All
Politics
Business
Entertainment
Sports
Celebrities
Inasmuch as one would like to pat the selection committee for facilitating Indian cricket skip a few steps ahead by naming Shubman Gill as captain of the men in blue one-day international team, the committee refused to state its position on the status of Virat Kohli and Rohit Sharma vis-a-vis their selection for the 2027 World Cup. Ajit Agarkar was right in saying that that October 2025 is not the right time to take an affirmative call for an event that’s going to happen in October-November 2027. Surely Agarkar and his committee could no way have “blocked” Virat and Rohit’s seats well in advance to leave the other contenders short-changed. The selection committee may or may not remain the same after next year’s BCCI AGM but a matter of vital importance is whether Virat and Rohit would continue to be picked for all one-day internationals — in all 21 ODIs after the three-match series in Australia. India is scheduled to play South Africa, New Zealand, Afghanistan, West Indies and Sri Lanka (all a three match series at home till November 2026 and England and New Zealand, all a three-match away series) and indeed by end of 2026, a few more cricketers would be pressing hard for a place in the one-day team for the World Cup. India’s Test team will be occupied with a five-Test series at home in January-February 2027 before the scheduled WTC final in London, after which the focus will be on a round of a 50 over matches/tournaments. The million $ question is whether the selection committee and head coach Gautam Gambhir will allow the Virat-Rohit thorn to be in their flesh for that long.
After successfully pushing through GST-2 reforms, PM Modi had been looking for innovative ideas for governance. It was this search for ideas to further fuel his Viksit Bharat that led to him to interact with about 85 secretary-level officers of the government on October 6. About two dozen secretary-level officers heading various ministries and departments actively participated in the discussions. It is learnt officers were thrilled with the personal interaction they had with the PM. Three days after the meeting, Cabinet Secretary TV Somanathan was already acting on their suggestions. On October 9, he wrote to the secretaries and asked them to roll out their ideas. Among the key points of action was promoting “indigenous development” of digital and social media platforms. The directive on digital platforms is significant as the number of internet subscribers in India as on March 2025 stood at 969.1 million, with most using foreign platforms like Instagram, Facebook, WhatsApp, YouTube and X. Significantly, PM Modi pushed for use of local platforms coinciding with the launch of Arattai, the messaging app developed by Tamil Nadu-based Zoho Corporation. Earlier, IT Minister Ashwini Vaishnaw posted on X that he was switching to Zoho’s homegrown office suite software. Likewise, Home Minister Amit Shah too switched his official email service to Zoho Mail. In his letter, the Cabinet Secretary had also dissuaded ministries/departments from avoidable litigation and filing unnecessary court cases and wasting resources. Officials were also told to reorient PhD programmes to promote innovation and development of new ideas, and technologies, through topics that fit the emerging needs of the country – and conceptualise awards at the international level to recognise excellence in various fields. Overall, the ministries have been asked to promote “Atmanirbharta” and reduce imports.
In the last 14 India-West Indies Tests there were 25 centuries and all but two of them were by Indian batsmen. Making hundreds against the West Indies has become almost routine but the remarkable feature is that the Indian youth brigade is coming regularly to the party these days. Shubman Gill, just 26, who made his fifth Test century in just 12th innings as captain, was only a few innings behind Alastair Cook (9) and Sunil Gavaskar (10) in recording the feat. Even Sir Donald Bradman took 13 innings to make that fifth hundred as captain of Australia. Having also assumed responsibility as captain on the tour of England, Gill has five hundreds in the calendar year in his 10 Test centuries overall as he emulates Virat Kohli in making merry when hitting a purple patch of batting form. Pushing him hard in making Test centuries is the opener Yashasvi Jaiswal whose hunger for runs has become a lot more famous than his satiating his physical hunger by helping out at a Pani Puri stall outside the tented ground that was his home in Mumbai. The anger he showed in seeing his captain turn his back on him as he sought a quick single when in his 170s is evidence of how run-hungry Jaiswal is. Not yet 24, he joins South African Graeme smith as a quick collector of seven Test centuries as opener. Run making may get more difficult when Team India plays tougher opposition like South Africa in a home series, but the fact remains that there is a youth brigade that is making India proud again since the halcyon days of Gavaskar in 1971 when the breakthrough victory came in the Caribbean.
