Vishal Bhardwaj and Shahid Kapoor’s collaboration has been a beacon of artistic excellence in Bollywood, yet it consistently grapples with commercial underperformance. Their partnership began with the 2009 caper thriller Kaminey, a film that blended dark humour, gritty realism, and memorable music like the chart-topping Dhan Te Nan. It achieved moderate box office success, grossing around Rs 71 crore worldwide against Rs 35 crore budget, but its niche appeal limited broader mass acceptance. Bhardwaj’s signature style; complex narratives inspired by Shakespeare or real-life grit, often prioritizes intellectual depth over crowd-pleasing masala elements. This pattern persisted in Haider (2014), a haunting adaptation of Hamlet set against Kashmir’s turmoil. Critically acclaimed and award-winning, it earned Rs 70 crore in India on a Rs 24 crore budget. Rangoon (2017), their third outing, was a visual spectacle of wartime romance, yet it bombed spectacularly, collecting just Rs 38 crore against Rs 60 crore budget. Bhardwaj’s films are classy and intellectual, not “mainstream” blockbusters; they demand viewer engagement rather than passive entertainment, resulting in polarized reception. Shahid Kapoor’s choices often lean toward challenging roles, but recent ventures like Deva (2025), underscored this– earning a mere Rs 51.73 crore worldwide on a Rs 50 crore budget, deemed a flop due to weak openings and mixed reviews. Enter O’Romeo (2026), their fourth venture, an action thriller rooted in Mumbai’s underworld, releasing on February 13. Despite a stellar cast including Triptii Dimri and songs like Ishq Ka Fever and Aashiqon Ki Colony, the buzz remains subdued. The film lacks the “high-voltage drama” or explosive marketing hype of mass entertainers. Ultimately, this duo’s inability to deliver consistent hits stems from Bollywood’s long debate of art versus commerce. O’Romeo could break the cycle if word-of-mouth ignites, but without amplified excitement, it risks joining their classy yet underperforming legacy.

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