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ott
Is OTT The New TV Today?
Sony LIV built its reputation on originals that felt bigger than television. Scam 1992 turned Harshad Mehta into a national conversation. Rocket Boys gave Homi Bhabha and Vikram Sarabhai the prestige treatment. Maharani and a handful of other series suggested the platform could invent a new Indian drama grammar.; sharper, slower, more ambitious than the daily soap. For a few years that bet looked right. Then the music stopped. With capital tight, Sony LIV has slowed greenlighting of new web shows. Only a few proven franchises are still being nursed. The rest of the slate is being handed back to the old SET playbook: Kaun Banega Crorepati, a revived Crime Patrol fronted by Ajay Devgn, MasterChef, cricket, and regional non-fiction. The same company that once used streaming to escape linear TV is now using linear TV to rescue streaming. Platforms discovered that prestige series are expensive, hard to market, and easy to abandon after two seasons. What travels cheaper and farther is television’s familiar furniture: game shows, crime procedurals, talent formats, and soaps that already have an audience. That is why The Kapil Sharma Show still works as both Saturday night appointment viewing and clip culture. That is why India’s Got Latent, a roast-and-talent panel that looks like late-night television rebuilt for phones, could premiere on YouTube and Netflix at once and become one of 2026’s most-watched Indian titles. That is why Anupamaa and Taarak Mehta Ka Ooltah Chashmah keep ranking among the most-watched properties on OTT and why JioHotstar treats multiple Bigg Boss editions as core inventory. OTT did not kill television. It absorbed television’s formats, stars, and economics, then added pause and skip. The living-room screen is now a hybrid: KBC and Crime Patrol sitting next to whatever remains of Scam 1992. The platforms that last will be the ones that stop pretending those two worlds were ever separate.
Modi Xi Putin
Putin’s Push Brings Modi And Xi Together
Chinese President Xi Jinping’s India visit on Saturday (Sept 12) and his bilateral meeting with Prime Minister Narendra Modi acquired significance beyond the BRICS summit, coming at a time when Russian President Vladimir Putin has been actively pushing for a thaw between the two Asian powers. Putin’s private message to Modi had been unequivocal: India must move beyond the bitterness over Chinese incursions and anti-India posturing that had strained ties for the present, notwithstanding the personal equation Modi had painstakingly built with Putin over the years—first as Gujarat Chief Minister and subsequently as Prime Minister. The Russian President’s intervention assumes greater significance against the backdrop of Moscow’s own strategic calculations. With Russia seeking stronger relations with both India and China, Putin has an obvious interest in preventing the two major Asian powers from remaining locked in confrontation. There is also an intriguing economic dimension to this triangular relationship. Chinese shipping vessels have been deployed to carry Russian crude to India, underscoring how geopolitical compulsions can override the otherwise adversarial India-China relationship. For New Delhi, Russian energy remains strategically important; for Beijing, facilitating the movement of Russian crude to the Indian market demonstrates the complexities of its relationship with both Moscow and New Delhi. For Modi, however, forgiving Beijing is hardly a question of forgetting. The relationship carries the baggage of the border dispute and China’s incursions, even as economic and geopolitical realities demand engagement. Xi’s visit—the first to India in seven years—therefore provides an opportunity to reopen a channel that had effectively narrowed after the military tensions on the Line of Actual Control. For Putin, a Modi-Xi rapprochement strengthens the larger Eurasian equation. For Modi, it offers strategic space to engage Beijing without surrendering India’s position...
Adhikari and baba
Bengal’s Culture War: Can BJP Reconcile Hindutva With ‘Bangaliana’?
Four months into its first government in West Bengal, the BJP is confronting a political battle it may have expected to fight outside government — over what constitutes Bengali culture. The immediate flashpoint is Durga Puja, the state’s defining festival that featured prominently in the BJP’s electoral pitch around Bengali identity. The fault line has sharpened over attempts by sections of the hardline camp advocating vegetarian food during the five-day festivities. To add to this, the state government hosted self-styled godman Dhirendra Shastri aka Bageshwar Baba who has not only professed vegetarianism during Durga Puja, but also terming non-veg eating Bengalis as “pakhandi”. He was welcomed by chief minister Suvendu Adhikari and his Cabinet and a gala dinner was hosted for him. The ruling party had to address growing discontent over Baba’s  term as well as “food diktat”, arguing that such prescriptions run against the lived cultural practices of Bengal and risk turning “Bangaliana” into an electoral slogan rather than a political commitment. The CM has announced restrictions on DJs, liquor sales and road blockades, alongside financial assistance for smaller puja committees and plans for a major Mahalaya programme at Eden Gardens with Prime Minister Narendra Modi and Union Home Minister Amit Shah. The political optics have been complicated further by the government’s decision to discontinue the Durga Puja carnival on Kolkata’s Red Road, the brainchild of former CM Mamata Banerjee. The carnival had evolved into a major public spectacle, showcasing award-winning idols and puja committees. The irony is hard to miss. In 2021, UNESCO recognised Durga Puja in Kolkata as an intangible cultural heritage. For BJP that campaigned on reclaiming Bengal’s cultural identity, the question is no longer merely who controls Durga Puja — but who gets to define Bengal.
parambir vasundhara
BMC Wakes Up To Parambir Singh’s JVPD Legacy — But Won’t Say Why
Maharashtra’s most controversial former police commissioner, Parambir Singh, has done it again — and again. But this time, karma appears to have caught up with one of the controversial legacies of his policing years. The BMC, now administered by the BJP with Maharashtra CM Devendra Fadnavis mandating an end to ‘corruption raj’ witnessed under erstwhile Uddhav Thackeray, issued a demolition notice two months ago to Vasundhara Cooperative Housing Society in Mumbai’s plush JVPD Scheme for its 10th, 11th and 12th floors, bringing back into focus the controversial 2008 episode surrounding the property. The Vasundhara saga had its origins in a plot earmarked for police housing. Instead of potentially accommodating around 250 policemen’s families, the project reportedly benefited just 36 IPS officers, including a CBI official. The reported deal — around 3,000 sq ft flats for merely Rs 25 lakh — looks particularly startling against the lakhs of rupees per square foot commanded by property in the JVPD neighbourhood. Now, another high-profile property has landed on the BMC’s demolition radar. Kutch Terrace, owned by Mrs Rohini Devi Jadeja (who resides in the first three floors), a princess from Gujarat’s Kutch region, has been served a notice covering four allegedly illegal floors — the 10th through the 13th. But the real question is not merely why these floors were allowed to come up. It is why the civic administration is suddenly reluctant to talk about them. Ward officer Chakrapani Alle directed Short Post to Building Proposals Department officer Sachin Ghevde. Ghevde confirmed the notices and promised further details. Thereafter, however, calls and messages went unanswered. Additional Municipal Commissioner Vipin Sharma has similarly maintained radio silence despite repeated efforts of due diligence. Chakrapani too is suddenly silent. Why is the BMC officialdom holding back on details related to these high-profile societies?
akshay kumar
Akshay Kumar Has Lost His Audience, ‘Haiwaan’ Is The Receipt
A star of Akshay Kumar’s scale does not lose the mass belt overnight. He leaks it, film by film, until the opening weekend no longer answers to his name. That is the story Haiwaan told on 11 September 2026: a Priyadarshan remake of the Malayalam film Oppam, pairing Akshay with Saif Ali Khan after 18 years, and still opening in the Rs 3.5 crore net zone, one of the weakest Day 1s of the year for two frontline faces. The peak years of 2007 to 2012 were built on rhythm and hunger: big openings as habit, not accident. Then came Action Replayy, Joker, Thank You and the first break with the mass circuit. The 2015 to 2020 revival was real, but it was also the phase of Padman-style “message” cinema that never fully reset the mass contract. Post-Covid, the pattern hardened: remakes and niche bets; Atrangi Re, Cuttputlli, Selfiee, Raksha Bandhan, Mission Raniganj, Sarfira, Khel Khel Mein, and now Haiwaan. Reviews called it stretched, illogical, a frame-to-frame lift that wasted both stars. The trailer had already written the box-office line. Originals that clicked were OMG 2 and Sooryavanshi, and the ensemble franchise lift of Welcome to the Jungle, prove the audience is not dead. What is dead is the solo pull. Ajay Devgn corrected course and started serving fans across genres. Akshay is still signing the same mistake: low-effort remakes, thin promotion, no visible hunger, not even the extra craft a villain role like Parshuram in Haiwaan demanded. He is working. He is not fighting. Haiwaan is not one bad Friday. It is the question the trade has been postponing: is the mass area still his, or is the star now over-exposed as a reliable loss-maker between two clicks? Until that check is honest, the openings will keep answering for him.