In a watershed year for Indian cinema, Kannada and Malayalam industries are leading the charge with blockbuster epics that blend cultural depth with universal spectacle. Rishab Shetty’s Kantara: Chapter 1 has shattered records, amassing Rs 500 crore worldwide, fuelled by its raw portrayal of Karnataka’s ‘Bhoota Kola’ rituals and environmental folklore. Shetty’s dual role as the fierce Panjara— a forest guardian clashing with modernity—delivers visceral action and spiritual resonance, backed by immersive folk music and stunning Udupi landscapes. The film’s grassroots appeal exploded through dubbed versions in Hindi, Tamil, and Telugu, turning rural myths into pan-Indian anthems and earning global acclaim at festivals like Busan. Hot on its heels, Malayalam’s Lokah Chapter 1: Chandra released on August 20, 2025, surged past Rs 300 crore in just six weeks, heralding a superhero saga rooted in Kerala’s matrilineal heritage. Director Dominic Arun masterfully fuses high-octane VFX with emotional intimacy, as producer Dulquer Salmaan crafts a universe where heroine Chandra (Kalyani Priyadarshan) wields ancestral powers against cosmic threats. Priyadarshan’s nuanced turn — from vulnerable orphan to empowered icon — fills a void in female-led genre tales, while spicy dialogue controversies sparked viral debates, boosting theatre footfalls. Salmaan’s bold vision promises spin-offs, blending local lore with Marvel-esque flair. This duo’s dominance underscores a broader renaissance: Gujarati’s Chhello Show 2 breached Rs 100 crore with its heartfelt immigrant saga; Marathi’s Dashaavtar hit Rs 50 crore via satirical family dramedy; and Tamil’s Coolie topped Rs 250 crore in labour-rights thriller mode. Smart OTT tie-ups, dubbed releases, and culturally authentic narratives propel these beyond regional silos, outshining Hindi’s faltering Param Sundari and Sunny Sankari ki Tulsi Kumari. As indigenous voices claim centre stage, Indian cinema evolves into a vibrant mosaic....
IndiGo seems to have cracked it. Their experiment to introduce direct flights between Manchester and Mumbai on July 1, seems to have more than enough takers. Emboldened by such a good response the airline has chalked up plans to add one more destination, Mumbai-London from October 26, making it the 45th destination. IndiGo has direct flights to Manchester and Amsterdam from Mumbai, and now it will be in direct competition with the established British Airways, Virgin Atlantic, and Air India. IndiGo continues its code-sharing as a partner carrier with some European and Middle Eastern airlines. The tremendous traffic growth — both business and regular travellers, the latest signing of the Free Trade Agreement between India and the UK, surge in India–UK activities on all fronts, including culture, has prompted IndiGo to offer this direct service, say aviation insiders. IndiGo will provide a trendy, competitive lower price at Rs 22,000 upwards for return tickets. IndiGo aims to attract budget travellers on its long-haul service. In addition to direct flights between Mumbai-London, it will also commence direct flights between Manchester-Delhi from November 15. It will certainly be good tidings to the residents of Delhi, north India, Gujarat, and Central India. with the vast network it operates from Delhi, being its headquarters. Mumbai serves as a hub for western India pockets. It is contemplating increasing its 3-day a week frequency to its current Tuesday-Thursday-Saturday schedule between Manchester to Mumbai, thus probably making a service of 9 flights freely in a week from Manchester.
Recruitment scam seems to be the new normal. Now, the state of Odisha is rocked by the Sub-Inspector Recruitment Scam. The Opposition parties, BJD and Congress, have been staging demonstrations against the ruling BJP government demanding a CBI probe into the alleged irregularities in Combined Police Service Examination (CPSE) 2024. It is said that the written examination for recruitment of sub-inspectors conducted by the Odisha Police Recruitment Board was postponed after Berhampur Police busted a major recruitment racket with the arrest of 114 aspirants and three middlemen from the Odisha-Andhra Pradesh border on September 30. Subsequent investigation revealed the role of an “organised criminal syndicate” was in place to subvert the entire examination process and give job to people who were willing to pay speed money. Sources say such a scam cannot happen without the blessings of senior government officials. It is alleged that each Sub-Inspector post was being sold for Rs 25 lakh. Informed sources say the scam could be worth around Rs 200 crore. So far Vanik Coaching Centre in Odisha is in focus. In the last 15 months, 16 recruitment exams have been cancelled at the last moment, leaving job aspirants frustrated. The BJP-led government by chief minister Mohan Charan Majhi says the recent recruitment scam in police is the legacy of the previous Naveen Patnaik’s BJD government. When Short Post contacted DGP Y B Khurania he refused to comment saying, “he was going on leave”.
