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aroop messi
What Got Mamata’s GOAT?
West Bengal chief minister Mamata Banerjee sacked state Sports & Youth Welfare Minister Aroop Biswas following the inept handling of the legendary footballer Lionel Messi event which turned ugly leading to chaos and vandalism at the Salt Lake stadium. The CM who has instituted an inquiry will handle his portfolio for now. Thousands of fans had bought costly tickets but failed to get a glimpse of GOAT Messi. The visuals of the vandalised parts of the stadium shown worldwide embarrassed the ruling Trinamool Congress. Biswas came under sharp criticism after images of him accompanying Messi at the stadium went viral, with football fans alleging that he remained in close proximity to the footballer during the event. Though Biswas wrote to Banerjee expressing his willingness to step down till the probe was completed, sources said the chief minister did not speak to him during two high-level meetings. Some of his associates had expected the controversy to be eclipsed by the publication of the draft voter list. The inquiry committee submitted its preliminary report to Nabanna on Monday (Dec 15) night. Acting on its recommendations, Chief Secretary Manoj Pant on Tuesday issued show-cause notices to DGP,police commissioner, principal secretary etc.  Apparently, there has been a turf war between two TMC ministers — Sujit Bose and Aroop Biswas –over access to Messi. Bose has deep roots in Bengal’s sports administration and enjoys high visibility at major events, while Biswas, as Sports Minister, has overseen marquee tournaments, giving him clear institutional authority over visiting athletes. Beyond sports, the two are also perceived as rivals in Durga Puja — Sujit’s Sribhumi versus Aroop’s Suruchi Sangha. While Sujit’s interactions with Messi unfolded in the controlled confines of the hotel, Aroop sought to reclaim visibility at the stadium, where mass crowds and public attention mattered more. As a result the public anger focused on Biswas and Didi had to...
mamata tollywood
Tollywood Directors File Rs 23-Crore Defamation Suit Against Technician Federation President Swarup Biswas
A major controversy has erupted in Tollywood as over 233 directors from films, TV and independent media have filed a defamation suit against Swarup Biswas, president of the Federation of Cine Technicians and Workers of Eastern India. The Rs 23-crore lawsuit follows Biswas’s contentious remarks alleging rampant sexual harassment in the film industry, with 60% of complaints purportedly against directors and producer-directors. The hearing will take place on January 10. Swarup, the younger brother of Aroop Biswas, Bengal’s Power and Housing Minister and a close aide of chief minister Mamata Banerjee, finds himself at the centre of an unprecedented protest by Tollywood’s creative community. This is, perhaps, the first time that Tollywood has publicly challenged the Federation. Directors and producers have also criticized what they call “red-tapism” and “arbitrary demands” imposed by the Federation, including its control over unit sizes, pay scales, working hours, and technician selection. At the Eastern India Motion Picture Association’s (EIMPA) recent AGM, Swarup Biswas proposed that producers deposit Rs 5 lakh each as security to ensure timely technician payments, citing Rs 50 lakh in pending dues. Producers have outright rejected the demand, questioning the Federation’s accountability and EIMPA’s silence on the matter. Veteran actor-director Aparna Sen has publicly questioned Swarup Biswas’s credentials, asking for proof of his contributions to the industry. Biswas holds an assistant director’s card, which is reportedly issued only to those involved in at least two films. Actor-politician Roopa Ganguly also criticized the Federation, accusing it of politicizing the industry and questioning why filmmakers often seek the CM’s intervention during crises.
Tollywood_003
Sexual Harassment Claims Ignite Debate in Bengal Film Industry Over Women's Safety
The rape-murder of RG Kar hospital doctor has led to a wave of revelations in the Bengali film industry. Women across all levels have come forward with allegations of sexual harassment against influential figures, including directors and producers. In response to these allegations, the Federation of Cine Technicians and Workers of Eastern India (FCTWEI) recently announced the formation of a special 15-member committee, named ‘Suraksha Bandhu,’ aimed at safeguarding women in the industry. However, the formation of the committee has sparked controversy, with the Directors Association of Eastern India (DAEI) questioning the legitimacy of the new body. Director Sudeshna Roy representing DAEI criticized the FCTWEI for not adhering to a proper process when selecting committee members. She also challenged the Federation’s statement that claimed 60% of directors and 40% of producers were implicated in the complaints. Roy pointed out that the technician’s association is led by Swaroop Biswas, brother of state minister Aroop Biswas, and alleged that Swaroop made the sole decision to constitute the women’s protection committee without consulting other key stakeholders. She argued that the Federation is not the industry’s sole regulatory body and questioned its authority to unilaterally form such a committee.  In contrast, DAEI has proposed the creation of a new committee, ‘Women’s Forum of Screen Workers Plus,’ which would be tasked with addressing complaints of sexual harassment. It may be recalled that celebrated director Arindam Sil was banned by the Directors Guild following multiple complaints of sexual harassment. The ban will remain in effect until Sil is proven innocent, signalling that the industry is taking the allegations seriously.
prosenjit_rahool anirbhan
Face Off In Tollywood: Directors’ Guild Vs Cinema Technician Workers
The Bengali film industry is seeing a faceoff between the Directors’ Guild and the Federation of Cinema Technician Workers of Eastern India (FCTWEA) leading to political interventions to resolve the issue. The trigger was a 3-month shooting ban on Tollywood director Rahool Mukherjee for commencing shoot without requisite permissions from Directors’ Guild and FCTWEA. Notably, FCTWEA is led by Swaroop Biswas, the brother of Trinamool Congress minister Aroop Biswas. The situation has intensified with several high-profile Tollywood figures speaking out against the ban. Directors Parambrata Chattopadhyay, Kamaleshwar Mukhopadhyay, and Kaushik Ganguly, along with TMC MLA and director Raj Chakraborty, and actor-turned-MP Dev, have condemned the restriction. On July 26, the Directors’ Guild gave green signal to Mukherjee to start shooting of his film starring Prosenjit Chatterjee and Anirban Bhattacharya. However, FCTWEA refused to lift the ban and permitted Mukherjee only to serve as a creative director. This decision led to a fiasco on July 27 when several technicians failed to show up for the scheduled shoot. Prosenjit pointed out that such a situation is detrimental for the Bengali film industry. Dev expressed strong disapproval of the Federation’s stance, while Parambrata Chattopadhyay accused Federation officials of leveraging their position to impose their own crew members, despite having sufficient staff already in place. The issue has stirred concerns about the influence of political figures on the film industry, with allegations of muscle-flexing by the Federation at the behest of Minister Aroop Biswas’s family. Director Rahool Mukherjee is keen that the whole situation is resolved amicably in the interest of Tollywood. Will the West Bengal chief minister Mamata Banerjee who enjoys a cordial relationship with Tollywood personalities intervene and resolve the conflict? 

