Prabhas reigns as a cinematic brand that few could match after the Bahubali super hits. And audiences expect him to exemplify that same brand film after film. After the pandemic pause, Radhe Shyam also released to sky high expectations but the film, shot simultaneously in Telugu and Hindi, turned out to be Candy floss, just fluff, no bite. Advertised as a big budget film (Rs 300-350 crore) boasting over the top visual effects, lavish locales of Europe with each frame mounted to draw gasps of astonishment, Prabhas and Pooja Hegde elicited groans instead even as the screenplay and narrative fell flat as pointless piffle. The Telugu version fared somewhat better, but the Hindi version faced the humiliation of rejection even compared to the low budget yet, intensely riveting The Kashmir Files. Prabhas, cast as a phenomenal palmist (the Einstein of Palmistry, Nostradamus of prediction) has to convince audiences that life lines on one’s palm determines your destiny, and yet it is possible to change destiny by sheer determination. Prabhas playing a palmist challenges destiny but, ultimately gets the girl he loves, Prerna, after super human efforts. Whatever the claims by the makers over box office collections (Rs 150 crore in first three days), even palmist Prabhas didn’t predict revenues would lag way behind the Rs 300 crore spent.