Chandramouli Biswas’s Suicide: Is Bengali Music Industry Failing Its Artists?

The suicide of Chandramouli Biswas, former bassist of the renowned Bengali band “Fossils”, has not only left Bengal’s music fraternity in shock but also opened a Pandora’s box about the challenges faced by Bengali musicians. Biswas was found hanging in his Kolkata residence and suicide note suggest the artist was battling depression. Sidhu, a member of the iconic band “Cactus,” lamented the lack of infrastructure in Bengal’s independent music scene. He noted that while the film industry has producers and structured promotion systems, independent musicians struggle to gain visibility. According to him, radio stations no longer play Bengali songs, and decisions about playlists are made by offices in Mumbai, sidelining local artists. Eminent singer Raghav Chattopadhyay added that the supply of music far exceeds the demand where gaining recognition in the music industry has become unpredictable, with some talented musicians struggling for opportunities while others achieve overnight fame without formal training. Another concern highlighted by contemporary musician Debdeep Mukhopadhyay is the lack of respect for instrumentalists. Chandramouli, according to his bandmate Mahul Chakraborty, was working on a new project, “Golok,” with plans to release an album before focusing on live performances. However, the lack of a producer and promotional support made the journey challenging. The lack of sustainable opportunities and acknowledgment for musicians has raised broader questions about the state of Bengal’s music industry. While legendary bands like “Fossils,” “Cactus,” and “Chandrabindu” paved the way, newer bands struggled to gain traction. The disparity between the thriving demand for international performances in Kolkata and the stagnation of local talent underscores the industry’s challenges.