TRENDS & VIEWS

Editor’s Note: Short Post Is Here To Stay…

Time, they say, flies—and how true that is. Here we are celebrating our 5th Anniversary. Five years ago, when Covid-19 was wreaking havoc across the globe, I took a leap of faith and launched Short Post, India’s first website for Authentic Gossip. That was on January 31, 2021. I was convinced there was a clear gap in the market for gossip that was credible, sharp, and impactful—especially if told in just 250 words.

In this, I was fortunate. Scores of senior editors across diverse verticals bought into the idea and, in the process, gave wings to my dream. Quite honestly, Short Post could not have crossed these milestones without the unflinching support of its contributing editors. Like all start-ups, we have seen our share of ups and downs, but these editors have stood by us like a rock. I take this opportunity to doff my hat to them.

Thanks to their commitment, we have published close to 5,000 stories spanning politics, business, entertainment, and sports. I say this with pride: we made our mark as people who matter read us. “Small packs, big impact” truly captures the essence of Short Post.

We all know that Covid-19 has reset businesses worldwide, and the media sector is no exception. In the post-Covid era, investors have become more cautious and selective—and advertisers too. To compound matters, the entry of AI has disrupted the media landscape in equal measure. So far, we have managed to hold our ground, hopeful that some angel investors will take a shine to us.

What gives me confidence is this: AI cannot smell news—especially the gossipy kind. In other words, AI cannot churn out Short Post-type stories, no matter the prompt. That puts us in a safe zone. As someone rightly said, “AI is a co-pilot, not a pilot.”