around 10 Short Post stories posted on OPEN Magazine website every week. This arrangement is testimony that our content has been well received! Also, I may add that the Maharashtra government has recognised Short Post and has allowed our senior editor to cover the Assembly sessions. Ditto: Odisha.
Our goal is to ensure that Short Post becomes a habit. I would like people to keep checking their smartphones to know the latest Authentic Gossip. As regards AI and the fear of it disrupting all businesses including media. On that, personally, I have no such fear as I am confident AI cannot smell news particularly Authentic Gossip. That’s the place we are well entrenched.