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The latest petition from the Tamil Film Producers’ Association, is perplexing. Justice S Sounthar refused to grant an interim stay adding that film criticisms are part of freedom of speech and expression that cannot be curtailed. It’s not hard to delve into why this gag order is sought legally. The recent disaster of Kanguva at the box office is probably the reason for this drastic demand. High stakes and high jinx political grandstanding. The sop…journos are invited for a press show before the release either in a preview theatre or regular ones. And the press note gives the synopsis, star cast etc. The reviews in print or digital are read by people who decide — given today’s looming OTT presence — whether they want to see it or wait for a week or two. …it seems most decide to wait. Amaran is yet to debut on OTT….5th December after much demand. Because the film is still running to decent shows not managed by incentives Amaran came quietly with a feel good heart touching theme all could relate to. Kanguva thundered “Audience will lap it up. Open mouthed”. We rest our case.
There was an inevitability to the ICC Champions Trophy going the way India (BCCI) wanted it to happen; a hybrid model with one group, with India in it, playing the preliminary stage at a neutral venue (most likely in Dubai or more venues in the UAE) and the second group with host Pakistan in it, playing at home. Being the host nation, the Pakistan Cricket Board (PCB) had to take the unbending position initially for public consumption at home. But after the latest round of ICC Board meetings, the PCB has been made to come around to a view that the hybrid model is the way forward to make possible the revival of the eight-team tournament last played in the English summer of 2017. One can surmise that the other cricket boards understood the sensitive situation better following the BCCI’s communication to the ICC that it would not risk sending its team to Pakistan, citing security concerns. India’s national cricket team has not toured Pakistan since 2008, and the Narendra Modi government has been steadfast in holding on to the call taken by the previous governments. It’s possible that the boards, the non-Asians would have aligned themselves with India’s position for a hybrid model. Pakistan won the last Champions Trophy at `The Oval’ in London in June 2017 and will be keen to give its best shot to defend the title. The PCB — pushed to the corner — wants a similar arrangement for the ICC events in the coming years thus throwing the ball in the ICC court!
In an tell-all podcast, Figuring Out with Raj Shamani, the London resident Lalit Modi bared his soul before revealing why he left India abruptly on the night of IPL-3 final in 2010. The cricket czar fashioned the cricketainment package of the limited-overs game, big biz and Bollywood buzz into the biggest money spinner in pro sport. He was hounded out of India with a combination of people against him, including the Congress party, its HQ at 10 Janpath, N Srinivasan who went on to rule world cricket on Modi’s exit and the betting mafia under Dawood Ibrahim’s D Company. Congress and the Gandhis were against him because he resisted Shashi Tharoor’s girlfriend Sunanda Pushkar being a sweat equity partner in an IPL team bid from Kochi until he was blackmailed into permitting it, with disastrous consequences, of course. In taking IPL-2 to South Africa and out of India at poll time, he ran headlong into ruling party versus opposition politics of the worst kind. Congress wanted him out for daring to take the game away after contemplating playing it only in BJP-ruled states. The Establishment threatened to withdraw the security cover he was given as IPL Commissioner and with serious death threats hanging over him, he made an exit from India under the eyes of the ruling party which could not stop him at the airport gates. He had set the IPL on the path to its greatest glory showering BCCI coffers with billions of dollars but the founder who thought it up had to find a home outside India. His story, regardless of whether he is a fugitive or not, is believable.
The auspicious day December 5, 2024, was scheduled by BJP for the swearing in function of Maharashtra’s next chief minister Devendra Fadnavis, without awaiting erstwhile Shiv Sena CM Eknath Shinde’s decision to enjoin with the government. Meanwhile, consternation is brewing in New Delhi over Shinde’s recalcitrance to formally announce his party’s stand like Nationalist Congress Party (NCP) Chief Ajit Pawar has done. Friday (Nov 29) night’s meeting with Union Home Minister Amit Shah was marked by Shinde making a solo appearance even as Pawar was flanked by Praful Patel, Sunil Tatkare and three four other party colleagues. Shinde’s apparent reluctance to enjoin formally has not gone down well with the BJP leadership despite his family doctor announcing that Shinde was under the weather set to improve over two days of medical treatment. The first discord before the new government is formed relates to Shinde’s insistence upon being accorded the same status as erstwhile DCM Fadnavis who enjoyed full control over the Home department. This fell foul of the BJP template of always holding crucial portfolios to include Home, Rural Development, Revenue and even Finance as a thumb rule. This equation was altered only to accommodate Ajit Pawar who was handed over the Finance department. Highly placed sources indicate that Shinde may be contemplating offering outside support to the BJP led government.