TRENDS & VIEWS

Editor’s Note: Short Post Is Here To Stay…

Time, they say, flies—and how true that is. Here we are celebrating our 5th Anniversary. Five years ago, when Covid-19 was wreaking havoc across the globe, I took a leap of faith and launched Short Post, India’s first website for Authentic Gossip. That was on January 31, 2021. I was convinced there was a clear gap in the market for gossip that was credible, sharp, and impactful—especially if told in just 250 words.

In this, I was fortunate. Scores of senior editors across diverse verticals bought into the idea and, in the process, gave wings to my dream. Quite honestly, Short Post could not have crossed these milestones without the unflinching support of its contributing editors. Like all start-ups, we have seen our share of ups and downs, but these editors have stood by us like a rock. I take this opportunity to doff my hat to them.

Thanks to their commitment, we have published close to 5,000 stories spanning politics, business, entertainment, and sports. I say this with pride: we made our mark as people who matter read us. “Small packs, big impact” truly captures the essence of Short Post.

We all know that Covid-19 has reset businesses worldwide, and the media sector is no exception. In the post-Covid era, investors have become more cautious and selective—and advertisers too. To compound matters, the entry of AI has disrupted the media landscape in equal measure. So far, we have managed to hold our ground, hopeful that some angel investors will take a shine to us.

What gives me confidence is this: AI cannot smell news—especially the gossipy kind. In other words, AI cannot churn out Short Post-type stories, no matter the prompt. That puts us in a safe zone. As someone rightly said, “AI is a co-pilot, not a pilot.”