The idiom aging like an old wine seems apt for the 56-year old Bobby Deol. Finally, he has stepped out of the shadow of his father Dharmendra and brother Sunny Deol. For an actor who almost became a recluse and took to drinking, the comeback has proved all his detractors wrong. What changed his life was an innocent question by his children: why is daddy home and not going to work? This is what he said in an exhaustive interview to Times Now‘s Navika Kumar. He went out looking for a job and he was lucky. A web series came his way and his role as Baba Nirala in Aashram (2020) made audiences sit up again. Then came Animal (2023), where his near-silent performance stole the spotlight despite limited screen time. Suddenly, Bollywood’s “forgotten Deol” was the industry’s most talked-about star. Bobby made his debut in Barsaat (1995). With hit films like Gupt, Soldier, Badal and Bichhoo he had carved a niche for himself as the romantic action hero. His downfall started some time in 2010 as a lot of new faces emerged who were versatile. Now cut to current days, he seems breezing with confidence… zipping in and out of film sets or TV news studios. Sure, Bobby has bounced back but diehard industry watchers have a piece of advice for him. “Now, that films are coming the way, he should pick and choose…he should strike a fine balance between art and commerce…that’s a craft he needs to master”.
In the intensely competitive ecosystem of Kollywood, traversing 22 years and reaching Lady Super Star status is no mean feat …in the same demanding profession where beauty, fitness and a modicum of acting talent combine to make a star. Forty-year old Nayanthara has achieved this milestone, still holding steady as one of the highest paid heroines (Rs 7 crore per film) pan India. Before she turned into the legend Nayan, she was Diane Mariam Kurian, dad Kurian Kudiyattu from the armed forces and mother Omana Kurian who bestowed her beauty and grace. Maybe she carried her military disciplined upbringing to her profession. But Nayan, went through some stormy and controversial romantic hookups too…her dalliance with a married Prabhu Deva, her brief affairs with Simbu and Arya provided much chomping fodder to the media, hungry for titillating bits and bytes. From her first film, Manasinakkare in Malayalam in 2003, to playing Sarat Kumar’s lead in Aiyya in 2005 …pairing with Rajinikanth in Chandramukhi which put her in orbit …soon Vijay, Ajitt, Suriya, Vikram, Simbu, Dhanush and Arya were her co-stars. Nayan’s name guaranteed a good box office run. She carried a mythological, Mookuthi Amman on her shoulders and turned a craze among women; the director is now ready with Mookuthi Amman 2. Vignesh Shivan, her husband came into her life with his directed film Naanum Rowdy Thaan, a relationship that merged into marriage in 2002, a much-hyped wedding… Netflix filmed and marketed it. Her twin boys, Uyir and Ulagh keep her busy, even as she still works in films with the same zeal in heroine-oriented roles. Nayan’s cosmetics start-up is sought after by fashionistas.
Jindal (India), part of the BC Jindal Group, is all set to expand its Howrah steel plant in West Bengal with Rs 1,500-crore investment. Already operating two plants in the state producing a range of steel-based downstream products, the group will significantly enhance its production capabilities with this addition. The Jindal Group’s latest investment aligns with its broader plan to scale up steel production across India, aiming to invest Rs18,000 crore over the coming years to enhance overall manufacturing capacity. The new Rs 1,500-crore downstream facility in West Bengal, with an annual capacity of 0.6 million tonnes, is expected to boost the company’s existing capacity by 60%, significantly increasing production of coated flat products, pipes, and crash barriers. According to the company, the commissioning of the new cold rolling complex marks the completion of a key phase in the expansion project, raising Jindal India’s total downstream steel capacity from 1 million to 1.6 million tonnes annually. Currently, Jindal India operates two advanced West Bengal facilities specialising in cutting-edge colour coating, galvanising, and galvalume technologies, further strengthening its position in India’s steel sector. Beyond West Bengal, the company, through its subsidiary, Jindal India Steel Tech is setting up a greenfield steel manufacturing plant in Dhenkanal, Odisha. JISTL plans to invest a total of Rs 15,000 crore in Odisha in three phases by 2030, with the current Rs 3,600 crore investment marking the first phase of the project.