Making his appearance on a reality show Indian Idol the 50-year old Fardeen Khan, son of successful actor-producer Feroz Khan, looked boyish and subdued. Indeed, he has quietly made a comeback on the big screen and OTT after 14 years of self-imposed exile. Although he was signed by Sanjay Gupta for Visfot which took a really long time to release as there were no takers for Gupta’s films; Covid-19 was the main culprit. But it helped Fardeen who got a chance to work with one of the biggest OTT shows Heeramandi directed by Sanjay Leela Bhansali which signalled his comeback in 2024. This was followed by Khel Khel Mein with Akshay Kumar which didn’t do well. But Fardeen who played the role of gay man certainly impressed the audiences and critics in a big way. Fardeen made his debut in 1998 with Prem Aggan. Post that he signed up for several films. Overall his career graph did not pick up. In 2010 after the release of Dulha Mil Gaya he took a break from acting. During this long hiatus he worked on his craft. Fardeen who was married to yesteryear actor Mumtaz’s daughter Natasha now separated has a daughter and son. He often brings his children to the sets. Currently, he is working with Akshay Kumar in Housefull 6 which is set for 2025 release. He may have missed out on No Entry Mein Entry. Will Feroz Khan’s son make a big impact in his second innings?
There seems to be no end to turbulent times in Maharashtra’s politics despite the people voting in the Mahayuti alliance with a thumping majority. Despite the landslide victory, thanks to cracks developed, the next few years promise some unpredictable times thanks to the BJP misjudging the nature of Eknath Shinde. Three years back when the BJP catapulted Shinde to the top job in state, he was expected to work in the background like he had always done in the united Shiv Sena. His ascendance as CM saw him assume a larger than life image thanks to his penchant to meeting people day and night right till the crack of dawn. His generosity in doling out public funds to the public, has reaped in historical and record breaking results. The BJP is discovering the hard way that Shinde is no pushover and they are having a tough time handling him. From demanding the CM’s seat promised to him to refusing to play deputy to his erstwhile deputy Devendra Fadnavis to insisting on having the powerful home portfolio, Shinde is a tough nut to crack despite Ajit Pawar’s tame surrender giving the BJP a strong upper hand on the negotiating table. A sulking Shinde would validate the BJP’s use and throw policy. Not something they want at a time when it needs him to decimate Uddhav Thackeray’s Sena in their Mumbai bastion. Shinde’s reluctance to play second fiddle to Fadnavis or any fresh CM’s face doesn’t promise a smooth term here on, in the state.
A few weeks back, Tamil star Jyotika took her public role seriously and advised her adoring fans, “Why put money in temple Hundis. Instead, use that for buying books and helping poor students”. But if this statement is made onstage in Thanjavur, with a big temple looming over you like a colossus, worshippers are bound to react. Netizens came down heavily on her. The family, including father -in-law, veteran actor Sivakumar have been in the crossfire of late for their alleged atheist stance. Looks like Karma, according to believers, was just waiting to bring her down. After much hype and hoopla, husband Suriya’s movie Kanguva, made with Rs 350 crore released to negative publicity, barely squeaking through Rs 120 crore revenue. Jyotika and Suriya, were left devastated with this box office disaster to their home production. No wonder, every podcast and filmi news picked up the trail of Suriya and Jyotika last week, as they visited four big temples in seven days. Why the sudden change to religion? Some wags say that an astrologer advised them to seek redemption for their “anti-God” views. Kanguva’s failure was the divine wages of sin. At Tirupathi, Jyotika happily posed for pictures with the hoi polloi. It was the couple’s puja for Suriya’s 45th film at Pollachi Masani Amman temple that went viral. In a society that is driven by the alchemy of religion and politics, even cinema has to heed the environment. Megabucks drive art, and art is driven by public sentiments.
