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TUKARAM MUNDHE
Jai Tukaram (Mundhe) Chant At Mumbai Press Club!
Tukaram Mundhe, the man to respect these days, came, saw, and conquered a packed audience on the Terrace of the Mumbai Press Club at Azad Maidan on Wednesday (Aug 26) afternoon.  It was quite unusual of the Chairman of the Press Club, S Balakrishnan, to prod the Fourth Estate members to give a round of applause, which they are not trained for, to the Maharashtra Food and Drug Administration Commissioner. The chairman, who was sweating a quarter of an hour before the scheduled start of the interactive session because of the lack of head count, stoked Mundhe’s ego by saying that in the last few months he had crashed through the popularity chart of cinema superstars, including Amitabh Bachchan. The true-blue journalist clapped hard and long before Mundhe said he is not a celebrity and was only doing a job expected of him as the chief boss of FDA, Maharashtra. He proceeded to educate the curious journalists on the nitty-gritty of the FDA Commissioner’s duties, which have been discussed at national conferences for FDA departments across the country, and that violations in Maharashtra in particular dominated the chatter a couple of years ago. Mundhe, who was asked over one hundred questions, said reading is his hobby and that he would like to go trekking in the Himalayas, time permitting. Mundhe 51, cleared the IAS in 2005 and has been tossed about across the State like a yo-yo over 20 times. He doesn’t discriminate between the haves — the rich and the mighty and have-nots! He was game to field all questions, although he was initially told that his first visit to the watering hole of journalists in Mumbai was only for a chit-chat sort of. The journalists were pleased as punch; a lady even described him as her hero!  
TAAPSEE PANNU
Copyright Storm Hits Netflix’s ‘Gandhari’ As Plagiarism Allegations Mount
Days before its Netflix premiere, Taapsee Pannu’s Gandhari has exploded into one of the sharpest copyright storms in recent OTT history, and this does not feel like manufactured noise. It feels like a serious allegation that refuses to die. Writer Kalyan Bandi, an IIT Madras alumnus and government inspector, claims he wrote, registered, and pitched a story titled Gandhari as far back as 2019. His concept: a mother who transforms into a fierce, almost divine force while battling a child-trafficking racket. He says he shared the material with Monika Shergill who was then at Voot and now a senior Netflix executive. He registered the treatment with the Screenwriters Association. When Netflix announced Gandhari, written and produced by Kanika Dhillon, with an eerily similar core, Bandi sent a formal legal notice seeking credit and compensation. He has repeatedly said money is secondary; what he wants is acknowledgement that the idea was his. A second writer, Raghav Desai, has also claimed he pitched a near-identical Mahabharata-inspired mother-revenge narrative to the makers in 2024. Two independent claims. Same title. Same emotional spine. Same platform. Kathha Pictures and Kanika Dhillon have issued firm denials, calling the film an original work and the allegations “false and unverified.” Netflix has stated the earlier pitch was “very different.” Yet the optics remain damaging: a registered story, documented outreach to a future Netflix executive, and a high-profile film that lands with the exact same title and thematic DNA. In an industry where ideas routinely circulate without protection, this case cuts deeper. Copyright clarity is rarely black-and-white, but registration, written pitches, and legal notices raise legitimate questions that cannot be dismissed as mere publicity hunger. Whether the film ultimately clears the legal and ethical cloud remains to be seen, but the allegation itself is no longer easy to ignore.

TRENDS & VIEWS

Editor’s Note: Short Post Is Here To Stay…

Time, they say, flies—and how true that is. Here we are celebrating our 5th Anniversary. Five years ago, when Covid-19 was wreaking havoc across the globe, I took a leap of faith and launched Short Post, India’s first website for Authentic Gossip. That was on January 31, 2021. I was convinced there was a clear gap in the market for gossip that was credible, sharp, and impactful—especially if told in just 250 words.

In this, I was fortunate. Scores of senior editors across diverse verticals bought into the idea and, in the process, gave wings to my dream. Quite honestly, Short Post could not have crossed these milestones without the unflinching support of its contributing editors. Like all start-ups, we have seen our share of ups and downs, but these editors have stood by us like a rock. I take this opportunity to doff my hat to them.

Thanks to their commitment, we have published close to 5,000 stories spanning politics, business, entertainment, and sports. I say this with pride: we made our mark as people who matter read us. “Small packs, big impact” truly captures the essence of Short Post.

We all know that Covid-19 has reset businesses worldwide, and the media sector is no exception. In the post-Covid era, investors have become more cautious and selective—and advertisers too. To compound matters, the entry of AI has disrupted the media landscape in equal measure. So far, we have managed to hold our ground, hopeful that some angel investors will take a shine to us.

What gives me confidence is this: AI cannot smell news—especially the gossipy kind. In other words, AI cannot churn out Short Post-type stories, no matter the prompt. That puts us in a safe zone. As someone rightly said, “AI is a co-pilot, not a pilot.”