Each time Kerala’s ruling Left Democratic Front (LDF) attempts to appease Lord Ayyappa, something horribly goes wrong. With elections around the corner, first municipality in December 2025 and assembly elections in early 2026, the CPM-led LDF has been doing its best to appease Lord Ayyappa. The Kerala government held a Global Ayyappa Sangamam on the banks of river Pamba last month, in the name of commemorating the platinum jubilee of Travancore Devaswom Board (TDB), which manages Hindu temples across the state. The meets agenda also included promotion of pilgrim tourism and exploration of investment opportunities. The meet failed miserably when the Opposition Congress-led UDF and BJP opposed the meet. It ended in a whimper with very low attendance. The hype behind the meet led to the focus shifting to release of Ayyappa devotees arrested in the 2018 Sabarimala protest against the Supreme Court judgement permitting women of menstruating age to worship at the shrine. While devotees and people at large ignored the Supreme Court ruling, the LDF took special interest in implementing the Apex Court order by forcefully taking young women to the shrine with full police protection. This act left LDF not only alienating the Hindus in the state but also families of CPM cadres. The Left-oriented cadres, at least on paper may be atheists, but not their families.
With the government spelling out its stand that Team India will continue to participate in multilateral events like the World Cup and Asia Cup which will also feature Pakistan, the Asia Cup gets a clearance that may not be popular with sections of the public because of the tensions with Pakistan post-Pahalgam terror attack. However, this is a stand Team India followed even in the Champions Trophy but in which it stressed that it will not play in Pakistan and nor would the BCCI expect Pakistan to play in India though they did that in the 2023 ODI World Cup. The picking of the squad for the Asia Cup was a clear pointer to the BCCI being confident of getting clearance to take part in the Asia Cup which it will host in the UAE. Not that the squad the selectors picked was universally popular. The omission of Shreyas Iyer was the biggest talking point but equally mysterious was the omission of Yashasvi Jaiswal who was a member of the T20 World Cup winning team in 2024. Some former players used their time to think about picking a squad out of those not selected for the Asia Cup and they came up with a playing XI that could be expected to give Team India a run for its money. Here is the alternate team for the Asia Cup: Shreyas Iyer (C), Yashasvi Jaiswal, Sai Sudarshan, KL Rahul, Riyan Parag, Dhruv Jurel (wk), Washington Sundar, Ramandeep Singh, Ravi Bishnoi, Mohammed Siraj and Prasidh Krishna. That is a pretty good playing XI quite capable of upsetting the real Team India. Of course, what the XI of those left out conveys best is the depth of Indian cricket when it comes to white ball competitions
Growing up is a process. But it isn’t an easy task. It involves quite a challenge. How to navigate the growth challenges? That thought is exercising the minds of the top honchos (read the promoters) of this organisation. This iconic enterprise stood as a shining star in the industrial landscape of Tamil Nadu. Somewhere along, however, it fell into bad times and almost went into oblivion. But the arrival of a new promoter changed the fortunes of this Chennai-based Kothari Industrial Corporation Ltd completely. New promoter J Rafiq Ahmed got KICL relisted, helped the company become debt-free, brought investment from a Qatar firm connected to the ruling family, got the organisation to quickly move into areas such as non-leather footwear, drones, publishing, food, waste management et al. Well-meaning Ahmed is a man in a hurry. The man lays much store by empowering women in rural areas. Alert to time sense, he feels that his organisation has to move into the fast lane not just to catch up what it has lost but also to move ahead of others. A robust system is critical as the organisation glides into higher growth orbit. Not surprisingly, he has drafted the service of a top-notch global consultant to put in place an organisational structure which absorbs and addresses the growth challenges. A robust organisation is essential to its sustainability in the long run. The focus is now on putting the systems in place so that the organisation runs without let or hindrance and sans individual bias.