With Bangladesh top law officers declaring that the issue of banning ISKCON was a “high priority” for the Mohammad Yunus Interim regime, it may certainly seem as if things could be getting tough for ISKCON in that country. But then what Dhaka may not have bargained for is that if it continues to view ISKCON with suspicion, it would realise that the anti-India sentiment it is whipping up could be reciprocated. Already a private hospital in Kolkata went public declaring it will henceforth not treat any “Bangladeshi patient”. “The country which disrespects our flag, kills minorities we cannot treat them. For us our country is first,” tweeted the hospital. Then a rally, near the Bangladesh Assistant High Commissioner’s office in Agartala, that was taken out under the Hindu Sangharsh Samity’s banner to protest the arrest of ISCKON leader stormed the premises of the Bangladesh consular office. Regretting the breach, the MEA issued a statement saying “Diplomatic and consular properties should not be targeted under any circumstances.” “Don’t let Dhaka get away with spilling Hindu blood. Don’t buy products sourced from Bangladesh,” were campaigns flooding X. “Meanwhile, the RSS came out strongly denouncing violence against the Hindus. In a strongly worded statement RSS Sarkaryvah Dattatreya Hosabale flayed the arrest of the ISKCON Sanyasi Pujya Shri Chinmoy Krishna Das who was leading a “peaceful protests of Hindus”. He urged the Indian government to continue with every possible effort to prevent the ongoing atrocities against Hindus in Bangladesh and take necessary steps to garner international support in this regard. It may be recalled that it was the attacks on Hindus by Islamists in Bangladesh that spurred UP CM Yogi Adityanath to give a clarion call for Hindu unity with his popular “batenge toh katenge“– a call that was endorsed by the Sangh and had helped BJP sweep Maharashtra.
Kolkata’s cultural calendar is abuzz as the 30th edition of the Kolkata International Film Festival (KIFF) approaches, set to run from December 4 to 11. However, this year’s celebration of cinema is overshadowed by controversies and protests within the Tollywood industry. The festival, showcasing 175 films from 41 countries with a spotlight on French cinema, has been relocated from the sprawling Netaji Indoor Stadium to the smaller Dhanodhanya Auditorium by chief minister Mamata Banerjee’s government. The shift in venue, coupled with a reduced guest list, reflects the tension brewing between Bengal’s film industry and TMC government. This uncurrent stems largely from the aftermath of the RG Kar hospital rape incident, which sparked a citizen’s movement involving many prominent Tollywood stars coming out in open against the government. Party insiders revealed that Didi expressed dissatisfaction with Tollywood, remarking that the stars’ involvement had fuelled public outrage. Adding to the friction, a faction of directors and producers is protesting against Swarup Biswas, president of the Federation of Cine Technicians & Workers of Eastern India, accusing him of running a “syndicate raj.” Legal disputes, including defamation cases have escalated tensions further alienating a significant section of the film industry. This year, a notable portion of Tollywood has reportedly boycotted the festival, marking a shift in its traditionally warm relationship with Didi. Over the years, Didi fostered strong ties with Tollywood, even nominating several actors to political office. Yet, the current unrest signals a growing rift, with critics suggesting the RG Kar protests lent momentum to public dissatisfaction with her administration. This has strained the once-strong bond between Didi and the industry.
