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Bengali Film ‘Karpoor’ Revisits CPM Era Education Scam & Mysterious Disappearance Of A Lady
In recent times, the release of politically nuanced films ahead of elections has become a pattern too deliberate to ignore. Movies like Uri or The Kashmir Files, The Accidental Prime Minister or Mein Atal Hoon’s releases were timed so as to stir public sentiment during elections time. Now, with West Bengal’s assembly elections scheduled next year, acclaimed Bengali filmmaker Arindam Sil is on overdrive to get his film Karpoor, released this December. A politically charged mystery thriller it could test the boundaries between art and electoral influence. Karpoor is based on Dipanwita Roy’s novel Antardhaner Nepathye, which draws from the real-life disappearance of Manisha Mukhopadhyay, a former Assistant Controller at the University of Calcutta. Her vanishing in 1997, amid an alleged education scam, rocked Bengal’s academic and political landscape and triggered accusations against the then-ruling CPI(M) regime. Nearly three decades later, Sil revisits the unsolved case, threading it through dual timelines — 1997 and 2019 — with veteran actress Rituparna Sengupta leading the cast. The film is already generating buzz, not just for its sensitive storyline but also for its notable ensemble, which includes several political figures stepping into acting roles. Trinamool Congress spokesperson Kunal Ghosh makes his screen debut in a role reportedly inspired by the late CPI(M) heavyweight Anil Biswas. Minister and theatre stalwart Bratya Basu portrays the lead investigator, while TMC councillor Ananya Bandopadhyay takes on the role of a powerful media editor. Despite the presence of figures aligned with West Bengal’s ruling party, Sil has firmly denied any deliberate political messaging. The film’s content and timing could reignite and provoke fresh political discourse in the state.
KAUSHIK jOYDEEP
Fresh Dispute Erupts Between Tollywood Directors And Cine Federation
As the year begins, the Federation of Cine Technicians and Workers of Eastern India (FCTWEI) finds itself at the centre of a fresh controversy in Tollywood. Reports suggest that director Kaushik Ganguly’s upcoming film has encountered hurdles with the Federation, raising concerns about whether the shooting will commence as scheduled. Sources indicate that the shoot for Kaushik’s new project was set to begin on January 27 in North Bengal, however, complications over crew members have allegedly created friction between the director and the Federation. Rumours have also surfaced suggesting that the Federation has “blacklisted” Kaushik. This follows past disputes between Tollywood directors and the Federation, tracing back to July of last year, when director Rahul Mukhopadhyay faced a similar standoff, leading to the suspension of his Puja film’s shoot. Rahul’s case escalated tensions between the Federation and the Directors’ Guild, which was later mitigated by Chief Minister Mamata Banerjee after her intervention. Meanwhile director Joydeep Mukhopadhyay is facing similar issues as he prepares to start filming later this month. However, director Arindam Sil has got the green signal from the Federation even though he was suspended by the director’s guild over sexual harassment issue. Talk about selective treatment. Another layer to this controversy involves Federation President Swaroop Biswas’ earlier comments on workplace harassment. Last year, he claimed that 60% of directors faced allegations of sexual misconduct, coinciding with the city’s outcry over the rape and murder of a young doctor. Now, it is learnt that TMC minister Aroop Biswas, brother of Swaroop Biswas, might intervene to resolve the matter.
kapur
An IAS Officer With A Difference
From his artistic innovations to renovate Kolkata Tramways to debut solo art exhibition titled “Love and Longing” IAS officer, Rajanvir Singh Kapur is handling his administrative affairs and passion simultaneously. Kapur is currently Special Secretary, Sundarbans Affairs Department of Government of West Bengal and is the officer who brought a lot of artistic innovations in the Kolkata tramways from holding moving library to a restaurant during his previous charge as Managing Director of West Bengal Transport Corporation (WBTC). A self-taught artist, Rajan’s art depicts women empowerment, and also signifies the emotional states of love and longing created during the pandemic where many loved ones were separated by distance and many losing their loved ones. Besides paintings, Kapur also used Phulkari, a traditional embroidery in Punjab region, as an expression for his art work. He has taken the melange of love through various elements like jealousy, envy, seduction, taboo etc through paintings depicting each emotion. The launch of the art exhibition saw various artists and well-known personalities of the city. IAS officer Roshni Sen, Director Arindam Sil, Actor turned MLA Soham Chakraborty, Actor Pallavi Chatterjee, were amongst the many who attended the launch. Eminent painter Jogen Chowdhury observed that it is interesting to see how an administrator perceived art as he’s intrinsically involved in the daily lives of people owing to his work. Kapur believes that at present his arts are not for sale, but would if he needed to do it for a cause.

TRENDS & VIEWS

Editor’s Note: Short Post Is Here To Stay…

Time, they say, flies—and how true that is. Here we are celebrating our 5th Anniversary. Five years ago, when Covid-19 was wreaking havoc across the globe, I took a leap of faith and launched Short Post, India’s first website for Authentic Gossip. That was on January 31, 2021. I was convinced there was a clear gap in the market for gossip that was credible, sharp, and impactful—especially if told in just 250 words.

In this, I was fortunate. Scores of senior editors across diverse verticals bought into the idea and, in the process, gave wings to my dream. Quite honestly, Short Post could not have crossed these milestones without the unflinching support of its contributing editors. Like all start-ups, we have seen our share of ups and downs, but these editors have stood by us like a rock. I take this opportunity to doff my hat to them.

Thanks to their commitment, we have published close to 5,000 stories spanning politics, business, entertainment, and sports. I say this with pride: we made our mark as people who matter read us. “Small packs, big impact” truly captures the essence of Short Post.

We all know that Covid-19 has reset businesses worldwide, and the media sector is no exception. In the post-Covid era, investors have become more cautious and selective—and advertisers too. To compound matters, the entry of AI has disrupted the media landscape in equal measure. So far, we have managed to hold our ground, hopeful that some angel investors will take a shine to us.

What gives me confidence is this: AI cannot smell news—especially the gossipy kind. In other words, AI cannot churn out Short Post-type stories, no matter the prompt. That puts us in a safe zone. As someone rightly said, “AI is a co-pilot, not a pilot.”