Once again filmmaker Vivek Agnihotri has been mired in controversy. This time it’s over his soon-to-be-released The Bengal Files. Since the launch of its trailer in Kolkata, it has been locked in legal disputes, political allegations, clarifications from lead actors and objections from freedom fighter Gopal Mukherjee’s grandson. Agnihotri has accused the Mamata Banerjee government of trying to stall the release. He claimed actors Saswata Chatterjee and Sourav Das were compelled by Didi’s government to issue media statements. The Bengali actors distanced themselves, saying they were unaware of the full script and were only briefed on their roles. Saswata Chatterjee, who plays the antagonist, clarified his role was limited to acting, with no involvement in political or historical debates. He admitted he had not read the complete script—describing this as common in the industry—and learned of the title change from The Delhi Files to The Bengal Files only after shooting ended. Santana Mukherjee, grandson of freedom fighter Gopal Mukherjee (Gopal Patha), filed a FIR objecting to the portrayal of his grandfather as a butcher. He described this as distortion, stressing that Patha, a member of Anushilon Samity, owned two goat-meat shops, was a wrestler, and had taken up arms in 1946 to protect civilians from Muslim League attacks. He alleged misrepresentation without consulting the family. Sourav Das, who plays Gopal Patha, distanced himself too, saying he was only briefed on his role. Amid the uproar, National award-winning filmmaker Goutam Ghose released a video statement, noting Bengal’s pioneering role in India’s independence but also its scars from Partition. Ghose insisted films on Partition or communal riots must rest on rigorous research rather than political or emotional motives.
The Paris-headquartered Calderys, a refractory solutions company with presence in over 30 countries, has chalked out big plans for India. It is committed to invest over $100 million in Odisha to cater to both India and APAC countries. At Bhuinpur, Khorda district, Bhubaneshwar it is setting the world’s largest single site production hub for refractories production and steel casting fluxes. The six-phase project has already seen the completion of the first leg of Refractory manufacturing at Bhuinpur, Khorda district. As per reports, full-fledged production at its Khorda plant will begin in the second half of 2026. Calderys APAC Region, Sr Vice President & MD Ish Mohon Garg says “India’s $ 2 billion refractory market is poised to double by 2030, driven by surge in infrastructure, manufacturing and energy projects”. When asked what made Calderys consider Odisha for investments, Garg praised Odisha’s top end bureaucracy saying “we were hypnotised by Odisha, particularly the speed of action, decision making and clarity of thought without any follow up. Everything was wrapped up in three months, thanks to efficient IAS bureaucrats like Hemant Sharma, Bhupendra Singh Poonia at IPICOL and Collectorate & District Magistrate of Khorda and others”. He assured that Calderys will provide cutting edge refractory solutions to its customers. He said the first production line of acidic monolithics refractories having exceptional chemical resistance and thermal stability has already commenced and sales have started for the domestic market. Odisha’s economic growth seems unstoppable. After steel, aluminium, mining, semiconductor forays, the state is now focusing on refractories.
Aryan Khan’s directorial debut arrives with a confident, offbeat pulse that immediately distinguishes it from routine star launches. The promo’s cheekiest beat comes when Aryan breaks the fourth wall, addressing the camera as the familiar, violin-laced Shah Rukh Khan motif plays — an audacious, meta wink that signals reverence without reverence’s usual stiffness. That tonal gamble pays off: the piece feels mischievous and smart rather than self-important. Visually, the promo is polished and assured. Clean frames, slick colour palettes and an Arri Alexa–style sheen hint at streaming-grade cinematic ambition. Art direction and sound design suggest a larger production muscle at work, while the supporting cast — names like Bobby Deol and Raghav Juyal — promise layered turns that complement Aryan’s youthful voice rather than overshadow it. The world he sketches is slightly chaotic and deliberately uncertain, an apt playground for an emerging filmmaker aiming to stake out an identity. Beyond style, the project carries heavyweight goodwill. Glimpses of Shah Rukh Khan and buzz from industry peers amplify attention; Netflix’s visible enthusiasm — from executives in India to global leadership — underscores how much is riding on the series as a conversation-starter for the streamer. But flash isn’t the same as staying power. The promo does its job: it teases tone, talent and production values and provokes curiosity rather than answers. Whether Aryan “scores” will depend on what follows — sharp writing, assured long-form direction and committed performances across episodes. This moment also sits within a broader trend: star children and actor-turned-directors reworking industry legacies into new careers. From the lineage of filmmakers such as Randhir Kapoor and Rakesh Roshan to contemporary scions like Utkarsh Sharma, Junaid Khan and Krishna Shroff exploring directoral roles, filmmaking has long been a family trade.