The 55th edition of the International Film Festival of India (IFFI) held in Goa every year was bigger in scale and ambition. There were more venues for screenings. Besides Panjim there were places like Porvorim including beach screenings at Anjuna and Miramar. The 9-day celebration showcased over 200 films from 75 countries. But, the glamour quotient was missing. Telugu superstar Allu Arjun whose name was sent out by the media cell of the festival did not turn up instead asked his Pushpa 2 co-star Rashmika Mandanna to stand in for him. Although IFFI is about the convergence of cinema from all over the world, the perception is always made by the big Bollywood and international names attending. And this was not impressive. The only big names from Hollywood were Hugo Weaving and Chuck Russell who are no longer part of the mainstream cinema. Every year there are huge delegate queues waiting to watch films but that was missing this year, an indication that cinephiles are losing interest in the festival. A few complained that the booking app showed it was houseful but the reality was just the opposite. The Film Bazaar, the biggest marketplaces,a big attraction for young filmmakers and storytellers seems to have attracted less number of buyers — both Indians and foreigners. The Indian Express in its editorial said that various institutions “over the years, pumped in funds and energy into making the IFFI as prestigious as the Cannes Film Festival — as envisioned when Goa was selected as the festival’s permanent home in 2004. Yet, 20 years on, unlike its model on the French Riviera — whose selections and winners go on to dominate the international festival circuit and awards season — the IFFI is far from shaping global cinematic imaginations and sensibilities.”
The CPI (M) in West Bengal is currently under extreme political crisis after being completely whitewashed in the 2021 Bengal Assembly Election. With no MLAs at the Assembly, the party has been trying desperately to reach out to the grassroot level and increase their public relations by highlighting the achievements of the 34 years of Left Front regime. Lack of leaders with the stature of someone like the late chief minister and CPI (M) patriarch Jyoti Basu and his successor Buddhadeb Bhattacharjee, the party continues to highlight upon their 34 years of Left Front regime. Moreover, it celebrated the anniversary of the establishment of the first Left Front government. Numerous social media posts and videos were shared along with the talk shows participated by former Left Front chairman Biman Bose, former Left Front minister and senior leaders Surjya Kanta Mishra, Ashok Bhattacharya and others. Significantly, Bhattacharjee still remains still the go-to person, despite staying away from public limelight since leaving office in 2011. The party made an interesting choice, when it urged the 78-year-old ailing Bhattacharjee to address the 11th All India Conference of the CPI (M)’s youth wing the Democratic Youth Federation of India recently held in Kolkata. For a party that is now looking to gain a toehold in the state after over a decade of continuous electoral reverses, has also held ahead several events on the occasion of Jyoti Basu’s 109th Birth Anniversary.
TRENDS & VIEWS
Editor’s Note: Big Punch In Small Pack
It is the Third Anniversary of Short Post and as a news media startup launched during the Covid-19 pandemic it certainly feels better than good to find ourselves where we are today. Here, I must cite the unstinted support of our seasoned contributors, all senior editors in the country, who brought a great degree of maturity and sagacity to the Short Post newsroom. But for them, our tagline “Authentic Gossip”, an Oxymoron, would not have matured viably. Our user numbers may be small but our stories have created the desired impact among people who matter — decision makers and influencers. We offer a big punch in a small pack and Short Post with its 225-word stories has been punching above its weight category. Having posted close to 3,000 stories in the last 36 months, Short Post, I feel, is an idea whose time has come.
And this is vindicated by our two marquee advertisers – IDFC FIRST Bank and ICICI Lombard. Both believed in our story and have supported us from Day one. A big thank you to both.
If you look at the media landscape – print, TV and digital — it is a mixed bag. There are job losses as some outfits have closed down while a lucky few were bailed out by large corporate houses. Yes, there is a lot of action in the digital space. However, the entry of corporate houses has raised the question of independence of news media outfits. Sadly, there are just a handful of independent media outfits in the country that are highly respected for their neutrality. At Short Post, our credo is not to take sides, prejudge issues or be biased but, informing readers of behind-the-scenes happenings. In essence, Short Post strives to be a neutral editorial platform — neither anti-establishment nor pro-establishment.
As I said last year, disruptions in the media world are moving at a fast and furious pace. Technology is playing a very big role in how content is generated and consumed. But, we are neither alarmed nor perturbed as it is all a part of the evolution process. What gives us comfort is that AI is unable to create original gossipy content. And that is the news arena where we have achieved a distinction.