Five months after West Bengal’s political change, silence has descended on several artists, writers and intellectuals who once stood firmly behind Mamata Banerjee. From Kabir Suman and Jogen Chowdhury to Abul Bashar, many familiar faces from her political platforms have largely disappeared from public view. Artist Shuvaprasanna has stayed largely out of the public eye since May. A pivotal figure during the 2006–07 Singur-Nandigram movements, he hosted strategy meets at his Salt Lake residence—attended by Kabir Suman, Joy Goswami, Jogen Chowdhury, Shaoli Mitra and Bibhas Chakraborty. After halting in 2011 upon Trinamool’s rise, these gatherings resumed in 2018 with the BJP’s emergence. Shuvaprasanna taught Mamata painting, coordinated her exhibitions, held railway and Heritage Commission posts, received the Bangabibhushan award, and vigorously defended her 2022 Bangla Akademi award. However, on September 20, he inaugurated an exhibition alongside BJP minister Dilip Ghosh and leader Bishwapriya Roy, a month after BJP minister Agnimitra Paul attended his wife Shipra Bhattacharya’s exhibition. Nationally-acclaimed painter and former Trinamool Rajya Sabha MP Jogen Chowdhury (88) has also receded from public life. Singer Kabir Suman (78), who experienced a volatile relationship with Mamata—once predicting a temple in her honour before distancing himself and considering backing a compassionate Left party—refused direct comment. Yet, an October video showed him thanking local BJP MLA Papiya Adhikari for civic improvements in local infrastructure, water, and power. Author Abul Bashar, who once declared that leaders like Mamata are born only once in a while, deferred his remarks. Meanwhile, poet Joy Goswami—who once lauded Mamata’s humanity but later sparked debate by exiting an RSS-linked event over Taslima Nasrin’s presence—remains the sole voice expressing sorrow over her plight.

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