In her recent interview to Tamil magazine Kumudam, ageless wonder and popular actress Nadhiya talks about the secret of her youthful looks, energy and enthusiasm as if it is as easy as plucking a low hanging fruit off a tree. She made her mark even in her first Tamil film Poove Poochoodava in which she played the granddaughter of another rocking beauty, Padmini. Not just looks but talent too, earning a Filmfare Award. But several Tamil, Telugu and Malayalam films later, it was her role as a single mother in M Kumaran S/O Mahalakshmi that brought her a huge wave of adulation ..Ravi Mohan, Asin and Prakash Raj were just foils to this dedicated actor …she takes her son to be enrolled in school…the Principal insists that the field “father” must be filled. Nadhiya just grabs the pen and fills the form as Son of Mahalakshmi. This scene inspired many single mothers. Then she looked like an older sister to Ravi Mohan …now, paradoxically, he looks like her older brother. At the height of her career, in 1988, she married Shirish Godbole and winged off to America, to live her life as a family maker. What made her give up fame, celebrity status? She is clear why…I knew him as a student, we planned to marry only after he settled down. Two daughters and American life did not erode her magnetism. When she flew into Mumbai, her fans accepted her. Even if she sashayed into her modelling role, she could have launched several products — bangles, sarees, sandals. She shares the secret of her youth and energy…a down to earth attitude to life, eat only when needed, workouts are non-negotiable and focus on tasks. Her fans are perplexed about why this talented and striking beauty is not chosen for more rewarding roles.
A docile and law-abiding people, Parsees are always held in high esteem. Their contribution in nation building is unmatched. It is very rare to see a Parsee breaking law. But there was an exception. A municipal action against stray dogs in then Bombay about 200 years ago had so angered the microscopic community that its fury exploded in a terrible riot. The fateful day was 6 July 1832, a holy day for the Parsees. When they ventured out of their houses in the Fort area, civic dog catchers were seen catching the dogs loitering around. About 200 Parsees tried to stop the action but to no avail. Soon, a clash started and two policemen were attacked. The protest spread to other communities. Hindus, Jains and Muslims, too, joined the free for all. Several prominent Parsees were arrested, only to add oil to the fire. Mumbai came to a standstill. Like the present Supreme Court has done, the British authorities were forced to rescind their original decision. Sir Jamsetjee Jeejeebhoy, the doyen of the local people, demanded an immediate stop to the culling and proposed that stray dogs should be relocated outside the city. The British agreed. The regulation mandating the killing of stray dogs was withdrawn. The Bombay Dog Riots of 1832 floods many memories about the then Bombay, a city loved by the British and her inhabitants equally. As far as the SC is concerned, the lesson is – history repeats itself.
TRENDS & VIEWS
Editor’s Note: Short Post Noticed By People Who Matter
Four years have zipped by and we are crossing another milestone on 31st January 2025 – it’s our 4th Anniversary. It feels good.
Looking back at the 1460 days, I must say Short Post has made its mark with people who matter via 4000 stories published in the areas of politics, business, entertainment and sports. All made possible by the unflinching commitment and dedication of our senior editors, most of whom have been part of this journey from Day One.
Small pack, big impact is in essence the story of Short Post which was launched at the height of the Covid-19 pandemic in 2021. It shows our conviction. In all humility, I can say, we have created a new niche in the news segment space like Hindustan Unilever which created a new segment, when it launched CloseUp Gel.
Yes, we have created a brand (in a limited sense), created demand (readers) and created supply (senior journalists). But we are facing teething problems like all start-ups. What makes us happy and confident is the recognition of our efforts. For instance, we have an arrangement with the OPEN Magazine, part of the $4.5 billion Kolkata-based Sanjiv Goenka-RPG Group. This arrangement sees around 10 Short Post stories posted on OPEN Magazine website every week. This arrangement is testimony that our content has been well received! Also, I may add that the Maharashtra government has recognised Short Post and has allowed our senior editor to cover the Assembly sessions. Ditto: Odisha.
Our goal is to ensure that Short Post becomes a habit. I would like people to keep checking their smartphones to know the latest Authentic Gossip. As regards AI and the fear of it disrupting all businesses including media. On that, personally, I have no such fear as I am confident AI cannot smell news particularly Authentic Gossip. That’s the place we are well entrenched.