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Federation Tightens Grip In Tollywood Forcing Directors To Move The Court
As the rift between the new-age directors of Tollywood and the Federation of Cine Technicians and Workers of Eastern India deepens, the Directors’ Association of Eastern India (DAEI) has been abruptly dissolved and replaced by the East India Motion Pictures Directors’ Association (EIMPDA), the older organisation, which has now been reinstated as the officially recognised directors’ guild by the Federation. This development unfolded swiftly after a video statement released on April 30 by directors Parambrata Chattopadhyay, Anirban Bhattacharya, Sudeshna Roy, Indranil Roychowdhury, Bidula Bhattacharya, and Kingshuk Dey, who addressed the ongoing year-long conflict between DAEI and the Federation which has also resulted in a legal battle. They emphasised their continued support for technicians and denied any divide between directors and technical crew. Recently the Federation president Swaroop Biswas, a Trinamool leader and brother of cabinet minister Aroop Biswas, conducted a closed-door meeting, excluding all DAEI representatives. Besides this, all mentions of DAEI, including names of its president Subrata Sen and secretary Sudeshna Roy have been removed from the social media handles of the Federation. Not only this, the internal communication of the organisation’s WhatsApp group was also restricted, allowing only the Federation president to post messages, effectively silencing all other guild representatives. Subrata Sen, however, acknowledged the developments, stating that DAEI remains a legal member of the Federation under West Bengal labour laws. He accused certain forces of attempting to create a rift between directors and technicians and confirmed that a legal case has been filed in the High Court. Meanwhile, Federation treasurer Shubham Das described the Federation meeting as a united front against harmful elements and declared the industry’s collective intent to ensure smooth operations. 
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Face Off In Tollywood: Directors’ Guild Vs Cinema Technician Workers
The Bengali film industry is seeing a faceoff between the Directors’ Guild and the Federation of Cinema Technician Workers of Eastern India (FCTWEA) leading to political interventions to resolve the issue. The trigger was a 3-month shooting ban on Tollywood director Rahool Mukherjee for commencing shoot without requisite permissions from Directors’ Guild and FCTWEA. Notably, FCTWEA is led by Swaroop Biswas, the brother of Trinamool Congress minister Aroop Biswas. The situation has intensified with several high-profile Tollywood figures speaking out against the ban. Directors Parambrata Chattopadhyay, Kamaleshwar Mukhopadhyay, and Kaushik Ganguly, along with TMC MLA and director Raj Chakraborty, and actor-turned-MP Dev, have condemned the restriction. On July 26, the Directors’ Guild gave green signal to Mukherjee to start shooting of his film starring Prosenjit Chatterjee and Anirban Bhattacharya. However, FCTWEA refused to lift the ban and permitted Mukherjee only to serve as a creative director. This decision led to a fiasco on July 27 when several technicians failed to show up for the scheduled shoot. Prosenjit pointed out that such a situation is detrimental for the Bengali film industry. Dev expressed strong disapproval of the Federation’s stance, while Parambrata Chattopadhyay accused Federation officials of leveraging their position to impose their own crew members, despite having sufficient staff already in place. The issue has stirred concerns about the influence of political figures on the film industry, with allegations of muscle-flexing by the Federation at the behest of Minister Aroop Biswas’s family. Director Rahool Mukherjee is keen that the whole situation is resolved amicably in the interest of Tollywood. Will the West Bengal chief minister Mamata Banerjee who enjoys a cordial relationship with Tollywood personalities intervene and resolve the conflict? 
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Tollywood Gets New Genre Actor-Turned-Producers
The growing trend of Bengali Tollywood is that several actors turn producers in order to compete with the OTT creative works that have gained immense popularity post Covid pandemic. From superstar Prosenjit Chatterjee, Jeet, Dev to parallel actors Parambrata Chattopadhyay, starlet duo Bonny Sengupta and Koushani Mukherjee and several others have started their own production houses. Majority of the actor-turned-producers have pointed out that their production ventures are mainly to explore themselves as actors in varied subjects and roles. According to Jeet, Grassroot Entertainment’ and Jeetz Filmworks focus mainly on commercial blockbusters with Jeet in the lead. It can be recalled that after establishing himself as a heartthrob of Bengali movies Dev set up his own production, Dev Entertainment Ventures which has produced Projapati, Tonic, Kishmish, Bagha Jatin and Durgo Rahasya. As Dev points out, it is important to do good content and establish oneself as an actor after having a good stint as a hero. However, Parambrata identifies that content is the only thing that matters to him the most. This cerebral actor established his first production house Workshop Productions in 2011 along with colleague actor Rudranil Ghosh but had to close it down. Now, with directors Aritra Sen and Supriyo Sen he has started Roadshow Films. Veteran Actor Prosenjit’s production house, NIDEAS Creations and Productions is giving opportunities to newcomers while Bonny and Koushani had to launch BK Entertainments only to break free from being typecast in romantic movies. 

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Editor’s Note: Short Post Is Here To Stay…

Time, they say, flies—and how true that is. Here we are celebrating our 5th Anniversary. Five years ago, when Covid-19 was wreaking havoc across the globe, I took a leap of faith and launched Short Post, India’s first website for Authentic Gossip. That was on January 31, 2021. I was convinced there was a clear gap in the market for gossip that was credible, sharp, and impactful—especially if told in just 250 words.

In this, I was fortunate. Scores of senior editors across diverse verticals bought into the idea and, in the process, gave wings to my dream. Quite honestly, Short Post could not have crossed these milestones without the unflinching support of its contributing editors. Like all start-ups, we have seen our share of ups and downs, but these editors have stood by us like a rock. I take this opportunity to doff my hat to them.

Thanks to their commitment, we have published close to 5,000 stories spanning politics, business, entertainment, and sports. I say this with pride: we made our mark as people who matter read us. “Small packs, big impact” truly captures the essence of Short Post.

We all know that Covid-19 has reset businesses worldwide, and the media sector is no exception. In the post-Covid era, investors have become more cautious and selective—and advertisers too. To compound matters, the entry of AI has disrupted the media landscape in equal measure. So far, we have managed to hold our ground, hopeful that some angel investors will take a shine to us.

What gives me confidence is this: AI cannot smell news—especially the gossipy kind. In other words, AI cannot churn out Short Post-type stories, no matter the prompt. That puts us in a safe zone. As someone rightly said, “AI is a co-pilot, not a pilot.”