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Debate Sparks Over Absence of Bengali Films In Global Festivals
Following Anusuya Sengupta’s acclaimed win as Best Actress in the ‘A Certain Regard’ category for her film ‘Shameless’ at the 77th Cannes Film Festival, questions have arisen concerning the notable absence of Indian Bengali cinema at prominent international film festivals like Cannes, Berlin, and Venice. Acclaimed Director Goutam Ghose, a recipient of numerous awards at prestigious global film festivals, highlighted a disparity in enthusiasm towards festivals among Bengali master filmmakers of yester years. While luminaries such as Satyajit Ray and Mrinal Sen actively engaged with these platforms, celebrated figures like Tarun Majumder and Tapan Sinha were less inclined, despite their films receiving recognition. Ghosh noted fluctuating preferences among festival organizers favouring films from different countries at different times, including periods where Iranian, Korean, and occasionally Indian cinema gained prominence. Film researcher and professor Sanjay Mukhopadhyay observed that films like Debaki Kumar Bose’s ‘Sita’ might have won accolades in Venice due to their westernised portrayal of Indian women. He acknowledged a decline in Bengali cinema’s international visibility post the era of Ray, Sen, and Ritwik Ghatak. Director Atanu Ghosh, whose works have been honoured at international festivals, acknowledged the current scarcity of Bengali films on the global stage. Interestingly, according to director Sekhar Das even Russian films are not being able to make their mark even with these famous directors like Tarkovsky or Sokurov. The same is true for Bengali movies.

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Editor’s Note: Short Post Is Here To Stay…

Time, they say, flies—and how true that is. Here we are celebrating our 5th Anniversary. Five years ago, when Covid-19 was wreaking havoc across the globe, I took a leap of faith and launched Short Post, India’s first website for Authentic Gossip. That was on January 31, 2021. I was convinced there was a clear gap in the market for gossip that was credible, sharp, and impactful—especially if told in just 250 words.

In this, I was fortunate. Scores of senior editors across diverse verticals bought into the idea and, in the process, gave wings to my dream. Quite honestly, Short Post could not have crossed these milestones without the unflinching support of its contributing editors. Like all start-ups, we have seen our share of ups and downs, but these editors have stood by us like a rock. I take this opportunity to doff my hat to them.

Thanks to their commitment, we have published close to 5,000 stories spanning politics, business, entertainment, and sports. I say this with pride: we made our mark as people who matter read us. “Small packs, big impact” truly captures the essence of Short Post.

We all know that Covid-19 has reset businesses worldwide, and the media sector is no exception. In the post-Covid era, investors have become more cautious and selective—and advertisers too. To compound matters, the entry of AI has disrupted the media landscape in equal measure. So far, we have managed to hold our ground, hopeful that some angel investors will take a shine to us.

What gives me confidence is this: AI cannot smell news—especially the gossipy kind. In other words, AI cannot churn out Short Post-type stories, no matter the prompt. That puts us in a safe zone. As someone rightly said, “AI is a co-pilot, not a pilot.”