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NETFLIX
How Netflix Discarded The Woman Who Built Its Global Empire
In a move that has stunned Hollywood, Netflix has removed Bela Bajaria, the Indian-origin executive widely credited with transforming the streamer into a true global powerhouse. After nearly a decade of championing international stories, expanding unscripted programming, live events and sports, and turning local-language hits into worldwide sensations, Bajaria learned she was being replaced while still helping the company execute major layoffs. Reports describe a chilling sequence. According to multiple outlets, Bajaria spent much of October 14 conducting painful staff cuts and reassuring anxious employees during a restructuring that eliminated roughly 1,000 jobs. Unaware of her own fate, she approached co-CEO Ted Sarandos later that evening, only to be told she was out. Sources claim she had been reassured weeks earlier that her position was secure. Instead, she was blindsided hours before a VIP screening, with her successor, former Disney and Fox executive Peter Rice, already lined up. The timing is brutal. Netflix faces slowing engagement, pressure to deliver the next cultural phenomenon, and a sharp drop in its share price amid a failed Warner Bros. Discovery bid. Industry whispers suggest someone had to “pay for the rough patch” and Bajaria, despite public thanks from Sarandos for a “decade of dedication, innovation, creativity and leadership” became the high-profile casualty. This is the dark side of modern streaming: the executive who helped Netflix think beyond Hollywood and embrace accessible yet ambitious content can still be discarded overnight when Wall Street demands a reset. Rice inherits the empire she helped construct, while the woman who expanded Netflix’s ambitions processes an exit that unfolded while she was still managing the company’s crisis. Even the architects of success are not immune to the machine they built.
JAILOR 2
Why You Can’t See ‘Jailor 2’ In PVR INOX And Cinepolis
Jailor 2, the Rajinikanth sequel released worldwide on 15 October 2026, is largely absent from major multiplex chains such as EnPVR INOX and Cinepolis in North India. The reason is a clear standoff over the theatrical-to-OTT window.  Sun Pictures, led by Kalanithi Maran, signed an OTT deal (reportedly with Amazon Prime Video worth around Rs 160 crore) that places all language versions of the film on streaming platforms after only a four-week theatrical run. Major multiplex chains, however, insist on a minimum eight-week exclusive theatrical window for Hindi-market releases to protect cinema revenues. They have extended this stance more broadly and refused to screen the film when the producers stuck to the shorter window.  As a result, Jailor 2 is mainly available on single screens and some smaller or non-national multiplexes in the North, not in the big national chains. The makers and North India distributor Pen Marudhar Entertainment confirmed that a Hindi theatrical release was still happening on the same date, but this does not include PVR INOX or Cinepolis. Post-release trade reports confirmed that the chains stayed out. A separate local dispute in the Salem area of Tamil Nadu saw multiplexes skip the film over a high revenue-share demand (reportedly 70%), but the national multiplex absence is driven by the OTT window conflict. In short, the producers prioritised a larger and faster OTT deal over the longer theatrical exclusivity that multiplexes require, leading the big chains to opt out.

TRENDS & VIEWS

Editor’s Note: Short Post Is Here To Stay…

Time, they say, flies—and how true that is. Here we are celebrating our 5th Anniversary. Five years ago, when Covid-19 was wreaking havoc across the globe, I took a leap of faith and launched Short Post, India’s first website for Authentic Gossip. That was on January 31, 2021. I was convinced there was a clear gap in the market for gossip that was credible, sharp, and impactful—especially if told in just 250 words.

In this, I was fortunate. Scores of senior editors across diverse verticals bought into the idea and, in the process, gave wings to my dream. Quite honestly, Short Post could not have crossed these milestones without the unflinching support of its contributing editors. Like all start-ups, we have seen our share of ups and downs, but these editors have stood by us like a rock. I take this opportunity to doff my hat to them.

Thanks to their commitment, we have published close to 5,000 stories spanning politics, business, entertainment, and sports. I say this with pride: we made our mark as people who matter read us. “Small packs, big impact” truly captures the essence of Short Post.

We all know that Covid-19 has reset businesses worldwide, and the media sector is no exception. In the post-Covid era, investors have become more cautious and selective—and advertisers too. To compound matters, the entry of AI has disrupted the media landscape in equal measure. So far, we have managed to hold our ground, hopeful that some angel investors will take a shine to us.

What gives me confidence is this: AI cannot smell news—especially the gossipy kind. In other words, AI cannot churn out Short Post-type stories, no matter the prompt. That puts us in a safe zone. As someone rightly said, “AI is a co-pilot, not a pilot.”